Kino Quotes & Sayings

It is a great pleasure to be performing with a big band. Those people took part in a group that played the music from the Kino Kultura album i.e. the soundtrack music I've been doing. It is difficult to organise them all and to have those people for a certain date since they all have their own obligations and arrangements. It is a great privilege to gather all those musicians at one place, especially these that I work with, since they perform regularly abroad, at weddings or are working somewhere else. — Vlatko Stefanovski

Change only happens in the present moment. The past is already done. The future is just energy and intention. — Kino MacGregor

They had spoken once, but there is not need for speech if it is only a habit anyay. Kino sighed with satisfaction
and that was conversation. — John Steinbeck

I write box notes for Kino International, which specializes in distributing foreign films. — Bruce Bennett

To live in the midst of danger is to know how good life is," his father replied.
"But if we are lost in the danger?" Kino asked anxiously.
"To live in the presence of death makes us brave and strong," Kino's father replied. "That is why our people never fear death. We see it too often and we do not fear it. To die a little later or a little sooner does not matter. But to live bravely, to lobe life, to see how beautiful the trees are and the mountains, yes, even the sea, to enjoy work because it produces food for life - in these things we Japanese are a fortunate people. We love life because we live in danger. We do not fear death because we understand that life and death are necessary to each other."
"What is death?" Kino asked.
"Death is the great gateway," Kino's father said. — Pearl S. Buck

The ants were busy on the ground, big black ones with shiny bodies and the little dusty quick ants. Kino watched with the detachment of God while a dusty ant frantically tried to escape the sand trap an ant lion had dug for him.
He watched the ants moving, a little column of them near to his foot, and he put his foot in their path. Then the column climbed over his instep and continued on its way, and Kino left his foot there and watched them move over it. — John Steinbeck

I wandered through Kino parlors and peered through the windows of the magnificent sprawling Grant's Raw Bar filled with men in black coats scooping up piles of fresh oysters. — Patti Smith

First the strangers came with argument and authority and gunpowder to back up both. And in the four hundred years Kino's people had learned only one defense - a slight slitting of the eyes and a slight tightening of the lips and a retirement. Nothing could break down this wall, and they could remain whole within the wall. — John Steinbeck

Mr. Kino, you're not the type who would willingly do something wrong. I know that very well. But there are times in this world when it's not enough just not to do the wrong thing. Some people use that blank space as a kind of loophole. — Haruki Murakami

A plan once made and visualized becomes a reality along with other realities- never to be destroyed but easily to be attacked. Thus Kino's future was real, but having set it up, other forces were set up to destroy it, and this he knew, so that he had to prepare to meet the attack. And this Kino knew also- that the gods do not love men's plans, and the gods do not love success unless it comes by accident. — John Steinbeck

Every man suddenly became related to Kino's pearl, and Kino's pearl went into the dreams, the speculations, the schemes, the plans, the futures, the wishes, the needs, the lusts, the hungers, of everyone, and only one person stood in the way and that was Kino, so that he became curiously every man's enemy. The news stirred up something infinitely black and evil in the town; the black distillate was like the scorpion, or like hunger in the smell of food, or like loneliness when love is withheld. The poison sacs of the town began to manufacture venom, and the town swelled and puffed with the pressure of it. — John Steinbeck

This was ambiguity: holding on to an empty space between two extremes. "You were hurt, a little, weren't you?" his wife had asked. "I'm human, after all. I was hurt," he'd replied. But that wasn't true. Half of it, at least, was a lie. I wasn't hurt enough when I should have been, Kino admitted to himself. When I should have felt real pain, I stifled it. I didn't want to take it on, so I avoided facing up to it. Which is why my heart is so empty now. The snakes have grabbed that spot and are trying to hide their coldly beating hearts there. — Haruki Murakami

He had said, "I am a man," and that meant certain things to Juana. It meant that he was half insane and half god. It meant that Kino would drive his strength against a mountain and plunge his strength against the sea. Juana, in her woman's soul, knew that the mountain would stand while the man broke himself; that the sea would surge while the man drowned in it. And yet it was this thing that made him a man, half insane and half god, and Juana had need of a man; she could not live without a man. — John Steinbeck

Kino-Eye uses every possible means in montage, comparing and linking all points of the universe in any temporal order, breaking, when necessary, all the laws and conventions of film construction. — Dziga Vertov

I saw the Kino print of 'The Man From Beyond,' but apparently a superior new print has been produced by Restored Serials. Maybe a few snippets of missing footage will close up some of the plot holes, but I have my doubts. — Kage Baker

Kino pulled the covers up, shut his eyes, and covered his ears with his hands. I'm not going to look, not going to listen, he told himself. But he couldn't drown out the sound. Even if he ran to the far corners of the earth and stuffed his ears full of clay, as long as he was still alive those knocks would relentlessly track him down. It wasn't a knocking on a door in a business hotel. It was a knocking on the door to his heart. A person couldn't escape that sound. — Haruki Murakami

We must learn to live with danger, " he now said to Kino.
"Do you mean the ocean and the volcano cannot hurt us if we are not afraid?" Kino asked.
"No," his father replied. "I did not say that. Ocean is there and volcano is there. It is true that on any day ocean may rise into storm and volcano may burst into flame. We must accept this fact, but without fear. We must say, 'Someday I shall die, and does it matter whether it is by ocean or volcano, or whether I grow old and weak?' "
"I don't want to think about such things," Kino said.
"it is right for you not to think about them," his father said. "Then do not be afraid. When you are afraid, you are thinking about them all the time. Enjoy life and don not fear death - that is the way of a good Japanese. — Pearl S. Buck

Now Kino lay in the cave entrance, his chin braced on his crossed arms, and he watched the blue shadow of the mountain move out across the brushy desert below until it reached the Gulf, and the long twilight of the shadow was over the land. — John Steinbeck