Kissing Outside The Lines Quotes & Sayings

My mouth hung slightly open, i was getting ready to sat something important. what i wanted to say was: I's so, so sorry. but instead I said, "i love you." Only then, when i said it out loud, did i know that it was true.
Carly threaded her fingers through mine and i squeezed her hand. She said it back to me, and i was relieved in a way that i wasn't expecting. i didn't know that i needed her to say it until she did. i was so grateful; i leaned down and kissed her fearlessly, which was unlike me. When she kissed me back, i brought my hand up and cupped the nape of her neck, pulling her hair with clumsy fingers. i tried to back off, to apologize for hurting her, but she kept me close, kissing me softly at first, then hard and fast until the lines between us blurred. — Anna Jarzab

If he couldn't think of anything on his own, he could quote lines from his favorite Prince song, tell her how his stomach trembled, that she had his butterflies all tied up.
But he just kissed her.
He might keep kissing her forever, not thinking about the consequences or meaning behind anything. She tasted so good and felt so warm, she filled his head to the brink, and when she shifted closer, his brain emptied, and he went spiraling — Ophelia London

Bing Crosby and I weren't the types to go around kissing each other. We always had a light jab for each other. One of our stock lines used to be "There's nothing I wouldn't do for Bing, and there's nothing he wouldn't do for me." And that's the way we go through life - doing nothing for each other! — Bob Hope

And then we were kissing. My hand let go of the oxygen cart and I reached up for his neck, and he pulled me up by my waist onto my tiptoes. As his parted lips met mine, I started to feel breathless in a new and fascinating way. The space around us evaporated, and for a weird moment I really liked my body, this cancer-ruined thing I'd spent years dragging around suddenly seemed worth the struggle, worth the chest tubes and PICC lines and the ceaseless bodily betrayal of the tumors. — John Green

I was Juliet and Quinn was Romeo, and the lines weren't dead black-and-white words on a page but somehow alive, as natural and real as the argument we'd had about the spider and the fly. The rows of empty seats were gone, and we were in a candlelit ballrooom, wrapped in our own cocoon of words. But the playful banter of our words couldn't mask what we both knew
that after this, nothing would be the same .
And then we got to the kissing part, which we'd only read through together and had never really rehearsed. But it didn't matter, because I was still Juliet and Quinn was still Romeo, his gray-green eyes fixed on mine. And when he bent to kiss me, it was Romeo's lips on Juliet's.
Even so, Juliet was just as stunned as I would've been. When I said the last line, I was speaking for both of us. You kiss by the book. — Jennifer Sturman

Elliot and I were more 'adult' about it all. We'd kiss hello and goodbye and we'd kiss as part of foreplay, but we wouldn't kiss just for the sake of it. not when we got together properly.
I would love to snog Jack Britcham. I would love to inhale the smell of him, feast in the scent of him, become intoxicated by him. And of course there is nothing wrong with looking at him. I would love to run my fingers over the lines of his body, touch him and see if I could absorb him through the pads of my fingers, have him enter my bloodstream and race through my veins. I would love to taste him. See if he tastes as good as he looks.
I don't know why he's got so far under my skin, but he has. And that's not a bad thing, I didn't think. It gives me something to look forward to, I suppose.
Loved-up saddo — Dorothy Koomson

Reading a poem in translation," wrote Bialek, "is like kissing a woman through a veil"; and reading Greek poems, with a mixture of katharevousa and the demotic, is like kissing two women. Translation is a kind of transubstantiation; one poem becomes another. You choose your philosophy of translation just as you choose how to live: the free adaptation that sacrifices detail to meaning, the strict crib that sacrifices meaning to exactitude. The poet moves from life to language, the translator moves from language to life; both like the immigrant, try to identify the invisible, what's between the lines, the mysterious implications. — Anne Michaels