Look Ma No Hands Quotes & Sayings

She squeezed her thighs together, desperate for relief. Aiming for completion without doing something so deliberate as touching herself. Look ma, no hands! — Kate Meader

Well, I have to say it's mighty nice of them Daimons to clean up after themselves when you kill them. It's much better than slaying an Arcadian. (He held his hands up to them.) Look, Ma, no mess. (Fang)
Does Fang have an off switch? (Talon)
(Looking a bit apologetic, Vane shook his head no.) — Sherrilyn Kenyon

The first period of excitement, which began with the Dartmouth meeting, was later described by John McCarthy (the event's main organizer) as the "Look, Ma, no hands!" era. — Nick Bostrom

You are playing with fire, ma petite." The words were nearly unable to escape his strangled throat.
She glanced up at him, just once. A quick look from under the crescent of her long lashes. Teasing. Sexy. His innocent erotic. "I thought I was playing with you," she denied, her attention back on his fierce arousal. Her warm breath bathed him in heat, in temptation.
He threw back his head, his hands tightening in her thick mane of hair. His neck was arched, his eyes closed. "I think it is fair to say it is the same thing," he bit out between clenched teeth. — Christine Feehan

Often, the greatest challenge facing an organization is recognizing and acting on opportunity rather than solving a problem. — Peter Ginter

She breaks. She's sick. Throw a rope, a net. She falls like a shot-up plane. Help her find the landing strip, Her feet are wet - She'll learn, she'll train. She walks a rope on fire, Look Ma, no hands. — Stephanie Hemphill

However, if criticism and humility aren't balanced with appreciation for things we do well and our willingness to learn, we can become critical, judgmental, and stress-filled. — Sue Patton Thoele

On Hayao Miyazaki
I told Miyazaki I love the "gratuitous motion" in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.
"We have a word for that in Japanese," he said, "It's called ma. Emptiness. It's there intentionally."
Is that like the "pillow words" that separate phrases in Japanese poetry?
"I don't think it's like the "pillow word." He clapped his hands three or four times. "The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it's just busyness, but if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb. — Roger Ebert

Everything okay, sweet pea?" Garret asked as he walked over.
"Yep. Just talking to Sean and getting some fresh air."
Garret shoved his hands into his pockets. "You mean you're hiding out here with this pussy who's here for the same reason."
Sean grunted. "Yeah, the exact same reason you've run outside like a damn girl."
Garret grinned. "Too many damned people. Ma eats that shit up, but I swear it makes the rest of us crazy."
"So at what point is she going to figure out we've fled the premises?" Rachel asked. The last thing she wanted was to hurt Marlene's feelings.
"Not to worry. Mom is well used to having to round us up. She usually gives us ten minutes or so to get the crazed look from our eyes, and then she'll come out all sweet-like but with a glint in her eyes you know better than to ignore."
"And at that point, she drags us back inside by our ears," Sean finished. — Maya Banks

I have learned that the things that divide us are far less important than those that connect us. — RachelNaomi Remen

"Oh, but I love them so. There." Margo stepped back, then nodded in satisfaction. "I didn't have much to work with, but ... " "Keep it up, Miss D Cup," Kate grumbled, then looked down and goggled. "Jesus, where did they come from?" "Amazing, isn't it? In the right harness, those puppies just rise." "I have breasts." Stunned, Kate patted the swell rising above black satin and lace. "And cleavage." "It's all a matter of proper positioning and making the most of what we have. Even when it's next to nothing." "Shut up." Grinning, Kate slicked her hands down her torso. "Look, Ma. I'm a girl."
... Her friend was sitting in an elegant Queen Anne chair wearing a black bustier with matching lacy garter belt and sheer black stockings. "Why, Kate, you look so ... different." "I have tits," she stated and rose. "Margo gave them to me." — Nora Roberts

So Captain Jack's come a-courtin'." Her hands stilled on the basket. "Who?" "The tall Shawnee who come by your cabin." The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. "He come by, but I don't know why." "Best take a long look in the mirror, then." Lael's eyes roamed the dark walls. Ma Horn didn't own one. "Beads and a blanket, was it?" She nodded and looked back down. "I still can't figure out why some Shawnee would pay any mind to a white girl like me." Ma Horn chuckled, her face alight in the dimness. "Why, Captain Jack's as white as you are." "What?" she blurted, eyes wide as a child's. Ma Horn's smile turned sober. "He's no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name - Jack. — Laura Frantz

She turns in the doorway. "Oh, and Galen?"
"Yes, ma'am?"
"Have your mother call me so I can get her number programmed into my phone."
"Yes, ma'am."
"You kids have a good time. I won't be home until late, Emma. But you'll be home by nine, sweetie. Won't she, Galen?"
"Yes, ma'am."
Neither Emma nor Galen say anything until they hear the car pull out of the driveway. Even then, they wait a few more seconds. Emma leans against the fridge. Galen is growing fond of hiding his hands in his pockets.
"So, what did you two chitchat about?" she asks as if uninterested.
"You first."
She shakes her head. "Uh-uh. I don't want to talk about it."
He nods. "Good. Me neither."
For a few seconds, they look at everything in the room but each other. Finally, Galen says, "So, did you want to go change-"
"That idea is fan-flipping-tastic. Be right down." She almost breaks into a run to get to the stairs. — Anna Banks

Instead of obtaining myself by fleeing, I find myself forsaken, alone, tossed into a dimensionless cubicle, where light and shadow are quiet ghosts. In my interior I find the silence I seek. But in it I become so lost from any memory of a human being and of myself that I make this impression into the certainty of physical solitude. If I were to scream - already without lucidity I imagine - my voice would receive the same, indifferent echo of the walls of the earth — Clarice Lispector

Well", Fang said, mimicking a thick Southern drawl. "I must say its mighty nice of them Daimons to clean up after themselves when you kill them" He held his hands up to them. "Look Ma, no mess."
"Does Fang have an off switch?" Talon asked Vane. — Sherrilyn Kenyon

You think I am afraid to love you, ma fee? Look at me, my only love, and see how you hold my heart in your hands, see how much I love you when you look into my eyes. — Paula Quinn

Michigan is my antidote to Manhattan. This is where I come to relax. — Mario Batali

Part of what makes a situation traumatic is not talking about it. Talking reduces trauma symptoms. When we don't talk about trauma, we remain emotionally illiterate. Our most powerful feelings go unnamed and unspoken. — Tian Dayton