I See Things In Black And White Quotes & Sayings

I wrote Unwind for lots of reasons, and it poses questions about a
lot of subjects. To state it briefly, I wanted to point out how when people
take intractable positions on an issue, and stick to extreme sides,
sometimes the result is a compromise that is worse than either extreme. I
meant it as a wake up call to society
and to point out that sometimes the
problem IS that we take sides on an issue, when a different sort of approach
is needed. It's also to pose questions about what it means to be alive.
Where does life begin, where does it end
and point out that there is no
single answer to these questions. The problem is people who think there are
simple answers. People who see things as simple black-and-white
right-and-wrong are the type of people who will end up with a world like the
world in Unwind. — Neal Shusterman

Heaven has its business and earth has its business: those are two separate things. Heaven, that's the angels' pasture; they are happy; they don't have to fret about food and drink. And you can be sure that they have black angels to do the heavy work like laundering the clouds or sweeping the rain and cleaning the sun after a storm, while the white angels sing like nightingales all day long or blow in those little trumpets like they show in the pictures we see in church. — Jacques Roumain

I looked over at the dresser and saw a new issue of Zoobooks sitting there.

On the cover was an owl. I love owls. Owls are beautiful and fierce. There was an owl right there on the front. A close-up of its face. Two big black eyes, bulbous, shiny, and empty. A brown-and-black feathered face. And its beak. I didn't see its beak. What were those two things coming out of its neck?

I stepped closer.

And in the lower corner of the cover, in white all-caps sans-serif font: "SPIDERS." I looked back into that face, brown and black fur, two big black eyes, and more eyes, and pincers. And oh god.

I screamed. I screamed and I ran. I am still screaming and running from this, only on the inside now. — Joseph Fink

Wonderingly, I lift my long, flowing sleeves into the air, and that's when I see myself on the television screen. Clothed in black except for the white patches on my sleeves. Or should I say my wings. Because Cinna has turned me into a mockingjay. — Suzanne Collins

Do you see things in black and white, or are there shades of gray for you?"
"I hope there's gray ... Black and white make things easier, but only if you don't want to think. — Harry Turtledove

It is because the critics are not detached that they do not see this detachment; it is because they are not looking at things in a dry light that they cannot see the difference between black and white. It is because they are in a particular mood of reaction and revolt that they have a motive for making out that all the white is dirty grey and the black not so black as it is painted. I do not say there are not human excuses for their revolt; I do not say it is not in some ways sympathetic; what I say is that it is not in any way scientific. An iconoclast may be indignant; an iconoclast may be justly indignant; but an iconoclast is not impartial. And it is stark hypocrisy to pretend that nine-tenths of the higher critics and scientific evolutionists and professors of comparative religion are in the least impartial. Why should they be impartial, what is being impartial, when the whole world is at war about whether one thing is a devouring superstition or a divine hope? — G.K. Chesterton

At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky. — Vincent Van Gogh

I think the play offers (white Americans) a different way to look at black Americans For instance, in 'Fences' they see a garbageman, a person they don't really look at, although they see a garbageman every day. By looking at Troy's life, white people find out that the content of this black garbageman's life is affected by the same things- love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives. — August Wilson

Your challenge as #GIRLBOSS is to dive headfirst into things without being too attached to the results. When your goal is to gain experience, perspective, and knowledge, failure is no longer a possibility. Failure is your invention.I believe that there is a silver lining in everything, and once you being to see it, you'll need sunglasses to combat the glare. It is she who listens to the rest of the world who fails, and it is she who has enough confidence to define success and failure for herself who succeeds. These words were not invented for an incremental life. "Success" and "failure" serve a world that is black-and-white. And as I said before, it's all just kinda grey. — Sophia Amoruso

I believe that if there is a huge chunk of white/truth in you, you will be drawn mostly to truth. If there is a lot of black/ego in you, you will naturally migrate to darkness/ego. We can't change our natural compositions or our attraction to certain lighting, but we can slowly change our angle of perception. Anyone can work on balancing their inner lighting simply by adjusting their outer lenses. All you have to do is learn to use your heart before your mind to see things. There is no light greater than truth, and it shines at the heart of all creation. Be like a butterfly and celebrate it every day. It is inside you. Be aware of it so it can cultivate it to grow stronger and bigger. — Suzy Kassem

An oceanic expanse of pre-dawn gray white below obscures a checkered grid of Saskatchewan, a snow plain nicked by the dark, unruly lines of woody swales. One might imagine that little is to be seen from a plane at night, but above the clouds the Milky Way is a dense, blazing arch. A full moon often lights the planet freshly, and patterns of human culture, artificially lit, are striking in ways not visible in daylight. One evening I saw the distinctive glows of cities around Delhi diffused like spiral galaxies in a continuous deck of stratus clouds far below us. In Algeria and on the Asian steppes, wind-whipped pennants of gas flared. The jungle burned in incandescent spots in Malaysia and Brazil. One clear evening at 20,000 feet over Manhattan, I could see, it seemed, every streetlight halfway to the end of Long Island. A summer lightning bolt unexpectedly revealed thousands of bright dots on the ink-black veld of the northern Transvaal: sheep. — Barry Lopez

The problem is that white people see racism as conscious hate, when racism is bigger than that. Racism is a complex system of social and political levers and pulleys set up generations ago to continue working on the behalf of whites at other people's expense, whether whites know/like it or not. Racism is an insidious cultural disease. It is so insidious that it doesn't care if you are a white person who likes Black people; it's still going to find a way to infect how you deal with people who don't look like you. — Scott Woods

I don't see in black or white. I see in the color of humanity which is the rainbow of harmony. In that spirit there is only good and evil, peace or war, love or hate and happiness or discontent. — Timothy Pina

Black and white is how it should be, but shades of grey are the colors I see. — Billy Joel

I see the whole episode in my memory as if it were a very crisply photographed black and white movie. Directed by Bergman perhaps.We are playing ourselves in the movie version. If only we could escape from always having to play ourselves ! — Erica Jong

If you see a black woman with an overweight white man, you know she got effed up credit! — Chris Rock

Reality television paints a simple black-and-white world of good characters and bad characters; people we want to root for and people we want to see ruined. There is none of the gray ambiguity that colors real life. I no longer watch a lot of reality television, but sometimes I can't look away from 'Honey Boo Boo.' I just can't. — Molly O'Keefe

I used to tell the story about as a young man in high school one of the professors came in and put a broad white sheet on the board with a dot in the right hand corner and said, "Boys, what do you see?" And we all shouted, a black dot. He stood back and said, "not a single one of you saw the broad white sheet, you all saw the black dot." He went on to tell us to focus on the broader picture, don't focus on the negative. — Kofi Annan

WE GOT TOLD

We get told
Not to see the world in black'n'white
But if a picture is in color
The emotions loose the fight

We get told
Not to choose a book by it's cover
But if we aren't drawn in
We won't ever be it's lover

We get told
Not to believe in what we don't see
But what about inspiration
Without it creativity wouldn't be — Line F. Nielsen

Lend stood up, shouldering his duffel bag, as I walked back into the living room. "Where do you think you're going?" I snatched his coat away and held it. He just got here. There was no way I was letting him go anywhere else.
"I happen to have very important things to do."
"What on earth is more important than watching Easton Heights??"
"Christmas shopping for you?"
I dropped the coat into his arms and opened the door. "Take your time."
"Glad to know I'll be missed."
"Have fun!" I leaned up and kissed him hard, then shoved him out and sat back on the couch with a sloppy smile on my face. "Best boyfriend ever."
"Shut. Up. Now." Arianna didn't move, eyes fixed on the television. A firm knock sounded on the door. "And tell Lend he can just walk in already!"
"Did you forget something?" I said as I opened the door, surprised to see a short black woman in a suit. And not Lend pretending to be one, either. — Kiersten White

We see now a complex web of historical threads to ensnare blacks for slavery in America: the desperation of starving settlers, the special helplessness of the displaced African, the powerful incentive of profit for slave trader and planter, the temptation of superior status for poor whites, the elaborate controls against escape and rebellion, the legal and social punishment of black and white collaboration. The point is that the elements of this web are historical, not "natural." This does not mean that they are easily disentangled, dismantled. It means only that there is a possibility for something else, under historical conditions not yet realized. And one of these conditions would be the elimination of that class exploitation which has made poor whites desperate for small gifts of status, and has prevented that unity of black and white necessary for joint rebellion and reconstruction. — Howard Zinn

When you see a tumour in the brain, it's an ugly looking thing. It's kind of black, grisly and messy. Or it can be white. To see it taken away is just amazing. — James Nesbitt

When I was young, I had a very clear point of view on things in life, on moral questions. There was a black and white viewpoint on my world. As I've gotten older, I see the grey areas appear. — Joel Edgerton

I really see food as subjective. It's a creative outlet. It's something that you do for fun. It's a gray area. It's not black and white or right and wrong. — Graham Elliot

In the dark behind the glare of the television, like a mannequin behind it, I could see a silhouette and it wasn't moving. It was maybe six foot high with its shoulders hunched and I blinked to make sure it was real. The TV fuzzed grey and white and black and I had a lump in my throat that I couldn't swallow away. "Rory" I whispered. Clawing out gently beneath the duvet cover, reaching for his hand. But I couldn't find it. And he didn't answer. — Kate Chisman

If a man really and truly believed that black was white, you might advise him to see an oculist, but you mustn't call him a liar. — Margaret Deland

The norm is white, apparently, in the view of people who see things in that way. For them, the only reason you would introduce a black character is to introduce this kind of abnormality. Usually, it's because you're telling a story about racism or at least about race. — Octavia E. Butler

The United States is not a nation of black and white people. Any fool can see that white people are not really white, and that black people are not black. — Albert Murray

Here's how I'll tell you what I think - if you see white smoke then you know I picked a new pope. And if I'm drinking a Snapple then you know I don't give a shit. — Jason Jack Miller

The car housed a hysterical bumper sticker: Save the Planet, and I permitted a moment of contemplation to truly bask in this thought. Save the planet? What a joke. Save the planet from what? From ourselves? And save it for what? For ourselves? It was a kind of perpetual stupidity in a tug-of-war battle over trivial matters. Only imbeciles see things in black and white: liberal or conservative, yes or no, this or that. Those in power laugh at those people in their morally inverted shades of grey, basking in the labels they've created so the people are easier to control. — Bruce Crown

The things you remember about a person when they're gone are funny. No two people will feel the same way, though usually it has to do with scent, or expression, the sound of a voice, an unusual gesture. For me, I can still see the colors of Keiko; the black of her hair against creamy pale skin, her dark blue kimono with white circles, the deep orange persimmons falling from the brown basket she carried. The ache in my heart grows larger every time I think of these colors, and how as each day passes they continue to fade from my eyes. — Gail Tsukiyama

Dialectics is the philosophy of opposites."
I thought about this. "How do you make a philosophy out of opposites?"
"Well, you know how people are. They like to see things in black and white? Up or down, male or female?"
She had my attention now. "Uh-huh."
"Well, dialectics says that's all bullshit. That life is not about opposites, but about finding the balance between all these extremes."
I tried to sound less interested than I actually was. "How do you do that?" I said. "Find balance, I mean?"
"By paying attention," she said. "By trying to see how everything also contains its opposite." She took a drag on her cigarette. "Because if you live your life at the extremes, you go nuts. If you want to make any sense out of the world, you have to live in the gray."
"That sounds hard," I said.
"The hell yes it's hard," she said. "People don't like gray. It makes people uncomfortable. — Jennifer Finney Boylan

It's a movie, OK? I went to see GONE WITH THE WIND, but did I really believe there was a guy named Rhett Butler who said, "Frankly, my dear, I don't give a damn"? No. Movies need heroes and villains, and real life doesn't usually have heroes and villains. Real life has a lot of shades of gray, and moves have black and white even when they're in color. — Don Hewitt

Everywhere I looked, I could see only shades of gray. Black and white were nothing more than lofty ideals in our minds, the standards by which we tried to judge things and map out our place in the world in relevance to them. Good and evil, in their purest form, were as intangible and forever beyond our ability to hold in our hand as any Fae illusion. We could only aim at them, aspire to them, and hope not to get so lost in the shadows that we could no longer see the light. — Karen Marie Moning

No matter how you disguise this trite bullshit, it's my life, Jeff. Penned in an awkward manner. It's things I didn't want to see in black-and-white print. You're lucky after three hundred years that I've mellowed. In my human days, I'd have slit your throat, pulled your tongue through the opening, and left you tied to a tree for the wolves to eat. (Rafael) — Sherrilyn Kenyon

One day I saw something very strange, people walking around who looked like they had come directly from the grave, their skin was so pale. Mzungus. They carried a black machine that flashed bright when they pointed it at me. I screamed. I thought the machine was going to harm me, and so I fled. Later I learned it was a camera. Its flash and their voices terrified me. We didn't see them often, less than once in a year. But whenever I saw them, I ran and hid.
I had many ideas about them; first, I did not expect them to be smart, because they loved to take pictures of silly things like chickens on the street, shanties, and other things that were not interesting. Second, since I had seen a kid touching their skin and shouting, "How are you?," for many years I believed the name for all white people was "How are you?" I touched their skin as well and found it soft, but I was surprised and a bit disappointed because I thought touching it would leave a mark on my skin too. — Kennedy Odede

The shooting and killing weren't as black-and-white as most people think. The actions live in that hazy area of blown-apart stone walls and hesitations. Sometimes I shot when I shouldn't have; other times I didn't shoot when I should have. There was no way to explain why I did either. Everything happened so fast. Decisions had to be made. After I got home I began to see things in slow motion, see the actions that might've been mistakes. — Clint Van Winkle

May 20, '95 - Mississippi calls. She says, "All my working life I have done things to help black people. I can drive into the black part of town where no white person would dare to go. I have nothing to fear. They say, 'Hi there, Mizz Mississippi.' I still call them niggers, but only because of the way they act. I'd have an affair with Johnnie Cochran in a minute." Once she said to me, "I don't see why I should have to feel guilty about the Holocaust. It's not my fault." I hadn't been talking or thinking about the Holocaust, and hadn't told anyone to feel guilty. Her remark came out of nowhere. We were in a diner, about to have a sandwich and suddenly the moment was explosive. Simply being a Jew arouses a peculiar expectation mixed with resentment, even in a highly intelligent woman. Amazing to me is that she doesn't do much but watch television, drink beer, and smoke Marlboros, and yet seethes with dark thoughts and tumultuous feeling. — Leonard Michaels

"I think you're begging the question," said Haydock, "and I can see looming ahead one of those terrible exercises in probability where six men have white hats and six men have black hats and you have to work it out by mathematics how likely it is that the hats will get mixed up and in what proportion. If you start thinking about things like that, you would go round the bend. Let me assure you of that!" — Agatha Christie

To see things in black and white is to see the basics, and I would recommend to any designer of gardens that he go out and look at his work by the light of the moon. — Eleanor Perenyi

And what's a Magic Negro, you ask? The black man who is eternally wise and kind. He never reacts under great suffering, never gets angry, is never threatening. He always forgives all kinds of racist shit. He teaches the white person how to break down the sad but understandable prejudice in his heart. You see this man in many films. And Obama is straight from central casting. — Chimamanda Ngozi Adichie

Naomi and Turner, even Ronnie, they all see this is as black and white. Good guys verses bad guys. But I learned a long time ago that the world only functions in shades of gray. — C.M. Stunich

If intelligence were a television set, it would be an early black-and-white model with poor reception, so that much of the picture was gray and the figures on the screen were snowy and indistinct. You could fiddle wiht the knobs all you wanted, but unless you were careful, what you would see often depended more on what you expacted or hoped to see than on what was really there. — Madeleine K. Albright

Jonathan Green had a firm handshake, clear eyes, and a jawline not dissimilar to Dudley Do-Right's. He was in his early sixties, with graying hair, a beach-club tan, and a voice that was rich and comforting. A minister's voice. He wasn't a handsome man, but there was a sincerity in his eyes that put you at ease. Jonathan Green was reputed to be one of the top five criminal defense attorneys in America, with a success rate in high-profile criminal defense cases of one hundred percent. Like Elliot Truly, Jonathan Green was wearing an impeccably tailored blue Armani suit. So were the lesser attorneys. Maybe they got a bulk discount. I was wearing impeccably tailored black Gap jeans, a linen aloha shirt, and white Reebok sneakers. Green said, Did Elliot explain why we wanted to see you? — Robert Crais

After living in Smokey Hollow these three months my bearded face was darkened to a tan, and for more than a moment, I couldn't tell what color I was. Black is what I saw and what I expected to see. I grabbed a towel and rubbed to get a clear look. No, I was white. At least my skin was. I had been through so much with my family here, and all I had seen was black faces, that I forgot for a split second that I wasn't black too. For weeks after the flood in the bathroom, I remembered the morning I forgot my skin color. — Peter Jenkins

The concept of a writer writing a vivid and accurate scene in a language transparent and devoid of decoration so that we see through to the object without writerly distraction suffers the same contradiction as the concept of a painter painting a vivid and accurate scene with pigments transparent and devoid of color, including white and black - so that the paint will not get between us and the picture. — Samuel R. Delany

I'll admit that I was staring. Suddenly my whole perspective had flipped inside out, like when you look at an inkblot picture and see just the black part. Then your brain inverts the image and you realize the white part makes an entirely different picture, even though nothing has changed. That was Alex Fierro, except in pink and green. A second ago, he had been very obviously a boy to me. Now she was very obviously a girl. — Rick Riordan

The culturalists tried to make the idea more appealing by pointing out that even in modern languages we use idioms that are rather imprecise about color. Don't we speak of "white wine," for instance, even if we can see perfectly well that it is really yellowish green? Don't we have "black cherries" that are dark red and "white cherries" that are yellowish red? Aren't red squirrels really brown? Don't the Italians call the yolk of an egg "red" (il rosso)? Don't we call the color of orange juice "orange," although it is in fact perfectly yellow? (Check it next time.) — Guy Deutscher

Blackness is a state of mind, and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white woman. So out of that reason alone, I identify more with the black community. — Halle Berry

To see something as either black or white is easy. To see the entirety in something that has blending colors takes time. To see something that's not there, takes one who is a visionary. — Wes Adamson

The truth, as I see it, is that if black men and women, black boys and girls, mattered, if we were seen as living, we would not be dying simply because whites don't like us. Our deaths inside a system of racism existed before we were born. The legacy of black bodies as property and subsequently three-fifths human continues to pollute the white imagination. To inhabit our citizenry fully, we have to not only understand this, but also grasp it. — Jesmyn Ward

The tiles in the Merciless Mart are always black and white, and here they are in a checkered pattern. If I unfocus my eyes, I see exactly what the Candor don't believe in - gray. — Veronica Roth

In the final analysis the weakness of Black Power is its failure to see that the black man needs the white man and the white man needs the black man. — Martin Luther King Jr.

Did you too see it, drifting, all night, on the black river?
Did you see it in the morning, rising into the silvery air -
An armful of white blossoms,
A perfect commotion of silk and linen as it leaned
into the bondage of its wings; a snowbank, a bank of lilies,
Biting the air with its black beak?
Did you hear it, fluting and whistling
A shrill dark music - like the rain pelting the trees - like a waterfall
Knifing down the black ledges?
And did you see it, finally, just under the clouds -
A white cross Streaming across the sky, its feet
Like black leaves, its wings Like the stretching light of the river?
And did you feel it, in your heart, how it pertained to everything?
And have you too finally figured out what beauty is for?
And have you changed your life? — Mary Oliver

I have a great body, I really do. But I want to be taken seriously as an artist, and wearing anything that shows it off will be a distraction from the music. That's how my signature uniform, my tuxedo, came about. It's classic and timeless. You'll see me in black, white, and a pop of color on my lips. That pop adds a little magic. — Janelle Monae

Yeah, I did see where the people dissing me were coming from. But, it's like, anything that happened in the past between black and white, I can't really speak on it, because I wasn't there. I don't feel like me being born the color I am makes me any less of a person. — Eminem

The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now
James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it?
No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too. — Virginia Woolf

Charred bits of black silk swirl into the air, and pearls clatter to the stage ... I'm in a dress of the exact design of my wedding dress, only it's the color of coal and made of tiny feathers. Wonderingly, I lift my long, flowing sleeves into the air, and that's when I see myself on the television screen. Clothed in black except for the white patches on my sleeves. Or should I say my wings. Because Cinna had turned me into a mockingjay. — Suzanne Collins

When I look into the crowd, I see young and old, black and white - it's amazing that I'm able to connect with so many different kinds of people. — Patti LaBelle

You're not just looking up into a curtain of black. You're looking into the eye of the universe. Stare for a while and you start to realize -- on a deep, gut level -- that the moon is a giant rock circling us in space. The sun is a violent, fusion-fueled ball of plasma and gas millions of miles away that destroyed the atmospheres of all of the inner planets (including Mars, which is farther away from it than we are) and would do the same to ours if we weren't lucky enough to have a magnetic field that diverts the solar wind. The cute little pinpricks of light you see out there are other giant, explosive, incredibly pissed-off balls of gas floating in an infinite void, most of which are far more impressive than our puny sun. And that smear of milky white through the sky? That's the center of our own galaxy -- a gigantic pinwheel circling a supermassive black hole like floating detritus around the vortex of a flushing toilet. — Johnny B. Truant

She left the room, with her black-and-white kitty, Ruff, Elizabeth, Naiad and Persephone- a spotted gray-and-white shorthair- following on her heels in hopes of getting breakfast. As for her other two cats, she knew they must be out hunting rodents and birds rather than waiting to go down to the kitchens with everyone else.
Burr and old Henry, who had climbed with a stiff gait out of his basket, joined the furry entourage, tails wagging and tongues lolling as they descended the stairs. The Scotties were probably asleep in the nursery, happy to wait to see what tidbits the children would sneak them during their breakfast in another hour or two. — Tracy Anne Warren

We always see the Holocaust in terms of black-and-white images, barking Germans, cowering Jews. We know very well-known fixed places like Auschwitz, Birkenau, Treblinka, and Beltzec. Instead, war can live in a couple having a spat, when we say, "That was a real war." We very rarely have the Holocaust live in the terms of today. And I think that's a problem, because it becomes ancient history. — Yann Martel

I have spent much of my studies searching for the right question by which I might fully understand the breach between the world and me. I have not spent my time studying the problem of 'race' - 'race' itself is just a restatement and retrenchment of the problem. You see this from time to time when some dullard - usually believing himself white - proposes that the way forward is a grand orgy of black and white, ending only when we are all beige and thus the same 'race.' But a great number of 'black' people are already beige. And the history of civilization is littered with dead 'races' (Frankish, Italian, German, Irish) later abandoned because they no longer serve their purpose - the organization of people beneath, and beyond, and the umbrella of rights. — Ta-Nehisi Coates

For years, I wanted to know if there was one person, one voice, one individual inside me. All my life people would call me a chink or a chigger. I couldn't listen to hip-hop and be myself without people questioning my authenticity. Chinese people questioned my yellowness because I was born in America. The white people questioned my identity as an American because I was yellow.
No black or Spanish person ever called me chigger, but hustling all of a sudden got white people off my back. I was the same dude with a different job, but now I was finally "authentic" to white people, and it made me realized it's all a trap. We can't fucking win. If I follow the rules and play the model minority, I'm a lapdog under a bamboo ceiling. If I like hip-hop because I see solidarity, I'm aping. But, if I throw it all away, shit on my parents, sell weed, pills, and strike fear into unsuspecting white boys with stunt Glocks, now I's authentic? Fuck you, America. (171) — Eddie Huang

Something that is appealing is wars are terrible and ugly and hard and each conflict is different, but of every conflict I've ever gone to, I've also seen people being extraordinary in a good sense. It's not just a black and white extreme situation that pushes people to extremes and they do crazy bad stuff. You also see crazy brave stuff. You see humanity in a different light. — Shaul Schwarz

Try being a white person who adopts the trappings of black culture while still living in the white community. You will face more hate and ridicule and ostracism than you can even begin to fathom. People are willing to accept you if they see you as an outsider trying to assimilate into their world. But when they see you as a fellow tribe member attempting to disavow the tribe, that is something they will never forgive. That is what happened to me in Eden Park. — Trevor Noah

When the prophet, a complacent fat man,
Arrived at the mountain-top
He cried: Woe to my knowledge!
I intended to see good white lands
And bad black lands
But the scene is grey. — Stephen Crane

THERE IT IS,' my mother says, and what she means is that the dot we've been nearing for weeks, the one that's been growing into a larger dot with two smaller dots circling it, has now become even larger than that, growing from a dot to a disc, shining back the light from its sun, until you can see the blue of its oceans, the green of its forests, the white of its polar caps, a circle of colour against the black beyond. — Patrick Ness