Let Your Eyes Talk Quotes & Sayings

I flicked my eyes over to Steve again and saw him straighten. He would need a diversion just to start.
"Explanations?" I bellowed. "Explanations? There's your explanation ... there!" I stabbed a finger dramatically towards the far corner of the room.
Pathetic, really. I mean, talk about the oldest trick in the book. But it's a good book, and the trick would have been cut from subsequent editions if it didn't sometimes work. — Stephen Fry

I think - I think it's a big deal. Bigger for him and Eve than for most people.' Shane kept his eyes down, fixed on the sidewalk and the steps they were taking. 'Look, ask him, okay? This is girl talk. I don't do girl talk.'
She punched him in the shoulder. 'Ass.'
'That's better. I was starting to feel like we should go shoe shopping or something.'
'Being a girl is not a bad thing!'
'No.' He took his hand out of his pocket and put his arm around her shoulders, hugging her close. 'If I could be half the girl you are, I'd be - wow, I have no idea where I was going with that, and it just turned out uncomfortable, all of a sudden.'
'Jackass.'
'You like being a girl - that's good. I like being a guy - that's also good.'
'Next you'll be all Me, Tarzan, you, Jane! — Rachel Caine

Sadism dominates the culture. It runs like an electric current through reality television and trash-talk programs, is at the core of pornography, and fuels the compliant, corporate collective. Corporatism is about crushing the capacity for moral choice and diminishing the individual to force him or her into an ostensibly harmonious collective. This hypermasculinity has its logical fruition in Abu Ghraib, the wars in Iraq and Afghanistan, and our lack of compassion for our homeless, our poor, the mentally ill, the unemployed, and the sick ... We accept the system handed to us and seek to find a comfortable place within it. We retreat into the narrow, confined ghettos created for us and shut our eyes to the deadly superstructure of the corporate state. — Chris Hedges

This is the codicil of motherhood: Like it or not, you acquire a sixth sense when it comes to your children - viscerally feeling their joy, their frustration, and the sharp blow to the heart when someone causes them pain. "Fast." Mariah sighs. "And with my eyes wide open." As Millie opens her arms, Mariah moves into them, drawing close the comfort of childhood with a great rush of relief. She tells her mother of Ian, who was not following her when she thought he was, who was not the person he made himself out to be. She describes the way they would sit on the porch after Faith went to sleep, and how they would sometimes talk and sometimes just let the night settle over their shoulders. She does not tell Millie of Ian's brother, of what Faith might or might not have briefly done for him. She does not tell Millie how it felt to have Ian's body pressed against hers, heat from head to toe, how even during hours — Jodi Picoult

I said, I know why you're afraid to fight with me."
"And why is that?" If he flexed again, I'd have to implement emergency measures. Maybe I could kick some sand at him or something. Hard to look hot brushing sand out of your eyes.
"You want me."
Oh boy.
"You can't resist my subtle charm, so you're afraid you're going to make a spectacle out of yourself."
"You know what? Don't talk to me. — Ilona Andrews

Glass shattered, vampires roared, humans screamed. The noise battered at me, just as the tidal wave of scores of brains at high gear washed over me. When it began to taper off, I looked up into Eric's eyes. Incredibly, he was excited. He smiled at me. "I knew I'd get on top of you somehow," he said.
Are you trying to make me mad so I'll forget how scared I am?"
No, I'm just opportunistic."
I wiggled, trying to get out from under him, and he said, "Oh, do that again. It felt great. — Charlaine Harris

I became an ifrit to save the lives of my fellow jinn. What kind of life saver would I be if I let you sit here and wither away in paradise?"
Just an obstacle. Just an obstacle.
I meet the ifrit's eyes. "What happened to all your talk about birds and fish having nowhere to live?"
The ifrit shrugs. "I suggest you start holding your breath, my friend," he says, then pushes through the hearing room doors. — Jackson Pearce

Talk to me. Say something, anything," he pleaded quietly as if he was trying to tame a wild animal.
"There's nothing to say."
He looked up and lowered his eyebrows on his eyes. "Why did you kiss me? — Stephanie Witter

I can't promise you anything beyond this, Shannon. Hell, maybe nothing will happen. My body isn't like it used to be. But I can make sure you're taken care of." She gave him the sweetest, sexiest smile and looped her arms up around his neck. "John, I'm sure you'll take care of me. I have no doubt. And don't worry about promises. I'm here, number one, because I am your friend. I want the best for you. If I can help you over this hurdle, so to speak, I will." His throat tightened with emotion, and his eyes burned. He buried his face in her hair to keep her from seeing. He had to clear his throat several times before he could talk though. "Thank you, Shannon. We're friends with benefits, now, huh?" She giggled beneath him, and nipped his neck. "I guess so." He — J.M. Madden

In the silence that followed, violent anger hit Blay from out of
nowhere.
Now his hands shook for a different reason.
"So," Saxton said hoarsely. "How was your night?"
"What the hell happened down there?"
Saxton loosened his tie. Unbuttoned his collar. Took yet another
deep breath. "Family tiff, as it were."
"Bullsh*t."
Saxton shifted exhausted eyes over. "Must we do this?"
"What happened - "
"I think you and Qhuinn need to talk. And once you do, I won't have to worry about being jumped like a felon again."
Blay frowned. "He and I have nothing to say to each other - "
"With all due respect, the ligature marks around my neck would
suggest otherwise."
-Lover at Last, pg. 188 of the galleys — J.R. Ward

Greet everyone you meet with a warm smile. No matter how busy you are, don't rush encounters with coworkers, family, and friends. Speak softly. Listen attentively. Act as if every conversation you have is the most important thing on your mind today. Look your children and your partner in the eyes when they talk to you. Stroke the cat, caress the dog. Lavish love on every living being you meet. See how different you feel at the end of the day ... — Sarah Ban Breathnach

Tavish could tell he was being sized up. And by the narrowing of Joseph's eyes, he recognized Tavish's intent as well. They stood, eyeing one another for several long and silent moments. Tavish had not intended to pursue Katie in the least. Now, it seemed, he had a rival. Joseph Archer was infuriatingly difficult to read. Was it confidence that kept him so at ease? Joseph did have the advantage. Katie lived in his house. He could see her, talk to her every day. Joseph was wealthy, with the air of class and money about him. Tavish had none of those things. And though Katie had warmed to him a bit, he didn't yet feel she'd entirely shed her wariness of him. — Sarah M. Eden

Have you ever tried to talk to a baby or a toddler? They never look you square in the eyes, they know about three words, and God forbid they ever ask you how you're doing. It's all about them! — Jen Kirkman

Let's talk about nothing. Look me in the eyes. I'll swim into yours. And we'll just smile. Enough for the whole world to crash behind us. — Nema Al-Araby

He glanced at me, his eyes dark. "Would you rather talk about your dream?"
"No."
"Considering that I was featured in it, I think I deserve to know the particulars. Were my clothes missing because we were in bed? Was I touching you?" He glanced at me. His voice could've melted the clothes off my body. "Were you touching me? — Ilona Andrews

Eragon went to see the dragon for the first time since it had spoken to him. He approached apprehensively, aware now that it was an equal.
"Eragon."
"Is that all you can say?" he snapped.
"Yes."
His eyes widened at the unexpected reply, and he sat down roughly.
Now it has a sense of humor. What next? — Christopher Paolini

You can't escape an assasin," He leaned forward, shadows swallowing his eyes. "Hangings, bumbling bureaucrats, dishonest crewman, jail - those you can talk your way out of, you try hard enough. But this kind of death is the is the only kind of death. — Cassandra Rose Clarke

Al Gore, best described by CNN sound tech Mark A. as "amazingly lifelike"; Steve Forbes, with his wet forehead and loony giggle; G.W. Bush's patrician smirk and mangled cant; even Clinton himself, with his big red fake-friendly face and "I feel your pain." Men who aren't enough like human beings even to hate-what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is often a defense against pain. Against sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about. It's way easier to roll your eyes and not give a shit. You probably don't want to hear about all this, even. — David Foster Wallace

What's wrong?" His voice was loud, so sharp that he sounded angry.
I knew I should be careful, keep the secret, but I was too far gone to talk around it. My chest was working in huge spasms and I could barely breathe. "I kissed her."
"And then you went into anaphylactic shock?"
I closed my eyes and let the rain patter against my face through the open window "She has her tongue pierced. — Brenna Yovanoff

Thank you."

"How'd those words taste in your mouth?"

"Awful."

He smiled. We stood there in silence. He didn't offer to let me in, and I knew it was because he wanted me to ask. He liked to make things hard on me.

"Can I come in?"

"Why?"

"Because I want to talk."

"Why?"

"Because you're here, and I want to know why."

He rolled his eyes and started to shut the door. I put my hand on the edge. "Because you need me, and I've never needed anyone more than I need you."

He pulled me inside and against him before I even finished the sentence. — Kasie West

I absolutely adore cows. They're the most fascinating, gentle and beautiful animals. Their eyes are so amazing. I have ten that live on the land around my house. I love to talk to them. There are few things better than falling asleep in a field and being woken up by an inquisitive cow. — Mary Quant

Once a King in Narnia, always a King in Narnia. But don't go trying to use the same route twice. Indeed, don't try to get there at all. It'll happen when you're not looking for it. And don't talk too much about it even among yourselves. And don't mention it to anyone else unless you find that they've had adventures of the same sort themselves. What's that? How will you know? Oh, you'll know all right. Odd things, they say-even their looks-will let the secret out. Keep your eyes open. Bless me, what do they teach them at these schools.
-The Professor — C.S. Lewis

I'm confused, Beatrice," she says. "What exactly do you want us to do?"
"I didn't come here to ask you for help," I say. "I thought you should know that a lot of people are going to die, very soon. And I know you don't want to stay here doing nothing while that happens, even if some of your faction does."
She looks down, her crooked mouth betraying just how right I am.
"I also wanted to ask you if we can talk to the Erudite you're keeping safe here," I say. "I know they're hidden, but I need access to them."
"And what do you intend to do?" she says.
"Shoot them," I say, rolling my eyes.
"That isn't funny."
I sigh. "Sorry. I need information. That's all. — Veronica Roth

We dare not talk of the darkness for fear it will infect us.
We dare not talk of the fire, for fear it will destroy us.
And so we live in the half-light,
Like our mothers before us.

Come to the fire,
Feel it warm your skin.
Come to the fire,
Feel it burn in your belly,
Shine out through your eyes.
Come dance in the fire,
Let it fuel your prayers. — Lucy H. Pearce

Everything I told him was technically true, more or less, and I got the job done," Jack said stubbornly. "Look, sir, if I were perfect, I wouldn't be working here in the first place. Now, would I?"
And then he hung up. On speakerphone. On a freaking archangel.
I couldn't help it. I let out a rolling belly laugh. "I just got suckered into doing this by ... Stars and stones, you didn't even know that he ... Big bad angel boy, and you get the wool pulled over your eyes by ... " I stopped trying to talk and just laughed.
Uriel eyed the phone, then me, and then tucked the little device away again, clearly nonplussed. "It doesn't matter how well I believe I know your kind, Harry. They always manage to find some way to try my patience. — Jim Butcher

The most important thing is to live an interesting life. Keep your eyes, ears and heart open. Talk to people and visit interesting places, and don't forget to ask questions. To be a writer you need to drink in the world around you so it's always there in your head. — Michael Morpurgo

You shot me, Zane."
"Baby, if I'd shot you, you wouldn't be alive complaining about it," Zane said, then leaned sideways to check the backyard.
"Well, someone shot me. It's upsetting."
Zane glared at him before rolling his eyes. "Kelly had the beanbags, you can talk to him about it later."
"It's very upsetting," Ty repeated, pressing his hand to his chest. — Abigail Roux

Let me know when you're ready to talk." She stopped and glanced at them both over her shoulder. "Maybe then I'd be ready to discuss your sexual twists and my own little abnormal desires. You never know what we all might learn that we haven't already."
With that, she turned and moved back into the house, closing the door behind her and disappearing out of sight. And Cam found his back slammed against the side of Ian's Hummer, his brother in his face.
Lust and irritation flared in his brother's eyes. "You better start talking," he grated. "Because you know what she just did?"
"She just dared us, Cam. And I don't know about you, but the thought of 'abnormal desires' dancing through her mind is going to drive me fucking crazy. Now, fix it. — Lora Leigh

Okay, that really shouldn't have happened. And we're not going to talk about that, right? Ever?"
"Right," she said. She felt like there was light dripping from her fingertips. Spilling out of her toes. She felt full of light, in fact, warm buttery sunlight. "Never happened."
He opened his mouth, then closed it, and closed his eyes. "Claire - "
"I know."
"Lock the door," he said. — Rachel Caine

So this is what you do when it all slows down and the minutes that tick by feel a little longer than before. You take your time. You breathe slowly. You open your eyes a little wider and look at everything. Take it all in. Rehash stories of old, remember people, times, and occasions gone by. Allow everything you see to remind you of something. Talk about those things. Find out the answers you didn't know to yesterday's crosswords. Slow down. Stop trying to do everything now, now, now. Hold up the people behind you for all you care, feel them kicking at your heels but maintain your pace. Don't let anybody else dictate your speed. — Cecelia Ahern

Stubble or what?"
Eyes still closed he chuckled. "I'm not shaving until our parents let us date again."
He kissed my cheek.
"What if it takes ... a ... while?"
I asked struggling to talk. He'd made his way down to my neck. His tongue circled there slowly.
"There are only six or seven weeks until August football practice starts right?"
"Hm." His mouth moved up my neck toward my ear. Oh.
"Will you be able to stuff your beard into your helmet?" I croaked.
In answer he put his lips on my ear.
I forgot the next joke I'd planned to make and lost myself in Adam. — Jennifer Echols

That is the way we decided to talk, free and easy, two young men discussing a boxing match. That was the only way to talk. You couldn't let too much truth seep into your conversation, you couldn't admit with your mouth what your eyes had seen. If you opened the door even a centimeter, you would smell the rot outside and hear the screams. You did not open the door. You kept your mind on the tasks of the day, the hunt for food and water and something to burn, and you saved the rest for the end of the war. — David Benioff

Curran strode toward me, eyes blazing. "If I let her go, I'll need a replacement. Want to volunteer for the job."
He looked like he wouldn't be taking no for an anser. I swiped Slayer from its sheath and backed away from the edge of the roof. "And be girlfriend number twenty-three soon to be dumped in favor of girlfriend number twenty-four who has slightly bigger boobs? I don't think so."
He kept coming. "Oh Yeah?"
"Yeah, you get these beautiful women, make them dependent on you, and then you dump them. Well, this time a woman left you first, and your enormous ego can't deal with it. And to think that I hoped we could talk like reasonable adults. If we were the last two people on Earth, I'd find myself a moving island so I could get the hell away from you. — Ilona Andrews

I can't talk you out of this?" he whispered, his eyes searching mine.
"No."
He swallowed and brushed back a hair from my forehead. His hand lingered on my face, and I let it. His eyes were strangely sad, and I wanted to ask him why, but I didn't dare speak.
"I want you to remember this," he said, his voice low and husky.
"What?" I asked.
"You want me to kiss you."
"I don't," I lied.
"You do. And I want you to remember that."
"Why?"
"Because." Without further explanation, he turned away from me. "If you want to do this, hurry and put some clothes on. You don't want to see the King in your pajamas. — Amanda Hocking

I think she's afraid to even hug me now. It's my fault, but I miss it, Andrew. I miss it so much it aches sometimes, you know?'
I do know. I do know, I want to tell him, but I let him talk. And he does, with a gut-wrenching honesty that tears at my heart.
'I want to be held. Is that so wrong? I want to be held, and stroked. I want to know that someone loves me. I want to feel it on my skin.' He looks at the ceiling and exhales, then meets my eyes again. 'But nobody touches me anymore. Not even when I have a fever. Mom just hands me a thermometer now.' He drops his eyes and his ears redden. 'Even when you kiss me, you don't touch me. It's like I'm a leper or something. I can hardly keep my hands off of you, but it's not the same for you, is it? — J.H. Trumble

Ricco will take care of you," he said. "Ricco thinks you are beautiful-he blushes when your name is mentioned."
Ricco took their order and blushed when he put a glass of wine in front of Lauren. Mary's eyes twinkled, but when he left she looked directly at Lauren and said without preamble, "Would you like to talk about Nick?"
Lauren choked on her wine. "Please,let's not ruin a lovely lunch. I already know more than enough about him."
"What,for example?" Mary persisted gently.
"I know that he's an egotistical, arrogant, bad-tempered, dictatorial tyrant!"
"And you love him." It wasn't a question, it was a statement.
"Yes," Lauren said angrily.
Mary was struggling obviously to hide her amusement at Lauren's tone. "I was certain that you did. I also suspect that he loves you. — Judith McNaught

Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?"
Patch: "Single her out. Talk to her."
Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?"
Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now? — Becca Fitzpatrick

In Sermons on the Statutes, Saint John Chrysostom reiterates this point saying: Do you fast? Give me proof of it by your works. If you see a poor man, take pity on him. If you see a friend being honored, do not envy him. Do not let only your mouth fast, but also the eye and the ear and the feet and the hands and all the members of our bodies. Let the hands fast, by being free of avarice. Let the feet fast, by ceasing to run after sin. Let the eyes fast, by disciplining them not to glare at that which is sinful. Let the ear fast, by not listening to evil talk and gossip. Let the mouth fast from foul words and unjust criticism. For what good is it if we abstain from birds and fishes, but bite and devour our brothers? May He who came to the world to save sinners strengthen us to complete the fast with humility, have mercy on us and save us. — Michelle Allen Bychek

There is a pain you can't think your way out of. You can't talk it away. If there was someone to talk to. You can walk. One foot the other foot. Breathe in breathe out. Drink from the stream. Piss. Eat the venison strips. And. You can't metabolize the loss. It is in the cells of your face, your chest, behind the eyes, in the twists of the gut. Muscles, sinew, bone. It is all of you.
When you walk you propel it forward. When you let the sled and sit on a fallen log and. You imagine him curling in the one patch of sun maybe lying over your feet. Then it sits with you, the Pain puts its arm over your shoulders. It is your closest friend. Steadfast. And at night you can't bear to hear your own breath unaccompanied by another and underneath the big stillness like a score is the roaring of the cataract of everything being and being torn away. Then. The Pain is lying beside your side, close. Does not bother you with sound even of breathing. — Peter Heller

Let your eyes talk, mouth listens and ear sleeps. — Santosh Kalwar

23 Keep your heart with all vigilance, for o from it flow p the springs of life. 24 Put away from you q crooked speech, and put r devious talk far from you. 25 s Let your eyes look directly forward, and your gaze be straight before you. 26 t Ponder [3] the path of your feet; u then all your ways will be sure. 27 v Do not swerve to the right or to the left; turn your foot away from evil. — Anonymous

What the fuck do you want?" After a pause, he said in a firm voice, "This is Dylan Keeley, the guy who would've killed to trade places with you until five minutes ago." He met my eyes. "She doesn't want to talk to you. Now why don't you go back to screwing your prom queen and let me do the same. — Jeri Smith-Ready

It was after tea-time; it was pouring with rain, and had been all day; his hood was dripping into his eyes, his cloak was full of water; the pony was tired and stumbled on stones; the others were too grumpy to talk. — J.R.R. Tolkien

Are we going to do this now, brother?" Kade asked, his voice deceptively smooth, though Blane could see a flicker of fear in his eyes. Kade's hold tightened on Kathleen, as though he was afraid that Blane would take her from him.
"You mean talk about the elephant in the room?" Blane said dryly, cocking an eyebrow.
"She'd get pretty pissed off if she heard you call her an elephant. — Tiffany Snow

Am I talking too much? He paused, staring into my eyes, genuine worry coloring his face.
I shook my head. No, I thought, I'd listen to you talk about nearly anything. You make phone calls sound like an adventure. — Kiera Cass

Oliver couldn't walk away. Not when the wallflower needed rescuing. His goddamn Achilles heel, no matter how disastrous the outcome tended to be. He just wished his heroics would work out for once.
He kept his eyes trained on the pretty black-haired American, every muscle tensed for action. An eternity ticked by. No one approached her. She had no one to dance with, to talk to. She looked... lost. Hauntingly lonely. Frightened and defiant all at the same time.
'Twould be better for them both if he turned around right now. Never met her eye. Never exchanged a single word. Left her to her fate and him to his.
It was already too late. — Erica Ridley

You don't remember?" Hendrix asked with narrowed eyes. "Then we'll talk about it later. I'll help you remember." His voice was smooth sex appeal as it washed over my body and I shivered involuntarily. — Rachel Higginson

Ours was a relationship of small talk. We'd never stayed awake long into the night hoping to find in that nocturnal physical conversation a connection of minds. We hadn't stared into each others eyes because if eyes are the window to the soul it would be a little rude and embarrassing to look in. We'd created a ring-road relationship, circumventing raw emotions and complex feelings, so that our central selves were strangers. — Rosamund Lupton

There are those among you who seek the talkative through fear of being alone.
The silence of aloneness reveals to their eyes their naked selves and they would escape.
And there are those who talk, and without knowledge or forethought reveal a truth which they themselves do not understand.
And there are those who have the truth within them, but they tell it not in words.
In the bosom of such as these the spirit dwells in rhythmic silence. — Kahlil Gibran

There is a proverb that says, 'Talk so that I may know who you are.' But I say, 'Show me your eyes and I will know who you are. — Nawal El Saadawi

Eyes speak the best of the body language. — Pushpa Rana

I never thought of it like that. I always thought of you as a part of me, like my own eyes or my own hands. You don't go around thinking 'I love my eyes, I love my hands', do you? But think what it would be like to live without your eyes or your hands. To be mad, or to be blind. I can't talk about it. It's how I feel. — Elizabeth Marie Pope

We were still so young when our eyes first met. We would run holding hands through the lawn of the college campus. I vividly remember the grass beneath the cherry tree that had water at the tip which touched our legs. I vividly remember how we would talk about our future as the sun rays sparkled like diamonds through the leaves of the trees outside the campus auditorium. I vividly remember your urge to touch my erratic strands in the gentle breeze outside the canteen. And then we allowed distance to conquer the space between us so we could build a career, sculpt a life and keep the promises. And did we not do well! — Debalina Haldar

A man walks fast along the forecourt of the station towards a gate, moving towards a train that's about to leave. I get shivery all over as I watch the back of his head, which is about Yuan's height, with hair and a neckline just like his. My eyes tell me what my mind knows cannot be true. I follow him along seeking the one thing that would confirm him as someone else. The man turns his head slightly to talk to a train official. I can see his nose in profile. My eyes sting. — Dayo Forster

I looked him up and down. Once before I'd seen Jericho Barrons wearing jeans and a T-shirt. It's like sheet-metaling a W16 Bugatti Veyron engine - all 1,001 horsepower of it - with the body of a '65 Shelby. The height of sophisticated power sporting in-your-face, fuck-you muscle. The effect is disturbing.
He had more tattoos now than he'd had a few days ago.when I'd last seen him wearing nothing but a sheen of sweat, his arms were unmarked. They were now sleeved in intricate crimson and black designs, from bicep to hand. A silver cuff gleamed in his wrist. There were chains on his boots.
"Slumming, huh?" I'd said
You should talk, said those dark eyes, as they swept my black leather ensemble. — Karen Marie Moning

You'll teach me to drive your car if I let you get in the water?"
"Uh, no. I'll teach you how to drive Galen's car if you let me get in the water. You're not touching my car without a license. A real one, not some shiny plastic thing Rachel made between afternoon talk shows." Even if Galen doesn't have insurance, he's got enough in his wallet to buy a new one. I, on the other hand, have just enough in saving to cover my deductible.
Her eyes go round. "You'll let me drive his little red one? The combustible?"
Why not? I nod. "Yep. The convertible. Deal?"
She grabs my hand from the couch to pull us both up. Then she shakes it. "Deal! I'll go get the keys from Rachel. — Anna Banks

When you ate her tuna casserole, you didn't talk or flip through a National Geographic. Your eyes and ears stayed inside your mouth. Your whole world kept inside your mouth, feeling and careful for the little balled-up tinfoils Irene Casey would hide in the tuna parts. A side effect of eating slow was, you naturally, genuinely tasted, and the food tasted better. Could be other ladies were better cooks, but you'd never notice. — Chuck Palahniuk

My wife Ciera and I can stand face-to-face in our kitchen and stare into each other's eyes and talk for three hours without noticing that any time has passed. She is the kind of gal I spent a lifetime daydreaming about. She is an actor and a creative companion. — Jim Parrack

I feel high on the knowledge that I can talk as much as I want to, as quickly as I want to, in any direction that I want to, without anyone overtly rolling her eyes at me or suggesting I go to speech therapy. I'm not saying this is good pedagogy. I am saying that its pleasures are deep. — Maggie Nelson

You're not a good one, mind you. Your technique needs work. You're overeager." Ryan smirked a little. "I get it - who wouldn't be overeager to kiss me?"

Finally, he got the reaction he wanted: Jamie rolled his eyes, though his face was still red from embarrassment. "Fuck off."

Still smirking lazily, Ryan leaned back against the couch, stretching his arm along the back. "Is that how you talk to your best mate who's about to offer you to practice on him?"

Jamie blinked a few times, looking adorably bewildered. "You're joking."

Ryan met his gaze steadily. "Nope. I promise not to laugh at you and just tell you if you're doing something wrong."

Jamie just stared at him.

"Hurry up before I change my mind," Ryan said. — Alessandra Hazard

Did Morris put anybody on Coltraine, specifically?"
"Clipper."
"Die-For-Ty? Talk about the sex. How come so many death doctors are wholly iced?"
"A mystery I've pondered throughout my career."
"No, seriously. Clipper's like ummm. He's gay and has a partner, but a yummy treat for the eyes. His partner's an artist. He paints people, literally I mean. Body painting. They've been together about six years."
"How do you know all this stuff?"
"Unlike you, I enjoy hearing about people's personal lives, especially when it involves sex."
"At least since Clipper's not into women, you won't be troubled by sexual fantasies."
Peabody pursed her lips in thought. "I can work with it. Two naked guys, body paints, me. Oh yeah, endless possibilities. — J.D. Robb

One of the things I tried to do is to kind of talk my actors through the scene, but at the same time let them know how I plan to shoot the film and just give them an insight into the way I'm thinking, so that when they're acting out their scene, they can kind of see it in their minds' eyes. — James Wan

I want to say to all you Scribes, Pharisees, heresy hunters, all of you that are going around pickin' little bits of doctrinal error out of everybody's eyes and dividin' the Body of Christ ... get out of God's way, stop blockin' God's bridges, or God's goin' to shoot you if I don't ... let Him sort out all this doctrinal doodoo! ... I refuse to argue any longer with any of you out there! Don't even call me if you want to argue ... Get out of my life! I don't want to talk to you ... I don't want to see your ugly face! — Paul Crouch

Independence is the luxury of all those people who are too confident, and busy, and popular, and attractive to be just plain old lonely. And make no mistake, lonely is absolutely the worst thing to be. Tell someone that you've got a drink problem, or an eating disorder, or your dad died when you were a kid even, and you can almost see their eyes light up with the sheer fascinating drama and pathos of it all, because you've got an issue, something for them to get involved in, to talk about and analyse and discuss and maybe even cure. But tell someone you're lonely and of course they'll seem sympathetic, but look very carefully and you'll see one hand snaking behind their back, groping for the door handle, ready to make a run for it, as if loneliness itself were contagious. Because being lonely is just so banal, so shaming, so plain and dull and ugly. — David Nicholls

Of course, now I had the problem of communicating what I needed. Marlen was still beating on the door, and Dimitri would be up in a couple of minutes. I glared at the human, hoping I looked terrifying. From his expression, I did. I attempted the caveman talk I had with Inna ... only this time the message was a little harder.
"Stick," I said in Russian. I had no clue what the word for stake was. I pointed at the silver ring I wore and made a slashing motion. "Stick. Where?"
He stared at me in utter confusion and then asked, in perfect English, "Why are you talking like that?"
"Oh for God's sake," I exclaimed. "Where is the vault?"
"Vault?"
"A place they keep weapons?"
He continued staring.
"Oh," he said. "That." Uneasily, he cast his eyes in the direction of the pounding. — Richelle Mead

He enjoyed dancing with a fair stranger, enjoyed the vacuous, chaste talk, through which you listen closely to that bewitching, vague something going on inside you and inside her, which will last a couple of bars more and then, finding no resolution, will vanish forever and be utterly forgotten. But while the bond of bodies is still unbroken, the outlines of a potential love affair begin to form, and the rough draft already comprises everything: the sudden silence between two people in some dimly lit room; the man carefully placing with trembling fingers on the edge of an ashtray the just-lit bit impedient cigarette; the woman's eyes slowly closing in as in a film scene.. — Vladimir Nabokov

Hi," he says simply.
I laugh. "Hi."
He looks around the room nervously before his eyes fall back to mine. "Is that good enough?" he asks.
I cock my head, because I don't really understand his question. "Is what good enough?"
He grins. "I was hoping that was enough talk for tonight."
Oh.
I get his question now. — Colleen Hoover

I had a good time that night, too," Michael said, "but I kept thinking, This is forever. This is forever. You will have this good time again and again, a million times over, until it will be like a play in which you and Laura and a few fugitive lives sit around an imaginary fire and talk and sing songs and love each other and sometimes throw imaginary brands at the eyes blinking beyond the circle of imaginary firelight. And then I thought - and this is where I sounded just like a real philosopher - And even when you admit that you know every line in the play and every song that will be sung, even when you know that this evening spent with friends is pleasant and joyful because you remember it as pleasant and joyful and wouldn't change it for the world, even when you know that anything you feel for these good friends has no more reality than a dream faithfully remembered every night for a thousand years - even then it goes on. Even then it has just begun. — Peter S. Beagle

Even though people are shallow and lots of people prefer scripted fictional heroes to real human beings, they can still be shaken out of it in the presence of someone who is REAL. Your problem is not that you haven't mastered the conversational skills necessary to maintain someone's interest. Your problem is that you've never forced yourself to define exactly who you are and what you love and how you want to live. You've never had to talk about these things passionately. You've never dared to lay yourself bare, without apology. Once you can look someone in the eyes and say, "Here's what really matters to me"? That's what people find attractive, trust me. They want to be with someone who knows himself and gives a shit. That's what's alluring and attractive and irreplaceable, even in this age of smooth make-believe. — Heather Havrilesky

Martin wasn't smiling, but his eyes were warm and interested. "Do you always talk like that?"
"Like what? Like awesome?"
"Yeah, like awesome. — Penny Reid

It is time to put up a love-swing!
Tie the body and then tie the mind so that they
swing between the arms of the Secret One you love,
Bring the water that falls from the clouds to your eyes,
and cover yourself inside entirely with the shadow of night.
Bring your face up close to his ear,
and then talk only about what you want deeply to happen. — Kabir

You're missing the wow factor."

Garrett snickered. "Did you really just say wow factor?"

"Oh, whatever. What are you, twelve?"

"Twelve inches, baby." Garrett winked.

Miller laughed and rolled his eyes. "In your dreams, buddy. — Amanda Young

When I talk to people about what makes us human, some people say it's our tears. Because we are the only ones who weep, only we can feel true sorrow. When I hear this, I remember Isiro's face, her anguished eyes as she cried for Mikeno, how she screamed at the keepers with her teeth bared and pushed at the poles. How she dashed back to his body and dug her fingers into his chest as if the strength of her grip could bring him back. There is sorrow without tears. Of course there is. — Vanessa Woods

Aurora once told me that she knew I was different within the first few months after I was born, because as a baby, I never cried. She had no way of knowing if I was hungry or if my stomach hurt until I was old enough to point and talk. Even when I fell and it was obvious that I had hurt myself, I did not cry. When I didn't get my way, I would go off by myself and sulk or have a tantrum. But I never cried. Later, when I was eleven and Abba died, I didn't cry. When Joseph, my best friend at St. Elizabeth's, died, I didn't cry. Maybe I don't feel what others feel. I have no way of knowing. But I do feel. It's just that what I feel does not elicit tears. What I feel when others cry is more like a dry, empty aloneness, like I'm the only person left in the world.
So it is very strange to feel my eyes well with tears as I read Jasmine's list. — Francisco X Stork