Landscape Art Quotes & Sayings
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Top Landscape Art Quotes

I had just finished reading The Day of the Locust when this piece was brought to my attention, and I was like, "How do you create art in the system, the way it is?" Looking around the studio film landscape, there are all of these great superhero movies, which is fantastic, especially for my kids, but it's hard to find real art house films in the studio system, these days. — Matt Bomer

Natures of your kind, with strong, delicate senses, the soul-oriented, the dreamers, poets, lovers are always superior to us creatures of the mind. You take your being from your mothers. You live fully; you were endowed with the strength of love, the ability to feel. Whereas we creatures of reason, we don't live fully; we live in an arid land, even though we often seem to guide and rule you. Yours is the plentitude of life, the sap of the fruit, the garden of passion, the beautiful landscape of art. Your home is the earth; ours is the world of ideas. You are in danger of drowning in the world of the senses; ours is the danger of suffocating in an airless void. You are an artist; I am a thinker. You sleep at your mother's breast; I wake in the desert. For me the sun shines; for you the moon and the stars. — Hermann Hesse

There's something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically ... I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous. — Stephen Shore

I am preoccupied with the possibility of creating art which functions in a public situation without compromising its private character of being antiheroic, antimonumental, antiabstract, and antigeneral. The paradox is intensified by the use on a grand scale of small-scale subjects known from intimate situations
an approach which tends in turn to reduce the scale of the real landscape to imaginary dimensions. — Claes Oldenburg

I don't believe too much in originality ... you learn art from other art and then looking into somebody's face or landscape is the point of departure to do your work of art. — Paterson Ewen

The most vital things in the look of a landscape endure only for a moment. Work should be done from memory; memory of that vital moment. — Robert Henri

To select, combine and concentrate that which is beautiful in nature and admirable in art is as much the business of the landscape painter in his line as in the other departments of art. — J. M. W. Turner

REALISM, n. The art of depicting nature as it is seem by toads. The charm suffusing a landscape painted by a mole, or a story written by a measuring-worm. — Ambrose Bierce

From Portrait of a Landscape
I think art only exists when it's being made. It's like a flower. Once picked, it starts to die. — Daniel D. Watkins

Whenever I listen to an artist or an art historian I'm struck by how much they see and how much they know--and how much I don't.
Good art writing should therefore do at least two things. It should teach us how to look: at art, architecture, sculpture, photography and all the other visual components of our daily landscape. And it should give us the information we need to understand what we're looking at. — William Zinsser

I believe that street photography is central to the issue of photography - that it is purely photographic, whereas the other genres, such as landscape and portrait photography, are a little more applied, more mixed in the with the history of painting and other art forms. — Joel Meyerowitz

In 1857, Bizet departed for Rome and spent three years there. He studied the landscape, the culture, Italian literature and art. Musically he studied the scores of the great masters. At the end of the first year he was asked to submit a religious work as his required composition. As a self-described atheist, Bizet felt uneasy and hypocritical writing a religious piece. Instead, he submitted a comic opera. Publicly, the committee accepted, acknowledging his musical talent. Privately, the committee conveyed their displeasure. Thus, early in his career, Bizet displayed an independent spirit that would be reflected in innovative ideas in his opera composition.
[The Pearl Fishers - Georges Bizet, Virginia Opera] — Georges Bizet

In our own time we have seen domination spread over the social landscape to a point where it is beyond all human control ... Compared to this stupendous mobilization of materials, of wealth, of human intellect, of human labor for the single goal of domination, all other recent human achievements pale to almost trivial significance. Our art, science, medicine, literature, music and "charitable" acts seem like mere droppings from a table on which gory feasts on the spoils of conquest have engaged the attention of a system whose appetite for rule is utterly unrestrained. — Murray Bookchin

That the mere matter of a poem, for instance
its subject, its given incidents or situation; that the mere matter of a picture
the actual circumstances of an event, the actual topography of a landscape
should be nothing without the form, the spirit of the handling, that this form, this mode of handling, should become an end in itself, should penetrate every part of the matter;Mthis is what all art constantly strives after, and achieves in different degrees. — Walter Pater

I do an awful lot of thinking and dreaming about things in the past and the future - the timelessness of the rocks and the hills - all the people who have existed there. I prefer winter and fall, when you feel the bone structure of the landscape - the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn't show. — Andrew Wyeth

There is always a subjective aspect in landscape art, something in the picture that tells us as much about who is behind the camera as about what is in front of it. — Robert Adams

I love Australia passionately. I love our landscape. It's influenced most of my work, really. Almost everything I've written is about the landscape. Trying to find, the sacred, the spiritual in it. — Peter Sculthorpe

To paint one must forget everything else. Where you live, who you know, what you eat, when to sleep. The landscape of the canvas becomes your only reality. The planet you inhabit is a single plane of infinite dimensions, stretched like a guitar string, and standing before you like a concubine waiting for your command. — Thomas Lloyd Qualls

It was in the library that he and May had always discussed the future of the children: the studies of Dallas and his young brother Bill, Mary's incurable indifference to "accomplishments," and passion for sport and philanthropy, and the vague leanings toward "art" which had finally landed the restless and curious Dallas in the office of a rising New York architect.
The young men nowadays were emancipating themselves from the law and business and taking up all sorts of new things. If they were not absorbed in state politics or municipal reform, the chances were that they were going in for Central American archaeology, for architecture or landscape-engineering; taking a keen and learned interest in the prerevolutionary buildings of their own country, studying and adapting Georgian types, and protesting at the meaningless use of the word "Colonial." Nobody nowadays had "Colonial" houses except the millionaire grocers of the suburbs. — Edith Wharton

So the recordings were these immersive landscapes, and yet, unlike the performances that almost no one would see, I had a sense that these could live forever. I was just starting to get my head around the democratic aspect of art; I didn't want to make rarefied things that were either alienatingly obscure or elite and art-worldy, so a recording that anyone could buy was a great medium. — Miranda July

The principle of painting is also to make a choice. "Even genius," writes Delacroix, ruminating on his art,
"is only the gift of generalizing and choosing." The painter isolates his subject, which is the first way of
unifying it. Landscapes flee, vanish from the memory, or destroy one another. That is why the landscape
painter or the painter of still life isolates in space and time things that normally change with the light, get
lost in an infinite perspective, or disappear under the impact of other values. The first thing that a
landscape painter does is to square off his canvas. He eliminates as much as he includes. — Albert Camus

Set in the remote and harsh high desert landscape of Idaho, Outpost is an artist live/work studio and sculpture garden for making and displaying art. An important aspect of the complex is the protected paradise garden, which is separated from the wild landscape by thick masonry walls. The materials used in the structure, including concrete block, car-decking, and plywood, require little to no maintenance, and are capable of withstanding the extreme weather that characterize the desert's four seasons. — Tom Kundig

I've never found anything to be lacking in a blurry canvas. Quite the contrary: you can see many more things in it than in a sharply focused image. A landscape painted with exactness forces you to see a determined number of clearly differentiated trees, while in a blurry canvas you can perceive as many trees as you want. The painting is more open. — Gerhard Richter

The trees and shrubs rear white arms to the sky on every side; and where were walls and fences, we see forms stretching in frolic gambols across the dusky landscape, as if Nature had strewn her fresh designs over the fields by night as models for man's art. — Henry David Thoreau

An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it. — Matthew Barney

All art must be for the end of liberating the masses. A landscape is only good when it shows the oppressor hanging from a tree. — Ishmael Reed

Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflected the landscape. And yet ... and yet ...
Inside this little world they had taken pains to put all the things you might think they would want to escape from - hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in. He was fascinated. — Terry Pratchett

Sculpture is an art of the open air ... I would rather have a piece of my sculpture put in a landscape, almost any landscape, than in, or on, the most beautiful building I know. — Henry Moore

For the long-limbed trees and watery landscape of Vancouver Island, read Hundreds and Thousands. Setting aside, who can resist a woman who lived in a caravan in Goldstream Park with a pack of dogs and a monkey and shunned the human race except to attend her own art openings? Only a genius could both paint and write my/her home. — Marjorie Celona

My art recognizes the human place, the human context - especially in Britain, which is a landscape so worked by people for thousands of years, written, deeply ingrained with the presence of people. — Andy Goldsworthy

For me a work of art must be an elevated interpretation of nature. The search for the ideal has been the purpose of my life. In landscape or seascape, I love above all the poetic motif. — William-Adolphe Bouguereau

But one of the attributes of love, like art, is to bring harmony and order out of chaos, to introduce meaning and affect where before there was none, to give rhythmic variations, highs and lows to a landscape that was previously flat. — Molly Haskell

Some days I tell myself that my mission is to say something about the art and sometimes the bliss of limitation. And the legibility of landscape. Other days are more dismal. As if I were queueing in the rain outside confessional literature's nudist colony, mirrors everywhere, blue with cold. — Fredrik Sjoberg

In every landscape should reside jewels of abstract art waiting to be discovered. — Melissa Brown

[New Mexico is] the only landscape . . . where Nature is as aesthetic as Art; the only landscape that can compete with the great painters. — Leo Stein

A light which lives on what the flames devour,
a grey landscape surrounding me with scorch,
a crucifixion by a single wound,
a sky and earth that darken by each hour,
a sob of blood whose red ribbon adorns
a lyre without a pulse, and oils the torch,
a tide which stuns and strands me on the reef,
a scorpion scrambling, stinging in my chest--
this is the wreath of love, this bed of thorns
is where I dream of you stealing my rest,
haunting these sunken ribs cargoed with grief.
I sought the peak of prudence, but I found
the hemlock-brimming valley of your heart,
and my own thirst for bitter truth and art.
- Stigmata of Love — Federico Garcia Lorca

There is a love for the real, an affection for the true, in all of Dutch art. A church interior with its stillness. A hand with its gesture. A landscape with its distances. A cloud with its motion. — Katharine Weber

To me Art's subject is the human clay, / And landscape but a background to a torso; / All Cezanne's apples I would give away / For one small Goya or a Daumier. — W. H. Auden

Art that arises out of the inner landscape, and is connected to our lived experience, illuminates the darkness and heals the soul. — Daria Halprin

Criticism as a form of knowledge is capable of robbing literature not only of its own implicit and explicit ideology but of its ideas as well; it can dismiss the difficult, arduous work writers do to make an art that becomes and remains part of and significant within a human landscape. — Toni Morrison

I have been using the art of photography to research the ways in which the pictorial strategies of the Nineteenth Century color the way in which the American landscape is apprehended by today's viewers. — John Pfahl

People have seen that I intend to sweep away everything we have been taught to consider - without question - as grace and beauty; but have overlooked my work to substitute a vaster beauty, touching all objects and beings, not excluding the most despised - and because of that, all the more exhilarating ...
I would like people to look at my work as an enterprise for the rehabilitation of scorned values, and, in any case, make no mistake, a work of ardent celebration ...
I am convinced that any table can be for each of us a landscape as inexhaustible as the whole Andes range ... I am struck by the high value, for a man, of a simple permanent fact, like the miserable vista on which the window of his room opens daily, that comes, with the passing of time, to have an important role in his life. I often think that the highest destination at which a work of art can aim is to take on that function in someone's life. — Jean Dubuffet

What is this film (Mirror) about?It is about a Man. No, not the particular man whose voice we hear from behind the screen, played by Innokentiy Smoktunovsky. It's a film about you, your father, your grandfather, about someone who will live after you and who is still "you". About a Man who lives on the earth, is a part of the earth and the earth is a part of him, about the fact that a man is answerable for his life both to the past and to the future. You have to watch this film simply, and listen to the music of Bach and the poems of Arseniy Tarkovsky; watch it as one watches the stars, or the sea, as one admires a landscape. There is no mathematical logic here, for it cannot explain what man is or what is the meaning of his life. (Sculpting in Time) — Andrey Tarkovsky

For his part, every beauty of art or nature made him thankful as well as happy, and that the pleasure to be had in listening to fine music, as in looking at the stars in the sky, or at a beautiful landscape or picture, was a benefit for which we might thank Heaven as sincerely as for any other worldly blessing. — William Makepeace Thackeray

His eyeless skull took in the line of costumes, the waxy debris of the makeup table. His empty nostrils snuffed up the mixed smells of mothballs, grease, and sweat. There was something here, he thought, that nearly belonged to the gods. Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflects the landscape. And yet... and yet... Inside this little world they had taken pains to put all the things you might think they would want to escape from - hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in. — Terry Pratchett

Landscape is the creation of the one God - his sensuous image and revelation, through the investigation of which, by science or its representation by art, men's hearts are lifted toward him. — James Jackson Jarves

I really do believe that art changes the landscape of the world. — Marc Jacobs

We must have design in a picture even at the expense of truth. You are using nature for your artistic needs. — John F. Carlsons

The beauty and wonders of nature are as alluring as the pursuit of Art, and made of me a landscape painter. — Walter J. Phillips

I watched the surrounding landscape with great curiosity, and I wanted to discover the words that could describe all its unspoiled beauty. — Daniel J. Rice

We're living in a tremendously new landscape, and the possibility of what can be created is immense. These tools of the moving image have a relatively short history in art, and what we can do with them is still largely unknown. We are still innovating and finding ways to tell stories. — Doug Aitken

I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about. — Tilda Swinton

One of the most connective things we can do for ourselves, is to become world travelers of our own internal landscapes. What i love about creating art, is the excitement of turning that landscape inside out for all to see. And the kind of courage that takes, when i don't know what the outcome will be ... — Jaeda DeWalt

The world is moving into a phase when landscape design may well be recognized as the most comprehensive of the arts. Man creates around him an environment that is a projection into nature of his abstract ideas. It is only in the present century that the collective landscape has emerged as a social necessity. We are promoting a landscape art on a scale never conceived of in history (Geoffrey Jellicoe, Landscape of man) — Tom Turner

Music, art, landscape - these are all things I draw inspiration from. — Josh McDermitt

In fact, scientists have taken advantage of this effect by using the amount of red in contemporary paintings of sunsets to estimate the intensity of volcanic eruptions. Several Greek scientists, led by C. S. Zerefos, digitally measured the amount of red - relative to other primary colors - in more than 550 samples of landscape art by 181 artists from the sixteenth through the nineteenth centuries to produce estimates of the amount of volcanic ash in the air at various times. Paintings from the years following the Tambora eruption used the most red paint; those after Krakatoa came a close second. — William K. Klingaman

It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power. — Robert Hughes

For over twenty-five centuries we've been bearing the weight of superb and heterogeneous civilizations, all from outside, none made by ourselves, none that we could call our own.
This violence of landscape, this cruelty of climate, this continual tension in everything, and even these monuments of the past, magnificent yet incomprehensible because not built by us and yet standing round us like lovely mute ghosts; all those rulers who landed by main force from every direction who were at once obeyed, soon detested, and always misunderstood, their only expressions works of art we couldn't understand and taxes which we understood only too well and which they spent elsewhere: all these things have formed our character, which is thus conditioned by events outside our control as well as by a terrifying insularity of mind. — Giuseppe Tomasi Di Lampedusa

On the Rules of Perspective
A bad trick. Mistake. Dishonesty. These are the views of Braque. Why? Braque rejected perspective. Why? Someone who spends his life drawing profiles will end up believing that man has one eye, Braque felt. Braque wanted to take full possession of objects. He said as much in published interviews. Watching the small shiny planes of the landscape recede out of his grasp filled Braque with loss so he smashed them. Nature morte, said Braque. — Anne Carson

You know, a landscape painter's day is delightful. You get up early, at three o'clock in the morning, before sunrise; you go and sit under a tree; you watch and wait. At first there is nothing much to be seen. Nature looks like a whitish canvas with a few broad outlines faintly sketched in; all is misty, everything quivers in the cool dawn breeze. The sky lights up. The sun has not yet burst through the gauze veil that hides the meadow, the little valley, the hill on the horizon ... Ah, a first ray of sunshine! — Jean-Baptiste-Camille Corot

Art that's blind to the true landscape we inhabit - physical reality in the widest sense - is just absurdly, pathetically blinkered and myopic.
So while I'm sure that the individual works I've written have only succeeded to varying degrees, I'm still proud to have done something to nudge the center of gravity of contemporary SF some microscopic distance towards a genuine engagement with reality." -Greg Egan — Karen Burnham

All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour. — Barbara Hepworth

House-watching is an art. You have to develop a way of seeing how a building sits in its landscape or streetscape. You have to discover how much room it takes up in the world, how much of the world it displaces. — Edmund De Waal

Stigmata of Love
A light which lives on what the flames devour,
a grey landscape surrounding me with scorch,
a crucifixion by a single wound,
a sky and earth that darken by each hour,
a sob of blood whose red ribbon adorns
a lyre without a pulse, and oils the torch,
a tide which stuns and strands me on the reef,
a scorpion scrambling, stinging in my chest
this is the wreath of love, this bed of thorns
is where I dream of you stealing my rest,
haunting these sunken ribs cargoed with grief.
I sought the peak of prudence, but I found
the hemlock-brimming valley of your heart,
and my own thirst for bitter truth and art. — Federico Garcia Lorca

You like it, that's all, whether it's a landscape or abstract. You like it. It hits you. You don't have to read it. The work of art-sculpture or painting-forces your eye. — Clement Greenberg

Works of art are landscapes of the mind. — Ted Godwin

Each work of art excludes the world, concentrates attention on itself. For the time it is the only thing worth doing -to do just that; be it a sonnet, a statue, a landscape, an outline head of Caesar, or an oration. Presently we return to the sight of another that globes itself into a whole as did the first, for example, a beautiful garden; and nothing seems worth doing in life but laying out a garden. — Ralph Waldo Emerson

There was no sign of life round the domed emplacement of the Moonraker, and the concrete, already beginning to shimmer in the early morning sun, stretched emptily away towards Deal. It looked like a newly laid aerodome or rather, he thought, with its three disparate concrete 'things', the beehive dome,the flat-iron blast-wall, and the distant cube of the firing point, each casting black pools of shadow towards him in the early sun, like a Dali desert landscape in which three objets trouves reposed at carefully calculated random. — Ian Fleming

Phidias and the achievements of Greek art are foreshadowed in Homer: Dante prefigures for us the passion and colour and intensity of Italian painting: the modern love of landscape dates from Rousseau, and it is in Keats that one discerns the beginning of the artistic renaissance of England. Byron was a rebel and Shelley a dreamer; but in the calmness and clearness of his vision, his perfect self-control, his unerring sense of beauty and his recognition of a separate realm for the imagination, Keats was the pure and serene artist, the forerunner of the pre-Raphaelite school, and so of the great romantic movement of which I am to speak. — Oscar Wilde

Until we can insert a USB into our ear and download our thoughts, drawing remains the best way of getting visual information on to the page. I draw as a collagist, juxtaposing images and styles of mark-making from many sources. The world I draw is the interior landscape of my personal obsessions and of cultures I have absorbed and adapted, from Latvian folk art to Japanese screens. I lasso thoughts with a pen. I draw a stave church or someone from Hello! Magazine not because I want to replicate how they look, but because of the meaning they bring to the work. — Grayson Perry

Whatever events in progress shall disgust men with cities, and infuse into them the passion for country life, and country pleasures, will render a service to the whole face of this continent, and will further the most poetic of all the occupations of real life, the bringing out by art the native but hidden graces of the landscape. — Ralph Waldo Emerson

If I was whisked away ... I think I could put up with anything, except not seeing the Australian landscape. It would be a torture to have it cut off. — Arthur Boyd

Since 2000, I've been based in Paris at the Musee d'Art Moderne de la Ville, curating the programme there. Internationally, it's a very open situation that goes beyond national boundaries; directors and curators move from one country to another, which has opened up the museum landscape. — Hans Ulrich Obrist

finally it became obvious that my talents lay with flies. That's a fate that takes some getting used to. Anyway, the hoverflies are only props. No, not only, but to some extent. Here and there, my story is about something else. Exactly what, I don't know. Some days I tell myself that my mission is to say something about the art and sometimes the bliss of limitation. And the legibility of landscape. Other days are more dismal. As if I were queueing in the rain outside confessional literature's nudist colony, mirrors everywhere, blue with cold. But — Fredrik Sjoberg

Disney is our contemporary landscape. The best art will reflect that and challenge you. Disney comforts you, whereas the best art shakes up your comfort level and perception. — Jeffrey Deitch

In an ever-changing technological landscape, where today's platforms are not tomorrow's platforms, the key seems to be that any one of these spaces can use a dose of humanity and art and culture. — Ze Frank

An author knows his landscape best; he can stand around, smell the wind, get a feel for his place. — Tony Hillerman

We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions such as abstract expressionism - are daily devalued by commercial art. — Andy Warhol

But it is also untrue that I have nothing specific in mind. As with my landscapes: I see countless landscapes, photograph barely 1 in 100,000, and paint barely 1 in 100 of those that I photograph. I am therefore seeking something quite specific; from this I conclude that I know what I want. — Gerhard Richter

Our human landscape is overburdened with competitions and contests. Art need not be a contest. Art is a personal quest for quality. Quality is the forerunner of acceptance. Character is the forerunner of quality. Be your own discriminating connoisseur. — Robert Genn

What interests me most is neither still life nor landscape: it is the human figure. — Henri Matisse

The most beautiful landscape cannot hold my fascinated attention as much as nature by the seaside and all that is connected with water. — Lyonel Feininger

I wanted to contribute to the landscape tradition in art. By now I guess we are comfortable with the thought that man has been everywhere or affected everything in nature. — Aleksandra Mir

The highest art is where has been most perfectly breathed the sentiment of humanity ... Some persons suppose that landscape has no power of communicating human sentiment. But this is a great mistake. The civilized landscape peculiarly can: and therefore I love it more and think it more worthy of reproduction than that which is savage and untamed. It is more significant. Every act of man, every thing of labor, effort, suffering, want, anxiety, necessity, love, marks itself wherever it has been. — George Inness

There are no categories in contemporary art. There are no rules. Artists are given the freedom to make and create whatever they please and call it whatever they please. I identify with that system, or lack of system, much more than I do the landscape of contemporary publishing. — James Frey

I lacked the knowledge of linear perspective needed to get into the art school, so now I whitewash walls and imagine I'm heaven's landscape painter. — Bauvard

For the Tintin books were my emotional universe. To read them felt quite simply like being loved: in advance and by an entire world of pure possibility, my future. But to write to the author was to reach out for the lover. Even today, the power of reading one remains visceral: each book acts as a form of transportation, not just to the emotional landscape of this first literary love affair but to very specific memories. — Luke Davies