Quotes & Sayings About Literature And Reality

We will never know peace in the world without balance. And we will never know balance without justice for all. Yet, justice exists only where there is fairness and equality
when every man and country is treated and viewed equally. My father believes that there is no such thing as justice because all his life he has witnessed the tipping of the scales. We must change this widespread mentality by making equality a reality, not just something we read and hear about on the TV and in literature. — Suzy Kassem

Life itself has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to the amalgam of reality and fantasy. ("The New Russian Prose") — Yevgeny Zamyatin

I am a keeper of flocks.
The flocks are my thoughts
and all my thoughts are sensations.
I think with my eyes and my ears,
with my hands and with my feet
and with my nose and my mouth.
For to consider a flower is to both see it and smell it
and to eat of fruit is to understand its meaning.

So when the sun is at its brightest
and I feel guilty for embracing it,
I stretch out, supine, on the grassy earth,
and close my sun drenched eyes.
I view my entire body lying firmly on reality,
I know the truth, and am content. — Alberto Caeiro

I think people are often quite unaware of their inner selves, their other selves, their imaginative selves, the selves that aren't on show in the world. It's something you grow out of from childhood onwards, losing possession of yourself, really. I think literature is one of the best ways back into that. You are hypnotized as soon as you get into a book that particularly works for you, whether it's fiction or a poem. You find that your defenses drop, and as soon as that happens, an imaginative reality can take over because you are no longer censoring your own perceptions, your own awareness of the world. — Jeanette Winterson

Very early on, near the beginning of my writing life, I came to believe that I had to seize on some object outside of literature. Writing as a sylistic exercise seemed barren to me. Poetry as the art of the word made me yawn. I also understood that I couldn't sustain myself very long on the poems of others. I had to go out from myself and literature, look around in the world and lay hold of other spheres of reality. — Zbigniew Herbert

As a piece of travel literature alone, 'The Ends of the Earth' succeeds in providing a tangible sense of the sweaty, smelly reality of many exotic points on the map, with glimpses of their cruelty but also, occasionally, of beauty and human kindness. As a piece of analysis, it is deeply thought-provoking. — Francis Fukuyama

Literature is a source of pleasure, he said, it is one of the rare inexhaustible joys in life, but it's not only that. It must not be disassociated from reality. Everything is there. That is why I never use the word fiction. Every subtlety in life is material for a book. He insisted on the fact. Have you noticed, he'd say, that I'm talking about novels? Novels don't contain only exceptional situations, life or death choices, or major ordeals; there are also everyday difficulties, temptations, ordinary disappointments; and, in response, every human attitude, every type of behavior, from the finest to the most wretched. There are books where, as you read, you wonder: What would I have done? It's a question you have to ask yourself. Listen carefully: it is a way to learn to live. There are grown-ups who would say no, that literature is not life, that novels teach you nothing. They are wrong. Literature performs, instructs, it prepares you for life. — Laurence Cosse

I really should have died then, Tsukuru often told himself. Then this world, the one in the here and now, wouldn't exist. It was a captivating, bewitching thought. The present world wouldn't exist, and reality would no longer be real. As far as this world was concerned, he would simply no longer exist - just as this world would no longer exist for him. — Haruki Murakami

A major premise of my fictional novel Noah Primeval is that the gods of the ancient world were real spiritual beings with supernatural powers. Thus, the mythical literature and artistic engravings of the gods that have been uncovered by Mesopotamian archeology reflect a certain amount of factual reality. The twist is that these gods are actually fallen divine angelic beings called "Sons of God" (Bene Elohim) in the Bible. — Brian Godawa

I have seen them stagger out of their movie palaces and blink their empty eyes in the face of reality once more, and stagger home, to read the Times, to find out what's going on in the world. I have vomited at their newspapers, read their literature, observed their customs, eaten their food, desired their women, gaped at their art. But I am poor, and my name ends with a soft vowel, and they hate me and my father, and my father's father, and they would have my blood and put me down, but they are old now, dying in the sun and in the hot dust of the road, and I am young and full of hope and love for my country and my times, and when I say Greaser to you it is not my heart that speaks, but the quivering of an old wound, and I am ashamed of the terrible thing I have done. — John Fante

The type of mind that can understand good fiction is not necessarily the educated mind, but it is at all times the kind of mind that is willing to have its sense of mystery deepened by contact with reality, and its sense of reality deepened by contact with mystery. — Flannery O'Connor

Balzac once
terminated a long conversation about politics and the fate of the world by saying: "And now let us get
back to serious matters," meaning that he wanted to talk about his novels. The incontestable importance
of the world of the novel, our insistence, in fact, on taking seriously the innumerable myths with which
we have been provided for the last two centuries by the genius of writers, is not fully explained by the
desire to escape. Romantic activities undoubtedly imply a rejection of reality. But this rejection is not a
mere escapist flight, and might be interpreted as the retreat of the soul which, according to Hegel, creates
for itself, in its disappointment, a fictitious world in which ethics reigns alone. The edifying novel,
however, is far from being great literature; and the best of all romantic novels, Paul et Virginie, a really
heartbreaking book, makes no concessions to consolation. — Albert Camus

Reading good literature is not so different then taking good drugs, do it enough and it will certainly alter your mind. The drugs can have positive yet often negative affects as well, however literature will always have positive affects. Certainly no one has ever over dosed from reading too much, as far as I know. The best literature should bend your reality until you can tie it in a knot.
-Andrew Pritchard — Andrew James Pritchard

The stories surrounding eating durians remind us that literature should incorporate low culture, bringing it closer to lived reality. These legends come not from the pens of the elite, but are assembled from the words of the masses, both written and spoken, passed from one person to another - the only way to create a text this deep and compelling. — Wong Yoon Wah

I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far. — J.K. Rowling

Real life often ends badly, like our marriage did, Pat. And literature tries to document this reality, while showing us it is still possible for people to endure nobly. It sounds like you have endured very nobly since you returned to New Jersey, and I want you to know I admire that. I hope you are able to reinvent yourself and live out the rest of your life with a quiet sense of satisfaction, which is what I have been trying to do since we parted. — Matthew Quick

People around the world now complain about stressors everyday, and the word shows up throughout professional and lay literature. But in reality there is no such thing as a stressor. Why not? Because nothing has the inherent power to provoke stress. — Andrew J. Bernstein

The one thing is fiction in a novel and the other thing is reality. With fiction you don't make a fuss - you can 'beat it' and there's never enough. At least in my opinion - cause there are people, who complain about style intensity in literature: they prefer cereals with milk than abyssinian bitches roasted alive on bringhausers and watered with ya-yoo juice. — Stanislaw Ignacy Witkiewicz

Plot involves fragmentary reality, and it might involve composite reality. Fragmentary reality is the view of the individual. Composite reality is the community or state view. Fragmentary reality is always set against composite reality. Virginia Woolf did this by creating fragmentary monologues and for a while this was all the rage in literature. She was a genius. In the hands of the merely talented it came off like gibberish. — Rita Mae Brown

It's been suggested that most women fail to write significantly because the female mind is viscerotonic, and occupied almost exclusively with the moment-to-moment reality of emotions. If this is true, literature's loss is science fiction's gain, for Out of Bounds, Judith Merril's collection of short stories, is a warm and colorful rendering of the minutiae of the future. — Alfred Bester

Whatever good and beautiful experience you are having, if you are not writing them down, you are wasting them! Your thoughts on the paper are your real reality because the realities of the experience quickly disappear, they are already gone, they are dead, but the written thoughts of your experiences are still alive and can live thousands of years! Sit down and write them down! — Mehmet Murat Ildan

And more even than the painter, the writer, in order to achieve volume and substance, in order to attain to generality and, so far as literature can, to reality, needs to have seen many churches in order to paint one church and for the portrayal of a single sentiment requires many individuals. For if art is long and life is short, we may on the other hand say that, if inspiration is short, the sentiments which it has to portray are not of much longer duration. It is our passions which draw the outline of our books, the ensuing intervals of repose which write them. — Marcel Proust

When I make a film I'm always in reality among the trees, and among the people like yourselves. There's no symbolic or conventional filter between me and reality as there is in literature. The cinema is an explosion of my love for reality. — Pier Paolo Pasolini

Adults ... struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real. — Grant Morrison

This was the curse of the voracious reader, she realized. Real life never quite measured up to the heightened and precise contours of her literary worlds. A real war was never as true as a fictive one. — Reif Larsen

Literature is indispensable to the world. The world changes according to the way people see it, and if you alter, even by a millimeter, the way a person looks at reality, then you can change it. — James Baldwin

In my opinion, Fiction is a figment of our imagination & it causes us to dream but Reality taints dreams, and the F.scott Fitzgerald has clearly depicted this in The Great Gatsby. — Parul Wadhwa

But literature, the best of it, does not aim to be literature. It wants and strives, beyond that artifact part of itself, to be a true part of the composite human record - that is, not words but a reality. — Mary Oliver

He suffered greatly from being shut up among all these people whose stupidity and absurdities wounded him all the more cruelly since, being ignorant of his love, incapable, had they known of it, of taking any interest, or of doing more than smile at it as at some childish joke, or deplore it as an act of insanity, they made it appear to him in the aspect of a subjective state which existed for himself alone, whose reality there was nothing external to confirm; he suffered overwhelmingly, to the point at which even the sound of the instruments made him want to cry, from having to prolong his exile in this place to which Odette would never come, in which no one, nothing was aware of her existence, from which she was entirely absent. — Marcel Proust

I define Inner Space as an imaginary realm in which on the one hand the outer world of reality, and on the other the inner world of the mind meet and merge. Now, in the landscapes of the surrealist painters, for example, one sees the regions of Inner Space; and increasingly I believe that we will encounter in film and literature scenes which are neither solely realistic nor fantastic. In a sense, it will be a movement in the interzone between both spheres. — J.G. Ballard

Implicit in the notion of such education as it is practiced in the United States is the concept of breadth. You concentrate in one field, but you get exposure to a range of others. You don't just learn to think; you learn that there are different ways to think. You study human behavior in psychology, and then you study it in literature. You see what philosophy means by reality, and then you see what math or physics does. Your mind becomes more agile and resourceful, as well as more skeptical and rigorous. And most important of all, you learn to educate yourself. — William Deresiewicz

The world of literature is a sacred mirror that shows not the reality around us but the dreams and fears that reality stimulates: It's not where we live, but life itself. — Dennis Vickers

But no. That was analogy rather than homology. What in the humanities they would call a heroic simile, if he understood the term, or a metaphor, or some other kind of literary analogy. And analogies were mostly meaningless - a matter of phenotype rather than genotype (to use another analogy). Most, of poetry and literature, really all the humanities, not to mention the social sciences, were phenotypic as far as Sax could tell. They added up to a huge compendium of meaningless analogies, which did not help to explain things, but only distorted perception of them. A kind of continuous conceptual drunkenness, one might say. Sax himself much preferred exactitude and explanatory power, and why not? If it was 200 Kelvin outside why not say so, rather than talk about witches' tits and the like, hauling the whole great baggage of the ignorant past along to obscure every encounter with sensory reality? It was absurd. — Kim Stanley Robinson

In this,
journey,
of reaching,
to myself,
I have had,
many a,
thoroughfares,
goodbye affairs,
reality checks,
and,
lovely overwhelms. — Jasleen Kaur Gumber

In appealing for Christian scholarship, the point is not primarily academic respectability, and certainly not the mindless pursuit of publication for its own sake that bedevils the modern university. The point is rather that the comprehensive reality of Christianity itself demands specifically Christian consideration of the world we inhabit, whether that consideration is of social theory, the history of science, other historical changes, the body, the arts, literature, or more. — Mark A. Noll

Interestingly, this speech by Prospero does not contrast the unreality of the stage with the solid, flesh-and-blood existence of real men and women. On the contrary, it seizes on the flimsiness of dramatic characters as a metaphor for the fleeting, fantasy-ridden quality of actual human lives. It is we who are made of dreams, not just such figments of Shakespeare's imagination as Ariel and Caliban. The cloud-capped towers and gorgeous palaces of this earth are mere stage scenery after all. — Terry Eagleton

The man who is contented to be only himself, and therefore less a self, is in prison. My own eyes are not enough for me, I will see through those of others. Reality, even seen through the eyes of many, is not enough. I will see what others have invented. Even the eyes of all humanity are not enough. I regret that the brutes connot write books. Very gladly would I learn what face things present to a mouse or a bee; more gladly still would I perceive the olfactory world charged with all the information and emotion it carries for a dog. Literary experience heals the wound, without undermining the privilege, of individuality ... in reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with a myriad of eyes, but it is still I who see. Here, as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do. — C.S. Lewis

The Bible should be taught, but emphatically not as reality. It is fiction, myth, poetry, anything but reality. As such it needs to be taught because it underlies so much of our literature and our culture. — Richard Dawkins

Reading is a sage way to bump up against life. Reading may be an escape, but it is not an escape from my own life and problems. It is an escape from the narrow boundaries of being only me. Reading in some wonderful ways helps me find out who I am. When she was a young girl Patricia MacLachlan's mother encouraged her to "read a book and find out who you are." And it is true that in some ways reading defines me as it refines me. Reading enlarges my vision of the world; it helps me understand someone who is different from me. It makes me bigger on the inside. We tend to see the world from our own perspective; it is good to see it from the eyes of others. Good literature helps me understand who I am in relation to what others experience. Far from being an escape from reality, good literature is a window into reality. I read to feel life. — Gladys M. Hunt

Deeply our life is a confusion, a mess, a misery, an agony. The more sensitive we are, the more the despair, the anxiety, the guilt feeling, and naturally we want to escape from it because we haven't found an answer; we don't know how to get out of this confusion. We want to go to some other realm, to another dimension. We escape through music, through art, through literature, but it is just an escape; it has no reality in comparison with what we are seeking. All escapes are similar, whether through the door of a church, through God or a savior, through the door of drink or of various drugs. We must not only understand what and why we are seeking, but we must also understand this demand for deep, abiding experience, because it is only the mind that does not seek at all, that does not demand any experience in any form, that can enter into a realm, into a dimension that is totally new. — Jiddu Krishnamurti

Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out on themselves. Whoever survives the country wins. That would be much simpler and more than just this arrangement, where the wrong people do the fighting — Erich Maria Remarque

They were readers for whom literature was a drug, each complex plot line delivering a new high, suspending them above reality, allowing them a magical crossover ... They had spoken often, with rueful honesty, of how the books they read represented escape, offered pathways to literary landscapes that intrigued and engrossed ... From childhood on, books had been the hot air balloons that carried them above the angry mutterings of quarreling parents, schoolyard rejections, academic boredom ... They were of a kind, readers from birth. — Gloria Goldreich

Touch the stone,' said Beliah, 'and you will touch "reality", or what the ignorant of all ages think "reality" is. That kind of truth will kill you, man. You won't see morning! I have kept you all your life from such things as remorse, terror, pity. Touch the stone, and those same angels will change you into an old poor pathetic deluded dying creature. Hubert, a nurse has to shave you, your hand shakes so much. You know that don't you? You dribble at every orifice, Hubert. You've begun to smell this past year or two...' He suddenly howled as if I had actually touched the stone,'YOU WILL BE RAVAGED IN FIRES OF GRACE!'
I heard Nurse McGregor in the next ward. 'Good evening,' came her cheerful voice to the looney who had strangled his sweetheart and then buried her in his garden. 'Is it cocoa tonight, or tea, or milk?"
Beliah was weeping. Outside the eaves dripped. The whole earth was drenched with the grief of Beliah. He wept inside me. I felt his marvellous tears on my face. — George Mackay Brown

This is what Laura loved about literature. You could see things in it that perhaps weren't there, but might be. And even that didn't matter if, in the end, readers needed something to be there. They could bring their somethings to a text, as co-creators, embedding a needed reality in the story that, if it was flexible enough, would allow new threads to take their place beside the author's. — L.L. Barkat

Literature especially has an interesting relationship to photography - to observation, to description, to fiction: taking something that you see and elaborating, jamming, and I think, staging ... taking that moment of observation and letting it go, giving it some wings, following it, rather than nailing it. You're riffing off of reality. — Larry Sultan

Sometimes books feel like the only thing that keep her sane. Actually, she knows that they're the only reason she's still even vaguely okay right now. That's what she clings to: reading great books and seeing great films and, for as long as she's immersed in them, being able to forget, if only for a short time, about the reality of her life. — Steph Bowe

As has already been noted, fantastic literature developed at precisely the moment when genuine belief in the supernatural was on the wane, and when the sources provided by folklore could safely be used as literary material. It is almost a necessity, for the writer as well as for the reader of fantastic literature, that he or she should not believe in the literal truth of the beings and objects described, although the preferred mode of literary expression is a naive realism. Authors of fantastic literature are, with a few exceptions, not out to convert, but to set down a narrative story endowed with the consistency and conviction of inner reality only during the time of the reading: a game, sometimes a highly serious game, with anxiety and fright, horror and terror. — Franz Rottensteiner

The absurdly neurotic role you and the rest of your kind have always attributed to me Erato, the Goddess Muse of Erotic Poetry bears no relation at all to reality. As a matter of fact, I was trained as a clinical psychologist. Who simply happens to have specialized in the mental illness that you, in your ignorance, call literature. — John Fowles

I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing. — Pete Doherty

I think literature is somehow both a fantasy and a reality we should all get back to. — Shane Warren Jones

But how much love, oh, Lord, how much love I experienced at times in those dreams of mine, in those "escapes into everything beautiful and sublime." Even though it was fantastic love, even though it was never directed at anything human, there was still so much love that afterward, in reality, I no longer felt any impulse to direct it: that would have been an unnecessary luxury. — Fyodor Dostoyevsky

Say, there is a book written by Tolstoy sitting right there on the table. To our unique human consciousness, the reality of the papers in the book, is infinitely different from the valuable literature that they possess. For the kind of consciousness possessed by the bug which eats those papers, literature is non-existent, yet for the Human Consciousness, literature has a greater value of truth than the papers themselves. — Abhijit Naskar

For all the talk about the merging of film and video game, and for all its inevitability, perhaps the secret of true convergence lies not in an external reality , but in an internal truth: What kids seek from video games is what we all seek from our own distractions--be they movies, radio, comic books, literature, or art: an escape from the mundane to the sublime, where our imaginations make of us heroes, lovers, warriors, and gods. — Devin C. Griffiths

A novel examines not reality but existence. And existence is not what has occurred, existence is the realm of human possibilities, everything that man can become, everything he's capable of. Novelists draw up the map of existence by discovering this or that human possibilit. But again, to exist mean: 'being-in-the-world.' Thus both the character and his world must be understood as possibilities. — Milan Kundera

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

A stubborn refusal of the conditions of 20th Century 'reality', surrealism has denied intransigently and consistently that modern man can live without a sense of wonder at the world that was once embodied in myth. In approaching literature, it has aimed at restoring to the word its magical qualities. And at giving back to language the elemental power it once had within society. This determinism lies at the heart of the surrealist attitude and distinguishes it radically from the modernism which took shape contemporaneously with it. — Michael Richardson

I searched modern fiction and poetry for clues to how we confronted and evaded reality, how we articulated our experience and turned to language not to revel ourselves but to hide. I was as sure then as I am now that by looking at contemporary Iranian fiction I could gain access to a real understanding of political and social events. (p289) — Azar Nafisi

For so long considered a second-rate category to other writing genres, Science Fiction should be allotted its true place in literature. The reason Science Fiction is so important is because SF authors create the future. They bring through ideas, technology, and new thought, put it all down in written and spoken word, and then send it out into mass consciousness. When enough people (a critical mass) think about and truly consider the plausibility of a concept, it becomes reality. Think William Gibson, who in 1982's "Burning Chrome" coined "cyberspace". Few grasped the concept at the time, but as the internet took hold in the 1990's, we not only had a word to describe our experience, we had a definition and an understanding, as well. Coincidence? — Joseph Duda

But I'll tell you the same thing I tell my students when they complain about the depressing nature of American literature: life is not a PG feel-good movie. Real life often ends badly, like our marriage did, Pat. And literature tries to document this reality, while showing us it is still possible for people to endure nobly. — Matthew Quick

Literature takes reality and human experience as its starting point, transforms it by means of the imagination, and sends readers back to life with renewed understanding of it and zest for it because of their excursions into a purely imaginary realm. — Leland Ryken

Death is the truth of the 21st century and we know that it was the truth of the older centuries as well but it may not be the truth of the next day or the next year or the next centuries ahead! Why? Because we have created the idea of immortality and once we think of something, once an idea is created, it will appear in reality sooner or later! — Mehmet Murat Ildan

Literature is an aspect of story and story is all that exists to make sense of reality. War is a story. Now you begin to see how powerful story is because it informs our worldview and our every action, our every justification is a story. So how can story not be truly transformative? I've seen it happen in real ways, not in sentimental ways or in the jargon of New Age liberal ideology. — Chris Abani

Rationality is the way to lead life. So high time,
let's stop feeding our dreams and shake hands with the reality. — Parul Wadhwa

I do think that our perception of reality is fragmentary, and in 20th-century literature, it's totally normal to not describe reality as something whole and completely transportable and explicable. That's been accepted in novels. But genre films always pretend that reality is transportable, which means that it is explicable. — Michael Haneke

Life itself today has lost its plane reality: it is projected, not along the old fixed points, but along the dynamic coordinates of Einstein, of revolution. In this new projection, the best-known formulas and objects become displaced, fantastic, familiar-unfamiliar. This is why it is so logical for literature today to be drawn to the fantastic plot, or to an amalgam of reality and fantasy. — Yevgeny Zamyatin

Cubism is ... a picture for its own sake.
Literary Cubism does the same thing in literature, using reality merely as a means and not as an end. — Max Jacob

The literary experience extends impression into discourse. It flowers to thought with nouns, verbs, objects. It thinks. Film implodes discourse, it deliterates thought, it shrinks it to the compacted meaning of the preverbal impression or intuition or understanding. You receive what you see, you don't have to think it out ... Fiction goes everywhere, inside, outside, it stops, it goes, its action can be mental. Nor is it time-driven. Film is time-driven, it never ruminates, it shows the outside of life, it shows behavior. It tends to the simplest moral reasoning. Films out of Hollywood are linear. The narrative simplification of complex morally consequential reality is always the drift of a film inspired by a book. Novels can do anything in the dark horrors of consciousness. Films do close-ups, car drive-ups, places, chases and explosions. — E.L. Doctorow

No, Ben. What I'm asking is: Are you the vehicle, and Georgie rides around in you? That is why Ben's the driver, right? — Jonathan Harnisch

The best work of literature to represent the American Dream is 'The Great Gatsby' by F. Scott Fitzgerald. It shows us how dreaming can be tainted by reality, and that if you don't compromise, you may suffer. — Azar Nafisi

The writer is neither saint nor tzaddik nor prophet standing at the gate; he's just another sinner who has a somewhat sharper awareness and uses slightly more precise language to describe the inconceivable reality of our world. — Etgar Keret

I had lines inside me, a string of guiding lights. I had language. Fiction and poetry are doses, medicines. What they heal is the rupture reality makes on the imagination. I had been damaged, and a very important part of me had been destroyed - that was my reality, the facts of my life. But on the other side of the facts was who I could be, how I could feel. And as long as I had words for that, images for that, stories for that, then I wasn't lost. — Jeanette Winterson

A writing may be lost; a lie may be written; but what the eye has seen is truth and remains in the mind! — Joseph Conrad

One of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms. — Mirra Ginsburg

Literature, in fact, had been concerned with virtues and vices of a perfectly healthy sort, the regular functioning of brains of a normal conformation, the practical reality of current ideas, with never a thought for morbid depravities and other-worldly aspirations; in short, the discoveries of these anaylists of human nature stopped short at the speculations good or bad, classified by the church; their efforts amounted to no more than the humdrum researches of a botanist who watches closely the expected development of ordinary flora planted in common or garden soil. — Joris-Karl Huysmans

When I work, I'm just translating the world around me in what seems to be straightforward terms. For my readers, this is sometimes a vision that's not familiar. But I'm not trying to manipulate reality. This is just what I see and hear. — Don DeLillo

It was all beginning to run together in the back of Eleanor's mind, and the things that had probably really happened were confused with the things that probably hadn't. And every day everything in her whole past life - the real things and the imaginary things - was being pushed farther and farther back, because going to high school was so enormous, so vast! so different from all of Eleanor's life before. The milling crowds in the hall between classes, all those jostling elbows and swollen shoulders and bosoms, all those enormous hands and feet, they pushed and thumped and shoved at Eleanor's childhood, until there was no room anymore for anything but now, right now, a hurrying rushing now that was just incredibly thrilling, or absolutely rotten and just disgusting, this heaving present moment, right now. — Jane Langton

Horror is the law of the world of living creatures, and civilization is concerned with masking that truth. Literature and art refine and beautify, and if they were to depict reality naked, just as everyone suspects it is (although we defend ourselves against that knowledge), no one would be able to stand it. — Czeslaw Milosz

Woe be to him who tries to isolate one department of knowledge from the rest. All science is one: language, literature and history, physics, mathematics and philosophy; subjects which seem the most remote from one another are in reality connected, or rather they all form a single system. — Jules Michelet

But my research had taught me that the tissue of contradictions that was my personality was itself, at best, a poem, where "poem" is understood as referring to a failure of language to be equal to the possibilities it figures; only then could my fraudulence be a project and not merely a pathology; only then could my distance from myself be redescribed as critical, aesthetic, as opposed to a side effect of what experts might call my substance problem, felicitous phrase, the origins of which lay not in my desire to evade reality, but in my desire to have a chemical excuse for reality's unavailability. — Ben Lerner

If religion is true, one must believe. And if one chooses not to believe, one's choice is marked under the category of a refusal, and is thus never really free: it has the duress of a recoil." With literary belief, however, "one is always free to choose not to believe." This, Wood argues, is the freedom of literature; it is what constitutes its "reality. — James Wood

Nabokov calls every great novel a fairy tale, I said. Well, I would agree. First, let me remind you that fairy tales abound with frightening witches who eat children and wicked stepmothers who poison their beautiful stepdaughters and weak fathers who leave their children behind in forests. But the magic comes from the power of good, that force which tells us we need not give in to the limitations and restrictions imposed on us by McFate, as Nabokov called it.
Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. — Azar Nafisi

The only distinguishing characteristic of a literature professor at the millennium was that he or she wrote about other people's writing. Apart from that, the writing he wrote about didn't even need to be literature, or writing about literature, or even writing about writing about literature. He needed theory...In the unflickering glare, at the center of a severe perspective, Nelson suddenly felt the visceral truth of the world as text; he apperceived the fundamentally linguistic nature of reality. Everything was text, at every level of existence, all the way up from quarks to queer theory. Words arranged in lines; lines arrayed on pages; pages pressed together, bound, and trimmed in books; books arranged cover to cover along a shelf like the words in a line of text; shelves stacked one atop the other like lines of text on a page; rows of shelves pressed together, with just the barest passage for the reader, like the pages of a book. — James Hynes

For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history. — Carlos Fuentes

In a way, literature is true than life,' he said to himself. 'On paper, you say exactly and completely what you feel. How easy it is to break things off on paper! You hate, you shout, you kill, you commit suicide; you carry things to the very end. And that's why it's false. But it's damned satisfying. In life, you're constantly denying yourself, and others are always contradicting you. On paper, I make time stand still and I impose my convictions on the whole world; they become the only reality. — Simone De Beauvoir

Life's so ordinary that literature has to deal with the exceptional. Exceptional talent, power, social position, wealth ... Dramabegins where there's freedom of choice. And freedom of choice begins when social or psychological conditions are exceptional. That's why the inhabitants of imaginative literature have always been recruited from the pages of Who's Who. — Aldous Huxley

Kafka's fiction examines a universe largely unexplored in the literature preceding him, one full of implications that venture into the remote regions of human psychology. It's a universe with different rules than those governing our reality. And there's no map. — Franz Kafka

Find a right and a beautiful idea; stick to it tightly and drag it strongly from your mind to the reality! — Mehmet Murat Ildan

A library is a place to go for a reality check, a bracing dose of literature, or a "true reflection of our history," whether it's a brick-and-mortar building constructed a century ago or a fanciful arrangement of computer codes. The librarian is the organizer, the animating spirit behind it, and the navigator. Her job is to create order out of the confusion of the past, even as she enables us to blast into the future. — Marilyn Johnson

Fantasy is a literature particularly useful for embodying and examining the real difference between good and evil. In an America where our reality may seem degraded to posturing patriotism and self-righteous brutality, imaginative literature continues to question what heroism is, to examine the roots of power, and to offer moral alternatives. Imagination is the instrument of ethics. There are many metaphors besides battle, many choices besides war, and most ways of doing good do not, in fact, involve killing anybody. Fanstasy is good at thinking about those other ways. — Ursula K. Le Guin

Writers of literature, if they are real writers, know that their readers are confused about reality and the emotions derived from that reality and are looking for clarity concerning the life that they are engulfed in. — Noah Cicero

Fiction though it is a fiction, should be written in a way that it feels like a reality, a reality every reader willingly or sometimes unwillingly goes through, until the reader finishes reading and sometimes even after that. — Arti Honrao

We have invented the literature because the reality wasn't imaginative enough and we also wanted to be alone, at least for a while! — Mehmet Murat Ildan

If literature provides solutions, if it provides answers, then it is lying. Rooted in reality as it is, it can only contribute towards posing the questions more sharply and clearly and more drastically than before. In my opinion, creative literature is an empirical science. — Jens Bjorneboe

That was the chief difference between literature and life. In books, the proportion of exceptional to commonplace people is high; in reality, very low. — Aldous Huxley

Flaubert teaches you to gave upon the truth and not blink from its consequences; he teaches you, with Montaigne, to sleep on the pillow of doubt; he teaches you to dissect out the constituent parts of reality, and to observe the Nature is always a mixture of genres; he teaches you the most exact use of language; he teaches you not to approach a book in search of moral or social pills
literature is not a pharmacopoeia; he teaches the pre-eminence of Truth, Beauty, Feeling and Style. And if you study his private life, he teaches courage, stoicism, friendship; the importance of intelligence, skepticism and wit; the folly of cheap patriotism; the virtue of being able to remain by yourself in your own room; the hatred of hypocrisy; distrust of the doctrinaire; the need for plain speaking. — Julian Barnes

As the virtual world of electronic communication becomes the world many of us inhabit all the time, in turning to imaginative literature we may not be seeking mere reassurance nor be impelled by mere nostalgia. To enter with heart and mind into the world of the imagination may be to head deliberately and directly toward, or back toward, engagement with the real world. In one of T. S. Eliot's poems a bird sings, "Mankind cannot bear very much reality." I've always thought that bird was mistaken, or was talking only about some people. I find it amazing how much of the real world most of us can endure. Not only endure, but need, desire, crave. Reality is life. Where we suffocate is in the half-life of unreality, untruth, imitation, fakery, the almost-true that is not true. To be human is to live both within and beyond the narrow band of what-happens-now, in the vast regions of the past and the possible, the known and the imagined: our real world, our true Now. — Ursula K. Le Guin

Language can't describe reality. Literature has no stable reference, no real meaning. Each reader's interpretation is equally valid, more important than the author's intention. In fact, nothing in life has meaning. Reality is subjective. Values and truths are subjective. Life itself is a kind of illusion. Blah, blah, blah, let's have another scotch. — Dean Koontz

It isn't as if a writer merely records life as it unfurls. Reality does not automatically transcribe as literature; real people are not shapely, compelling characters to be harvested. Charming facts and sharp observations rarely slide seamlessly into whatever narrative is at hand. — Michelle Huneven

Illusion is whatever is fixed or definable, and reality is best understood as its negation ... — Northrop Frye

Novel is a particular form of narrative./ And narrative is a phenomenon which extends considerably beyond the scope of literature; it is one of the essential constituents of our understanding of reality. From the time we begin to understand language until our death, we are perpetually surrounded by narratives, first of all in our family, then at school, then through our encounters with people and reading.
- The Novel as Research. (1968) — Michel Butor