Little Lamplight Quotes & Sayings

Outside the snow was falling. In the lamplight icy leaf-patterns could be seen glittering on the blue-black windows, and hoar-frost sparkled like melted sugar in the hollows of the bottle-glass panes, all splattered with gold.
The little house, lying snug and sleepy in the darkness, was wrapped in a deep silence. — Joris-Karl Huysmans

His hand sliced through the air in a silencing motion, and he stalked to the window. "Have you seen any rats?"
Her mind spun at the sudden shift of subject. "Rats?"
"Rodents that resemble large mice."
"I know what rats are," she gritted out. "Why?"
"They're spies." He peered through the curtain into the darkness. Thick fog diffused the yellow lamplight, creating an eerie glow on the street below. "Have you seen any?"
Rodent spies? The man might be hot as hell, but he was a loon. As inconspicuously as possible, Cara inched toward the door. "I didn't see any furry little James Bonds. — Larissa Ione

A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead. — James Joyce

The lamplight was warm and the apartment still and snug. At home in bed, in my private abyss of longing, the scenes I dreamed of always began like this. I could lose myself forever in that singular little face, in the pessimism of her beautiful mouth. When I imagined these phrases cast in her voice, they were almost intolerably sweet; now, sitting right beside her, it was unthinkable that I should voice them myself. — Donna Tartt

Here's a stanza from page 68 where the heel of a narrator makes the following observations regarding his "girl-friend" during a post-tryst afterglow:

Several hours later we were lying in her bed, exhausted...
After that one, in the dim lamplight of her bedroom, diffused through the sheets as if through a scrim, I took a good look at her and tried to figure out how she got to me the way she did.

Her face was long enough to qualify as horsy, with a nose to proportion, ever so slightly bulbous & two or three degrees off-true to the left; her teeth were a little too prominent, her lower incisors an ivory jumble, and with her hair up her ears looked like saucers.
There was no denying, though, that she got me going in a way few others ever had.

"Jesus, it's still freezing in here," she said.
— Scott Phillips

Everything was fine with the Zen Lunatics, the nut wagon was too far away to hear us. But there was a wisdom in it all, as you'll see if you take a walk some night on a suburban street and pass house after house on both sides of the street each with the lamplight of the living room, shining golden, and inside the little blue square of the television, each living family riveting its attention on probably one show; nobody talking; silence in the yards; dogs barking at you because you pass on human feet instead of on wheels. You'll see what I mean, when it begins to appear like everybody in the world is soon going to be thinking the same way and the Zen Lunatics have long joined dust, laughter on their dust lips. — Jack Kerouac

It was snowing. In the lamplight, blades of ice were growing on the outside of the blue-tinged window-panes and the hoarfroast, like melted sugar, glittered on the gold-spangled bottle-glass of the windows. Absolute silence enveloped the little house as it slumbered in the shadows.
Des Esseintes let his mind wander ... Like some great hanging of reverse ermine, the sky rose before him, black and dappled with white. An icy wind gusted, intensifying the wild scudding of the snow, inverting the proportions of black and white. The heraldic hanging of the sky turned itself over, becoming true white ermine, itself dappled with black by the tiny patches of night strewn among the snowflakes. — Joris-Karl Huysmans

We are far from liking London well enough till we like its defects: the dense darkness of much of its winter, the soot on the chimney-pots and everywhere else, the early lamplight, the brown blur of the houses, the splashing of hansoms in Oxford Street or the Strand on December afternoons.
There is still something that recalls to me the enchantment of children - the anticipation of Christmas, the delight of a holiday walk - in the way the shop-fronts shine into the fog. It makes each of them seem a little world of light and warmth, and I can still waste time in looking at them with dirty Bloomsbury on one side and dirtier Soho on the other. — Henry James

Walk some night on a suburban street and pass house after house on both sides of the same street each with the lamplight of the living room, shining golden, and inside the little blue square of the television, each living family riveting its attention on probably one show; nobody talking; silence in the yards; dogs barking at you because you pass on human feet instead of wheels. — Geoff Nicholson

I seen but little of this world,
Except my corner of it;
The city never drew me,
For I knew I could not love it.
What I loved best was watching
The garden getting ripe
And a pouch of sweet tobacco
And my old cob pipe.
What I loved best was a harvest moon
Before a frosty morn
And lamplight in the barn lot
And them long, straight rows of corn.
I was plain and country;
That's where it starts and ends,
But nobody loved her family more,
Or treasured more her friends.
I loved the changing seasons,
And looking for life's reasons,
And honey in the comb,
and home. — Richard Peck

So imagine a fire going
wood snapping the way it does when it's a little green - the wind rattling the windows behind the curtains
and one of those Chopin melodies that feel like sorrow and ecstasy all mixed together pouring from the keys
and you have my idea of happiness. Or just reading, reading and lamplight, the sound of pages turning.
And so you dare to be happy.
You do that thing.
You dare. — Steven Millhauser