Line And Form Quotes & Sayings

The 'Women' had to do with the female painted through all ages, all those idols, and maybe I was stuck to a certain extent; I couldn't go on. It did one thing for me: it eliminated composition, arrangement, relationships, light - all this silly talk about line, colour and form - because that was the thing I wanted to get hold of. — Willem De Kooning

Mr L Prosser was, as they say, only human. In other words he was a carbon-based life form descended from an ape. More specifically he was forty, fat and shabby and worked for the local council. Curiously enough, though he didn't know it, he was also a direct male-line descendant of Genghis Khan, though intervening generations and racial mixing had so juggled his genes that he had no discernible Mongoloid characteristics, and the only vestiges left in Mr L Prosser of his mighty ancestry were a pronounced stoutness about the tum and a predilection for little fur hats. — Douglas Adams

A poetic form is essentially a codified pattern of silence. We have a little silence at the end of a line, a bigger one at the end of a stanza, and a huge one at the end of the poem. The semantic weight of the poem tends to naturally distribute itself according to that pattern of silence, paying especial care to the sounds and meanings of the words and phrases that resonate into the little empty acoustic of the line-ending, or the connecting hallway of stanza-break, or the big church of the poem's end. — Don Paterson

The average artist, if he chooses, could render an exact drawing of what he sees. Artistic work not only allows but demands some deviation from form and line. Just how far this may go depends on the viewpoint of each painter. — Edgar Alwin Payne

In the second row was a boy named Doon Harrow. He sat with his shoulders hunched, his eyes squeezed shut in concentration, and his hands clasped tightly together. His hair looked rumpled, as if he hadn't combed it for a while. He had dark, thick eyebrows, which made him look serious at the best of times and, when he was anxious or angry, came together to form a straight line across his forehead. His brown corduroy jacket was so old that its ridges had flattened out. — Jeanne DuPrau

Those who emphasize animal rights have a more complicated task. They tend to urge that animals should be given rights to the extent that their capacities are akin to those of human beings. The usual emphasis here is on cognitive capacities. The line would be drawn between animals with advanced capacities, such as chimpanzees and dolphins, and those that lack such capacities. Undoubtedly a great deal of work needs to be done on this topic. But at least an emphasis on the capacity to think, and to form plans, seems to provide a foundation for appropriate line drawing by those who believe in animal rights in a strong sense. — Cass R. Sunstein

For the record, there were no framed pictures of me around our house, and the only class portrait Dad had ever ordered was the one from Sparta Elementary in which I'd sat, knees glued together, in front of a background that looked like Yosemite, sporting pink overalls and a lazy eye. "This is classic," Dad said. "That they shamelessly send me an order form so I can pay $69.95 for prints large and small of a photo in which my daughter looks as if she just suffered a great blow to her head - it just shows you, we are simply strapped to a motorized assembly line moving through this country. We're supposed to pay out, shut up or get tossed in the rejects bin. — Marisha Pessl

There is no doubt that the loftiest written wisdom is either rhymed or in some way musically measured,
is, in form as well as substance, poetry; and a volume which should contain the condensed wisdom of mankind need not have one rhythmless line. — Henry David Thoreau

Grossman, perhaps tiring slightly of journalism, seems to have longed to convey his thoughts and feelings about the war in fictional form. At this stage, when the Soviet Union was fighting for its life, his ideas were very close to that of the Party line. It was only at Stalingrad, a year later, that his view of the Stalinist regime began to change. This outline, may well have formed part of the idea for The People Immortal, his novel written and published the following year ... — Vasily Grossman

Time is, to put it in its most impressive and some might say poncy-sounding form, my domain. I can see things that once happened, even if they haven't happened any more. Well, if I concentrate. The new reality-the real reality- keeps asserting itself, even with me. But the other time line leaves echoes, ripples, if you look hard enough. — Jacqueline Rayner

After the dazzling orgies in form and color of the eighteenth century, art was put on a diet, and allowed nothing but the straight line. This sort of progress ended in ugliness. Art reduced to a skeleton, was the result. This was the advantage of this kind of wisdom and abstinence; the style was so sober that it became lean. — Victor Hugo

The novel was born with the Modern Era, which made man, to quote Heidegger, the "only real subject," the ground for everything. It is largely through the novel that man as an individual was established on the European scene. Away from the novel, in our real lives, we know very little about our parents as they were before our birth; we have only fragmentary knowledge of the people close to us: we see them come and go and scarcely have they vanished than their place is taken over by others: they form a long line of replaceable beings. Only the novel separates out an individual, trains a light on his biography, his ideas, his feelings, makes him irreplaceable: makes him the center of everything. — Milan Kundera

How many likes you get on a selfie will not be what you remember 10 years down the line. The relationships that you form and the memories that you make and the connections that you make with people day to day are the things you remember. — Tyler Oakley

By this time it was past six, and the enemy's van and ours were at too great a distance to engage, I perceived some of their ships stretching to the northward; and I imagined they were going to form a new line. — John Byng

Historically, Labour has used technology as a form of control. We would use pagers and faxes to send out messages telling people what line to take. The key learning from the Obama campaign is to use technology to empower your supporters. — Douglas Alexander

Now take a human body. Why wouldn't you like to see a human body with a curling tail with a crest of ostrich feathers at the end? And with ears shaped like acanthus leaves? It would be ornamental, you know, instead of the stark, bare ugliness we have now. Well, why don't you like the idea? Because it would be useless and pointless. Because the beauty of the human body is that is hasn't a single muscle which doesn't serve its purpose; that there's not a line wasted; that every detail of it fits one idea, the idea of a man and the life of a man. — Ayn Rand

There are many actors alone who haven't acted Pirandello or Shaw or Shakespeare for years because their plays are too aware of the world. We could use their anger. And we could use the honest rage of those historians who haven't written a line for forty years. True, we might form classes in thinking and reading. — Ray Bradbury

I conceive of the film as a modern art form particularly interesting to the sense of sight. Painting has its own peculiar problems and specific sensations, and so has the film. But there are also problems in which the dividing line is obliterated, or where the two infringe upon each other. More especially, the cinema can fulfill certain promises made by the ancient arts, in the realization of which painting and film become close neighbors and work together. — Hans Richter

I'm sorry, she thought. But she said nothing. I can't save you or anybody else from being dark. She thought of Frank. I wonder if he's dead yet. Said the wrong things; spoke out of line. No, she thought. Somehow he likes Japs. Maybe he identifies with them because they're ugly. She had always told Frank that he was ugly. Large pores. Big nose. Her own skin was finely knit, unusually so. Did he fall dead without me? A fink is a finch, a form of bird. And they say birds die. — Philip K. Dick

punch line: The most basic way to make people care is to form an association between something they don't yet care about and something they do care about. — Chip Heath

Someone who is incapable of drawing, and cannot master line or colour perspective can always express themselves in some form of abstraction. — Hans Werner Henze

We live on the edge of the abstract all the time. Look at something solid in the known world: an automobile. Separate the fender, the hood, the roof, lie them on the garage floor, walk around them. Let go of the urge to reassemble the care or to pronounce fender, hood, roof. Look at them as curve, line, form. Relax the mind. Don't immediately try to make meaning or be practical. Truthfully, how practical is life anyway? All our work, and death is the final result? So let's enjoy the unfolding shape, the elemental, organic delight and agony of it all. — Natalie Goldberg

Putting yourself in a position where you can be rejected, saying a joke that may not be funny, asserting an opinion that may offend others, joining a table of people you don't know, telling a woman that you like her and want to date her. All of these things require you to stick your neck out on the line emotionally in some way. You're making yourself vulnerable when you do them.

In this way, vulnerability represents a form of power, a deep and subtle form of power. — Mark Manson

I'll stay with you a little, my unforgettable delight, for as long as my arms and my hands and my lips remember you. I'll put my grief for you in a work that will endure and be worthy of you. I'll write your memory into an image of aching tenderness and sorrow. I'll stay here till this is done, then I too will go. This is how I will portray you, I'll trace your features on paper as the sea, after a fearful storm has churned it up, traces the form of the greatest, farthest-reaching wave on the sand. Seaweed, shells, cork, pebbles, the lightest, most imponderable things that it could lift from its bed, are cast up in a broken, sinuous line on the sand. This line endlessly stretching into the distance is the frontier of the highest tide. That was how life's storm cast you up on my shore, O my pride, that is how I'll portray you. — Boris Pasternak

Crow paced back and forth, his form flickering like flame. "It's been a thousand years, Alister. I never intended for anyone to find it, so it's very well protected. One little misstep, and you and my line will be history."
"Since when are you so concerned about your line?" Han said.
Crow stared at him for a long moment. "Since I found out I had one, — Cinda Williams Chima

But somehow things took a sinister turn, and the division of labor came to be understood as the demarcation of a social hierarchy. Women kept busy with numerous domestic responsibilities while their male counterparts' sole duty was tending to the flocks. Men had time to think critically, form political infrastructures, and ultimately, network with other men. Meanwhile, women were kept too busy to notice that somewhere along the line, they had become inferior. This is approximately when shit hit the fan. — Julie Zeilinger

Consciousness has an inner depth at every stage, and is not something that emerges at some stage down the line. Forms of consciousness emerge as forms of energy/matter, but consciousness itself is simply alongside all along, as the principal reality of every form. — Adnan Al Adnani

Strong line quality, composition and form are more crucial although even this is loosely done. — Frank Bruno

What makes a set of lines and colors into art is the relationship between this line and that one; the way one color or form echoes another in a different part of the canvas. — Daniel Levitin

The sculptor must paint with his chisel; half his touches are not to realize, but to put power into, the form. They are touches of light and shadow, and raise a ridge, or sink a hollow, not to represent an actual ridge or hollow, but to get a line of light, or a spot of darkness. — John Ruskin

They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world ... And the man breaks. — George R R Martin

The U.S-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country - a border culture.
Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is in a constant state of transition. The prohibited and forbidden are its inhabitants. — Gloria E. Anzaldua

The habit of doubt; of distrusting his own judgment and of totally rejecting the judgment of the world; the tendency to regard every question as open; the hesitation to act except as a choice of evils; the shirking of responsibility; the love of line, form, quality; the horror of ennui; the passion for companionship and the antipathy to society
all these are well-known qualities of New England character in no way peculiar to individuals but in this instance they seemed to be stimulated by the fever, and Henry Adams could never make up his mind whether, on the whole, the change of character was morbid or healthy, good or bad for his purpose. — Henry Adams

What is line? It is life. A line must live at each point along its course in such a way that the artist's presence makes itself felt above that of the model. With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul's style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies. — Jean Cocteau

So did yours. Joseph's pit came in the form of a cistern. Maybe yours came in the form of a diagnosis, a foster home, or a traumatic injury. Joseph was thrown in a hole and despised. And you? Thrown in an unemployment line and forgotten. Thrown into a divorce and abandoned, into a bed and abused. The pit. A kind of death, waterless and austere. Some people never recover. Life is reduced to one quest: get out and never be hurt again. Not simply done. Pits have no easy exits. — Max Lucado

Do this. Don't do that. Stay back in line. Where's tax receipt? Fill out form. Let's see license. Submit six copies. Exit only. No left turn. No right turn. Queue up and pay fine. Take back and get stamped. Drop dead - but first get permit. — Robert A. Heinlein

Once I had thought chiefly of the man of letters, the traveler, the poet, the lover; none of that had faded, to be sure, but now for the first time I could see among all those figures, standing out with great clarity of line, the most official and yet the most hidden form of all, that of the emperor. The fact of having lived in a world which is toppling around us had taught me the importance of the Prince. — Marguerite Yourcenar

Consider paint a film of light reflecting/absorbing material, and a colored paint a material which gives a particular, characteristic transmission of light via differential absorption and reflection. Call this reflected quality 'luminance' and measure it in millilamberts. This measure is as real and present as height, breadth, depth; and I find the phenomenon equally sumptuous and convincing ... Painted light, not color, not form, not perspective, or line, not image, or words, or equations, is painting. I make paintings which do not represent light, they are light. — Jo Baer

When we live up to our Constitution, let's form a Conga line around the Capitol and bungee jump off the dome. — Paula Poundstone

Mathilde made an effort to use the more intimate form; she was evidently more attentive to this unusual way of speaking than to what she was saying. This use of the singular form, stripped of the tone of affection, ceased, after a moment, to afford Julien any pleasure, he was astonished at the absence of happiness; finally, in order to feel it, he had recourse to his reason. He saw himself highly esteemed by this girl who was so proud, and never bestowed unrestricted praise; by this line of reasoning he arrived at a gratification of his self-esteem. — Stendhal

By running longer it's like I can physically exhaust that portion of my discontent. It also makes me realize again how weak I am, how limited my abilities are. I become aware, physically, of these low points. And one of the results of running a little farther than usual is that I become that much stronger. If I'm angry, I direct that anger toward myself. If I have a frustrating experience, I use that to improve myself. That's the way I've always lived. I quietly absorb the things I'm able to, releasing them later, and in as changed a form as possible, as part of the story line in a novel. — Haruki Murakami

When I was young, I was a hunter, walking wooded hillsides with confident steps and a gun in my hand. I knew the blur of wings, the rocketing form, and the Great Moment that only hunters know, when all existence draws down to two points and a single line. And the universe holds it breath. And what may be and what will be meet and become one - before the echo returns to its source. — Pete Dunne

Whether we accept it or not, this will likely be the century that determines what the optimal human population is for our planet. It will come about in one of two ways:
Either we decide to manage our own numbers, to avoid a collision of every line on civilization's graph - or nature will do it for us, in the form of famines, thirst, climate chaos, crashing ecosystems, opportunistic disease, and wars over dwindling resources that finally cut us down to size. — Alan Weisman

**New business concepts are always, always the product of lucky foresight.**
That's right - the essential insight doesn't come out of any dirigiste planning process; it comes form some cocktail of happenstance, desire, curiosity, ambition and need. But at the end of the day, there has to be a degree of foresight
a sense of where new riches lie. So radical innovation is always one part fortuity and one part clearheaded vision.
[first-line bold by author]
[2002] p.23 — Gary Hamel

I wanted to start a menswear line of slim-fitting, luxury cashmere jumpers in a range of great colors. I know these jumpers will become season-less staples in my own wardrobe. Cashmere and silk printed scarves and hand-beaded T-shirts compliment the line and form a solid foundation for the collection to grow next season. — Matthew Williamson

But I was not quite with him in my thoughts, and I wonder whether that is how we got to be after living alone for a long time, that in the middle of a train of thought we start talking outloud, that the difference between talking and not talking is slowly wiped out, that the unending, inner conversations we carry on with ourselves merges with the one we have with the few people we still see, and when you live alone for too long the line which divides the one form the other becomes vague, and you do not notice when you cross that line. Is this how my future looks? — Per Petterson

Our metaphors for the operation of the brain are frequently drawn from the production line. We think of the brain as a glorified sausage machine, taking in information from the senses, processing it and regurgitating it in a different form, as thoughts or actions. The digital computer reinforces this idea because it is quite explicitly a machine that does to information what a sausage machine does to pork. Indeed, the brain was the original inspiration and metaphor for the development of the digital computer, and early computers were often described as 'giant brains'. Unfortunately, neuroscientists have sometimes turned this analogy on its head, and based their models of brain function on the workings of the digital computer (for example by assuming that memory is separate and distinct from processing, as it is in a computer). This makes the whole metaphor dangerously self-reinforcing. — Steve Grand

Hello ladies. If you form a line after I get my belly full, I will make sure you all get a dose of Chance. I'll knock those wrinkles right out. Mrs. Sellers, I will make sure to do that thing you like so much and always ask me for, since the hip replacement you can really get that leg up around your ears. — Alex Morgan

Service is the virtue that distinguished the great of all times and which they will be remembered by. It places a mark if nobility upon its disciples. It is the dividing line which separates the two great groups of the world - those who help and those who hinder, those who lift and those who lean, those who contribute and those who only consume. How much better it is to give than to receive. Service in any form is comely and beautiful. To give encouragement, to impart sympathy, to show interest, to banish fear, to build self confidence and awaken hope in the hearts if others, in short - to love them and to show it - is to render the most precious service. — Bryant S. Hinckley

Impatience is a form of unbelief. It's what we begin to feel when we start to doubt the wisdom of God's timing or the goodness of God's guidance. It springs up in our hearts when our plan is interrupted or shattered. It may be prompted by a long wait in a checkout line or a sudden blow that knocks out half our dreams. The opposite of impatience is not a glib denial of loss. It's a deepening, ripening, peaceful willingness to wait for God in the unplanned place of obedience, and to walk with God at the unplanned pace of obedience - to wait in his place, and go at his pace. — John Piper

Close to half my students in one class in northern Nigeria, where head coverings are part of the culture, held this view, so after they had finished debating with the other half, I asked why none of them had greeted me with a holy kiss - and they laughed! The holy kiss is an explicit command repeated in Scripture five times as often as head coverings (Rom. 16:16; 1 Cor. 16:20; 2 Cor. 13:12; 1 Thess. 5:26; 1 Pet. 5:14), but the usual response is, "That was merely a cultural form of greeting." Indeed it was, but covering the head (technically, all the hair) was also merely a cultural expression of sexual modesty, as can be demonstrated from a massive number of ancient sources.26Yet a few of my students bordered on calling other students "liberal" because they did not insist on head coverings as a transcultural requirement! Who determines where to draw the line? Is everyone liberal who holds as cultural something we hold as transcultural? — James R. Beck

Following the story line becomes easy when one realizes that the book of Acts is structured on a cyclic principle in which a common pattern keeps getting repeated: (1) Christian leaders arise and preach the gospel; (2) listeners are converted and added to the church; (3) opponents (often Jewish but sometimes Gentile) begin to persecute the Christian leaders; and (4) God intervenes to rescue the leaders or otherwise protect the church. While this pattern is most obvious in the first half of the book, it extends in modified form to the journeys of Paul, whose repeated buffetings are followed by the expansion of the church. — Anonymous

Falling little wind, it was five before I could form my line, or distinguish any of the enemy's motions; and could not judge at all of their force, more than by numbers, which were seventeen, and thirteen appeared large. — John Byng

Of course, Kafka doesn't see himself as a sort of party. He doesn't even pretend to be revolutionary, whatever his socialist sympathies may be. He knows that all the lines link him to a literary machine of expression for which he is simultaneously the gears, the mechanic, the operator, and the victim. So how will he proceed in this bachelor machine that doesn't make use of, and can't make use of, social critique? How will he make a revolution?
He will act on the German language such as it is in Czechoslovakia. Since it is a deterritorialized language in many ways, he will push the deterritorialization farther, not through intensities, reversals and thickenings of the language but through a sobriety that makes language take flight on a straight line, anticipates or produces its segmentations. Expression must sweep up content; the same process must happen to form ... It is not a politics of pessimism, nor a literary caricature or a form of science fiction. — Gilles Deleuze

Typically, images or paintings are designated as anamorphic when, in order for the image to appear, a particular line of sight must be adopted. The image only shows up when approached from the angle dictated to the viewer by the image's own set of conditions. In this sense, the viewer must 're-form' their perspective to match the perspective demanded by the image. We are not free to approach the image as we wish; the image is free to assign us a perspective proper to itself ... Anamorphosis, then, describes the freedom of the phenomenon to give itself as it wishes and it measures the extent to which this freedom turns the tables on the one to whom it appears. To receive a phenomenon as it wishes to give itself is to yield control and suspend our own timetables and preconditions in order to be faithful to the conditions set by what gives itself. — Adam Miller

Beauty is all about form; proportions and the relationships between one line and another. — Christian Louboutin

Movements for animal rights are not irrational denials of human uniqueness; they are a clear-sighted recognition of connection across the discredited breach of nature and culture. Biology and evolutionary theory over the last two centuries have simultaneously produced modern organisms as objects of knowledge and reduced the line between humans and animals to a faint trace re-etched in ideological struggle or professional disputes between life and social science. Within this framework, teaching modern Christian creationism should be fought as a form of child abuse. — Donna J. Haraway

Cairn Stone
This is the rock he lifted
to lay upon a cairn
in a high place.
This rock, warmed by the near sun,
felt right, somehow, in his hand.
He decided to carry it down
to his mother, who lay in bed,
recovering.
It is so easy to please
a mother. Just to think of her
for a moment, from a high place,
and to carry that thought to her
in the form of a stone. — Claudia Putnam

Weizenbaum did not acknowledge the beauty of the hacker devotion itself ... orthe very idealism of the Hacker Ethic. He had not seen, as Ed Fredkin had, Stew Nelson composing code on the TECO editor while Greenblatt and Gosper watched: without any of the three saying a word, Nelson was entertaining the others, encoding assembly-language tricks which to them, with their absolute mastery of that PDP-6 "language," had the same effect as hilariously incisive jokes. And after every few instructions there would be another punch line in this sublime form of communication ... The scene was a demonstration of sharing which Fredkin never forgot. — Anonymous

Instruction would be wasted on me. Just to give me the form and I'll sign on the dotted line. — Evelyn Waugh

First my copy was sent back to me with a note: "Please call ASAP regarding portrayal of Cossacks as primitive monsters." It turned out that my copy was lacking in cultural sensitivity toward Cossacks. I tried to explain that, far from calling Cossacks primitive monsters, I was merely suggesting that others had considered Cossacks to be primitive monsters. The coordinator, however, said that this was my mistake: others didn't consider Cossacks to be primitive monsters; in fact, "Cossacks have a rather romantic image."
I considered quoting to her the entry for Cossack in Flaubert's Dictionary of Received ideas: "Eats tallow candles"; but then the burden of proof would still be on me to show that tallow candles are a primitive form of nourishment. Instead I adopted the line that the likelihood of any Cossacks actually attending the exhibit was very slim. But the editor said this wasn't the point, "and anyway you never know in California. — Elif Batuman

Because the light of evolution is not instantaneous or blinding, it is difficult to visualize the immensely slow and gradual change that is brought about by mutation and natural selection. When you consider a protozoan cell or an amphibian, on the one hand, and dolphins or, say, commuters, on the other, there is no intuitive way to make sense of the line that runs from one form of life to the next.

The popular cartoon of evolution, where the ape slowly unbends, straightens up, starts walking, and mutates into some form of modern-day human, is probably the easiest way to think about it. But [...] this caricature is misleading. Evolution does not follow the course of a single line. The tree of life bristles with stems, boughs, and branches. Most lines from one form to another are densely surrounded by branches leading to different species or dead ends. — Christine Kenneally

The willingness to reach inside every part of yourself opens the door to total understanding. You place your entire identity on the line, not just an isolated part. This may sound daunting, but actually it's the most natural way to approach any situation. When you hold some part of yourself in reserve you deny it exposure to life; you repress its energy and keep it form understanding what it needs to know. — Deepak Chopra

If you bend a branch until it's horizontal, the sap will slow to a stopping point: a comma or colon, made of leaves grown into one another and over one another and hardened. Out of this pause comes a flower, which unfolds itself in spirals, as if the leaf form, unable to keep to its line, had begun to pivot. — Alice Oswald

The new album is a childhood dream come true. Got to sing with Ronnie Spector, got to cover a bunch of songs that were influential in drawing a line between the punk form and original rock and roll. — Jerry Only

For poets today or in any age, the choice is not between freedom on the one hand and abstruse French forms on the other. The choice is between the nullity and vanity of our first efforts, and the developing of a sense of idiom, form, structure, metre, rhythm, line - all the fundamental characteristics of this verbal art. — James Fenton

I think I was also afraid of the novel. I write line by line, proceeding at snail's pace, rewriting as I go and paring the excess away. This is against all the best advice for writing long form prose, and I have tried over the years to break myself of the habit, but I can't bear to leave anything ungainly on the page and half the fun for me is that tinkering. So the length of a novel was a daunting prospect. — Debra Dean

Can there really be a form of verse where all that counts is the number of syllables in a line? No patterning of stress at all? What is the point?
Well, that is a fair and intelligent question and I congratulate myself for asking it. — Stephen Fry

Self-pity is an ignoble emotion, but we all feel it, and the orthodox critical line that it represents some kind of artistic flaw is dubious, a form of emotional correctness. — Nick Hornby

If I wrote in a sonnet form, I would be distorting. Or if I had some great new idea for line breaks and I used it in a poem, but it's really not right for that poem, but I wanted it, that would be distorting. — Sharon Olds

Academia is alas full of special interests and specialists who presumed it was possible to "leapfrog" over this or that entire line of development. These minds hoped to distance themselves from the pernicious vices of a whole way of thinking, but of course at the same time excluded all of its virtues too. Modern abstractivism in its simplex form (which does not preclude a high degree of articulate facility within the ambit of what is preconceived and accepted). — Kenny Smith

Today even the dimmest of capitalist can see that the centralized nation-state, so promising an idea a generation ago, has lost all credibility with the population. Anarchism now is the idea that has seized hearts everywhere, some form of it will come to envelop every centrally governed society ... If a nation wants to preserve itself, what other steps can it take, but mobilize and go to war? Central governments were never designed for peace. Their structure is line and staff, the same as an army. The national idea depends on war. A general European war, with ever striking worker a traitor, flags threatened, the sacred soils of homelands defiled, would be just the ticket to wipe Anarchism off the political map. The national idea would be reborn. One trembles at the pestilent forms that would rise up afterward, from the swamp of the ruined Europe. — Thomas Pynchon

The 3.5 billion unreached people on earth would form a single file line that would stretch around the equator 25 times! Can you picture 25 lines of Christless people, trampling endlessly toward hell? Let that vision stay with you day and night. — Larry Stockstill

To move along the line of natural expectation consolidates the opponent's balance and thus increases his resisting power. In war, as in wrestling, the attempt to throw the opponent without loosening his foothold and upsetting his balance results in self-exhaustion, increasing in disproportionate ratio to the effective strain put upon him. Success by such a method only becomes possible through an immense margin of superior strength in some form-and, even so, tends to lose decisiveness. In most campaigns the dislocation of the enemy's psychological and physical balance has been the vital prelude to a successful attempt at his overthrow. — B.H. Liddell Hart

Books and novels in particular that grapple with quite a few things are difficult to explain, so I think that first line can come in a substitute for trying to form a longer sense of what the book is about. — Alice Sebold

Extended discourse, whether in the form of novels or expository treatises, presents the mind with a category of stimuli that can guide thinking though a long, complex, and coherent line of reasoning. Books structure ideas almost uniquely: The vocabulary and thought forms that are commonplace in book-length texts are rare in daily conversations. Books present a much wider range of vocabulary, concepts, and inferences than can be found in our daily banter with friends and family members. — Michael E. Martinez

[A]s people are beginning to see that the sexes form in a certain sense a continuous group, so they are beginning to see that Love and Friendship which have been so often set apart from each other as things distinct are in reality closely related and shade imperceptibly into each other. Women are beginning to demand that Marriage shall mean Friendship as well as Passion; that a comrade-like Equality shall be included in the word Love; and it is recognised that from the one extreme of a 'Platonic' friendship (generally between persons of the same sex) up to the other extreme of passionate love (generally between persons of opposite sex) no hard and fast line can at any point be drawn effectively separating the different kinds of attachment. We know, in fact, of Friendships so romantic in sentiment that they verge into love; we know of Loves so intellectual and spiritual that they hardly dwell in the sphere of Passion. — Edward Carpenter

World's freakiest bloodsucker, right here," I went on. "And you know what? If it makes some of you uncomfortable, too bad. If it makes some of you so uncomfortable you want to start shit with me about it, step right up and see if I don't eat the hell out of you next!"
I'd meant that last part as a threat, but somewhere in my impassioned declaration of independence from hiding what I was, I'd neglected to think through my phrasing. I saw Bones raise a brow, a muffled snicker broke out from Ian, and then Vlad laughed loud and hearty.
"With that sort of invitation, Reaper, you might want to suggest the line form to your right."
"That's not ... I meant eat them in a bad way," I sputtered. — Jeaniene Frost

Live in the space between chaos and shape. I walk the line that continually threatens to lose its tautness under me, dropping me into the dark pit where there is no meaning. At other times the line is so wired that it lights up the soles of my feet, gradually my whole body, until I am my own beacon, and I see then the beauty of newly created worlds, a form that is not random. A new beginning. — Jeanette Winterson

Helen, in a white coat and stethoscope, effortlessly achieving the sort of discipline for which lesser women would require black leather and a hunting crop, indicated we should form a line. Being St Mary's, we formed several clumps and a rhomboid. — Jodi Taylor

I don't want to be one of these filmmakers that hit you over the head with my agenda or my opinion. I just want to take you down the 50-yard line and let you form your own opinion of what the controversy [of a movie] is about. — Ric Roman Waugh

And over my head," relates Squire Haligast, "it form'd an E-clipse, an emptiness in the Sky, with a Cloud-shap'd Line drawn all about it, wherein words might appear, and it read, - 'No King . . . — Thomas Pynchon

They were all intensely excited, and all overflowing with noisy expressions of their loyalty to the Law. Yet I felt an absolute assurance in my own mind that the Hyena-Swine was implicated in the rabbit-killing. A strange persuasion came upon me that, save for the grossness of the line, save for the grotesqueness of the forms, I had here before me the whole balance of human life in miniature, the whole interplay of instinct, reason, and fate in its simplest form. — H.G.Wells

Alessandro Volta, an Italian count and the inspiration for the eponym "volt," demonstrated this back around 1800 with a clever experiment. Volta had a number of volunteers form a chain and each pinch the tongue of one neighbor. The two end people then put their fingers on battery leads. Instantly, up and down the line, people tasted each other's fingers as sour. — Sam Kean

It is what often happens in the establishment. Inconvenient truths are left buried. If you don't ask too may questions of a gentlemen then you won't be disappointed."
"And this is what makes us British?"
"It is our face to the world," Sidney replied. "Many of us are civilised, charming and perfectly genuine people. Others have developed their reserve into a form of refined deceit. It's why people find the British so intriguing, Georgie. The line between the gentleman and the assassin can be so very thin. — James Runcie

As children get older, this incidental outdoor activity
say, while waiting to be called to eat
becomes less bumptious, physically and entails more loitering with others, sizing people up, flirting, talking, pushing, shoving and horseplay. Adolescents are always being criticized for this kind of loitering, but they can hardly grow up without it. The trouble comes when it is done not within society, but as a form of outlaw life.
The requisite for any of these varieties of incidental play is not pretentious equipment of any sort, but rather space at an immediately convenient and interesting place. The play gets crowded out if sidewalks are too narrow relative to the total demands put on them. It is especially crowded out if the sidewalks also lack minor irregularities in building line. An immense amount of both loitering and play goes on in shallow sidewalk niches out of the line of moving pedestrian feet. — Jane Jacobs

Memories of her, however, would remain with him. Everywhere he'd look, she would be there, as if she were a hundred women, all shadow and wraith, marking each place at Tyemorn and Ayleshire. He'd see her on the village road, smiling beneath an oak, straddling a furrow and laughing at something a companion had said. There again, tilting her head in an inquisitive look and offering advice on the line of the barn wall, or at night, when he could only see the outline of her form. — Karen Ranney

Birth after birth the line unchanging runs,
And fathers live transmitted in their sons;
Each passing year beholds the unvarying kinds,
The same their manners, and the same their minds:Till, as erelong successive buds decay,
And insect-shoals successive pass away,
Increasing wants the pregnant parent vex
With the fond wish to form a softer sex.. — Erasmus Darwin

There you are, diligently swimming a straight line, minding the form of your strokes, when you look up and see, always a shock, the currents you can't even feel have pulled you off course. — Julia Glass

The secret of many of my deformations - which many people do not understand - is that there is an interaction, an intereffect between the lines in a painting: one line attracts the other and at the point of maximum attraction the lines curve in toward the attracting point and form is altered. — Pablo Picasso

Arguably, horror may be understood as a fictional indulgence in fantasies of violence, and our fascination with it seen as a form of sublimation of repressed desires. If we accept this line of thinking, then horror has the benefit of, at least, being one of the most honest of genres. — Xavier Aldana Reyes

The heavens themselves, the planets, and this centre Observe degree, priority, and place, Insisture, course, proportion, season, form, Office, and custom, in all line of order. — William Shakespeare

Laid out upright and end to end, the files the Stasi kept on their countrymen and women would form a line 180 kilometres long. — Anna Funder

Grass: I've invested heavily in blood futures. I have a direct line to the trading floor for polyester blood. There's a heaving mass of men crying out their bids. The blood arrives at the warehouse in the form of double-knit suits. It's the only kind of suit I wear. When I collapse in the street, paramedics rush me to the hospital, liquefy the suit and inject it in my veins. — Don DeLillo

But Robin: their dear little Robs. More than ten years later, his death remained an agony; there was no glossing any detail; its horror was not subject to repair or permutation by any of the narrative devices that the Cleves knew. And - since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form - the memory of that day's events had a chaotic, fragmented quality, bright mirrorshards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light. — Donna Tartt

I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one's sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city. — Barbara Hepworth

The examiners call their children their little Line 40s. That's of course where you enter your CCDC from Form 2441 on the 1040. Some of the children were playing Collections. Near the horseshoe courts. Some of the older children. Liens on the toys, a jeopardy assessment and seizure of some of the smaller childrens' plates; there was some of the usual crying. — David Foster Wallace

On occasions, after drinking a pint of beer at luncheon, there would be a flow into my mind with sudden and unaccountable emotion, sometimes a line or two of verse, sometimes a whole stanza, accompanied, not preceded by a vague notion of the poem which they were destined to form a part of ... I say bubble up because, so far as I could make out, the source of the suggestions thus proffered to the brain was the pit of the stomach. — A.E. Housman

We knew the world would not be the same. A few people laughed, a few people cried. Most people were silent. I remembered the line from the Hindu scripture, the Bhagavad-Gita; Vishnu is trying to persuade the Prince that he should do his duty, and to impress him, takes on his multi-armed form and says, 'Now I am become Death, the destroyer of worlds.' I suppose we all thought that, one way or another. — J. Robert Oppenheimer

Logic might be imagined to exist independent of writing - syllogisms can be spoken as well as written - but it did not. Speech is too fleeting to allow for analysis. Logic descended from the written word, in Greece as well as India and China, where it developed independently. Logic turns the act of abstraction into a tool for determining what is true and what is false: truth can be discovered in words alone, apart from concrete experience. Logic takes its form in chains: sequences whose members connect one to another. Conclusions follow from premises. These require a degree of constancy. They have no power unless people can examine and evaluate them. In contrast, an oral narrative proceeds by accretion, the words passing by in a line of parade past the viewing stand, briefly present and then gone, interacting with one another via memory and association. — James Gleick