Make Your Move Before She's Gone Quotes & Sayings

There is history the way Tolstoy imagined it, as a great, slow-moving weather system in which even tsars and generals are just leaves before the storm. And there is history the way Hollywood imagines it, as a single story line in which the right move by the tsar or the wrong move by the general changes everything. Most of us, deep down, are probably Hollywood people. We like to invent "what if" scenarios
what if x had never happened, what if y had happened instead?
because we like to believe that individual decisions make a difference: that, if not for x, or if only there had been y, history might have plunged forever down a completely different path. Since we are agents, we have an interest in the efficacy of agency. — Louis Menand

The Kony campaign us an example of how powerful 'slacktivisim' can be, and demonstrates that, with enough worldwide awareness and social pressure, movements like this one have the power to make politicians move. It also makes the ignorant less so. No-one knew who Kony was before the campaign. The atrocities were happening, and it wasn't even a blip on the social consciousness radar. It's encouraging that there's a way to spread information like this so quickly. — Charlie Caruso

Writing, music, sculpting, painting, and prayer! These are the three things that are most closely related! Writers, musicians, sculptors, painters, and the faithful are the ones who make things out of nothing. Everybody else, they make things out of something, they have materials! But a written work can be done with nothing, it can begin in the soul! A musical piece begins with a harmony in the soul, a sculpture begins with a formless, useless piece of rock chiseled and formed and molded into the thing that was first conceived in the sculptor's heart! A painting can be carried inside the mind for a lifetime, before ever being put onto paper or canvass! And a prayer! A prayer is a thought, a remembrance, a whisper, a communion, that is from the soul going to what cannot be seen, yet it can move mountains! And so I believe that these five things are interrelated, these five kinds of people are kin. — C. JoyBell C.

You're always going to sound like yourself, but you can make really strong attempts to keep some similarities, but move away from what you did before for popularity's sake. — Chuck D

I'm not sure I ever made a woman come with my mouth before I met you," he admits. "I love kissing you there. And I love your ass, it's perfect." With this, I feel his length stir against my stomach as his hands squeeze me. "I like any kind of sex with you, but I prefer being on top of you ... You make missionary feel dirty the way you grab and move under me. — Christina Lauren

That is the greatest sin of all. You can make money under the table and move ahead, but you are forbidden to make secretaries under the sheets. He has dumped several party members for violating his personal moral standards.
If something is leaked to the press, the bigmouth will be tracked down and punished. Scandals aren't public scandals if you get there before you enemies do. — Mike Royko

Look before you leap. Don't take risks lightly. Make sure someone is watching your back. Safety is a shifting illusion, move with it," Grandpa recited in Hadadian before leaning forward and adding his own little ending, "And pray. Trust that God knows best, in every situation. — Jessiqua Wittman

When we're young we think everything has to be wrapped up in a month. But you should take the long view on this one. Before you make a move, be sure, Anya. And even once you're sure, tread carefully. And remember you don't have to do what they expect you to do" -Charles Delacroix — Gabrielle Zevin

The challenge of mindfulness is to work with the very circumstances that you find yourself in - no matter how unpleasant, how discouraging, how limited, how unending and stuck they may appear to be - and to make sure that you have done everything in your power to use their energies to transform yourself before you decide to cut your losses and move on. — Jon Kabat-Zinn

I try to gauge whether a girl likes me before I make a move. I would write a page-long note to a girl. If she wrote a whole page back, I knew she liked me, too. If she wrote back like two words, then I figured I'd move on. — Devon Werkheiser

If Cloverleaf McCarty loses his shamrock singlet one more time, he's fired," Lucille said, slicing one finger against her long, serpentine neck for effect. A janitor walking past her office window saw the move, flinched, and looked down before there was a chance that he and "The Boss Lady" could make eye contact. — Holly Tierney-Bedord

Kestrel climbed down and studied the garden in the lamplight thrown from her sunroom. She chewed the inside of her cheek, and was wondering whether books stacked on the chair on top of the table would make a difference when she heard something.
The grate of a heel against pebbles. It came from beyond the door, and the other side of the wall.
Someone had been listening.
Was listening still.
As quietly as she could, Kestrel took the chair down from the table and went inside.


Before Arin left for the mountain pass, during the coldest hours of the night, he found time to order that every piece of furniture light enough for Kestrel to move be taken from her suite. — Marie Rutkoski

I had Sophie in my arms when Eric came in. He went straight to Delia and kissed her on the mouth, then bent his forehead against hers for a moment, as if whatever he was thinking may be transferred by osmosis. Then Eric turned, his eyes locking on his daughter. "You can hold her," Delia prompted.
But Eric didn't make any move to take Sophie from me. I took a step toward him, and saw what Delia must have overlooked
Eric's hands were shaking so hard that he had buried him in his coat pockets.
I pushed the baby against his chest, so that he'd have no choice but to grab hold. "It's okay," I said under my breath-To Eric? To Sophie? To myself?-and as I transferred this tiny prize to Eric's arms, I held long longer than I had to. I made damn sure he was steady, before I let go. — Jodi Picoult

It's important to make an effort under any circumstance - stagnant, sickness, being in an unstable lifestyle, even when society is insane. You should consider such periods as an omen before you move. When you are stuck on something, it is important to hold to your purpose but not press onward against the current. When you can't move at all, try to concentrate, continuing forward as if in a boat switching to a stronger motor. The keiko that is most important when you cannot move is kage no keiko [shadow training]. — Masaaki Hatsumi

King Yorandt to Kristina in book three of Fracture the Secret Enemy Saga~Secrets
release date: Summer 2014

Even the master does not play perfectly. He can only hope to make fewer mistakes than his opponent, and that in the end, he is the victor. Sajah (chess) is a ruthless game where the pieces are all pawns and the Queen is the true killer.
She spares no one to protect the king. The king however, is ruled by all of the pieces that lay before him, even his opponent. Every move is a decision that can change the whole board, and the endgame. — Virginia McKevitt

Kevin Bacon and I recently worked on a move together, R.I.P.D. Just before we'd begin a scene, when all of us would feel the normal anxiety that actors feel be- fore they start to perform, Kevin would look at me and the other actors with a very serious expression on his face and say: "Remember, everything depends on this!" It would make us all laugh. On the one hand, it's not true of course, but on the other, everything does depend on this, on just this moment and our attitude toward this moment. — Jeff Bridges

Ya smell like sun," he murmured. D's voice was raw, like a man under hypnosis. "Ya know that smell? That toasty-skin smell, like ya get after goin' ta the beach?" He nodded a little. "I love that smell." He straightened, eyes lowered to the ground. "Reminds me a workin' on the ranch, when I was a kid. Ridin' with my brother, up in the hills, sun beatin' down turnin' our necks brown, our hands."
Jack didn't dare speak, or breathe, or make the tiniest move to disturb the so-rare Reverie. This glimpse into D's secret mind was like having a skittish deer approach him on a wooded trail; one false move and it would dart away into the brush, leaving him with only a flash of white tail before vanishing. — Jane Seville

Get out well, but not too quickly, move through the field, be comfortable. Strategy-wise, go with your strengths. If you don't have a great finish, you must get away to win. I've always found it effective to make a move just before the crest of a hill. You get away just a little and you're gone before your opponent gets over the top. Also, around a tight bend, take off like holy hell. I've done that a number of times. You should not be flying down the home straight. Most of your efforts should have been put forth earlier. — John Treacy

I continued to move my fingers across his skin exactly as I had before, but I needed to make a decision. I had reached for him, but I could back out of it by trailing my fingers down his arm and settling my hand in his, like I wanted us to be friends.
I didn't want us to be friends.
Ever so slowly, I slid my hand up his sleeve, across his shoulder, and up his neck to cradle his jaw, prickly with stubble. — Jennifer Echols

For a long time, I did not move from the dark, wood-panelled hall. I wanted company, and I had none, lights and warmth and a strong drink inside me, I needed reassurance. But, more than anything else, I needed an explanation. It is remarkable how powerful a force simple curiosity can be. I had never realized that before now. In spite of my intense fear and sense of shock, I was consumed with the desire to find out exactly who it was that I had seen, and how, I could not rest until I had settled the business, for all that, while out there, I had not dared to stay and make any investigations. — Susan Hill

Choose one thing and become a master of it. Choose a second thing and become a master of that. When you become a master of two worlds (say, engineering and business), you can bring them together in a way that will a) introduce hot ideas to each other, so they can have idea sex and make idea babies that no one has seen before and b) create a competitive advantage because you can move between worlds, speak both languages, connect the tribes, mash the elements to spark fresh creative insight until you wake up with the epiphany that changes your life. — Justine Musk

She persisted when I resisted. And thank God for that. Because the number of storms I needed to go through before appreciating the way the wind whipped through her hair was one to many. Now, I'd move mountains to make her mine. Rain or shine. — J. Raymond

... as a convention, you get up and walk to the window to make the audience believe that you're looking out. It's for the audience, not for you! And what it means to you is something emotional [...] If you went to the Actors Studio you'd spend six months seeing the snow before you could say, 'Look at the snow.' This takes a terrible burden away from the actor, who thinks he's got to see the woods and the snow. 'Give me my gun! I see a rabbit! Give me my gun!' "

Meisner sounds thrilled at the possibility of a hunt.

"That happens when you're still sitting there reading. Then when they put in the scenery you move to the window. Isn't that simple? How simple it is to solve the problem of seeing things when you know that it's all in you emotionally, and that walking to the window is only a convention. — Sanford Meisner

I work on one page, revising and polishing until I can't make it better, then move on to the next. Some pages might get 20 or more drafts before I move on. — Dean Koontz

Make your move BEFORE you are ready! — Les Brown

Forgive me, madam," he said lightly, amused, "but waiting to make love to you again is straining my nerves."
She scoffed but she was quite shaken; he could see it in her expression, in the way she nervously toyed with the buttons on her pelisse.
"How awfully presumptuous of you to think I'd let you."
"You will," he insisted soothingly.
She gaped at him.
"Please continue," he urged. "I'm aching to hear the rest."
"You're as arrogant as usual."
"You missed it, though."
"I absolutely did not," she asserted.
He grinned. "You missed my arrogance almost as much as I missed your impudence, little one."
"That's absurd."
"I love you, Caroline," he softly, quickly replied, catching her off guard with such tenderness. "Move on before I decide I'm finished with this conversation, rip off your clothes, and show you how much. — Adele Ashworth

I'm interested in connecting with readers and strangers through poetry. I want to create real intimacy with my poems. Whether I do that through pulling from my personal life or using my fantasy life - or say history, whether that history is personal history or our collective histories - what's important is that an experience is created. An experience that will hopefully matter to people and feel real. I want my poems to move people and make them want to live their lives, however complicated and impossible those lives may be. I think a poem can speak to the life you currently live but also to the lives you've lived before, the ones to come and also those you've yet to imagine. What else can do that? Not sex or money or other people. — Alex Dimitrov

tucked an arm around the back of Prophet's neck and Prophet buried his face in Doc's shoulder as Doc said, "It's not fair. I know it's not. But before you do anything else, you have to tell Tom." "How do you know I haven't?" "How do I know the sun rises in the morning?" "Fucker," Prophet muttered against Doc's shoulder. "Disability-hater." Doc rubbed the back of his neck but didn't make a move to let him go. And Prophet was okay with that. "Do you want me to tell him?" Doc asked finally. "Yeah. But you can't." God, it was safe right here, with Doc. And Prophet wanted it to be this safe with Tommy . . . and it was, except for this issue. Which he hadn't given Tommy the chance to deal with. "I can be there with you. I'll answer the questions he'll have, so you don't have to." Prophet lifted his head. "Yeah, I get you're trying to make it easier on me, but fuck, it's not going to be at all. I can't pretend anything will help." "Not pretending is the first step. — S.E. Jakes

Vampire Kellan Barstow is tired of watching his best friend Lucas Phillips pine after his one true mate. Though he's jealous that Lucas found his before he found his own, he wants him to be happy and hopes to spur him on to make a move toward his chosen human, librarian Emily Yost. But Kellan's sick of Lucas's moping and decides one thing will convince Luke he needs to act. Sleeping with another woman. — Pippa DaCosta

I would rather insult you than lose you, he said, and before any of them could make a move to stop him, he cast both items into the fire. — Cassandra Clare