Literature Character Quotes & Sayings

I'm planting a tree to teach me to gather strength from my deepest roots. — Andrea Koehle Jones

To me, feminism in literature deals with the female characters being in some way central to the thematic concerns of the book, or that they are agents of change to some degree. In other words, the lens is focused deeply and intensely on the female characters and doesn't waver, which allows for a glimpse into the rich inner lives of the characters. — Laurie Foos

Without entering here into a dissertation upon the historical romance, it may be said that in proper hands it has been and should continue to be one of the most valued and valuable expressions of the literary art. To render and maintain it so, however, it is necessary that certain well-defined limits should be set upon the licence which its writers are to enjoy; it is necessary that the work should be honest work; that preparation for it should be made by a sound, painstaking study of the period to be represented, to the end that a true impression may first be formed and then conveyed. Thus, considering how much more far-reaching is the novel than any other form of literature, the good results that must wait upon such endeavours are beyond question. The neglect of them - the distortion of character to suit the romancer's ends, the like distortion of historical facts, the gross anachronisms arising out of a lack of study, have done much to bring the historical romance into disrepute. — Rafael Sabatini

When the river meets the sea, he dies! Because the character of the river is to flow and when the character dies, everything dies! — Mehmet Murat Ildan

I also really liked playing Mr. Tumnus in 'Narnia'. I got to play my favorite character in children's literature, which I loved. You don't get the chance to do that in other jobs. — James McAvoy

The Bible stands alone in human literature in its elevated conception of manhood, in character and conduct. — Henry Ward Beecher

Character is the aim of true education; and science, history, and literature are but means used to accomplish this desired end. — David O. McKay

It is both revealing and invigorating to occasionally set aside the worries of life, seek the company of a friendly book and mingle with the great of the earth, counsel with the wise of all time, look into the unlived days with prophets ... To become acquainted with real nobility as it walks the pages of history and science and literature is to strengthen character and develop life in its finer meanings. — Gordon B. Hinckley

When a book, any sort of book, reaches a certain intensity of artistic performance, it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball. — Raymond Chandler

Anybody may blame me who likes, when I add further, that, now and then, when I took a walk by myself in the grounds; when I went down to the gates and looked through them along the road; or when, while Adele played with her nurse, and Mrs. Fairfax made jellies in the storeroom, I climbed the three staircases, raised the trap-door of the attic, and having reached the leads, looked out afar over sequestered field and hill, and along dim sky-line - that then I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen - that then I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach. — Charlotte Bronte

It seems that the analysis of character is the highest human entertainment. And literature does it, unlike gossip, without mentioning names. — Isaac Bashevis Singer

But when the wizard is onstage as the main character, you have to adopt what I call the Jack Vance Rule. I call it this because Jack Vance is the first author successfully and adroitly to have applied this rule in his The Dying Earth. The Jack Vance Rule is: (1) The wizard has to be able to do something unusual, or else he is not a wizard, (2) he cannot do everything, or else there is no drama; therefore (3) the story teller has to communicate to the reader whatever the dividing line is that separates what the wizard can do from what he cannot do, so that the reader can have a reasonable expectation of knowing what the wizard can and cannot do. — John C. Wright

The founding father of Albanian literature is the nineteenth-century writer Naim Frasheri. Without having the greatness of Dante or Shakespeare, he is nonetheless the founder, the emblematic character. He wrote long epic poems, as well as lyrical poetry, to awaken the national consciousness of Albania. — Ismail Kadare

Literary style is like crystal-ware: the cleaner the wineglass, the brighter the brilliance. As a reader, I agree with those who believe that a colour of the dress, which a character has on, as well as any enumeration and description of dishes at dinner or in the kitchen should be mentioned only in case if all this has a strong consequent relation to the plot, but as an author, I can't help mentioning all this, with no particular reason, just for love for my characters, desiring to give them something nice and pleasant. Melancholy grows a platinum rose. Affection grows a double rose. — Lara Biyuts

Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh. — David Foster Wallace

In contrast to England, half of whose literature seems to revolve around houses and estates, houses and estates being ready extensions of character, America has always found more value in the act of leaving one house for something larger and ostensibly nicer. Fewer and fewer houses remain in a family for more than a generation. They are not passed down ["The Basement," The Awl, Feb 5, 2015]. — Ariana Kelly

The hard-drinking newspaperman is, or used to be, a stock character of fiction. Now he is being phased out of literature just as he is being phased out of life. — Waverley Root

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

[T]he strongest defense of the humanities lies not in the appeal to their utility - that literature majors may find good jobs, that theaters may economically revitalize neighborhoods - but rather in the appeal to their defiantly nonutilitarian character, so that individuals can know more than how things work, and develop their powers of discernment and judgment, their competence in matters of truth and goodness and beauty, to equip themselves adequately for the choices and the crucibles of private and public life. — Leon Wieseltier

I love the gothic literature. It always has such great stories with characters bigger than life and the stakes are always high. And because there's always a wolf at the door, the emotions are high; the romance, the sexuality, friendships, and relationships. You don't know if the guy kissing you one minute is going to bite you the next. This heightens all of the sensibilities and emotions, and therefore, it sings to me. And that's where the music comes from. — Frank Wildhorn

I consider Yoda to be just about the most evil character that I've ever seen in the history of literature. I have gotten people into tongue-tied snits unable to name for me one scene in which Yoda is ever helpful to anybody, or says anything that's genuinely wise. 'Do or do not, there is no try.' Up yours, you horrible little oven mitt! 'Try' is how human beings get better. That's how people learn, they try some of their muscles, or their Force mechanism heads in the right direction, that part gets reinforced and rewarded with positive feedback, which you never give. And parts of it get repressed by saying, 'No, that you will not do!' It is abhorrent, junior high school Zen. It's cartoon crap. — David Brin

Since the last decades of the nineteenth century, revolt against the objectified world has determined the character of art and literature. — Paul Tillich

Holden Caulfield is the best character in literature, period. — Josh Hutcherson

With fiction, you can talk about plot, character and narrative, whereas a poem brings home the fact that everything that happens in a work of literature happens in terms of language. And this is daunting stuff to deal with. — Terry Eagleton

I've grown up well, partly because there weren't great girls' literature - Nancy Drew, maybe - but there weren't things. So there was Huck Finn and "Spin And Marty." The boys characters were interesting and you lived through them when you're watching it. — Meryl Streep

And thinking over the long pilgrimage of his past he accepted it joyfully. He accepted the deformity which had made life so hard for him; he knew that it had warped his character, but now he saw also that by reason of it he had acquired that power of introspection which had given him so much delight. Without it he would never have had his keen appreciation of beauty, his passion for art and literature, and his interest in the varied spectacle of life. The ridicule and the contempt which had so often been heaped upon him had turned his mind inward and called forth those flowers which he felt would never lose their fragrance. — W. Somerset Maugham

While he can interact with others who have no idea that anything is wrong, Ron lives without spontaneity, going through the motions, doing what he thinks people expect him to do, glad that he is able to at least appear normal throughout the day and maintain a job. He studied drama briefly while in college, and remains enamored of Shakespeare and literature, but an emerging self-consciousness eventually robbed him of his ability to act. Now he feels as if all of his life is an act - just an attempt to maintain the status quo.

Recalling literature he once loved, he sometimes pictures himself as Camus's Meursault, in The Stranger: an emotionless character who plods through life in a meaningless universe with apathy and indifference. He's tired of living
this way but terrified of death. — Daphne Simeon

I would much rather read a book about Ty Cobb, who was quite possibly a sociopath. It makes for more interesting copy. Some of the most memorable characters in literature were villains. — Jonathan Weeks

Maybe at the very bottom of it ... I really don't like God. You know, it's silly to say I don't like God because I don't believe in God, but in the same sense that I don't like Iago, or the Reverend Slope or any of the other villains of literature, the god of traditional Judaism and Christianity and Islam seems to me a terrible character. He's a god who will ... who obsessed the degree to which people worship him and anxious to punish with the most awful torments those who don't worship him in the right way. Now I realise that many people don't believe in that any more who call themselves Muslims or Jews or Christians, but that is the traditional God and he's a terrible character. I don't like him. — Steven Weinberg

If I had had a daughter, I always knew what I would tell her. First of all, I would try to counter all outdated stereotypical claptrap that girls are commonly told about their sex--that women are valued far more for their sexual characteristics than their character and brains--and encourage her to be a truly independent person. Only knowing who she is herself will she be able to find find her own life's work and make good decisions in choosing a partner and having children. — Doris Anderson

I love the walking contradiction of the body. I want to make corporeal characters, corporeal writing, I want to bring the intensities and contradictions and beauty and violence and stench and desire and astonishing physicality of the body back into literature. — Lidia Yuknavitch

... the primary trait of young adult literature is that the author's emphasis is on plot and character and not on his own brilliance. And because few people talk about whether a young adult work is commercial or literary; the two are still in sync, and everyone's benefitting. — Eliot Schrefer

So the obvious, then: the liberal arts in general, and especially reading seriously, offer an opening to a wider life, the powers of active citizenship (including the willingness to vote); reading strengthens perception, judgment, and character; it creates understanding of other people and oneself, maybe kindliness and wit, and certainly the ability to endure solitude, both in the common sense of empty-room loneliness and the cosmic sense of empty-universe loneliness. Reading fiction carries you further into imagination and invention than you would be capable of on your own, takes you into other people's lives, and often, by reflection, deeper into your own. I will indulge a resounding tautology: every great civilization, including ours, has had a great literature and great readers. If literature matters less to young people than it once did, we are all in trouble. — David Denby

The literature of many lands is rich with the tributes that gratitude, admiration and love have paid to the great and honored dead. These tributes disclose the character of nations, the ideals of the human race. — Robert Green Ingersoll

Romeo is the most misunderstood character in literature, I think. He's hardcore to play because he's displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens. — Alan Cumming

[Science] is the literature of God written on the stars-the trees-the rocks-and more important because [of] its marked utilitarian character. — James A. Garfield

Most common people oft he market-place much prefer light literature to improving books. The problem is, that so many romances contain slanderous anecdotes about sovereigns and ministers or cast aspersions upon man's wives and daughters so that they are packed with sex and violence. Even worse are those writers of the breeze-and-moonlight school, who corrupt the young with pornography and filth. As for books of the beauty-and-talented-scholar type, a thousand are written to a single pattern and none escapes bordering on indecency. They are filled with allusions to handsome, talented young men and beautiful, refined girls in history; but in order to insert a couple of his own love poems, the author invents stereotyped heroes and heroines with the inevitable low character to make trouble between them like a clown in a play, and makes even the slave girls talk pedantic nonsense. So all these novels are full of contradictions and absurdly unnatural. — Cao Xueqin

Literature is the voice of the age and the state; the character, energy, and resources of the country are reflected and imaged forth in the conceptions of its great minds; they are organs of the time; they speak not their own language, they scarce think their own thoughts; but under an impulse like the prophetic enthusiasm of old, they must feel and utter the sentiments which society inspires. — Edward Everett

I just totally do not believe in this sort of Bart Simpson character who infects so much of our literature and film and TV stuff nowadays, these know-it-all kids who seem to understand the hypocrisy of the adult world so thoroughly and can talk about it with such articulateness. That's bunk. — David Small

Now, I can smile at the stock quality of these friends, these uniforms. these looking-glasses, these sharers. Each is a character lifted straight from literature and yet, life successfully aping art, they are alive, and fulfil their destinies - or act their parts - flawlessly. — Hal Porter

Books and bookcases cropping up in stuff that I've written means that they have to be reproduced on stage or on film. This isn't as straightforward as it might seem. A designer will either present you with shelves lined with gilt-tooled library sets, the sort of clubland books one can rent by the yard as decor, or he or she will send out for some junk books from the nearest second-hand bookshop and think that those will do. Another short cut is to order in a cargo of remaindered books so that you end up with a shelf so garish and lacking of character it bears about as much of a relationship to literature as a caravan site does to architecture. A bookshelf is as particular to its owner as are his or her clothes; a personality is stamped on a library just as a shoe is shaped to the foot. — Alan Bennett

The author says one character's definition of a classic is any book he'd heard of before he was thirty. — Sinclair Lewis

The general history of art and literature shows that the highest achievements of the human mind are, as a rule, not favorably received at first; but remain in obscurity until they win notice from intelligence of a high order, by whose influence they are brought into a position which they then maintain, in virtue of the authority thus given them. If the reason of this should be asked, it will be found that ultimately, a man can really understand and appreciate those things only which are of like nature with himself. The dull person will like what is dull, and the common person what is common; a man whose ideas are mixed will be attracted by confusion of thought; and folly will appeal to him who has no brains at all; but best of all, a man will like his own works, as being of a character thoroughly at one with himself. — Arthur Schopenhauer

The way to rock oneself back into writing is this. First gentle exercise in the air. Second the reading of good literature. It is a mistake to think that literature can be produced from the raw. One must get out of life ... one must become externalised; very, very concentrated, all at one point, not having to draw upon the scattered parts of one's character, living in the brain. — Virginia Woolf

Since I have fought against these Jewish-Soviet ideas in Germany, since I have conquered and stamped out this peril, I fancy that I possess a better comprehension of its character than do these men who have only to deal with it in the field of literature. — Adolf Hitler

A novel examines not reality but existence. And existence is not what has occurred, existence is the realm of human possibilities, everything that man can become, everything he's capable of. Novelists draw up the map of existence by discovering this or that human possibilit. But again, to exist mean: 'being-in-the-world.' Thus both the character and his world must be understood as possibilities. — Milan Kundera

I suppose that literature as it is won't die, science fiction included. But games are becoming an extremely important part of the science fiction world, including games that are adapted from books (or vice versa: books that are adapted from games). It's wonderful to have the opportunity to play and see your favorite characters on the screen, but the opportunity to read a book does not become less attractive. — Sergei Lukyanenko

Kaz reached into his coat pocket. "Here," he said and handed Jesper a slender book with an elaborate cover.
"Are we going to read to each other?"
"Just flip it open to the back."
Jesper opened the book and peered at the last page, puzzled. "So?"
"Hold it up so we don't have to look at your ugly face."
"My face has character. Besides - oh!"
"An excellent read, isn't it?"
"Who knew I had a taste for literature? — Leigh Bardugo

Literature doesn't have a country. Shakespeare is an African writer. His Falstaff, for example, is very African in his appetite for life, his largeness of spirit. The characters of Turgenev are ghetto dwellers. Dickens characters are Nigerians. — Ben Okri

If you could meet any character from literature, who would it be?

I would not want characters to come to my world. They'd lose their special qualities, the perfect amount of what I should know about them. On the other hand, I could go to theirs because they would not have any preconceptions of who I was. I'd like to hang out with the Cheshire cat, learn how to disappear, and speak in smart illogic. He would look exactly like his pen-and-ink illustration by Tenniel. I'd be rendered in pen and ink, too. That would be required for entering a pen-and-ink world with its particular dimensional strangeness. — Amy Tan

It is, of course, much easier for a literary character to take a risk for love. The realities of social strata and responsibility mean nothing but a plot point in today's modern literature, but outside of these stories we are not pushing for change. The ideals we embody in our art rarely play themselves out in our lives. What would happen if we took the example of our fictional heroes; what if each of us was a Don Juan? — Evelyn Pryce

A man may possess a profound knowledge of history and mathematics; he may be an authority in psychology, biology, or astronomy; he may know all the discovered truths pertaining to geology and natural science; but if he has not with this knowledge that nobility of soul which prompts him to deal justly with his fellow men, to practice virtue and holiness in his personal life, he is not truly an educated man.
Character is the aim of true education; and science, history, and literature are but means used to accomplish the desired end. Character is not the result of chance work but of continuous right thinking and right acting. — David O. McKay

We may divide characters into flat and round. — E. M. Forster

It is my earnest hope and indeed the hope of all mankind that from this solemn occasion a better world shall emerge out of the blood and carnage of the past ... The problem is basically theological, and involves a spiritual recrudescence and improvement of human character that will synchronize with our almost matchless advances in science, art, and literature, and all material and cultural developments in the past two thousand years. It must be of the spirit if we are to save the flesh. — Douglas MacArthur

Worse, the bodies of women, minorities, children, disenfranchised bodies (prisoners, so-called nut cases, etc ... ) and their truths don't "count" as either present and important in society or worth Pulitzer prizes as characters in literature. — Lidia Yuknavitch

I've always like Medieval literature. As a young girl I read mythologies and Norse legends, that sort of thing. I loved Sir Gawain and the Green Knight. While I was studying at Middle Tennessee State University for doctoral program I came in contact with more ancient literature. I examined older literature more seriously which intrigued and fascinated me very much; I was drawn to it.
For the book I used all my own translations of Beowulf from my doctorate. Culture is contained in language, if you study a language you'll see bits of culture, because the words are different and you see into the lives of the people. The Anglo-Saxon language touched me very deeply. Some of it is the heroic. Some of it is the melancholy. But there is also honor. You uphold, you fight to the death. Even if you watch movies, like Marvel comic book movies, like Thor: you want the great ones to win. Its even better if they have a fault. But you want the heroic character to win. — Deborah A. Higgens

Hundreds of thousands of people live in my library. Some are real, others are fictional. The real ones are the so-called imaginary characters in works of literature, the fictional ones are their authors. We know everything about the former, or at least as much as we are meant to know, everything that is written about a given character in a novel, a story or a poem in which she or he figures ... The rest doesn't matter. Nothing is hidden from us. For us, a novel's characters are real. (p. 80 — Jacques Bonnet

When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she'd gone and I'd felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving. — Roman Payne

The cab of the truck heated up nicely, its windows fogging. I felt like a Dickens character. I thought about explaining that to Mouse, just to occupy my thoughts, but he was suffering enough without being forced to endure Dickens, even by proxy. — Jim Butcher

Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place. — Israel Horovitz

I am Captain James Hook! I am no victim; I create them! I do not have bad dreams; I inspire them! — Heidi Schulz

The advantage of literature over life is that its characters are clearly defined, and act consistently. — Jerome K. Jerome

"Someone": I understood that this was a character who in her own life her voice hadn't much been heard and in literature her life isn't much heard. For me, it was resisting all the more appealing characters and listening to the voice that hadn't been much heard from. — Alice McDermott

One Archeology and Decipherment
Two History: Heroes, Kings, and Ensi's
Three Society: The Sumerian City
Four Religion: Theology, Rite, and Myth
Five Literature: The Sumerian Belles-Lettres
Six Education: The Sumerian School
Seven Character: Drives, Motives, and Values
Eight The Legacy of Sumer
APPENDIXES
A. The Origin and Development of the Cuneiform System of Writing
B. The Sumerian Language
C. Votive Inscriptions
D. Sample Date-Formulas
E. Sumerian King List
F. Letters
G. Dit lla's (court decisions)
H. Lipit-Ishtar Law Code
1. Farmers' Almanac
SELECTED BIBLIOGRAPHY — Samuel Noah Kramer

I did not very often consider the reasons my father died. I didn't believe his life was taken to instill some larger meaning in my character, or make me a better person. I preferred to believe that a person might be taken for no reason other than the random winds of chance, the same forces that could create a brilliant sky after a terrible storm. — Jill Bialosky

But how shall an Occidental mind ever understand the Orient? Eight
years of study and travel have only made this, too, more evident that not
even a lifetime of devoted scholarship would suffice to initiate a Western
student into the subtle character and secret lore of the East. Every chap-
ter, every paragraph in this book will offend or amuse some patriotic or
esoteric soul: the orthodox Jew will need all his ancient patience to forgive
the pages on Yahveh; the metaphysical Hindu will mourn this superficial
scratching of Indian philosophy; and the Chinese or Japanese sage will
smile indulgently at these brief and inadequate selections from the wealth
of Far Eastern literature and thought. Some of the errors in the chapter on
Judea have been corrected by Professor Harry Wolf son of Harvard; — Will Durant

More than any other contemporary British playwright, Tom Stoppard populates his plays
from Rosencrantz and Guildenstern Are Dead to The Invention of Love (his portrait of the poet and scholar A. E. Housman)
with characters from life and literature. But one cannot always tell the difference between those who are real and those who are imaginary. — Mel Gussow

When you write a story, don't just write it - live it;
When putting words into the mouth of a protagonist (or any character) imagine yourself saying them and while writing about the reaction of the listener, write it the way you would react.
Let the conversations not be meant merely to be read but felt as well.
If you do not feel what you write; how can you expect the readers to feel it? — Arti Honrao

(from his random observations after reading David Copperfield by Charles Dickens)
In the Old Curiosity Shop I discovered that in the character of Dick Swiveller, Dickens provided P.G. Wodehouse with pretty much the whole of his oeuvre. In David Copperfield, David's bosses Spenlow and Jorkins are what must be the earliest fictional representations of good cop/bad cop. — Nick Hornby

I try not to be influenced when it comes to being creative, just in order to sustain my own voice and character. However, I do have many inspirations from the worlds of literature, music, comedy and film. — Doc Brown

Internationalism on the other hand admits that spiritual achievements have their roots deep in national life; from this national consciousness art and literature derive their character and strength and on it even many of the humanistic sciences are firmly based. — Christian Lous Lange

Practically every movie that shows the pope or even a bishop as a character, and in much of western literature of the last 300 or 400 years, these are portrayed as awful figures. — Michael Novak

He accepted the deformity which had made life so hard for him; he knew that it had warped his character, but no he saw also that by reason of it he had acquired that power of introspection which had given him so much delight. Without it he would never have had his keen appreciation of beauty, his passion for art and literature, and his interest in the varied spectacle of life. [ ... ] Then he saw that normal was the rarest thing in the world. Everyone had some defect of body or of mind [ ... ] The only reasonable thing was to accept the good of men and be patient with their faults. — W. Somerset Maugham

What does the novel know? It has no practical or educational aim; yet it knows what ordinary knowledge cannot seize. The novel's intricate tangle of character-and-incident alights on the senses with a hundred cobwebby knowings fanning their tiny threads, stirring up nuances and disclosures. The arcane designs and driftings of metaphor - what James called the figure in the carpet, what Keats called negative capability, what Kafka called explaining the inexplicable - are that the novel knows. — Cynthia Ozick

The American critic Dale Peck, author of Hatchet Jobs (2004), argues that reviewing finds its true character in critical GBH such as Fischer's [review of Martin Amis's Yellow Dog]. It represents a return to the prehistoric origins of reviewing in Zoilism - a kind of pelting of pretentious literature with dung, lest the writers get above themselves; it is to the novelist what the gown of humiliation was to the Roman politician - a salutary ordeal. Less grandly, bad reviews are fun, so long as you are not the author. There is, it must be admitted, a kind of furtive blood sport pleasure in seeing a novelist suffer. You read on. Whereas most of us stop reading at the first use of the word 'splendid' or 'marvellous' in a review. — John Sutherland

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

There is something magical to me about literature and fiction and I think it can do things not only that pop culture cannot do but that are urgent now: one is that by creating a character in a work of fiction you can allow a reader to leap over the wall of self and to allow him to imagine himself not only somewhere else but someone else in a way that television and movies, in a way that no other form can do. I think people are essentially lonely and alone and frightened of being alone. — David Foster Wallace

The growth of the imagination demands windows-windows through which we can look out at the world and windows through which we can look into ourselves. The old stories were windows in just this way. — Katherine Paterson

I will now claim - until dispossesed - that I was the first person in the world to apply the typewriter to literature ... The early machine was full of caprices, full of defects- devilish ones. It had as many immoralities as the machine of today has virtues. After a year or two I found that it was degrading my character, so I thought I would give it to Howells ... He took it home to Boston, and my morals began to improve, but his have never recovered. — Mark Twain

Unfortunately, there's still a market for rubbish. I picked up a recently written fantasy book at the weekend, and one character said of another: "He will grow wroth." Oh, my God. And the phrase was in a page of similar jaw-breaking, mock-archaic narrative. Belike, i'faith ... this is the language we use to turn high fantasy into third-rate romantic literature. "Yonder lies the palace of my fodder, the king." That's not fantasy - that's just Tolkien reheated until the magic boils away. — Terry Pratchett

Schools provide safe spaces to talk about controversial issues, and literature presents characters portraying human experience in all its richness and contradictoriness. — Julia Alvarez

The other thing about the Nights is that it is quite racist. One parentheses is that I think this is one of the negative things that appeal to people, that The Arabian Nights could be used as a disguise for racism. It suited the West. You could smuggle racism into children's literature, you see. The African magician in the story of Aladdin, he's labeled explicitly as the "African Magician." He's not a character but a stereotype, and a lot of this got into nursery literature in this Oriental disguise. — Marina Warner

I am interested in Scripture and theology. This is an interest that I can assume I would share with a pastor, so that makes me a little bit prone to use that kind of character, perhaps, just at the moment. Then there is also the fact that, having been a church member for many years, I am very aware of how much pastors enrich people's experience, people for whom they are significant. I know that it's a kind of custom of American literature and culture to slang them. I don't think there is any reason why that needs to be persisted in. — Marilynne Robinson

The contemplation of beauty in nature, in art, in literature, in human character, diffuses through our being a soothing and subtle joy, by which the heart's anxious and aching cares are softly smiled away. — Edwin Percy Whipple

Martial (the main character of LOCUS SOLUS) has a very interesting conception of literary beauty: the work must contain nothing real, no observations about the world or the mind, nothing but completely imaginary constructions. These are in themselves ideas from an extrahuman world. — Pierre Janet

The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up. — Keira Knightley

I think that the cultural dominance of narrative forms that seduce you with character and plot perhaps at the expense of ideas, like The Magic Mountain [won't last]. Starvation sharpens the appetite. — David Mitchell

When I'm writing I don't want anyone else in the room - including myself. — Jonathan Franzen

I studied psychology in school, and the best psychology is in literature. It's so much easier to understand a character than a theory. You can recognize yourself - or other people - in a different way. — Natalie Portman

Werther identifies himself with the madman, with the footman. As a reader, I can identify myself with Werther. Historically, thousands of subjects have done so, suffering, killing themselves, dressing, perfuming themselves, writing as if they were Werther (songs, poems, candy boxes, belt buckles, fans, colognes a' la Werther). A long chain of equivalences links all the lovers in the world. In the theory of literature, "projection" (of the reader into the character) no longer has any currency: yet it is the appropriate tonality of imaginative readings: reading a love story, it is scarcely adequate to say I project myself; I cling to the image of the lover, shut up with his image in the very enclosure of the book (everyone knows that such stories are read in a state of secession, of retirement, of voluptuous absence: in the toilet). — Roland Barthes

There was much that was endearing in this strangely Russian search for absolutes - such as the passion for big ideas that gave the literature of nineteenth-century Russia its unique character and power - and yet the underside of this idealism was a badgering didacticism, a moral dogmatism and intolerance, which in its own way was just as harmful as the censorship it opposed. — Orlando Figes

The solution which I am urging is to eradicate the fatal disconnection of subjects which kills the vitality of our modern curriculum. There is only one subject-matter for education, and that is LIfe in all its manifestations. Instead of this single unity, we offer children
Algebra, from which nothing follows; Geometry, from which nothing follows; Science, from which nothing follows; History, from which nothing follows; a Couple of Languages, never mastered; and lastly, most dreary of all, Literature, represented by plays of Shakespeare, with philological notes and short analyses of plot and character to be in substance committed to memory. Can such a list be said to represent Life, as it is known in the midst of living it? The best that can be said of it is, that it is a rapid table of contents which a deity might run over in his mind while he was thinking of creating a world, and has not yet determined how to put it together — Alfred North Whitehead

All literature is an effort at the formal character of the epigram. — Delmore Schwartz

Real literature was about psychological, emotional, and social truth as demonstrated by the actions and reflections of its protagonists; the novel was about character developed over time. — Julian Barnes

It is a law woven into the nature of man, attested by history, by science, by literature and art, and by dally experience, that strength of mind and force of character are the supreme rulers of human affairs. — Lucius Quintus Cincinnatus Lamar II

I could not live by literature if only to begin with, because of the slow maturing of my work and its special character. — Tillie Olsen

I think the genre of comics sometimes overtakes the medium, and people assume that they are kind of frivolous. If you have a good, strong story teller, they can be as affecting as any character in literature. Period. — Chip Kidd

I find that, for me, it is this concept of borrowed or built life, life on loan, that gets me writing. It's similar to speaking about literature. I like it, and then I don't like it. It has such an inherent vein of pretention, because you're not speaking about real things. There's a literary pretentiousness made of speaking and spending so much time on unreal persons. And it seems, now, impossible to create an unpretentious, totally organic character. — Sergio Chejfec

To read Shakespeare is to feel encompassed -- the plays contain practically every word I know, practically every character type I have ever met, and practically every idea I have ever had. — Kenji Yoshino

There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in. — Terry Pratchett