Magic Square Quotes & Sayings

The first time I got a chance to meet Michael was onstage at Madison Square Garden. There were tons of people on the stage, and I just remember losing my mind. Like, Oh my God, that's Michael Jackson right there. I was just over his right shoulder. And then when I finally got a chance to get on the stage with him, I was just shut down. He had the type of magic that you just bowed to. I just said, I love you, and I know you've heard it a million and one times from fans all over the world, but you've meant so much to me as an entertainer, and I love you, and I've admired you all these years. — Usher

The lightning bugs are back. They fly low to the ground as the lawn dissolves from green to black in the dusk. Seeing them, I can reconstruct a childhood: a hot night under tall trees; the Good Humor man, in his square white truck, the freezer smoky when he reaches inside for an ice cream.
The lightning bugs trapped in empty jars with holes on top. "Let them out," our mother said, "or they will die in there." We were careless. We always
forgot to open the jars. The bugs would be there in the morning, their yellow tails dim in the white light of the summer sun, pathetic as they lay on
their backs. We were always horrified by what we had done. As night fell we shook them out and caught more.
I relive the magic of the yellow light without the bright white of hindsight. The little flares in the darkness, a distillation of the kind of life we think we had, we wish we had, we want again. — Anna Quindlen

Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. There's likely more combined square footage for the showing of art on one New York block - West 24th Street between Tenth and Eleventh Avenues - than in all of Amsterdam's or Hamburg's galleries. — Jerry Saltz

The Grace represented the world of life, the world of the dead, and the way magic and Creation linked them. The outer circle of the design represented the beginning of the infinite world of the dead. Inside the outer circle was a square, its points just touching the outer circle. Inside the square was another circle, just touching the insides of the square. The area between those two circles with the square represented the world of life. The inside circle was life's beginnings, the outer circle its end, where souls crossed through the veil into the eternity of the underworld. An eight-pointed star inside the smaller circle was the Light of Creation. Lines from the star's points radiated out across the inner circle. the square. and across the outer circle that also symbolized the veil to the wold of the dead. The lines radiating outward from the Light represented the spark of the gift that journeyed with everyone from birth, through life, and on into death. — Terry Goodkind

We walked the length of Jackson Square, stopping to look at the work of a couple of artists who'd set up their sidewalk shops for the day.
"Look." Eugenie stopped in front of an acrylic painting of a mustached man with curly dark hair, hooded eyes, and a big hooked nose. He looked like he'd steal the hubcaps off your grandmother's Cadillac.
"It's Jean Lafitte, our most famous pirate," the artist said. "He was quite a character."
She had no idea. She also had badly missed the mark on his looks. His hair wasn't that curly, he'd been clean-shaven the whole time I'd known him, his nose was straight and in perfect proportion to the rest of his features, and he didn't have hooded black eyes. Still, he might find it entertaining. "How much?" I asked. — Suzanne Johnson

To be content, horse people need only a horse, or, lacking that, someone else who loves horses with whom they can talk. It was always that way with my grandfather. He took me places just so we could see horses, be near them. We went to the circus and the rodeo at Madison Square Garden. We watched parades down Fifth Avenue. Finding a horse, real or imagined, was like finding a dab of magic potion that enlivened us both. Sometimes I'd tell my grandfather about all the horses in my eleborate dreams. He'd lean over, smile, and assure me that, one day, I'd have one for real. And if my grandfather, my Opa, told me something was going to come true, it always did. — Allan J. Hamilton

Abuelita had her chancla. If we mouthed off, she'd take her sandal off and hurl it at us, and I swear to every deity that's ever existed that the chancla had homing powers. It could turn corners and strike us square in the face when we were trying to run away. Pops didn't have a chancla, so he had to settle for using magic if we broke one of his rules. — S.M. Reine

It is the contention of Mr Norrell of Hanover-square that everything belonging to John Uskglass must be shaken out of modern magic, as one would shake moths and dust out of an old coat. What does he imagine he will have left? If you get rid of John Uskglass you will be left holding the empty air. — Susanna Clarke