Magennis Wiki Quotes & Sayings

The End of the Raven
On a night quite unenchanting, when the rain was downward slanting
I awakened to the ranting of the man I catch mice for.
Tipsy and a bit unshaven, in a tone I found quite craven,
Poe was talking to a Raven perched above the chamber door.
'Raven's very tasty,' thought I, as I tiptoed o'er the floor.
'There is nothing I like more.'
[ ... ]
Still the Raven never fluttered, standing stock-still as he uttered
In a voice that shrieked and sputtered, his two cents' worth
'Nevermore.'
While this dirge the birdbrain kept up, oh, so silently I crept up,
Then I crouched and quickly leapt up, pouncing on the feathered bore.
Soon he was a heap of plumage, and a little blood and gore
Only this and not much more. — Henry N. Beard

Sometimes you got to specifically go out of your way to get into trouble. It's called fun. — Robin Williams

What power has law where only money rules. — Petronius

When the sun was set I might perhaps go to sleep. I never let myself sleep during the day. Daytime sleep is a cursed slumber from which one wakes in despair. The sun will not tolerate it. If he can he will pry under your eyelids and prise them apart; and if you hang black curtains at your windows he will lay siege to your room until it is so stifling that at last you stagger with staring eyes to the window and tear back the curtains to see that most terrible of sights, the broad daylight outside a room where you have been sleeping. — Iris Murdoch

It" is the idea of him or her that resides in us--inspired by the "Something" in them, as Pope has it, "That gives us back the Image of our Mind." Although the perception of It must be excited by some extraordinary perturbation in the looks and personality of the adored, the aura that It broadcasts arises not merely from the singularity of an original, as Walter Benjamin supposed, but also from the fabulous success of its reproducibility in the imaginations of many others, charmed exponentially by the number of its copies. The one-of-kind item must become a type, a replicable role-icon of itself--from "a Charles Hart" or "a Nell Gwyn" to "a Mary Pickford" or "a Douglas Fairbanks"--in order to unleash the Pygmalion effect in the hearts and minds of the fans, making the idea of him or her theirs--as much or more than anything else they might call their own. — Joseph Roach

Once on the streets of New York a woman called the police because her child spoke to me. — Theda Bara

After three years of English at Cambridge, being force-fed literary theory, I was almost convinced that literature was all coded messages about Marxism and the death of the self. I crawled out of the post-structuralist desert thirsty for heroines I could cry and laugh with. I was jaded. I craved trash. — Samantha Ellis

There is no flock, however watched and tended, but one dead lamb is there! There is no fireside howsoe'er defended, but has one vacant chair. — Henry Wadsworth Longfellow

It's about storytelling. The story is told through images. So with the cast, I had to make sure that the emotions were readable without sound ... I know some great actors, if you turn off the sound, you don't really know what they're saying. — Michel Hazanavicius