Light Up Wall Quotes & Sayings

The Flower

Once in a golden hour
I cast to earth a seed.
Up there came a flower,
The people said, a weed.

To and fro they went
Thro' my garden-bower,
And muttering discontent
Cur'd me and my flower.

Then it grew so tall
It wore a crown of light,
But thieves from o'er the wall
Stole the seed by night.

Sow'd it far and wide
By every town and tower,
Till all the people cried,
"Splendid is the flower."

Read my little fable:
He that runs may read.
Most can raise the flowers now,
For all have got the seed.

And some are pretty enough,
And some are poor indeed;
And now again the people
Call it but a weed. — Alfred Tennyson

The poet Gary Snyder's finely unpoetic image of composting is useful here. Stuff goes into the writer, a whole lot of stuff, not notes in a notebook but everything seen and heard and felt all day every day, a lot of garbage, leftovers, dead leaves, eyes of potatoes, artichoke stems, forests, streets, rooms in slums, mountain ranges, voices, screams, dreams, whispers, smells, blows, eyes, gaits, gestures, the touch of a hand, a whistle in the night, the slant of light on the wall of a child's room, a fin in a waste of waters. All this stuff goes down into the novelist's personal compost bin, where it combines, recombines, changes; gets dark, mulchy, fertile, turns into ground. A seed falls into it, the ground nourishes the seed with the richness that went into it, and something grows. But what grows isn't an artichoke stem and a potato eye and a gesture. It's a new thing, a new whole. It's made up. — Ursula K. Le Guin

Many years have passed since that night. The wall of the staircase up which I had watched the light of his candle gradually climb was long ago demolished. And in myself, too, many things have perished which I imagined would last for ever, and new ones have arisen, giving birth to new sorrows and new joys which in those days I could not have foreseen, just as now the old are hard to understand. — Marcel Proust

I was part of that group of kids growing up in the '80s under the Reagan regime, what I used to call 'living in the shadow of Dr. Manhattan,' where we would have dreams all the time that New York City was being destroyed, and that that wall of light and destruction was rolling out and would just devour our neighborhood. — Junot Diaz

During college, when I was working full time for my father [the decorator Mark Hampton], I rented an apartment and I just couldn't take time off to paint it. So I went there one evening and stayed up all night painting the place what I thought was a lovely pale yellow. When the sun came up, I realized I'd painted the walls the color of insanity. I had to immediately mix in all my trim color to tone it down. Yellow is an electric color and wholly misleading. It becomes more yellow with the sun's yellow light on it. The moral is, even if you think your yellow is the one, go paler. — Alexa Hampton

down with Bart for a few hours and sleep as best I could. Chapter 12 I was as tired as I could ever remember being as I pulled the station wagon up the narrow driveway and came to a stop twenty-five feet from my front door. I liked my simple house with two bedrooms and an attic a hobbit couldn't fit in. My front porch light was on a timer and illuminated the pathway, but the inside was pitch-black. That wasn't good. I always left one light on in my kitchen. Normally, I could see it through the front window, and it cast a little light across the whole house. I didn't want Bart walking into a wall in the dark. Someone had turned it off. The only defense I had was my Navy knife, which I dug out of my front pocket and flipped open. I use it as a tool, but its original purpose was as a weapon. The door was still locked, and I wondered if — James Patterson

When I wake up earlier than you and you
are turned to face me, face
on the pillow and hair spread around,
I take a chance and stare at you,
amazed in love and afraid
that you might open your eyes and have
the daylights scared out of you.
But maybe with the daylights gone
you'd see how much my chest and head
implode for you, their voices trapped
inside like unborn children fearing
they will never see the light of day.
The opening in the wall now dimly glows
its rainy blue and gray. I tie my shoes
and go downstairs to put the coffee on. — Ron Padgett

dark light. [Not actually an oxymoron. It's the color past ultra-violet. The technical term for it is infrablack. It can be seen quite easily under experimental conditions. To perform the experiment simply select a healthy brick wall with a good run-up, and, lowering your head, charge. The color that flashes in bursts behind your eyes, behind the pain, just before you die, is infra-black.] — Neil Gaiman

He kissed me again, farther up my neck, and I pushed him back against the wall.
My mind searched for the logical thought, a rational life raft before I drowned in wanting to hiss him. I managed, "We've only met a few days ago. We don't know each other."
Luke released me. "How long does it take to know someone?"
I didn't know. "A month? A few months?" It sounded stupid to quantify it, especially when I didn't want to believe my own reasoning. But I couldn't just go kissing someone I knew nothing about
it went against everything I'd ever been told. So why was it so hard to say no?
He took my fingers, playing with them in between his own. "I'll wait." He looked so good in the half-light under the trees, his light eyes nearly glowing against his shadowed skin. It was useless.
"I don't want you to." I whispered the words, and before I'd even finished saying them, his mouth was on mine and I was melting under his lips. — Maggie Stiefvater

No end of blessings from heaven and earth. As we climb up out of the Moab valley and reach the high tableland stretching northward, traces of snow flying across the road, the sun emerges clear of the overcast, burning free on the very edge of the horizon. For a few minutes the whole region from the canyon of the Colorado to the Book Cliffs - crag, mesa, turret, dome, canyon wall, plain, swale and dune - glows with a vivid amber light against the darkness on the east. At the same time I see a mountain peak rising clear of the clouds, old Tukuhnikivats fierce as the Matterhorn, snowy as Everest, invincible. "Ferris, stop this car. Let's go back." But he only steps harder on the gas. "No," he says, "you've got a train to catch." He sees me craning my neck to stare backward. "Don't worry," he adds, "it'll all still be here next spring." The — Edward Abbey

Neil Young and Barry Friedman had stolen a Buffalo Springfield sign off the steamroller for Barrys house. They put it up. We all looked at it on the wall and a light went off. That's how we came up with the name — Stephen Stills

You know," I fold my arms over my chest. "You're quite annoying, but I guess your company is better than no company." Keegan presses his arm against the wall beside my head and smiles. His curly black hair stands out against his pale skin. The slightest bit of sunlight finds its way inside the patio, reflecting upon his icy green eyes. His light pink lips turn up in a smile. With his mouth closed, he is actually quite attractive. — Nicole Sobon

A corner of the night sky, beyond a wall of trees, blooms red. In the lurid, flickering light, he sees that the airplane was not alone, that the sky teems with them, a dozen swooping back and forth, racing in all directions, and in a moment of disorientation, he feels that he's looking not up but down, as though a spotlight has been shined into a wedge of bloodshot water, and the sky has become the sea, and the airplanes are hungry fish, harrying their prey in the dark. — Anthony Doerr

Anyway, time is more than counting days. On the outside, people think clocks tell them the time. They set an alarm for work and wake up to a blinking light that says six a.m. They look to an office wall to tell them if it is time to go home. The truth is, clocks don't tell time. Time is measured in meaning. I better get up for work or It's time to feed the baby. Or That was the year I got cancer or That is the day we celebrate your birthday. Or Remember when our father died or Let's remember to plant turnips this spring. It is meaning that drives most people forward into time, and it is meaning that reminds them of the past, so they know where they are in the universe. — Rene Denfeld

He who carved the edges of the cosmos curved Himself into a fetal ball in the dark, tethered Himself to the uterine wall of a virgin, and lets His cells divide, light splitting all white. He gave up the heavens that were not even large enough to contain Him and lets Himself be held in a hand. The mystery so large becomes the Baby so small, and infinite God becomes infant. — Ann Voskamp

On a nightstand in a teenager's room, a glass vase filled with violets leans precariously against a wall. The only thing saving the vase from a thousand-piece death on the hardwood floor is the groove in the nightstand's surface that catches the bottom of vase, and of course the wall itself. The violets, nearly a week old, droop in the light of a waning gibbous moon. Wrinkled petals are already piling up on the floor between the nightstand and the wall, and a girl only six days sixteen stares at the dying bouquet from her bed. — Jay Nichols

Westray sat down near the door, and was so engrossed in the study of the building and in the strange play of the shafts of sunlight across the massive stonework, that half an hour passed before he rose to walk up the church.

A solid stone screen separates the choir from the nave, making, as it were, two churches out of one; but as Westray opened the doors between them, he heard four voices calling to him, and, looking up, saw above his head the four tower arches. "The arch never sleeps," cried one. "They have bound on us a burden too heavy to be borne," answered another. "We never sleep," said the third; and the fourth returned to the old refrain, "The arch never sleeps, never sleeps."

As he considered them in the daylight, he wondered still more at their breadth and slenderness, and was still more surprised that his Chief had made so light of the settlement and of the ominous crack in the south wall. — John Meade Falkner

Our windows were dark. The entrance was empty. I walked close to the left wall when I entered, but it was empty: just the stairs curving up into shadows echoes of feet in the sad generations like light dust upon the shadows, my feet waking them like dust, lightly to settle again. I — William Faulkner

The cynics, they can only speak of the dark, of the obvious, and this is not hard. For all it's supposed sophistication, it's cynicism that's simplistic. In a fallen world, how profound is to see the cracks?
The sages and prophets, the disciples and revolutionaries, they are the ones up on the ramparts, up on the wall pointing to the dawn of the new Kingdom coming, pointing to the light that breaks through all things broken, pointing to redemption always rising and to the Blazing God who never sleeps. — Ann Voskamp

And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of fatidic prefiguration: the radial span of a spider's web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving - to pluck a leaf from a bush or stroke a rock wall in passing - light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves. — Vladimir Nabokov

Evil Hall had been transformed into a magnificent ballroom, glittering with green tinsel, black balloons, thousands of green-flamed candles, and a spinning chandelier streaking wall murals with emerald bursts of light. Around a towering ice sculpture of two entwined snakes, Hort and Dot stumbled through a waltz, Anadil wrapped her arms around Vex, Brone tried not to step on Mona's green feet, and Hester and Ravan swayed and whispered as more villainous couples waltzed around them. Ravan's bunk mates picked up the music on reed violins as more pairs flooded onto the floor, clumsy, bashful, but aglow with happiness, dancing beneath a spangled banner:
THE 1ST ANNUAL VILLAINS NO BALL — Soman Chainani

I don't hate you, Jace."
"I don't hate you, either."
She looked up at him, relieved. "I'm glad to hear that - "
"I wish I could hate you," he said. His voice was light, his mouth curved in an unconcerned half smile, his eyes sick with misery. "I want to hate you. I try to hate you. It would be so much easier if I did hate you. Sometimes I think I do hate you and then I see you and I - "
Her hands had grown numb with their grip on the blanket. "And you what?"
"What do you think?" Jace shook his head. "Why should I tell you everything
about how I feel when you never tell me anything? It's like banging my head on a
wall, except at least if I were banging my head on a wall, I'd be able to make myself stop."
Clary's lips were trembling so violently that she found it hard to speak. "Do you think it's easy for me?" she demanded. — Cassandra Clare

It was dark in the alcove, so dark that Jace was only an outline of shadows and gold. His body pinned Clary's to the wall. His hands slid down along her body and reached the end of her dress, drawing it up along her legs. "What are you doing?" She whispered. "Jace?" He looked at her. The peculiar light in the club turned his eyes an array of fractured colors. His smile was wicked. "You can tell me to stop whenever you want," he said. "But you won't. — Cassandra Clare

Now see the nasturtiums. The leaves are like tiny green parasols blown inside-out and the flowers are terrifically garish. In every village we pass through, see how they are everywhere, how they fill every gap in every wall, every crack in every path.
The nasturtiums have it figured out, how survival's just a matter of filling in the gaps between sun up and sun down. Boiling kettles, peeling potatoes, laundering towels, buying milk, changing light-bulbs, rooting wet mats of pubic hair out of the shower's plughole. This is the way people survive, by filling one hole at a time for the flightiest of temporary gratifications, over and over and over, until the season's out and they die off anyway, wither back into the wall or path, into their dark crevasse. This is the way life's eaten away, expended by the onerous effort of living itself. — Sara Baume

On a cloudy day, when the dim dance of the firelight and the warmth of the sconces are not enough, the books shed their own form of light. By the hundreds, they fill the shelves that stretch across every inch of exposed wall. They rise up to the ceiling, warriors of an impenetrable army, encircling my over-sized armchair and keeping me safe as they whisper their stories softly in my ear. — Kelseyleigh Reber

Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day. — Quincy Jones

Our lives are a battlefield on which is fought a continuous war between the forces that are pledged to confirm our humanity and those determined to dismantle it; those who strive to build a protective wall around it, and those who wish to pull it down; those who seek to mould it and those committed to breaking it up; those who aim to open our eyes, to make us see the light and look to tomorrow [ ... ] and those who wish to lull us into closing our eyes — Ngugi Wa Thiong'o

My pulse was racing, my skin searing, and suddenly I felt light-headed. I sat back and put hands over my mouth. My room looked exactly the same as it had before I'd picked up his call. I threw my phone at the wall. Halfway through its flight, I realized that my father would kill me if I destroyed it, but it smacked the wall and slid to the ground without any pieces falling off it. It looked exactly the same as before. Nothing had changed. Nothing. — Maggie Stiefvater

He'd chased Vasquez for nine days now. Someone had warned the programmer just before Cooper got to the Boston walk-up, a brick rectangle where the only light had been a window onto an airshaft and the glowing red eyes of power indicators on computers and routers and surge protectors. The desk chair had been against the far wall as if someone had leaped out of it, and steam still rose from an abandoned bowl of ramen. — Marcus Sakey

Just as the light and weightless vegetation of saltpeter floats over the old walls of houses as soon as the owner gets careless, so the literary vocation springs up in you. — Federico Garcia Lorca

(1) When a situation has become too frustrating, a quandary too persistently insolvable; when dealing with the issue is generating chronic discontent, infringing on freedom, and inhibiting growth, it may be time to quit beating one's head against the wall, reach for a big fat stick of metaphoric dynamite, light the fuse, and blast the whole unhappy business nine miles past oblivion. (2) After making an extreme effort, after pulling out all the stops, one is still unable to score Tibetan peach pie, take it as a signal to relax, grin, pick up a fork, and go for a slice of the apple. — Tom Robbins

A moment, and its glory was no more. The sun went down beneath the long dark lines of hill and cloud which piled up in the west an airy city, wall heaped on wall, and battlement on battlement; the light was all withdrawn; the shining church turned cold and dark; the stream forgot to smile; the birds were silent; and the gloom of winter dwelt on everything. — Charles Dickens

Typical!" he said to Sophie. " I break my neck to get here, and I find you peacefully tidying up!"
Sophie looked up at him. As she had feared, the hard black-and white light coming through the broken wall showed her that Howl had not bothered to shave or tidy his hair. His eyes were still red-rimmed and his black sleeves were torn in several place. There was not much to choose between Howl and the scarecrow. Oh, dear! Sophie thought. He must love Miss Angorian very much. "I came for Miss Angorian," she explained.
"And I thought if I arranged for your family to visit you, it would keep you quiet for once!" Howl said disgustedly. "But no
". — Diana Wynne Jones

She ran and didn't slow until she came to a hallway that terminated in a multipaned window of thick, old-fashioned glass. Her breath rasped in her throat, but the dizziness and nausea eased enough that she stood steadier on her feet. She heard again the gentle ringing of metal sliding against metal. Musty air rose up with the same smell of leather and dust, an acrid undertone beneath. She whipped her head toward the end of the hall. At first she didn't see anything. The light shifted and swirled, and the swordsman materialized from the shadows. Gold and red emblazoned his tunic in a chevron against a cobalt background. The sword was back in its scabbard, strapped across his back. He was tall, with broad shoulders and dark hair, and he looked like Sebastian. Timed to the wind stirring the ivy outside, he vanished through the wall. — Carolyn Jewel

The snow was dancing like cotton wool in the light of the street lamps. Aimlessly, unable to decide whether it wanted to fall up or down, just letting itself be driven by the hellish, ice-cold wind that was sweeping in from the great darkness covering the Oslo fjord. Together they swirled, wind and snow, round and round in the darkness between the warehouses on the quayside that were all shut up for the night. Until the wind got fed up and dumped it's dance partner beside the wall. And there the dry, windswept snow was settling around the shoes of the man I had just shot I the chest and the neck. — Jo Nesbo

I met him last night, and as if hypnotized, I'd followed him into his private jet. Now I stood inside a European-inspired estate in Madison, Wisconsin. I had gone home with a stranger, and I didn't even know his name. He had refused to tell me, saying it wasn't important. Not yet. "You'll be safe here." He picked up what looked like a remote control from an antique wood mantelpiece and pressed a button. More bright light flooded the room. Beyond the glass wall, I caught a furious sparkle. A lake. — Dori Lavelle

RUSTY watched the dawn blossom into light. At first everything was dark, then gradually objects began to take shape - the desk and chair, the walls of the room - and the darkness lifted like the raising of a veil, and over the tree-tops the sky was streaked with crimson. It was like this for some time, while everything became clearer and more distinguishable; and then, when nature was ready, the sun reached up over the trees and hills, and sent one tentative beam of warm light through the window. Along the wall crept the sun, across to the bed, and up the boy's bare legs, until it was caressing his entire body and whispering to him to get up, get up, it is time to get up ... — Ruskin Bond

screamed all around him. Luke tossed his empty rifle away and pulled his handgun. He fired down the trench on his own position - it was overrun with enemies. A line of them were running this way. More came sliding, falling, jumping over the wall. Where were his guys? Was anyone still alive? He killed the closest man with a shot to the face. The head exploded like a cherry tomato. He grabbed the man by his tunic and held him up as a shield. The headless man was light, and Luke was raging with adrenaline - it was if the corpse — Jack Mars