Quotes & Sayings About Literary Modernism

---In his major phase, he[Conrad] was "ahead of his times" in ideas and techniques;and this was because he was more intelligently and perceptively of his times than most writers then were. In his vigilant response to 19th century preoccupations, he anticipated--often critically--many 20th century preoccupations. He was a versatile intermediary between the Romantic and Victorian traditions and the innovations of Modernism. — Cedric Watts

Few poets better convey the uneasy transition from Victorianism to Modernism than Thomas Hardy. His novels, written between 1870 and 1895, made him not only the recorder of his distinctive region of 'Wessex', but the explorer of the transition of lives and minds from the age of traditional values and religious certainties to the age of godlessness and modern tragedy, a transition sometimes described as 'the clash of the modern'. — Ronald Carter

Science fiction is the characteristic literary genre of the century. It is the genre that stands in opposition to literary modernism. — David G. Hartwell

Modernism and feminism are two broad axes on which Woolf criticism turns, and there are many other categories that reflect the range of positions available in literary criticism more generally, such as postmodernist, psychoanalytical,
historicist, materialist, postcolonial, and so on. — Jane Goldman

After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's ... — Philip Pullman

Most of my formal choices are a combination of everything I learned about form - semiotics, linguistics, and the history of style experimentations tethered to literary movements (formalism, deconstruction, modernism, and postmodernism), and the basic principal of breaking every rule I ever learned from a patriarchal writing tradition that never included my body or experience, and thus has nothing to offer me in terms of representation. — Lidia Yuknavitch

He saw in Populism the first glimmerings of some of the great intellectual upheavals of the twentieth century - naturalism, muckraking, and hard-hitting social satire - which would eventually topple the genteel tradition of the nineteenth century. In a peculiar way, Parrington seemed to think, Kansas was one of the birthplaces of literary modernism. — Thomas Frank

The first phase of modernism, which so far as the English language goes we associate with Pound and Yeats, Wyndham Lewis and Eliot and Joyce, was clerkly enough, sceptical in many ways; and yet we can without difficulty convict most of these authors of dangerous lapses into mythical thinking. All were men of critical temper, haters of the decadence of the times and the myths of mauvaise foi. All, in different ways, venerated tradition and had programmes which were at once modern and anti-schismatic. This critical temper was admittedly made to seem consistent with a strong feeling for renovation; the mood was eschatological, but scepticism and a refined traditionalism held in check what threatened to be a bad case of literary primitivism. It was elsewhere that the myths ran riot. — Frank Kermode

Modernism has a reputation for being a forbidding phenomenon: its visual arts disconcertingly non-representational, its literary efforts devoid of the consolations of plot and character - even its films, it's argued, fall well short of that true desideratum: entertainment. — Will Self

The moment in the account of Adam and Eve in the book of Genesis is when they realize they're naked and try and cover themselves with fig leaves. That seemed to me a perfect allegory of what happened in the 20th century with regard to literary modernism. Literary modernism grew out of a sense that, Oh my god! I'm telling a story! Oh, that can't be the case, because I'm a clever person. I'm a literary person! What am I going to do to distinguish myself? ... a lot of modernism does seem to come out of a fear of being thought an ordinary storyteller. — Philip Pullman

Literary modernism kind of grew out of a sense that, "Oh my god! I'm telling a story! Oh, that can't be the case, because I'm a clever person. I'm a literary person! What am I going to do to distinguish myself? I know! I'll write Ulysses." — Philip Pullman