Life Itself Film Quotes & Sayings

Sometimes I think that my whole life is on film, that my whole life is in print. But it's not like that. There are things which are only in my heart-that no one knows. At last I have decided to tell everything." Diego Maradona — Diego Armando Maradona

It's about the quality of the worry," I said. "I have happier worries now than I used to. — David Gilmour

I could spend my whole life photographing circuses. They combine everything I'm interested in - they're ironic, poetic, and corny at the same time. There's also something about a circus that's magical, sentimental, and almost tragic, like a Fellini film. — Mary Ellen Mark

It says something about the curious nature of film, that someone can be so alive on screen, when we're all too aware that they've passed. it underscores how we're mortal, and films are immortal (commenting on the death of Heath Ledger) — Leonard Maltin

A film like Hoop Dreams is what the movies are for. It takes us, shakes us, and makes us think in new ways about the world around us. It gives us the impression of having touched life itself. — Roger Ebert

Consider a movie: it consists of thousands upon thousands of individual pictures, and each of them makes sense and carries a meaning, yet the meaning of the whole film cannot be seen before its last sequence is shown. However, we cannot understand the whole film without having first understood each of its components, each of the individual pictures. Isn't it the same with life? Doesn't the final meaning of life, too, reveal itself, it at all, only at its end, on the verge of death? — Viktor E. Frankl

He had always disliked the people who encored a favorite air in an opera - "That just spoils it" had been his comment. But this now appeared to him as a principle of far wider application and deeper moment. This itch to have things over again, as if life were a film that could be unrolled twice or even made to work backward . . . was it possibly the root of all evil? No: of course the love of money was called that. But money itself - perhaps one valued it chiefly as a defense against chance, a security for being able to have things over again, a means of arresting the unrolling of the film. He — C.S. Lewis

When accepting the American Film Institute Life Achievement award: I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat (Patricia Hitchcock), and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville. — Alfred Hitchcock

New York may end up being no more than a scrim, a spectral film that is none other than our craving for romance - romance with life, with masonry, with memory, sometimes romance with nothing at all. This longing goes out to the city and from the city comes back to us. Call it narcissism. Or call it passion. It has its flare-ups, its cold nights, its sudden lurches, and its embraces. It is our life finally revealed to us in the most lifeless hard objects we'll ever cast eyes on: concrete, steel, stonework. Our need for intimacy and love is so powerful that we'll look for them and find them in asphalt and soot. — Andre Aciman

When making a film, I'm never concerned about whether the theme is new or whether it's been done before in cinema or not. I'm led to make films if there's a theme that interests me or I experience something in my own life that confronts me with something that I want to deal with. — Michael Haneke

I want to continue to produce film, television, and theater, and to make the most amazing music that I've made in my life. — Alicia Keys

What NYU tried to teach had no relation whatsoever with the reality of what making a film is like. You cannot teach someone aesthetics. What you can do is say, "If you were in this situation and this is the kind of story you wanted to tell, here are a couple of ways you could try to make things work." But they didn't really do that. I did my three years there, and I have said at times that besides my childhood, going to NYU was the single most destructive experience of my life. It took me eight years to recover.
~Tom Dicillo — Nicholas Jarecki

I spent 30 years of my life not being wanted at all for films. — Michael Caine

I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that. — Emma Stone

You don't necessarily have to go to film school to be a brilliant film maker. If you are a good listener and you study life, and you find that story that is buried within each and every one of us, and you figure out a way to bring that out. And sometimes it doesn't necessarily mean money or winning the lottery. — Tony Todd

I just rely on the text to speak for itself and then speak it as I believe it to interpret it, and then just know that the rules of the world that we're creating allow for things to come to life, and then just trust in the process of making a film. Hopefully we'll make a sequel, because if we do, we had such a great time as an ensemble, I think the best thing to do would be to just take the whole cast back. This is Iain's idea and I agree with it. Just reincarnate all the characters and put them back into the world. There's no rules. Why couldn't we do that? — Brendan Fraser

For me, animated film is about magic. This is how magic becomes part of daily life, invading daily life.... Magic enters into a quite ordinary contact with mundane things ... (making) reality seem doubtful. — Jan Svankmajer

Eager watch was
kept for the first appearance of the legendary creature in the village, and it may be said that as far as
appearances went Basil Blake was all that could be asked for. Little by little, however, the real facts
leaked out. Basil Blake was not a film star, not even a film actor. He was a very junior person, rejoicing
in the position of about fifteenth in the list of those responsible for set decorations at Lenville Studios,
headquarters of British New Era Films. The village maidens lost interest and the ruling class of censorious
spinsters took exception to Basil Blake's way of life. — Agatha Christie

I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else. — Guy Pearce

In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film. — Thom Powers

I think when portraying someone that does exist in real life, there's an amount of respect and you want to do them justice. I don't really care what anybody says out there about what I did in the film; I care what these guys thought about what I did. If I'm making them happy, then I know I'm on the right track. — Joe Manganiello

I thought film was more important than life itself for many years. But I was naive to the world until my first child was born in 1985. — Steven Spielberg

What we see on the TV screen, or the film screen or what we listen to in music, we have an illusion of what Prince Charming looks like or Cinderella's gonna look like in our life and we forget about what true love really means. — Shari Wiedmann

'Faces' became more than a film. It became a way of life, a film against the authorities and the powers that prevent people from expressing themselves the way they want to, something that can't be done in America, that can't be done without money. — John Cassavetes

I did a film called 'Floating' early on that had a scene which was similar to a real-life situation I was in at the time. It involved me having a conversation with my father, who was dying. It was close to home and it made me realise acting wasn't just making faces for the cameras, it was a real art form. — Norman Reedus

It is quite surreal having a film made about your life. The whole process of turning real life into drama is interesting in itself, but even more so when it is your own life being put into the narrative forge. — Heather Brooke

WELCOME TO THE BLACKBOARDS
This is the Cordovites' premier wormhole, where time ticks backward, trees grow down, light eats itself, fear is an opening, and life is Sovereign, Deadly, Perfect. — Marisha Pessl

In its individual manifestation the character of a man's anima is as a rule shaped by his mother. If he feels that his mother had a negative influence on him, his anima will often express itself in irritable, depressed moods, uncertainty, insecurity, and touchiness. (If, however he is able to overcome the negative assaults on himself, they can serve to reinforce his masculinity.) Within the soul of such a man the negative mother-anima figure will endlessly repeat this theme: "I am nothing. Nothing makes any sense. With others it's different, but for me ... I enjoy nothing." These "anima moods" cause a sort of dullness, a fear of disease, of impotence, or of accidents. The whole of life takes on a sad and oppressive aspect. Such dark moods can even lure a man to suicide, in which case the anima becomes a death demon. She appears in this role in Cocteau's film Orphee. — C. G. Jung

I don't know if it is love. Why I want to get intimate with you? Why I want to
be committed to you? Why I want to
be attached to you? It feels like
I don't have any control on what's
happening. I don't know if this is
infatuation or love! #LIFE OF LOVE (FILM) — Santonu Kumar Dhar

Sometimes I take the watch, or I take the shoes, but usually the souvenir is to take the life you had with those directors, or the crew - the camera person, the lighting person. When you finish a film it's like a little death. You had a family for a bit, and you finish the movie and you probably will never see each other again. — Jean Reno

A very receptive state of mind ... not unlike a sheet of film itself - seemingly inert, yet so sensitive that a fraction of a second's exposure conceives a life in it. — Minor White

That night, I dream. And when I wake up I remember watching a film with Nannan about a ventriloquist who went mad, his dummy coming to life and speaking for itself. My dream is like the end of the film where the ventriloquist and the dummy are in the madhouse, all these mad devil-faces pressed against the iron bars of the cell door, laughing as the dummy gets up off his chair and walks towards the ventriloquist who screams. The dummy strangles him. I can't remember in the dream if I was the ventriloquist or the dummy. I'm in a funny mood all day. I don't say much. I don't feel like it. — Dean Lilleyman

It is a very important film, Life And Nothing More, in that what was filmed was inspired by a journey I had made just three days after an earthquake. And I speak not only of the film itself but also of the experience of being in that place, where only three days before 50,000 people had died. — Abbas Kiarostami

I film normal-life subjects in natural settings that some people would consider uncinematic. But what I want to show is nature itself, as the truth of life. — Abbas Kiarostami

Everything in his life was temporary, ungrounded. Language itself had lost its solidity; it had become thin, contingent, slippery, a viscid film on which he was sliding around like an eyeball on a plate. An eyeball that could still see, however. That was the trouble. — Margaret Atwood

To invoke an analogy, consider a movie: it consists of thousands upon thousands of individual pictures, and each of them makes sense and carries a meaning, yet the meaning of the whole film cannot be seen before its last sequence is shown. However, we cannot understand the whole film without having first understood each of its components, each of the individual pictures. Isn't it the same with life? Doesn't the final meaning of life, too reveal itself, if at all, only at its end, on the verge of death? And doesn't this final meaning, too, depend on whether or not the potential meaning of each single situation has been actualized to the best of their respective individual's knowledge and belief? — Victor Frankl

Like my father and grandfather, Philippe and Jacques-Yves Cousteau, I've dedicated my life to exploring and protecting our seas, in large part through documentary film. — Philippe Cousteau Jr.

Sometimes I ask myself questions... Sometimes I ask myself, is this your real life or is this just a pilot film? Is my life a thirty-nine week series or is it a special?"
"Whatever it is, your ratings are down... Five cents, please! — Charles M. Schulz

Yes, I want to tell her, and maybe I even do say that, but I am crying because whatever gifts, the pieces of good buried inside and under so much that I feel is bad, is wrong, is twisted, are less clear than the ability to hit a ball with a bat and break the scoreboard or do a triple pirouette in the air on ice. My gifts are for life itself, for an unfortunately astute understanding of all the cruelty and pain in the world. My gifts are unspecific. I am an artist manque, someone full of crazy ideas and grandiloquent needs and even a little bit of happiness, but with no particular way to express it. I am like the title character in the film Betty Blue, the woman who is so full of ... so full of ... so full of something or other-it is unclear what, but a definite energy that can't find its medium-who pokes her own eyes out with a scissors and is murdered by her lover in an insane asylum in the end. She is, and I am becoming, a complete waste. So I cry at the end of The Natural. — Elizabeth Wurtzel

I love escaping into film, because everyday life I find quite troublesome. So any excuse to go into a cinema and say goodbye to the world for a couple of hours, or in a book or whatever, is great. — Alison Goldfrapp

Jesse [James]was known as a kind of Robin Hood character and also it was known that his exploits were somewhat dubious - however, he perpetuated this myth. Our film [The Assassination of Jesse James ] really takes place at the end of all that, the last year of his life, at the end of all that celebrity. — Brad Pitt

I think escapism is very important, certainly in my life. I love nothing more than escaping into the world of a film or a novel. To be involved in creating that for other people is a privilege. — Ben Barnes

Thank God for theater and film and television and my very, very, very lucky life. — Jonathan Banks

To paraphrase Muggeridge: Everything is a parable that God is speaking to us, the art of life is to get the message. — Chester Elijah Branch

The more intelligent the storytelling becomes and the deeper the character development, people will realize in film and television, like they do in real life, that human beings possess both good and bad. — Robert LaSardo

It's very strange what happens when I start working for a film. In my life I've done a lot of stuff - I did a lot of dance music, a lot of TV shows and lots of different types of films - and every time it is a new experience. — Claudio Simonetti

Oh, yes, that never happened to me in my life before. It was a risky film, and I warned the producer. — Alain Resnais

The cinema has done more for my spiritual life than the church. My ideas of fame, success and beauty all originate from the big screen. Whereas Christian religion is retreating everywhere and losing more and more influence; film has filled the vacuum and supports us with myths and action-controlling images. — John Updike

If you're strutting around Beverly Hills and hitting up these big industry parties every night when you're not making movies, then it's going to eventually consume you. But for me, I live most of my life in Boston. I do things no different from the way my buddies back home do them, except when I go to work, I go to a film set. — Chris Evans

I once had a dream, or a vision, and I imagined that dream to be of importance to other people, so I wrote the manuscript and made the film. But it is not until the moment when my dream meets with your emotions and your minds that my shadows come to life. It is your recognition that brings them to life. It is your indifference that kills them. I hope that you will understand; that you when you leave the cinema will take with you an experience or a sudden thought - or maybe a question. The efforts of my friends and myself have then not been in vain ... — Ingmar Bergman

In the almost film-like flitting-by of modern life, a man needs something to tell him, from time to time, that he is still himself, and nothing can give him this assurance in so comforting a manner as the "four feet trotting behind". — Konrad Lorenz

Remember: It costs nothing to encourage an artist, and the potential benefits are staggering. A pat on the back to an artist now could one day result in your favorite film, or the cartoon you love to get stoned watching, or the song that saves your life. Discourage an artist, you get absolutely nothing in return, ever. — Kevin Smith

We all know perfectly well that the man who lives out his life as a consumer," he writes in "The Coming Crisis in Psychiatry," "a sexual partner, an 'other-directed' executive; who avoids boredom and anxiety by consuming tons of newsprint, miles of film, years of TV time; that such a man has somehow betrayed his destiny as a human being. — Scott Stossel

Cinema has become my life. I don't mean a parallel world, I mean my life itself. I sometimes have the impression that the daily reality is simply there to provide material for my next film. — Pedro Almodovar

The only time I felt a little too exposed was for a week then I started life-streaming for a couple of hours a day on Qik and Ustream. It became very much like the film 'We Live in Public.' — Jason Calacanis

But you can still find good films if you read your local film critics and are willing to drive a bit. You have to be a proactive film viewer to have the most provocative cinema life. — Stephen Hunter

When I did 'E.T.,' it sort of solidified the only family I know are these film crews. These gypsies. These filmmakers. That was the solidification and the clicking revelations of 'This is what I want to do with my life and this is where I'm going to survive.' — Drew Barrymore

TV and popular film and most kinds of 'low' art
which just means art whose primary aim is to make money
is lucrative precisely because it recognizes that audiences prefer 100 percent pleasure to the reality that tends to be 49 percent pleasure and 51 percent pain. Whereas 'serious' art, which is not primarily about getting money out of you, is more apt to make you uncomfortable, or to force you to work hard to access its pleasures, the same way that in real life true pleasure is usually a by-product of hard work and discomfort. — David Foster Wallace

I like dialogue that is slightly more brittle than life. I have always admired and wished to write one of those 1940s film scripts where every line is written with a sharpness and economy that is frankly artificial. — Tom Stoppard

There's the life and there's the consumer event. Everything around us tends to channel our lives toward some final reality in print or on film. Two lovers quarrel in the back of a taxi and a question becomes implicit in the event. Who will write the book and who will play the lovers in the movie? Everything seeks its own heightened version. — Don DeLillo

You make films to give people something, to transport them somewhere else, and it doesn't matter if you transport them to a world of intuition or a world of intellect ... The realm of superstitions, fortune-telling, presentiments, intuition, dreams, all this is the inner life of a human being, and all this is the hardest thing to film ... I've been trying to get there from the beginning. I'm somebody who doesn't know, somebody who's searching. — Krzysztof Kieslowski

I'm not going to live my life unhappy and why should he and we talk about it and I think what's great about the film is that it shows is the meaning of family doesn't have to be as traditional as it once was, like you can make a family. — Nia Long

Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. MONSTER. — Walter Dean Myers

I'm working in a form of cinema that can be described, and has been described, as a diaristic form of cinema. In other words, with material from my own life. I walk through life with my camera, and occasionally I film. I never think about scripts, never think about films, making films. — Jonas Mekas