Quotes & Sayings About Literary Terms

We have a tendency to describe the human condition in lofty terms, such as a quest for freedom or striving for a virtuous life, but the life sciences hold a more mundane view: It's all about security, social companionships, and a full belly. There is obvious tension between both views, which recalls that famous dinner conversation between a Russian literary critic and the writer Ivan Turgenev: 'We haven't yet solved the problem of God,' the critic yelled, 'and you want to eat! — Frans De Waal

It's about the dream of second chances," he says finally. He hasn't raised his eyes from the paper on his desk and I feel him looking at me without looking when he uses his grandfather's words. "The narrator doesn't respect the beauty of life and the world around her, so it crushes her into the ground and once she's dead, she realizes everything she took for granted and didn't see right in front of her while she was alive. She's begging for another chance to live again so she can appreciate it this time."
"And does she get that chance?" she asks Josh while I desperately focus on the poster of literary terms on the wall and wait for absolution. When it comes, I barely hear it.
"She does. — Katja Millay

I don't think comics necessarily think in literary terms. There is an element of developing your stage persona and your comedic voice, but I don't think comics see it like a character in a novel. — Ted Alexandro

We lived in a culture that denied any merit to literary works, considering them important only when they were handmaidens to something seemingly more urgent
namely ideology. This was a country where all gestures, even the most private, were interpreted in political terms. The colors of my head scarf or my father's tie were symbols of Western decadence and imperialist tendencies. Not wearing a beard, shaking hands with members of the opposite sex, clapping or whistling in public meetings, were likewise considered Western and therefore decadent, part of the plot by imperialists to bring down our culture. — Azar Nafisi

Today, there are more opportunities for writers in terms of access to larger success, but it's more difficult to publish a literary novel in the lower ranges. In other words, you almost have to hit a home run. You can hit a triple, maybe, but nobody's interested in a single. — James Lee Burke

I had been reading children's books all my life and saw them not as minor amusements but as part of the whole literary mainstream; not as "juveniles" or "kiddie lit," one of the most demeaning terms in the scholastic jargon.
My belief was, and is, that the child's book is a unique and valid art form; a means of dealing with things which cannot be dealt with quite as well in any other way. There is, I'm convinced, no inner, qualitative difference between writing for adults and writing for children. The raw materials are the same for both: the human condition and our response to it. — Lloyd Alexander

Any attempt to define literary theory in terms of a distinctive method is doomed to failure. — Terry Eagleton

I was searching for a vocabulary with which to make sense of death, to find a way to begin defining myself and inching forward again. The privilege of direct experience had led me away from literary and academic work, yet now I felt that to understand my own experiences, I would have to translate them back into language. Hemingway described his process in similar terms: acquiring rich experiences, then retreating to cogitate and write about them. I needed words to go forward. — Paul Kalanithi

Excellent Sheep is likely to makea lasting mark for three reasons. One, Mr. Deresiewicz spent twenty-four years in the Ivy League, graduating from Columbia and teaching for a decade at Yale.He brings the gory details. Two, the author is a striker, to put it in soccer terms. He's a vivid writer, a literary critic whose headers tend to land in the back corner of the net. Three, his indictment arrives on wheels: He takes aim at just about the entirety of upper-middle-class life in America.Mr. Deresiewicz's book is packed full of what he wants more of in American life: passionate weirdness. — Dwight Garner

I think men can really get in the way when you are trying to sort your life out and get on with it. Because they just take up so much space. I'm not under any illusions that I could have been where I am now in literary terms if I had been heterosexual. I really believe I would not be. — Jeanette Winterson

Why is the integrity of the literary canon everywhere articulated in terms of its imagined integration to a nation-state as well as a racialized civilization? What would it mean to seek justification for literary studies on the basis of aesthetic value rather than the contestable presumption that literary canons function as the preeminent repositories of national cultures and/or racialized civilizations? — David Lloyd

Science fiction writers have usually been very poor prognosticators of the future, either in literary or technological terms, and that's because we're all too human and, I think, have the tendency to see what we want to or, in the case of those more paranoid, what we fear. — L.E. Modesitt Jr.

What of Thought? The Crew had developed a kind of shorthand whereby they could set forth any visions that might come their way. Conversations at the Spoon had become little more than proper nouns, literary allusions, critical or philosophical terms linked in certain ways. Depending on how you arranged the building blocks at your disposal, you were smart or stupid. Depending on how others reacted they were In or Out. The number of blocks, however, was finite.
"Mathematically, boy," he told himself, "if nobody else original comes along, they're bound to run out of arrangements someday. What then?" What indeed. This sort of arranging and rearranging was Decadence, but the exhaustion of all possible permutations and combinations was death.
It scared Eigenvalue, sometimes. He would go in back and look at the set of dentures. Teeth and metals endure. — Thomas Pynchon

I had to learn the image is not the word, which is a jolt for a literary soul. But it has served me well in terms of understanding plot, in terms of watching actors develop characters. — Rita Mae Brown

There are people who say, 'Oh this guy is quite thick.' I think the reason is that, increasingly, I don't mind being simple in terms of literary expression. Others say, 'No, no, no. He went to Cambridge. He got a good degree. He must be Einstein.' — Alain De Botton

Dark, was banned by the Irish state censor for obscenity. The story was set, as so much of McGahern's later fiction would be, in isolated rural Ireland and dealt with the bleak consequences of parental and clerical child abuse. On the instructions of the Archbishop of Dublin, McGahern was sacked from his job as a primary school teacher. He later left the country. Despite these apparent setbacks, McGahern's literary friends reassured him that all this was a wonderful opportunity in terms of publicity and sales. Remember Joyce and Beckett being forced overseas? This was Irish literary history repeating itself, and preparations were soon being made to mount a campaign against the anachronistic and widely derided censorship laws with McGahern as the figurehead.
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McGahern agreed that the situation was indeed absurd, and says that even as an adolescent reader he had nothing but contempt for the censorship board. — John McGahern

Most of my formal choices are a combination of everything I learned about form - semiotics, linguistics, and the history of style experimentations tethered to literary movements (formalism, deconstruction, modernism, and postmodernism), and the basic principal of breaking every rule I ever learned from a patriarchal writing tradition that never included my body or experience, and thus has nothing to offer me in terms of representation. — Lidia Yuknavitch

Mal Peet: "In terms of sustaining a literate and literary culture, the books we put into our children's hands are immeasurably more important than the latest works of high-profile novelists. — M.G. Harris

I cannot stand Tolstoy, and reading him was the most boring literary duty I ever had to perform, his philosophy and his sense of life are not merely mistaken, but evil, and yet, from a purely literary viewpoint, on his own terms, I have to evaluate him as a good writer. — Ayn Rand

Essentially, the scripts are not that different. Let's say, in literary terms, it's the difference between writing horizontally and writing vertically. In live television, you wrote much more vertically. You had to probe people because you didn't have money or sets or any of the physical dimensions that film will allow you. So you generally probed people a little bit more. Film writing is much more horizontal. You can insert anything you want: meadows, battlefields, the Taj Mahal, a cast of thousands. But essentially, writing a story is writing a story. — Rod Serling

The extraordinarily facile and in literary terms long lived works tend to be about ordinary people. Even Sappho writes about the utterly insignificant . What art can do is make the extraordinary more ordinary and ordinary more extraordinary. — Robert Dessaix

Indeed, and crucially so, the serial form took
the control of the novel away from the reader and left him in an imagined space that could not be thought of in terms of the physical space still to be read. At the end of each instalment the reader would contemplate a vacuum, an 'end' which looked forward to a continuing verbal space which he could not measure.
He might speculate but he could not know. — Ian Gregor

But because I do not wish to be remembered (if I will be remembered) as a self-indulgent fantasist, I'll skip the purple patch for now, however much I wish to write it. I need to make amends for my indifference, for having turned my back on the world in favor of the beauties of the way. I'll try to study cruelty (I regret my own) and render it in more familiar terms. — Norman Lock

Ego, id, and superego are terms familiar to all, but for many years, Freud's psychoanalytic theory has thrived in English departments around the country as a tool for interpreting literary texts but has rarely, if ever, been discussed in science departments. — Siri Hustvedt

In 1941, Dorothy L. Sayers provided a detailed analysis of that creative process in The Mind of the Maker. She developed the relevance of the imago Dei for understanding artistic creation in explicitly trinitarian terms. In every act of creation there is a controlling idea (the Father), the energy which incarnates that idea through craftsmanship in some medium (the Son), and the power to create a response in the reader (the Spirit). These three, while separate in identity, are yet one act of creation. So the ancient credal statements about the Trinity are factual claims about the mind of the maker created in his image. Sayers delves into the numerous literary examples, in what is one of the most fascinating accounts ever written both of the nature of literature and of the imago Dei. While some readers may feel she has a tendency to take a good idea too far, The Mind of the Maker remains an indispensable classic of Christian poetics. — Leland Ryken

I don't think in terms of that bizarre tautology 'value for money' in my literary and journalistic work - and nor will I in my academic role. However, if I don't believe I'm helping my students towards a fuller and more empowering relationship with the world, then I'll resign. — Will Self

There is a payoff for examining the divine author's literary style. It will tell you something about Him. Whereas, Jonah's actions are extensively described and laboriously detailed, God's reactions (although miraculous) are only described in sparse, minimalist terms.
God seems much more amused by Jonah than Jonah is with God. Every miracle is directed at Jonah. Yet, very little copy is used to described God's miracles. Although God's miracles are much more astonishing than Jonah's immature fits of rebellion, more copy is dedicated to Jonah. — Michael Ben Zehabe

People aren't used to thinking of cultural forms spreading out across the full range of formal interactions - or what is called the 'text' in literary terms. — Tony Conrad

During half a century of literary work, I have endeavoured to introduce the philosophy of evolution into the sphere of literature, and to inspire my readers to think in evolutionary terms. — Johannes Vilhelm Jensen

Over the years, I had something in principle against autobiographical writing altogether because memory plays tricks on us, and we also tend to reinvent ourselves. But there comes an age when one begins to observe life, and there are things that need time to mature, also in terms of literary form. — Gunter Grass

Moments like modulations come in human relationships: when what has been until then an objective situation, one perhaps described by the mind to itself in semi-literary terms, one it is sufficient merely to classify under some general heading (man with alcoholic problems, woman with unfortunate past, and so on) becomes subjective; becomes unique; becomes, by empathy, instantaneously shared rather than observed. — John Fowles

Intrinsic to the concept of a translator's fidelity to the effect and impact of the original is making the second version of the work as close to the first writer's intention as possible. A good translator's devotion to that goal is unwavering. But what never should be forgotten or overlooked is the obvious fact that what we read in a translation is the translator's writing. The inspiration is the original work, certainly, and thoughtful literary translators approach that work with great deference and respect, but the execution of the book in another language is the task of the translator, and that work should be judged and evaluated on its own terms. Still, most reviewers do not acknowledge the fact of translation except in the most perfunctory way, and a significant majority seem incapable of shedding light on the value of the translation or on how it reflects or illuminates the original. — Edith Grossman

A writer discovers what he knows as he knows it, i.e., as he makes it. No artist writes in order to objectify an "idea" already formed. It is the poem or novel or story that quite precisely tells him what he didn't know he knew: he knows, that is, only in terms of his writing. This is, of course, simply another way of saying that literary composition is not the placing of a held idea into a waiting form. — Gilbert Sorrentino

There are in me, in literary terms, two distinct characters: one who is taken with roaring, with lyricism, with soaring aloft, with all the sonorities of phrase and summits of thought; and the other who digs and scratches for truth all he can, who is as interested in the little facts as the big ones, who would like to make you feel materially the things he reproduces. — Gustave Flaubert

For I'm neither a submitter nor a hating retaliator, I acknowledge the boundaries of my existence; yet, I still care. I care regardless of the way they choose to reduce me to the brand that is the birthmark of the accident of my conception. I care less about what that brand signifies in terms of my character, potential, and intentions. For the harmed I care. For the real victims. It's the most basic of my mandatory civil duties. Only in caring, am I a citizen of the world. — Asaad Almohammad

If literary terms were about artistic merit and not the rules of convenience, about achievement and not safety, the term 'realism' would be an honorary one, conferred only on work that actually builds unsentimental reality on the page, that matches the complexity of life with an equally rich arrangement in language. — Charles J. Shields

Dickens defends what he has written in terms of its truth. This is not the last time that the 'true' and the 'real' were to be opposed unfruitfully. The same terminological mismatch was to feature throughout the rest of the century in debate about the nature of literary realism and the moral function of realist art. — Charles Dickens

Appalling things can happen to children. And even a happy childhood is filled with sadnesses. Is there any other period in your life when you hate your best friend on Monday and love them again on Tuesday? But at eight, 10, 12, you don't realise you're going to die. There is always the possibility of escape. There is always somewhere else and far away, a fact I had never really appreciated until I read Gitta Sereny's profoundly unsettling Cries Unheard about child-killer Mary Bell.
At 20, 25, 30, we begin to realise that the possibilities of escape are getting fewer. We begin to picture a time when there will no longer be somewhere else and far away. We have jobs, children, partners, debts, responsibilities. And if many of these things enrich our lives immeasurably, those shrinking limits are something we all have to come to terms with.
This, I think, is the part of us to which literary fiction speaks. — Mark Haddon

The Stetson passage is an allusion to Frazer theory in The Golden Bough that religion originated as agricultural engineering. Through a grotesque process of literalization, all of the dying gods and heroes in The Golden Bough, along with Christ and the Fisher King, are transferred from mythic to modern consciousness ( Frazer himself was an unabashed positivist) to be made explicable in scientific terms as fertilizer. — Jewel Spears Brooker

Insensitivity to human pain and sorrow, isolation from the international experiences of exploitation and misery, and indifference to the great questions of economic justice and human rights must mark a human being a savage in the twenty-first century, whatever his or her humanistic conquests in terms of literary skills or refined taste. — Michael Buckley