Quotes & Sayings About Local Color

Local color has a fatal tendency to remain local; but it is also true that the universal often borders on the void. — Hervey Allen

Skin color is basically a measure of the local ultraviolet levels, and it is controlled by relatively minor adaptive changes in the genome. — Bill Nye

Nor did she believe in identity, certainly not the local nationalistic version of it. She said that man was only smart if he was able to shed his identity.

"Skin color is a little hard to shed," she said, "it's true. But the DNA of your social class is even harder to get rid of. — Sayed Kashua

Perhaps, like most of us in a foreign country, he was incapable of placing people, selecting a frame for their picture, as he would at home; therefore all Americans had to be judged in a pretty equal light, and on this basis his companions appeared to be tolerable examples of local color and national character. — Truman Capote

In reality the gatherings were held in order to entertain these few Moslem guests, to whom the unaccountable behavior of Europeans never ceased to be a fascinating spectacle. Most of the Europeans, of course, thought the Moslem gentlemen were invited to add local color. — Paul Bowles

A hack writer who would have been considered fourth rate in Europe, who tried out a few of the old proven 'sure-fire' literary skeletons with sufficient local color to intrigue the superficial and the lazy. — William Faulkner

Couleur locale has been responsible for many hasty appreciations, and local color is not a fast color. — Vladimir Nabokov

I first went there late one afternoon with the fabled Paris photographer Robert Doisneau, who thrived on collecting local color. — Stanley Karnow

Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul. — Ralph Waldo Emerson

My favorite colors come from the shades of local earth. Dig in the ground and you'll find so many layers of color-amazing yellows, sand, browns, black, beige. — Axel

In all such local tragedies time works like a damp brush on water color. The sharp edges blur, the ache goes out of it, the colors melt together, and from the many separated lines a solid gray emerges. — John Steinbeck

Key West has become an imitation of its former self, its eccentricities commoditized for sale to tourists. That "character" you see with a parrot on his shoulder is about as authentic as vinyl siding, employed to provide local color. Gargantuan cruise ships dock two or three times a week, disgorging passengers by the thousands to troll the cheesy T-shirt shops on the main drag, Duval Street. And with all sorts of diversions to keep visitors occupied, like parasailing and jet skiing, tourist season is year-round, clogging the streets with autos, bikes, motor scooters, and pedestrians. I — Philip Caputo

I was 12 when I ordered my first guitar out of the worn and discolored pages of the Sears and Roebuck catalog. The story that I bought it on the installment plan is untrue, the invention of a Hollywood press agent. Local color. I paid cash, $8, money I had saved as a hired hand on my uncle Calvin's farm, baling and stacking hay. Prairie hay, used as feed for the cattle in winter. It was mean work for a wiry boy, but ambition made me strong. — Gene Autry

The layers of his gleaming black hair were thick and neatly cut, and his tanned face glowed from a precise shave. He had a long, straight nose and a voluptuary's mouth.
And he had a pair of remarkable blue eyes that approximated no other shade she had ever seen. Except, perhaps, at the shop where the local chemist made batches of ink by boiling Indigofera plants and copper sulfate together for days until they formed a blue so dark and deep that it approached violet. And yet his eyes did not have the angelic quality one might associate with such a color. They were shrewd, seasoned, as if he had gazed far too often at an unsavory side of life that she herself had never seen. — Lisa Kleypas

The neurons that do expire are the ones that made imitation possible. When you are capable of skillful imitation, the sweep of choices before you is too large; but when your brain loses its spare capacity, and along with it some agility, some joy in winging it, and the ambition to do things that don't suit it, then you finally have to settle down to do well the few things that your brain really can do well
the rest no longer seems pressing and distracting, because it is now permanently out of reach. The feeling that you are stupider than you were is what finally interests you in the really complex subjects of life: in change, in experience, in the ways other people have adjusted to disappointment and narrowed ability. You realize that you are no prodigy, your shoulders relax, and you begin to look around you, seeing local color unrivaled by blue glows of algebra and abstraction. — Nicholson Baker

Many people seem to think that art is a luxury to be imported and tacked on to life. Art springs out of the very stuff that life is made of. Most of our young authors start to write a story and make a few observations from nature to add local color. The results are invariably false and hollow. Art must spring out of the fullness and richness of life. — Willa Cather

The takeaway message here, as Jablonski points out, is that there is no such thing as different races of humans. Any differences we traditionally associate with race are a product of our need for vitamin D and our relationship to the Sun. Just a few clusters of genes control skin color; the changes in skin color are recent; they've gone back and forth with migrations; they are not the same even among two groups with similarly dark skin; and they are tiny compared to the total human genome. So skin color and "race" are neither significant nor consistent defining traits. We all descended from the same African ancestors, with little genetic separation from each other. The different colors or tones of skin are the result of an evolutionary response to ultraviolet light in local environments. Everybody has brown skin tinted by the pigment melanin. Some people have light brown skin. Some people have dark brown skin. But we all are brown, brown, brown. — Bill Nye

Local politicians of color said children and tomorrow. They said digital and democracy and history. — Jonathan Franzen

NBC was trying to convert all of their local programming to color right away to encourage the sale of the sets, so I barely remember working in black and white, although I do know that I did do it, but there was not a major difference, though. — Jim Henson