Kazamatsuri Mana Quotes & Sayings

For me, sleep equaled death. How was closing your eyes and losing consciousness any different from death? What separated temporary loss of consciousness from permanent obliteration? — Lena Dunham

Rwanda is a landlocked country, but it hasn't stopped developing. They built a high-end tourism industry around the mountain gorillas. — Robert Zoellick

If you see crazy coming, cross the street! — Iyanla Vanzant

She looked like a character from a video game. One of those improbably busty, impossibly well-armed superchicks who could do acrobatics and hit the kill zone even while firing guns from both hands during a cartwheel.
"You look fucking ridiculous," she told herself. — Jonathan Maberry

There are no golden geese. There are only fat geese eating the food that could nourish more athletic opportunities for women. — Donna Lopiano

Stable energy prices and enhanced national security will only come when we increase domestic energy resources, which was accomplished today with the opening of ANWR. — Kenny Marchant

We will kill in ourselves a world in order to build another, a higher one reaching to the heavens. — Corneliu Zelea Codreanu

A man is no more than breath until his breath fashions the words that others cannot forget. — A.J. Darkholme

I took a hasty trip to Germany, Sweden, Denmark, the Netherlands, and England to talk to the officials of each Government about their pension provisions, and to talk to the responsible ministers in each country about the political "whys" of their legislation. — Judy LaMarsh

The pause ... where wisdom has space to appear — Les Dossey

I have a strange illusion quite often. I think I've become deaf. I have to make a little noise to prove I'm not. I clear my throat to show myself that everything is normal. It's like the little Japanese girl they found in the ruins of Hiroshima. Everything dead; and she was singing to her doll. — John Fowles

In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift from objective to subjective
and to any number of subjective points of view
and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater. — Ed Murray