Quotes & Sayings About Language And Meaning

The thing itself is never just out there in the world waiting to be framed by the photographer's Leica; rather, it is something dynamically produced in the act of representation and reception and already subject to the grids of meaning imposed on it by culture, history, language, and so forth. — Abigail Solomon-Godeau

The question for the ultimate foundations and the ultimate meaning of mathematics remains open; we do not know in which direction it will find its final solution nor even whether a final objective answer can be expected at all. "Mathematizing" may well be a creative activity of man, like language or music, of primary originality, whose historical decisions defy complete objective rationalization. — Hermann Weyl

Over the years, I've trained myself to speak using the same language I would use if I were typing: meaning using full sentences in the way that paragraphs and scenes are arranged. — Kevin J. Anderson

In the original language, "he gave thanks" reads "eucharisteo." ... The root word for eucharisteo is charis, meaning "grace." Jesus took bread and saw it as grace and gave thanks. He took the bread and knew it to be gift and gave thanks. — Ann Voskamp

As the language or vocabulary of photography has been extended, the emphasis of meaning has shifted, shifted from what the world looks like to what we feel about the world and what we want the world to mean. — Aaron Siskind

I find labels "liberal" and "conservative" of little meaning. Our language has become perverted along with the thoughts of many of us. — Studs Terkel

There are two types of codes, ciphers, and true codes. In the first, letters, or symbols that stand for letters, are shuffled and juggled according to a pattern. In the second, letters, words, or groups of words are replaced by other letters, symbols, or words. A code can be one type or the other, or a combination. But both have this in common: once you find the key, you just plug it in and out come logical sentences. A language, however, has its own internal logic, its own grammar, its own way of putting thoughts together with words that span various spectra of meaning. There is no key you can plug in to unlock the exact meaning. At best you can get a close approximation. — Samuel R. Delany

If by fate anyone means the will or power of God, let him keep his meaning but mend his language; for fate commonly means a necessary process which will have its way apart from the will of God and men. — Saint Augustine

The heroic books, even if printed in the character of our mother tongue, will always be in a language dead to degenerate times; and we must laboriously seek the meaning of each word and line, conjecturing a larger sense than common use permits out of what wisdom and valor and generosity we have. — Henry David Thoreau

So that's it. I've told you everything I know. Think clearly and think for yourself. Learn to use language to express those thoughts. Love somebody with all your heart. And with everyone, whether you love them or not, find out if you can be helpful. But really, it's even simpler than that. After all this time, and all these talks in public and in private, I think I get it now. If I were taking my friend Arnold's suggestion and spoke from my deathbed, I think I know what I'd say. I see now that I had my meaning all along, I just had to notice it. The meaning of life ... is life. Not noticing life is what's meaningless, even down to the last second. — Alan Alda

The language of images [of inner-oriented artists] does not follow a code structure that is evident and widely accepted, but is more likely to be a complex of symbols that have a profound meaning for the artists themselves. — Kenneth Coutts-Smith

There is language going on out there- the language of the wild. Roars, snorts, trumpets, squeals, whoops, and chirps all have meaning derived over eons of expression ... We have yet to become fluent in the language -and music- of the wild. — Boyd Norton

Muddy language is not confined to policies alone. Each of you has seen replies to simple questions in which the meaning was lost through hopelessly obscure wording. When a person writes to the Veterans Administration, he is entitled to an easily understood, frank, and courteous reply. If our replies cannot be understood, they are not only not worth writing, but they simply create additional work. — Omar N. Bradley

For the most part, I think of PC as meaning Plain Civil. You treat people the way you'd like to be treated yourself, and that means not using language that is demeaning. — Jay Parini

The advantage of the gypsy language, even though I don't understand it that much, the language is perfect melody. So if you propose the movie the way I do, then the language is just one part of the melody. Orchestrating all inside, and the language is following the meaning of what they say, and it's never the same as written. — Emir Kusturica

The gramophone record, the musical thought, the score, the waves of sound, all stand to one another in that pictorial internal relation, which holds between language and the world.
To all of them the logical structure is common.
(Like the two youths, their two horses and their lilies in the story. They are all in a certain sense one.) — Ludwig Wittgenstein

A mystery is not something that cannot be known, but something that for the time being is hidden. I hand you a sealed letter. What it contains is a mystery to you. Break the seal and read the letter and it ceases to be a mystery. But you may not be able to read the letter, because it is written in a language with which you are not familiar. Learn the language and the mystery ceases. But perhaps the letter contains technical terms which you do not understand, learn their meaning and all will be plain. That is the way with the Mysteries of the Scriptures, learn to read them by the help of their author, the Holy Spirit, and they will no longer be mysteries. — Clarence Larkin

Never before had I known the sudden quiver of understanding that travels from word to brain to heart, the way a new language can move, coil, swim into life under the eyes, the almost savage leap of comprehension, the instantaneous, joyful release of meaning, the way the words shed their printed bodies in a flash of heat and light. — Elizabeth Kostova

But something about the static truth of numbers hurt my brain. Numbers felt sharp. Words felt elastic and springy. Language had an unpredictable, quicksilver quality, saying one thing but meaning something else, varying from place to place but maintaining (against all evidence) that it was the same language. Thinking about words was ticklish and amusing. It was also easy, as if they fit into slots and patterns prepared for them in my mind. Numbers on the other hand, bounced right out of my mind. — Susanna Kaysen

Again, the troubling gap between word and meaning. My feeble language skills could not bear the weight of such a laden experience. — Alison Bechdel

[I]f you set out to mention everything you would never be done, and that's what counts, to be done, to have done. Oh, I know, even when you mention only a few of the things there are you do not get done either, I know, I know. But it's a change of muck. And if all muck is the same muck that doesn't matter, it's good to have a change of muck, to move from one heap to another, from time to time, fluttering you might say, like a butterfly, as if you were ephemeral. — Samuel Beckett

The extension of the moral-historical perspective makes the meaning of the thesis of the athletic and somatic renaissance apparent. At the transition from the nineteenth to the twentieth century, the phenomenon labelled the 'rebirth of antiquity' in the language regulations of art history entered a phase that fundamentally modified the motives of our identification with cultural relics from antiquity, even from the early classical period. Here, as we have seen, one finds a regression to a time in which the changing of life had not yet fallen under the command of life-denying asceticisms. This 'supra-epochal' time could just as easily be called the future, and what seems like a regression towards it could also be conceived of as a leap forwards. — Peter Sloterdijk

If untruths become part of our language - untruths that in context are intended to be interpreted as polite expressions or figure of speech - then each person is left to decide for themselves the meaning of any sentence. And when language and meaning become subjective, society breaks down. The rule of law becomes a grey area. Commands become suggestions. And how do you keep anyone, including yourself, accountable for actions based on ambiguous language? — Alex Latimer

Language is power. When you turn "torture" into "enhanced interrogation," or murdered children into "collateral damage," you break the power of language to convey meaning, to make us see, feel, and care. — Rebecca Solnit

One great distinction, I appeared to myself to see plainly between even the characteristic faults of our elder poets, and the false beauty of the moderns. In the former, from Donne to Cowley, we find the most fantastic out-of-the-way thoughts, but in the most pure and genuine mother English, in the latter the most obvious thoughts, in language the most fantastic and arbitrary. Our faulty elder poets sacrificed the passion and passionate flow of poetry to the subtleties of intellect and to the stars of wit; the moderns to the glare and glitter of a perpetual, yet broken and heterogeneous imagery, or rather to an amphibious something, made up, half of image, and half of abstract meaning. The one sacrificed the heart to the head; the other both heart and head to point and drapery. — Samuel Taylor Coleridge

As Bromberger observed, rules are understood to be elements of the computational systems that determine the sound and meaning of the infinite array of expressions of a language; the information so derived is accessed by other systems in language use. — Noam Chomsky

Courage, the original definition of courage, when it first came into the English language - it's from the Latin word cor, meaning heart - and the original definition was to tell the story of who you are with your whole heart. — Brene Brown

The absurdist is concerned with the search for meaning in the Universe. He believes this search to be meaningless
hence the disintegration of plot, character, and language in absurdist drama. Order is a falsehood that we, God, those who came before us, have imposed on a random universe. However, the absurdist is confronted with a curious paradox: though he believes the Universe to be meaningless, he cannot abandon the search for meaning
or he will die. — Walter Wykes

When language in common use in any country becomes irregular and depraved, it is followed by their ruin and degradation. For what do terms used without skill or meaning, which are at once corrupt and misapplied, denote but a people listless, supine, and ripe for servitude? — John Milton

The public had been forced to see [by Kant's writings] that what is obscure is not always without meaning; what was senseless and without meaning at once took refuge in obscure exposition and language. Fichte was the first to grasp and make vigorous use of this privilege; Schelling at least equalled him in this, and a host of hungry scribblers without intellect or honesty soon surpassed them both. But the greatest effrontery in serving up sheer nonsense, in scrabbling together senseless and maddening webs of words, such as had previously been heard only in madhouses, finally appeared in Hegel. It became the instrument of the most ponderous and general mystification that has ever existed, with a result that will seem incredible to posterity, and be a lasting monument of German stupidity. — Arthur Schopenhauer

I remain convinced that for Stalin to have complete centralized power in his hands, he found it necessary to physically destroy the second-largest Soviet republic, meaning the annihilation of the Ukrainian peasantry, Ukrainian intelligentsia, Ukrainian language, and history as understood by the people; to do away with Ukraine and things Ukrainian as such. The calculation was very simple, very primitive: no people, therefore, no separate country, and thus no problem. Such a policy is Genocide in the classic sense of the word. — James Mace

You don't have the slightest idea of what it means to write a scene and a character in the English language, with images and words chock full of received meaning. — Jonathan Lethem

If language is to be of any use to us, then we ought to try and preserve the meaning of words, and 'god' historically has not meant the laws of nature. — Steven Weinberg

Everything in the universe has life and you must always try to sty in contact with that life. It understands your language and the world will begin to take on a different meaning for you. — Paulo Coelho

meaning indifferent to the distinction between things. It is not, on the whole, that natural phenomena and entities themselves are disappearing; rather that there are fewer people able to name them, and that once they go unnamed they go to some degree unseen. Language deficit leads to attention deficit. As — Robert Macfarlane

The resulting texts always took a narrative term, enigmatic at first but ultimately explicit and often premonitory. The semantic distribution of these basic elements diverted them from their original meaning, thus revealing their real significance. Henceforth, every form of writing will consist of an operation of decoding, of contamination, and of sense perversion. All this because all language is essentially mystification, and everything is fiction. — Brion Gysin

What disturbs or assures us about race has very little to do with blood or biology. Race is about how you use language, understand your heritage, interpret your history, identify with your kin, figure out what your meaning and worth to a society that places values on you beyond your control. And it's also about what people see you as - or take you to be. — Michael Eric Dyson

Language, the homeland and receptacle of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in terms of external, audible sounds, but in terms of the swiftness and power of its inner flow. Then, like the rolling mass of a river's current, which by its very movement polishes the stones of the bottom and turns the wheels of mills, flowing speech itself, by the force of its own laws, on its way, in passing, creates meter and rhyme and thousands of other forms and constructions, still more important, but as yet unrecognized, unconsidered, unnamed. — Boris Pasternak

My training in music and composition then led me to a kind of musical language process in which, for example, the sound of the words I play with has to expose their true meaning against their will so to speak. — Elfriede Jelinek

To demarcate [words in way that changes the meaning] is simply to speak a different language than everyone else. And I do not accept semantic games like that. [ ... ] We need to use words as they are actually used and understood. We can correct errors and inconsistencies and make distinctions. But we can't try to foist an alien language on people. — Richard Carrier

Language in fiction is made up of equal parts meaning and music. The sentences should have rhythm and cadence, they should engage and delight the inner ear. — Michael Cunningham

This is the pre-verbal language that linguists call Mentalese. Hardly a language, more a matrix of shifting patterns, consolidating and compressing meaning in fractions of a second, and blending it inseparably with its distinctive emotional hue ... So that when a flash of red streaks in across his left peripheral vision ... it already has the quality of an idea ... unexpected and dangerous, but entirely his, and not of the world beyond himself. — Ian McEwan

The full meaning of a language is never translatable into another. We may speak several languages but one of them always remains the one in which we live. In order completely to assimilate a language it would be necessary to make the world which it expresses one's own and one never does belong to two worlds at once. — Maurice Merleau Ponty

The novel's not the best form for disposing ideas, though that's one thing it can do. It likely is the best form, though, for conveying the experience of us each being alone, trapped in our skulls with only these bodies and this imperfect instrument of language to convey our state and to find meaning and connection. — Michael Helm

Somewhere in the arrangement of this world there seems to be a great concern about giving us delight, which shows that, in the universe, over and above the meaning of matter and forces, there is a message conveyed through the magic touch of personality ... Is it merely because the rose is round and pink that it gives me more satisfaction than the gold which could buy me the necessities of life, or any number of slaves ... Somehow we feel that through a rose the language of love reached our hearts. — Rabindranath Tagore

Finding patterns and structure in information is how our brains extract meaning from the world, and putting words to music and rhyme are a way of adding extra levels of pattern and structure to language. It's the reason Homeric bards sang their epic oral poems, the reason that the Torah is marked up with little musical notations, and the reason we teach kids the alphabet in a song and not as twenty-six individual letters. Song is the ultimate structuring device for language. — Joshua Foer

Music gives us a language that cuts across the disciplines, helps us to see connections and brings a more coherent meaning to our world. — Ernest L. Boyer

So many people understand language, but few people understand the real meaning of language. They that understand the meaning of language understand language and life better! — Ernest Agyemang Yeboah

There is a language to dying. It creeps like a shadow alongside the passing years and the taste of it hides in the corners of our mouths. It finds us whether we are sick or healthy. It is a secret hushed thing that lives in the whisper of the nurses' skirts as they rustle up and down our stairs. They've taught me to face the language one syllable at a time, slowing creating an unwilling meaning. — Sarah Pinborough

The basic script of an agonist tending, an antagonist reacting, played out in different combinations and outcomes, underlies the meaning of the causal constructions in most, perhaps all, of the world's languages. And in language after language, the prototypical force-dynamic scenario-an antagonist directly and intentionally causing a passive agonist to change from its intrinsic state-gets pride of place in the language's most concise causative construction. — Steven Pinker

We begin life with the world presenting itself to us as it is. Someone - our parents, teachers, analysts - hypnotizes us to "see" the world and construe it in the "right" way. These others label the world, attach names and give voices to the beings and events in it, so that thereafter, we cannot read the world in any other language or hear it saying other things to us. The task is to break the hypnotic spell, so that we can become undeaf, unblind, and multilingual, thereby letting the world speak to us in new voices and write all its possible meaning in the new book of our existence. — Sidney M. Jourard

I had come to see language as an almost supernatural force, existing between people, bringing our brains, shielded in centimeter-thick skulls, into communion. A word meant something only between people, and life's meaning, its virtue, had something to do with the depth of the relationships we form. — Paul Kalanithi

The world is in some essential sense a construct. Human knowledge is radically interpretive. There are no perspective-independent facts. Every act of perception and cognition is contingent, mediated, situated, contextual, theory-soaked. Human language cannot establish its ground in an independent reality. Meaning is rendered by the mind and cannot be assumed to inhere in the object, in the world beyond the mind, for that world can never be contacted without having already been saturated by the mind's own nature. That world cannot even be justifiably postulated. Radical uncertainty prevails, for in the end what one knows and experiences is to an indeterminate extent a projection. — Richard Tarnas

This is every writer's nightmare
the sudden breakdown of meaning in the language that sustains and supports us ... — Dan Simmons

The continually progressive change to which the meaning of words is subject, the want of a universal language which renders translation necessary, the errors to which translations are again subject, the mistakes of copyists and printers, together with the possibility of willful alteration, are themselves evidences that human language, whether in speech or print, cannot be the vehicle of the Word of God. — Thomas Paine

All writing is rubbish.
People who try to free themselves from what is vague in order to state precisely whatever is going on in their minds are producing rubbish.
The whole literary tribe is a pack of rubbish mongers, especially today.
All those who have landmarks in their minds, I mean in a certain part of their heads, in well-defined sites in their skulls, all those who are masters of language, all those for whom words have meaning, all those for whom the soul has its heights and thought its currents, those who are the spirits of the times, and who have given names to these currents of thought - I am thinking of their specific tasks, and of that mechanical creaking their minds produce at every gust of wind - are rubbish mongers. — Antonin Artaud

Profanity is the chili pepper of language. If used by an idiot or a clod, it can overwhelm the discourse so the meaning is lost, but if used by a linguistic master chef, it can insert a piquant passion to the point where even though your ears may burn and you may want to rinse your mouth out, you cannot say it doesn't sound delicious. — Aasif Mandvi

Fidelity is surely our highest aim, but a translation is not made with tracing paper. It is an act of critical interpretation. Let me insist on the obvious: Languages trail immense, individual histories behind them, and no two languages, with all their accretions of tradition and culture, ever dovetail perfectly. They can be linked by translation, as a photograph can link movement and stasis, but it is disingenuous to assume that either translation or photography, or acting for that matter, are representational in any narrow sense of the term. Fidelity is our noble purpose, but it does not have much, if anything, to do with what is called literal meaning. A translation can be faithful to tone and intention, to meaning. It can rarely be faithful to words or syntax, for these are peculiar to specific languages and are not transferable. — Edith Grossman

I cannot combine some characters
dhcmrlchtdj
which the divine Library has not foreseen and which in one of its secret tongues do not contain a terrible meaning. No one can articulate a syllable which is not filled with tenderness and fear, which is not, in one of these languages, the powerful name of a god. To speak is to fall into tautology. — Jorge Luis Borges

The musician of disordered sound, the poet of decomposed language, the painter and sculptor of the fragmented visual and tactile world: they all portray the break up of the self and, through the rearrangement and reassemble of the fragments, try to create new structures that possess wholeness, perfection, new meaning. — Heinz Kohut

All the facts of nature are nouns of the intellect, and make the grammar of the eternal language. Every word has a double, trebleor centuple use and meaning. — Ralph Waldo Emerson

When we miss the meaning of a language, we miss the real essence and impact of communication. If we lose the real meaning of a language, we lose the real understanding of a language. Friendship is developed and nurtured through effective communication and that is the great tool that shapes friendship. A good communication, regardless of how short it might be is a great litmus paper that proves who a true friend or false friend is. A good communication does not only trigger the best bond but it also uncovers things in the heart that are hidden from the eyes. Without an effective communication, real friendship and real love between two great people is just like two great mountains with a valley between them. Without communication, we lose what we could have heard from real people. When we miss the meaning of a language, we miss the real essence and impact of communication!!! — Ernest Agyemang Yeboah

To knot a sentence up properly, it has to be thought out carefully, and revised. New phrases have to be put in; sudden changes of subject must be introducted; verbs must be shifted to unsuspected localities; short words must be excised with ruthless hand; archaisms must be sprinkled like sugar-plums upon the concoction; the fatal human tendency to say things straightforwardly must be detected and defeated by adroit reversals; and, if a glimmer of meaning yet remain under close scrutiny, it must be removed by replacing all the principal verbs by paraphrases in some dead language. — Aleister Crowley

Words, language and representation of meaning are an important aspect of reflective practice. Slips of the tongue, dream interpretations and the whole idea of a 'talking cure' rests on our capacity to reflect on what is (or is not) said. — Jacqui Stedmon

For Lao-tzu's Taoism is the philosophical equivalent of jujitsu, or judo, which means the way of gentleness. Its basis is the principle of Tao, which may be translated the Way of Nature. But in the Chinese language the word which we render as "nature" has a special meaning not found in its English equivalent. Translated literally, it means "self-so." For to the Chinese, nature is what works and moves by itself without having to be shoved about, wound up, or controlled by conscious effort. Your heart beats "self-so," and, if you would give it half a chance, your mind can function "self-so" - though most of us are much too afraid of ourselves to try the experiment. — Alan W. Watts

The fact that slang is apt and forceful makes its use irresistibly tempting. Coarse or profane slang is beside the mark, but "flivver," "taxi," the "movies," "deadly" (meaning dull), "feeling fit," "feeling blue," "grafter," a "fake," "grouch," "hunch" and "right o!" are typical of words that it would make our spoken language stilted to exclude. — Emily Post

Meaning is made in conversation, reality is created in communication, and knowledge is generated through social interaction ... Language is the vehicle through which we create our understanding of the world. — Diana Whitney

Comedy is inherently subversive because it turns the normal reality on its head. The art form is all about these questions and contradictions. In comedy, we're dealing with language that we all understand, but words can have a dozen other things around them that alter or affect meaning. — Paul Provenza

He never labored so hard to learn a language as he did to hold his tongue, and it affected him for life. The habit of reticence - of talking without meaning - is never effaced. — Henry Adams

She had imagined her mind would be bare before his, naked under a scorching desert sun, with neither shelter nor refuge. Instead, it was like playing hide-and-seek in the light and shadow of a forest, discovering and inventing a new language of double meaning, subtlety, poetry, and image. As a linguist, she was captivated; as a lover, she was enraptured. Nothing could be said the same way twice. — Karen Lord

What is above all needed is to let the meaning choose the word, and not the other way around. In prose, the worst thing you can do with words is to surrender to them. — George Orwell

Like prepositional phrases, certain structural arrangements in English are much more important than the small bones of grammar in its most technical sense. It really wouldn't matter much if we started dropping the s from our plurals. Lots of words get along without it anyway, and in most cases context would be enough to indicate number. Even the distinction between singular and plural verb forms is just as much a polite convention as an essential element of meaning. But the structures, things like passives and prepositional phrases, constitute, among other things, an implicit system of moral philosophy, a view of the world and its presumed meanings, and their misuse therefore often betrays an attitude or value that the user might like to disavow.
— Richard Mitchell

A word drops into the mist
like a child's ball into high grass
where it remains seductively
flashing and glinting until
the gold bursts are revealed to be
simply field buttercups.
Word/mist, word/mist: thus it was with me. — Louise Gluck

The problem may be a literary one: we are given a single story line about what makes a good life, even though not a few who follow that story line have bad lives. We speak as though there is one good plot with one happy outcome, while the myriad forms a life can take flower - and wither - all around us.
Even those who live out the best version of the familiar story line might not find happiness as their reward. This is not necessarily a bad thing. I know a woman who was lovingly married for seventy years. She has had a long, meaningful life that she has lived according to her principles. But I wouldn't call her happy; her compassion for the vulnerable and concern for the future have given her a despondent worldview. What she has had instead of happiness requires better language to describe. There are entirely different criteria for a good life that might matter more to a person - honor, meaning, depth, engagement, hope. — Rebecca Solnit

Empiricism assumes that objects can be understood independendy of observing subjects. Truth is therefore assumed to lie in a world external to the observer whose job is to record and faithfully reflect the attributes of objects. This logical empiricism is a pragmatic version of that scientific method which goes under the name of 'logical positivism', and is founded in a particular and very strict view of language and meaning. — David Harvey

You'll never make your mark as a writer unless you develop a respect for words and a curiosity about their shades of meaning that is almost obsessive. The English language is rich in strong and supple words. Take the time to root around and find the ones you want — William Zinsser

The allowance vanished absolutely; and in its place there came into being an arrangement. By this, his lordship was to have whatever money he wished, but he must ask for it, and state why it was needed. If the request were reasonable, the cash would be forthcoming; if preposterous, it would not. The flaw in the scheme, from his lordship's point of view, was the difference of opinion that can exist in the minds of two men as to what the words reasonable and preposterous may be taken to mean. Twenty pounds, for instance, would, in the lexicon of Sir Thomas Blunt, be perfectly reasonable for the current expenses of a man engaged to Molly McEachern, but preposterous for one to whom she had declined to remain engaged. It is these subtle shades of meaning that make the English language so full of pitfalls for the foreigner. — P.G. Wodehouse

Every one has experienced how learning an appropriate name for what was dim and vague cleared up and crystallized the whole matter. Some meaning seems distinct almost within reach, but is elusive; it refuses to condense into definite form; the attaching of a word somehow (just how, it is almost impossible to say) puts limits around the meaning, draws it out from the void, makes it stand out as an entity on its own account. — John Dewey

God is love, and music is the language of love; therefore, music is the language of God. Music is a language more profound than words. How often have you heard a great piece of music and felt that? Great music does not just make you feel good; great music suggests some profound truth or mysterious meaning that is objectively true but not translatable into words. — Peter Kreeft

If we expect translation to reproduce the totality of the semantics and affective uses of the original text, then we believe that translation must be loyal to the seminal language system, rather than letting the discourse travel and undertake the adventure of discovering - or creating - a new set of meaning according to the politics of the translation itself. Rigid loyalty to the original in the translated version was, in effect, the intentionality of the translation of the doctrines and precepts that constituted the colonial discourse. — Hector Dominguez Ruvalcaba

Thomas Teal, a luminous translator of Jansson's twin talent for surface and depth, simplicity and reverberation in language, and someone who knows exactly how to convey her gift for sensing the meaning embedded in the most mundane act or turn of phrase. — Ali Smith

In a world in which everything bears the indelible impress of Man, it is refreshing to escape from time to time from this wall-to-wall humanisation. Hence the American enthusiasm for national parks and outdoor activities. It is seductive to see the world as though we were not there to see it. We can always dream of perceiving things as they are in themselves, without the buzz and distortion of human meaning. We can take a vacation now and then from the intolerable burden of sense-making, rather as we do when we treat human flesh as something to be mindlessly indulged. We can shuck off language and confront reality in the raw, as we imagine an innocent child might do. — Terry Eagleton

Try telling the boy who's just had his girlfriend's name
cut into his arm that there's slippage between the signifier
and the signified. Or better yet explain to the girl
who watched in the mirror as the tattoo artist stitched
the word for her father's name (on earth as in heaven)
across her back that words aren't made of flesh and blood,
that they don't bite the skin. Language is the animal
we've trained to pick up the scent of meaning. It's why
when the boy hears his father yelling at the door
he sends the dog that he's kept hungry, that he's kicked,
then loved, to attack the man, to show him that every word
has a consequence, that language, when used right, hurts. — Todd Davis

Charlus takes the narrator's chin and slides his magnetized fingers up to the ears "like a barber's fingers." This trivial gesture, which I begin, is continued by another part of myself; without anything interrupting it physically, it branches off, shifts from a simple function to a dazzling meaning, that of the demand for love. Meaning (destiny) electrifies my hand: I am about to tear open the other's opaque body, oblige the other (whether there is a response, a withdrawal, or mere acceptance) to enter into the interplay of meaning: I am about to make the other speak. In the lover's realm, there is no acting out: no propulsion, perhaps even no pleasure
nothing but signs, a frenzied activity of language: to institute, on each furtive occasion, the system (the paradigm) of demand and response. — Roland Barthes

Art is a meta-language, with the help of which people try to communicate with one another; to impart information about themselves and assimilate the experience of others. Again, this has not to do with practical advantage but with realising the idea of love, the meaning of which is in sacrifice: the very antithesis of pragmatism. I simply cannot believe that an artist can ever work only for the sake of 'self-expression.' Self-expression if meaningless unless it meets with a response. For the sake of creating a spiritual bond with others it can only be an agonising process, one that involves no practical gain: ultimately it is an act of sacrifice. But surely it cannot be worth the effort merely for the sake of hearing one's own echo? — Andrei Tarkovsky

Rebecca was an academic star. Her new book was on the phenomenon of word casings, a term she'd invented for words that no longer had meaning outside quotation marks. English was full of these empty words
"friend" and "real" and "story" and "change"
words that had been shucked of their meanings and reduced to husks. Some, like "identity" and "search" and "cloud," had clearly been drained of life by their Web usage. With others, the reasons were more complex; how had "American" become an ironic term? How had "democracy" come to be used in an arch, mocking way? — Jennifer Egan

When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing you probably hunt about until you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures and sensations. Afterward one can choose - not simply accept - the phrases that will best cover the meaning, and then switch round and decide what impressions one's words are likely to make on another person. — George Orwell

Udru, a language common among India's Muslims, exhibits Arabic, Persian, Turkic and Indian influences. Its name derives from the Turkic word "ordu", meaning army, since it was at the Turkic army camps that these four languages intermingled. — Firas Alkhateeb

God language can tie people into knots, of course. In part, that is because 'God' is not God's name. Referring to the highest power we can imagine, 'God' is our name for that which is greater than all and yet present in each. For some the highest imaginable power will be a petty and angry tribal baron ensconced high above the clouds on a golden throne, visiting punishment on all who don't believe in him. But for others, the highest power is love, goodness, justice, or the spirit of life itself. Each of us projects our limited experience on a cosmic screen in letters as big as our minds can fashion. For those whose vision is constricted (illiberal, narrow-minded people), this can have horrific consequences. But others respond to the munificence of creation with broad imagination and sympathy. Answering to the highest and best within and beyond themselves, they draw lessons and fathom meaning so redemptive that surely it touches the divine. — Forrest Church

This is the first time I have heard 'ethics' in the mouth of a man. You and I are the only men on this ship that know its meaning. At one time in my life, I dreamed that I might someday talk with men who used such language, that I might lift myself out of the place in life in which I had been born, and hold conversation and mingle with men who talked about just such things as ethics. — Jack London

I'm chasing a kind of language that can be unburdened by people's expectations. I think music is the primary model-how close can you get this language to be like music and communicate feeling at the base level in the same way a composition with no words communicates meaning? It might be impossible. Language is always burdened by thought. I'm just trying to get it so it can be like feeling. — Terrance Hayes

The moment we shake our addiction to narrative and give up our strong-headed intent that language must say something "meaningful," we open ourselves up to different types of linguistic experience, which could include sorting and structuring words in unconventional ways: by constraint, by sound, by the way words look, and so forth, rather than always feeling the need to coerce them toward meaning. — Kenneth Goldsmith

From that original colony sprang seven names that still feature on the landscape: Roanoke (which has the distinction of being the first Indian word borrowed by English settlers), Cape Fear, Cape Hatteras, the Chowan and Neuse Rivers, Chesapeake, and Virginia. (Previously, Virginia had been called Windgancon, meaning "what gay clothes you wear" - apparently what the locals had replied when an early reconnoitering party had asked the place's name.) — Bill Bryson

If this constant sliding and hiding of meaning were true of conscious life, then we would of course never be able to speak coherently at all. If the whole of language were present to me when I spoke, then I would not be able to articulate anything at all. The ego, or consciousness, can therefore only work by repressing this turbulent activity, provisionally nailing down words on to meanings. Every now and then a word from the unconscious which I do not want insinuates itself into my discourse, and this is the famous Freudian slip of the tongue or parapraxis. But for Lacan all our discourse is in a sense a slip of the tongue: if the process of language is as slippery and ambiguous as he suggests, we can never mean precisely what we say and never say precisely what we mean. Meaning is always in some sense an approximation, a near-miss, a part-failure, mixing non-sense and non-communication into sense and dialogue. — Terry Eagleton

Many young people today do not concern themselves with style. They think that what one says should be said simply and that is all. For me, style - which does not exclude simplicity, quite the opposite - is above all a way of saying three or four things in one. There is the simple sentence, with its immediate meaning, and then at the same time, below this immediate meaning, other meanings are organized. If one is not capable of giving language this plurality of meaning, then it is not worth the trouble to write. — Jean-Paul Sartre

Trevor realized that the odd thing about English is that no matter how much you screw sequences word up up, you understood, still, like Yoda, will be. Other languages don't work that way. French? Dieu! Misplace a single le or la and an idea vaporizes into a sonic puff. English is flexible: you can jam it into a Cuisinart for an hour, remove it, and meaning will still emerge. — Douglas Coupland

Sometimes I have kept my feelings to myself, because I could find no language to describe them in but what was worn and hackneyed out of all sense and meaning — Jane Austen

What does a word mean? And a life? In the end, it seems to me, the same thing. Just as a word can have many dimensions, many nuances, great complexity, so, too, can a person, a life. Language is the mirror, the principal metaphor. Because ultimately the meaning of a word, like that of a person, is boundless, ineffable. — Jhumpa Lahiri

Geometry in every proposition speaks a language which experience never dares to utter; and indeed of which she but halfway comprehends the meaning. — William Whewell

(Decadent style) is ingenious, complicated, learned, full of shades of meaning and research, always pushing further the limits of language ... forcing itself to express in thought that which is most ineffable, and in form the vaguest and most fleeting contours; listening that it may translate them to the subtle confidences of the neuropath, to the avowals of aging and depraved passion, and to the singular hallucinations of the fixed idea verging on madness ... In opposition to the classic style, it admits of shading, and these shadows teem and swarm with the larvae of superstitions, the haggard phantoms of insomnia, nocturnal terrors, remorse which starts and turns back at the slightest noise, monstrous dreams stayed only by impotence, obscure phantasies at which daylight would stand amazed, and all that the soul conceals of the dark, the unformed, and the vaguely horrible, in its deepest and furthest recesses. — Theophile Gautier