Quotes & Sayings About Leaving A Good Woman

Wasn't it true, then, that everything in his life from that point on had been a succession of things he hadn't really wanted to do? Taking a hopelessly dull job to prove he could be as responsible as any other family man, moving to an overpriced, genteel apartment to prove his mature belief in the fundamentals of orderliness and good health, having another child to prove that the first one hadn't been a mistake, buying a house in the country because that was the next logical step and he had to prove himself capable of taking it. Proving, proving; and for no other reason than that he was married to a woman who had somehow managed to put him forever on the defensive, who loved him when he was nice, who lived according to what she happened to feel like doing and who might at any time - this was the hell of it - who might at any time of day or night just happen to feel like leaving him.
It was as ludicrous and as simple as that. — Richard Yates

I have a theory about men like you, Jack."
That seemed to lighten his mood. He slid me an amused glance. "What is your theory, Ella?"
"It's about why you haven't committed to anyone yet. It's really a matter of efficient market dynamics. Most of the women you date are basically the same. You show them a good time, and then it's on to the next, leaving them to wonder why it didn't last. They don't realize that no one ever outperforms the market by offering the same thing everyone else is offering, no matter how well packaged. So the only thing that's going to change your situation is when something random and unexpected occurs. Something you haven't seen on the market before. Which is why you're going to end up with a woman who's completely different from what you and everyone else expects you to go for."
I saw him smile.
"What do you think?"
"I think you could talk the ears off a chicken," he said.
-Ella & Jack — Lisa Kleypas

She fell in love with freedom. In the Sommers' home she had lived shut up within four walls, in a stagnant atmosphere where time moved in circles and where she could barely glimpse the horizon through distorted windowpanes. She had grown up clad in the impenetrable armor of good manners and conventions, trained from girlhood to please and serve, bound by corset, routines, social norms, and fear. Fear had been her companion: fear of God and his unpredictable justice, of authority, of her adoptive parents, of illness and evil tongues, of anything unknown or different; fear of leaving the protection of her home and facing the dangers outside; fear of her own fragility as a woman, of dishonor and truth. Hers had been a sugar-coated reality built on the unspoken, on courteous silences, well-guarded secrets, order, and discipline. She had aspired to virtue but now she questioned the meaning of the word. — Isabel Allende

[T]he young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.
He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands. — William Faulkner

My name is Lev," said Lev.
"My name is Lydia," said the woman. And they shook hands, Lev's hand holding the scrunched-up kerchief and Lydia's hand rough with salt and smelling of egg, and then Lev asked, "What are you planning to do in En gland?" and Lydia said, "I have some interviews in London for jobs as a translator."
"That sounds promising."
"I hope so. I was a teacher of English at School 237 in Yarbl, so my language is very colloquial."
Lev looked at Lydia. It wasn't difficult to imagine her standing in front of a class and writing words on a blackboard. He said, "I wonder why you're leaving our country when you had a good job at School 237 in Yarbl?"
"Well," said Lydia, "I became very tired of the view from my window. Every day, summer and winter, I looked out at the schoolyard and the high fence and the apartment block beyond, and I began to imagine I would die seeing these things, and I didn't want this. I expect you understand what I mean? — Rose Tremain

It is not known that Litvinoff's favorite flower was the peony. That his favorite form of punctuation was the question mark. That he had terrible dreams and could only fall asleep, if he could fall asleep at all, with a glass of warm milk. That he often imagined his own death. That he thought the woman who loved him was wrong to. That he was flat-footed. That his favorite food was the potato.That he liked to think of himself as a philosopher. That he questioned all things, even the most simple, to the extent that when someone passing him on the street raised his hat and said, "Good day," Litvinoff often paused so long to weigh the evidence that by the time he'd settled on an answer the person had gone on his way, leaving him standing alone.
These things were lost to oblivion like so much about so many who are born and die without anyone ever taking the time to write it all down. — Nicole Krauss

Jay whirled around in outrage. "You, woman, you are a minx, and I am totally out of my depth with you."
His intensity caught her by surprise, thrilling her, leaving her as breathless as if the oxygen had been sucked out of the room. Outwardly, she shrugged as though he had no effect on her. Maybe Holiday Kayla was this bold. Holiday Kayla knew how to flirt, and keep the attention of man this good looking. Normal Kayla wouldn't do any of this, but Holiday Kayla knew it was no big deal. — Libby Cole

Which are you? Are you the single woman who is just barely getting by who will become an insignificant spinster one day? Or are you the kind that's more dangerous, leading the lost further into their lostness? Or is your singleness fueled by the power of the Spirit so that you are one who uses it for good, leaving a legacy of lives changed? — Dannah Gresh

Cash misses his wife with a blank pain in his chest, and he misses his sisters and cousins, who have known him since he was a strong, good-looking boy. Everyone back there remembers, or if they are too young, they've been told. The old ones get to hang on the sweet, perfect past. Cash was the best at climbing trees; his sister Letty won the story bees. The woman who married Letty's husband's brother, a beauty named Sugar, was spotted one time drinking a root beer and had her picture in LIFE magazine. They all know. Now she has thin hair and a humped back but she's still Sugar, she gets to walk around Heaven, Oklahoma, with everybody thinking she's pretty and special. which she is. That's the trouble with moving away from family, he realizes. You lose your youth entirely, you have only the small tired baggage that is carried within the body. — Barbara Kingsolver