Life From Novels Quotes & Sayings

All of Dostoevsky's heroes question themselves as to the meaning of life. In this they are modern: they do not fear ridicule. What distinguishes modern sensibility from classical sensibility is that the latter thrives on moral programs and the former on metaphysical programs. In Dostoevsky's novels the question is propounded with such intensity that it can only invite extreme solutions. Existence is illusory or it is eternal. If Dostoevsky were satisfied with this inquiry, he would be a philosopher. But he illustrates the consequences that such intellectual pastimes may have in a man's life, and in this regard he is an artist. — Albert Camus

Introducing a great artist, Alexander Wainwright in THe Fate of Pryde.

In his landscapes, Alex expresses the totality of everything in the universe. At the same time, within each leaf, each drop of water or human hair, he conveys a light or glow, which seems to come - how shall I put this - from another dimension. And each brushstroke contains every ounce of his own life and vitality.

From The Fate of Pryde, the second in The Trilogy of Remembrance.

Enter the giveaway to win one of ten personalized, autographed copies of this novel starting July 31st to August 31st. You can sample the first fifty pages of it at my page. — Mary E. Martin

The novel had reached its apogee with the marriage plot and had never recovered from its disappearance. In the days when success in life had depended on marriage, and marriage had depended on money, novelists had had a subject to write about. The great epics sang of war, the novel of marriage. Sexual equality, good for women, had been bad for the novel. And divorce had undone it completely. What would it matter whom Emma married if she could file for separation later? How would Isabel Archer's marriage to Gilbert Osmond have been affected by the existence of a prenup? As far as Saunders was concerned, marriage didn't mean much anymore, and neither did the novel. Where could you find the marriage plot nowadays? You couldn't. You had to read historical fiction. You had to read non-Western novels involving traditional societies. Afghani novels, Indian novels. You had to go, literarily speaking, back in time. — Jeffrey Eugenides

You don't read Gatsby, I said, to learn whether adultery is good or bad but to learn about how complicated issues such as adultery and fidelity and marriage are. A great novel heightens your senses and sensitivity to the complexities of life and of individuals, and prevents you from the self-righteousness that sees morality in fixed formulas about good and evil. — Azar Nafisi

It wasn't me," Lars supplied, from the front seat. "I didn't tell."
"Of course it wasn't Lars," Michael said, having overheard him. "Tell Lars no one is blaming him."
Seriously, if my life were one of those romance novels with a love triangle, Lars and Michael would be the sexy paranormal alpha males, but the two of them would be in love with each other and just ignore me. — Meg Cabot

Literature is a source of pleasure, he said, it is one of the rare inexhaustible joys in life, but it's not only that. It must not be disassociated from reality. Everything is there. That is why I never use the word fiction. Every subtlety in life is material for a book. He insisted on the fact. Have you noticed, he'd say, that I'm talking about novels? Novels don't contain only exceptional situations, life or death choices, or major ordeals; there are also everyday difficulties, temptations, ordinary disappointments; and, in response, every human attitude, every type of behavior, from the finest to the most wretched. There are books where, as you read, you wonder: What would I have done? It's a question you have to ask yourself. Listen carefully: it is a way to learn to live. There are grown-ups who would say no, that literature is not life, that novels teach you nothing. They are wrong. Literature performs, instructs, it prepares you for life. — Laurence Cosse

Each of us has a sophisticated system that throws away most of our experiences, keeps only a few choice samples, mixes them up with bits from movies we've seen, novels we've read, speeches we've heard, and daydreams we've savoured, and out of all that jumble it weaves a seemingly coherent story about who I am, where I came from and where I am going. This story tells me what to love, whom to hate and what to do with myself. This story may even cause me to sacrifice my life, if that's what the plot requires. We all have our genre. Some people live a tragedy, others inhabit a never-ending religious drama, some approach life as if it were an action film, and not a few act as if in a comedy. But in the end, they are all just stories. What, — Yuval Noah Harari

I lived through those books, songs, television shows, and movies - the way the characters talked, looked, acted. I thought that could translate over into reality, that I could make their world my world. I wanted so badly to run away from my life. But you can't bury yourself in other people's pages and scenes. You aren't David Copperfield or Tom Sawyer. Those love songs on the radio might speak to you, but they're not about you or the person you pine for. Life is not a John Hughes film. — Jason Diamond

About some books we feel that our reluctance to return to them is the true measure of our admiration. It is hard to suppose that many people go back, from a spontaneous desire, to reread 1984: there is neither reason nor need to, no one forgets it. The usual distinctions between forgotten details and a vivid general impression mean nothing here, for the book is written out of one passionate breath, each word is bent to a severe discipline of meaning, everything is stripped to the bareness of terror.
Kafka's The Trial is also a book of terror, but it is a paradigm and to some extent a puzzle, so that one may lose oneself in the rhythm of the paradigm and play with the parts of the puzzle. Kafka's novel persuades us that life is inescapably hazardous and problematic, but the very 'universality' of this idea helps soften its impact: to apprehend the terrible on the plane of metaphysics is to lend it an almost soothing aura. — Irving Howe

For me, what I am making in the novel is a place to live. When I first switched from poetry to novels, I was asked why, and the metaphor I came up with was about poems as rooms. You can make a room perfect, but then you have to shut the door and never go back, whereas a novel is like a house - it can never be perfect, but you can make a life in it. — Nicole Krauss

My life has been like a battlefield, a war that could never be won unless I had her with me, and the day she died my battlefront stepped down and threw away their shields, allowing the gunshots to slip through the second her heart stopped beating. From that moment onwards I was left wounded, and for those seventeen years without her my wounds bled-wounds no stitch could ever repair. — Rebecah McManus

It is always as it was between Achilles and Homer: one person has the experience, the sensation, the other describes it. A real writer only gives words to the affects and experiences of others; he is an artist in divining a great deal from the little that he has felt. Artist are by no means people of great passion, but they frequently present themselves as such, unconsciously sensing that others give greater credence to the passions they portray if the artist's own life testifies to his experience in this area. We need only let ourselves go, not control ourselves, give free play to our wrath or our desire, and the whole world immediately cries: how passionate he is! But there really is something significant in a deeply gnawing passion that consumes and often swallows up an individual: whoever experiences this surely does not describe it in dramas, music, or novels. Artists are frequently unbridled individuals, insofar, that is, as they are not artists: but that is something different. — Friedrich Nietzsche

I don't know that any writing comes easily, but I certainly get more immersed in novels. I don't think the routine is any different, but fiction tends to pull me further away from my life. When I'm deep in a novel, I don't pay bills and I walk around in one shoe, drinking two-day old coffee, and calling my kids by the wrong names. — Jess Walter

I look on my life as raw material for my novels: that's just the way I am, and it frees me from any inhibitions. — Imre Kertesz

....one of those long, romantic novels, six hundred and fifty pages of small print, translated from French or German or Hungarian or something -- because few of the English ones have the exact feeling I mean. And you read one page of it or even one phrase of it, and then you gobble up all the rest and go about in a dream for weeks afterwards, for months afterwards -- perhaps all your life, who knows? -- surrounded by those six hundred and fifty pages, the houses, the streets, the snow, the river, the roses, the girls, the sun, the ladies' dresses and the gentlemen's voices, the old, wicked, hard-hearted women and the old, sad women, the waltz music -- everything. What is not there you put in afterwards, for it is alive, this book, and it grows in your head. 'The house I was living in when I read that book,' you think, or 'This colour reminds me of that book. — Jean Rhys

Why did popular songs always focus on romantic love? Why this preoccupation with first meetings, sad partings, honeyed kisses, heartbreak, when life was also full of children's births and trips to the shore and longtime jokes with friends? Once Maggie had seen on TV where archaeologists had just unearthed a fragment of music from who knows how many centuries B.C., and it was a boys lament for a girl who didn't love him back. Then besides the songs there were the magazine stories and the novels and the movies, even the hair-spray ads and the pantyhose ads. It struck Maggie as disproportionate. Misleading, in fact. — Anne Tyler

I would probably have to say that reading fiction - those stories fill the space that other people might use religious stories for. The bulk of what I know about human life I've gotten from novels. And I think the thing about novels that make them important to the people who love them is that there's always another perspective. — Tom Perrotta

We are accustomed to understand art to be only what we hear and see in theaters, concerts, and exhibitions, together with buildings, statues, poems, novels. . . . But all this is but the smallest part of the art by which we communicate with each other in life. All human life is filled with works of art of every kind - from cradlesong, jest, mimicry, the ornamentation of houses, dress, and utensils, up to church services, buildings, monuments, and triumphal processions. It is all artistic activity. So that by art, in the limited sense of the word, we do not mean all human activity transmitting feelings, but only that part which we for some reason select from it and to which we attach special importance. — Leo Tolstoy

You are suffering from an ailment that affects ladies of romantic imaginations. Symptoms include fainting, weariness, loss of appetite, low spirits. While on one level the crisis can be ascribed to wandering about in freezing rain without the benefit of adequate waterproofing, the deeper cause is more likely to be found in some emotional trauma. However, unlike the heroines of your favorite novels, your constitution has not been weakened by the privations of life in earlier, harsher centuries. No tuberculosis, no childhood polio, no unhygienic living conditions. You'll survive.' pg. 303 — Diane Setterfield

Alexandre Dumas wrote those lines when he had just turned forty-five and had decided it was time to reflect on his life. He never got past chronicling his thirty-first year - which was well before he had published a word as a novelist - yet he spent more than the first two hundred pages on a story that is as fantastic as any of his novels: the life of his father, General Alexandre - Alex - Dumas, a black man from the colonies who narrowly survived the French Revolution and rose to command fifty thousand men. The chapters about General Dumas are drawn from reminiscences of his mother and his father's friends, and from official documents and letters he obtained from his mother and the French Ministry of War. It is a raw and poignant attempt at biography, full of gaps, omissions, and re-creations of scenes and dialogue. But it is sincere. The story of his father ends with this scene of his death, the point at which the novelist begins his own life story. — Tom Reiss

I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there. — Ben Okri

To a degree that would be astonishing in the United States, Vietnamese in all walks of life could recite long passages from poems, recount folktales and legends, and discuss novels thirty years old as if the characters lived next door. — Neil L. Jamieson

Ice vs. fire; free choice vs. necessity; weight vs. lightness; emptiness vs. meaning...speaking of emptiness, there was a time today when my whole body felt completely devoid of life and utterly without meaning. A character in one of Edith Wharton's novels says that "the real loneliness comes from all these kind faces who only ask one to pretend..." That is how I felt today, waiting anxiously for my afternoon pick-up, only to be let down, and later, facing the world (as if everything was okay inside). — Sarah Emily Miano

Can you not see, [ ... ] that fairy tales in their essence are quite solid and straightforward; but that this everlasting fiction about modern life is in its nature essentially incredible? Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is-what will a healthy man do with a fantastic world? The problem of the modern novel is-what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos. — G.K. Chesterton

I'm not a big crime reader, but I'm reading Michael Connelly's 'The Reversal.' I'm going back to his novels. I'm also reading Keith Richards' 'Life.' I'm always fascinated by the transition from the innocent late '60s and early '70s and the youth culture becoming an industry. — Jo Nesbo

The curious fact is that biology tells us nothing about desire. And, when you think about it, culture -- novels, movies, opera, and quite a lot of painting -- is about desire, how we manage desire, how we suffer from it, and how it brings us joy when we get things right. A story without desire -- and that means without the insistence of desire -- will be empty, dry, and more or less aimless. That is one reason we read novels, to see how people fall into awkward moral situations and then try to extricate themselves. This is why there is so much anguish in the world: frustrated desire is every bit as miserable as poverty, because desire is no respecter of one's position in life: everyone goes through it. — Peter Watson

They decided now, talking it over in their tight little two-and-quarter room flat, that most people who call themselves 'truth seekers' - persons who scurry about chattering of Truth as though it were a tangible seperable thing, like houses or salt or bread - did not so much desire to find Truth as to cure their mental itch. In novels, these truth-seekers quested the 'secret of life' in laboratories which did not seem to be provided wtih Bunsen flames or reagents; or they went, at great expense and much discomfort from hot trains and undesirable snakes, to Himalayan monasteries, to learn from unaseptic sages that the Mind can do all sorts of edifying things if one will but spend thirty or forty years in eating rice and gazing on one's navel.
To these high matters Martin responded, 'Rot!' He insisted that there is no Truth but only many truths; that Truth is not a colored bird to be chased among the rocks and captured by its tail, but a skeptical attitude toward life. (260) — Sinclair Lewis

I suppose it was the end of the world for her when her husband and her baby were killed. I suppose she didn't care what became of her and flung herself into the horrible degradation of drink and promiscuous copulation to get even with life that had treated her so cruelly. She'd lived in heaven and when she lost it she couldn't put up with the common earth of common men, but in despair plunged headlong into hell. I can imagine that if she couldn't drink the nectar of the gods any more she thought she might as well drink bathroom gin.'
That's the sort of thing you say in novels. It's nonsense and you know it's nonsense. Sophie wallows in the gutter because she likes it. Other women have lost their husbands and children. It wasn't that that made her evil. Evil doesn't spring from good. The evil was there always. When that motor accident broke her defences it set her free to be herself. Don't waste your pity on her, she's now what at heart she always was. — W. Somerset Maugham

We are just too blinded by the phrase, "grow old together" and learning its meaning from hopeless movies and novels that glorify undying love and unbelievable understanding. Don't you think?
Reality is...
Love dies. People change. And we grow old together in present. Today, tomorrow, and every day after that.
It's not about eternity. It's not till death do us part.
It's about today. This day. And I believe only in today.
So, come! Let's grow old together today! — Mansi Laus Deo

It would have been impossible for me to have told anyone what I derived from these novels, for it was nothing less than a sense of life itself. [ ... ] It had been only through books - at best, no more than vicarious cultural transfusions - that I had managed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books; consequently, my belief in books had risen more out of a sense of desperation than from any abiding conviction of their ultimate value. — Richard Wright

Everybody knows, nobody's talking - from LIE
debut novel coming September 1st from St. Martin's Press — Caroline Bock

I was interested in [Hunter S. Thompson novels]. The rebel in me fell in love with it, and the artist in me was confused by it, and interested and turned on. Ever since, his work has meant different things to me, at different times, and I still get new meaning out of it and appreciate it, in a different way. His work is very visceral, and you can take from it what you want, in various moments of your life. — Amber Heard

It doesn't do to read too much,' Widmerpool said. 'You get to look at life with a false perspective. By all means have some familiarity with the standard authors. I should never raise any objection to that. But it is no good clogging your mind with a lot of trash from modern novels. — Anthony Powell

I use things, I steal things from my life when I want to, when I need to, or when it seems appropriate. But most of the stuff in my novels is entirely invented, ninety-five percent. And even when I do borrow something, it becomes fictionalized. — Paul Auster

When I was younger, I would cling to life because life was at the top of the turning wheel. But like the song of my gypsy-girl, the great wheel turns over and lands on a minor key. It is then that you come of age and life means nothing to you. To live, to die, to overdose, to fall in a coma in the street ... it is all the same. It is only in the peach innocence of youth that life is at its crest on top of the wheel. And there being only life, the young cling to it, they fear death ... And they should! ... For they are in life. — Roman Payne

And just now I pick up the blessed diary of Virginia Woolf which I bought with a battery of her novels Saturday with Ted. And she works off her depression over rejections from Harper's (no less! - and I hardly can believe that the Big Ones get rejected, too!) by cleaning out the kitchen. And cooks haddock & sausage. Bless her. I feel my life linked to her, somehow. I love her. — Sylvia Plath

Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily. — Ralph Waldo Emerson

The silence stretched out between us as I stared at him, the tears blurring my vision as I waited for him to save me from this torment. Surely he could find a way. — Kathryn Michaels

Novel-writing has in one respect an affinity to the drama - that time and distance are required to soften for use the harsher features that may be exhibited from real life; that it was almost impossible to bring forward events without touching on their causes; and that any tendency to political discussion, however liberal or applicable, was not to be tolerated in a sort of work which people took up with no other design than to be amused at the least possible expence of thought. — Charlotte Turner Smith

I read a lot of history, biographies, science, and novels,' he says, ushering a reporter out the door with a hint of relief. 'I do not read management or economics.'
(from an interview in the Christian Science Monitor, July 26, 1993) — Peter F. Drucker

He wonders if this is a lack within himself. Is there a part of the brain from which love comes that in his case has drastically malfunctioned? The world is awash in love - on the radio, in movies, in the pages of novels. Romantic love is the common cultural narrative, yet he seems immune to it. Thus, though he has yet to taste the pain that comes with love, he has experienced pain of a different, related sort: the fear of facing a life without it. — Justin Cronin

It [fiction] allows us to see the world from the point of view of someone else and there has been quite a lot of neurological research that shows reading novels is actually good for you. It embeds you in society and makes you think about other people. People are certainly better at all sorts of things if they can hold a novel in their heads. It is quite a skill, but if you can't do it then you're missing out on something in life. I think you can tell, when you meet someone, whether they read novels or not. There is some little hollowness if they don't. — Philip Hensher

But I was bored, I could scarcely understand them. I started to borrow novels from the circulating library, and read one after the other. But in the long run they didn't help. They presented intense lives, profound conversations, a phantom reality more appealing than my real life. So, in order to feel as if I were not real, I sometimes went ... — Elena Ferrante

Everybody loves to play this game - the game of hide-and-seek, the game of scaring oneself with uncertainty. It is human. It is why we go to the theater or movies and why we read novels. And our so-called real life, seen from the position of the mystic, is a version of the same thing. The mystic is the person who has realized that the game is a game. It is hide-and-seek, and everything associated with the "hide" side of it is connected to those places within us where we as individuals feel lonely, impotent, put down, and so on - the negative side of existence. — Alan W. Watts

Filipinos are not a reading people, and despite the compulsory course on the life and works of Rizal today, from the elementary to the university levels, it is accepted that the 'Noli me Tangere' and 'El Filibusterismo' are highly regarded but seldom read (if not totally ignored). Therefore one asks, how can unread novels exert any influence? — Ambeth R. Ocampo

She answered that she loved to read novels. The Rebbe responded that as novels are fiction, what you read in them is not necessarily what happens in real life. It's not as if two people meet and there is a sudden, blinding storm of passion. That's not what love or life is, or should be, about. Rather, he said, two people meet and there might be a glimmer of understanding, like a tiny flame. And then, as these people decide to build a home together, and raise a family, and go through the everyday activities and daily tribulations of life, this little flame grows even brighter and develops into a much bigger flame until these two people, who started out as virtual strangers, become intertwined to such a point that neither of them can think of life without the other. This is what true love is about, the Rebbe told Sharfstein. "It's the small acts that you do on a daily basis that turn two people from a 'you and I' into an 'us. — Joseph Telushkin

I always find time to read novels and poetry as well as scripts; I like to enjoy different kinds of storytelling. I spend time at the beach and with my loved ones. I like traveling to unfamiliar places to challenge my perspectives and glean wisdom from other ways of life. — Rose McIver

[from Some words about 'War and Peace']

In those days also people loved, envied, sought truth and virtue, and where carried away by passions; and there was the same complex mental and moral life among the upper classes, where were in some instances even more refined than now. If we have come to believe in the perversity and coarse violence of that period, that is only because the traditions, memoirs, stories, and novels that have been handed to us, record for the most part exceptional cases of violence and brutality. To suppose that the predominant characteristic of that period was turbulence, is as unjust as it would before a man, seeing nothing but the tops of trees beyond a hill, to conclude that there was nothing to be found in that locality but trees. — Leo Tolstoy

Even the two novels I've written were based on true stories. It's how I'm wired - real life is fascinating and fantastical enough. The kind of journalism I did unpeeled lids from cans otherwise sealed. — Peter Landesman

If novels and stories are bulletins from the progressive states of ignorance a writer passes through over the years, observations and opinions about horses are all the more so, since horses are more mysterious than life and harder to understand. — Jane Smiley

Fawn M. Brodie, whose classic life of Smith earned her excommunication from the Mormon Church, saw the Book of Mormon as 'one of the earliest examples of frontier fiction, the first long Yankee narrative that owes nothing to English literary fashions'.105 There was quite a genre of 'lost race' novels at the time. A century on, J. R. R. Tolkien's Lord of the Rings saga formed an English Catholic parallel, conscious or unconscious, to Smith's work. — Diarmaid MacCulloch

Stories and novels consist of three parts: narration, which moves the story from point A to point B and finally to point Z; description, which creates a sensory reality for the reader; and dialogue, which brings characters to life through their speech. — Stephen King

It is quite possible
overwhelmingly probable, one might guess
that we will always learn more about human life and personality from novels than from scientific psychology — Noam Chomsky

Yet I am incapable of writing the only kind of novel which interests me: a book powered with an intellectual or moral passion strong enough to create order, to create a new way of looking at life. It is because I am too diffused. I have decided never to write another novel. I have fifty 'subjects' I could write about; and they would be competent enough. If there is one thing we can be sure of, it is that competent and informative novels will continue to pour from the publishing houses. I have only one, and the least important, of the qualities necessary to write at all, and that is curiosity. It is the curiosity of the journalist. — Doris Lessing

Sometimes people write novels and they just be so wordy and so self-absorbed. I am not a fan of books ... I like to get information from doing stuff like actually talking to people and living real life. — Kanye West

With the novels, I usually start from something in my own life that I can't resolve, so I turn it into a metaphor and for months or sometimes years I'll exhaust all of my emotional reaction to this issue by making it enormous on the page. — Chuck Palahniuk

I do believe that we baby-boomers are reinventing ageing as we enter it. We're living longer and expecting more from life; the success of 'The Best Exotic Marigold Hotel,' and other films and novels about finding love late in life, have shown that if we're up for it, there are adventures awaiting us. — Deborah Moggach

Novels hadn't interested her for a long time now: not for a moment could she tear her mind away from her own life and concentrate on somebody else. — Lydia Chukovskaya

This whole time, I'm staring at Ky - the one person I thought I had by my side. The one person who truly understands me, who has the power to make everything okay just by his mere presence.
But I've lost him too.
He's been cruelly taken from me just as I felt he was finally mine.
I have no one.
And I've never felt more alone or more jaded with this life. — Siobhan Davis

There is a whole community out there who loves love, who loves romance, and I'm one of them. It's a world I love living in, where there are happily ever afters, the odd girl gets the good looking guy, and where chivalry isn't lost. I know it can't all be true, that life isn't as grand as some novels make it out to be, but I still love every single story because it's an escape from reality, a moment in time where you can daydream of the impossible, where there is a chance of watching true love unfold right in front of you. — Meghan Quinn