Kafka's Quotes & Sayings

[on Springsteen's "Stolen Car":] A kind of mystical film noir, written by Kafka and shot by Polanski. — Adam Sweeting

I do hang out with girls, I do relax. But I am a hermit sometimes and get a bit too introverted, too 'Jean-Paul Sartre' and intellectual in my head. And it's like a Kafka novel in there, things get nuts. Then I have to remind myself to get out and I will go and play ice hockey with my friends. — Josh Peck

Everyone carries a room about inside him. This fact can even be proved by means of the sense of hearing. If someone walks fast and one pricks up one's ears and listens, say in the night, when everything round about is quiet, one hears, for instance, the rattling of a mirror not quite firmly fastened to the wall. — Franz Kafka

There can be no more beautiful spot to die in, no spot more worthy of total despair, than one's own novel. — Franz Kafka

Today one may pluck out one's very heart and not find it. — Franz Kafka

Jenny Offill's Dept. of Speculation resembles no book I've read before. If I tell you that it's funny, and moving, and true; that it's as compact and mysterious as a neutron; that it tells a profound story of love and parenthood while invoking (among others) Keats, Kafka, Einstein, Russian cosmonauts, and advice for the housewife of 1896, will you please simply believe me, and read it? — Michael Cunningham

I felt so weak and unhappy that I buried my face in the ground: I could not bear the strain of seeing around me the things of the earth. I felt convinced that every movement and every thought was forced, and that one had to be on one's guard against them. — Franz Kafka

True undoubting is the teacher's part, continual undoubting the part of the pupil. — Franz Kafka

Look at this, Willem, he admits he doesn't know the law and at the same time insists he's innocent. — Franz Kafka

One of the most effective means of seduction that Evil has is the challenge to struggle. It is like the struggle with women, whichends in bed. A married man's true deviations from the path of virtue are, rightly understood, never gay. — Franz Kafka

The horrific struggle to establish a human self results in a self whose humanity is inseparable from that horrific struggle: That our endless and impossible journey toward home is in fact our home.
- David Foster Wallace, "Some Remarks on Kafka's Funniness" (2005) — David Foster Wallace

The whole visible world is perhaps nothing other than a motivation of man's wish to rest for a moment an attempt to falsify the fact of knowledge, to try to turn the knowledge into the goal. — Franz Kafka

It's not that students don't "get" Kafka's humor but that we've taught them to see humor as something you get
the same way we've taught them that a self is something you just have. No wonder they cannot appreciate the really central Kafka joke
that the horrific struggle to establish a human self results in a self whose humanity is inseparable from that horrific struggle. That our endless and impossible journey toward home is in fact our home. It's hard to put into words up at the blackboard, believe me. You can tell them that maybe it's good they don't "get" Kafka. You can ask them to imagine his art as a kind of door. To envision us readers coming up and pounding on this door, pounding and pounding, not just wanting admission but needing it, we don't know what it is but we can feel it, this total desperation to enter, pounding and pushing and kicking, etc. That, finally, the door opens ... and it opens outward: we've been inside what we wanted all along. Das ist komisch. — David Foster Wallace

And so gentlemen, I learned. Oh, if you have to learn, you learn; if you're desperate for a way out, you learn; you learn pitilessly. You stand over yourself with a whip in your hand; if there's the least resistance, you lash yourself. — Franz Kafka

I never wish to be easily defined. I'd rather float over other people's minds as something strictly fluid and non-perceivable; more like a transparent, paradoxically iridescent creature rather than an actual person. — Franz Kafka

Milena - what a rich heavy name, almost too full to be lifted, and in the beginning I didn't like it much, it seemed to me a Greek or Roman gone astray in Bohemia, violated by Czech, cheated of its accent, and yet in colour and form it is marvellously a woman, a woman whom one carries in one's arms out of the world, and out of the fire, I don't know which, and she presses herself willingly and trustingly into your arms. — Franz Kafka

Uncleanness is so much the attribute of officials that one could almost regard them as enormous parasites ... In the same way the fathers in Kafka's strange families batten on their sons, lying on top of them like giant parasites. They not only prey upon their strength, but gnaw away at the sons' right to exist. The fathers punish, but they are at the same time the accusers. The sin of which they accuse their sons seems to be a kind of original sin. — Walter Benjamin

Since adolescence I've had a passion for Romantic Fantastique literature, which continued with Expressionism and culminated with the genius of Kafka. It's that German thread of the metaphysic - they were looking for the beyond in dreams. — Dumitru Tepeneag

And thus it happens that the reader, the closer he comes to the novel's end, the more he wishes he were back in the summer with which it begins, and finally, instead of following the hero onto the cliffs of suicide, joyfully turns back to that summer, content to stay there forever. — Franz Kafka

But this is something you have to figure out on your own. Nobody can help you. That's what love's all about, Kafka. You're the one having those wonderful feelings. but you have to go it alone as you wander through the dark. Your mind and body have to bear it. All by yourself. — Haruki Murakami

You can choose to be free , but it's last decision you'll ever make — Franz Kafka

It's always questionable to intervene decisively in strange circumstances. — Franz Kafka

A man might find for a moment that he was unable to work, but that's exactly the right time to remember his past accomplishments and to consider that later on, when the obstacles has been removed, he's bound to work all the harder and more efficiently. — Franz Kafka

I had to arrange things as well as I could. That's obviously a very bad place for the bed, in front of the door. For instance when the judge I'm painting at present comes he always comes through the door by the bed, and I've even given him a key to this door so that he can wait for me here in the studio when I'm not home. Although nowadays he usually comes early in the morning when I'm still asleep. And of course, it always wakes me up when I hear the door opened beside the bed, however fast asleep I am. If you could hear the way I curse him as he climbs over my bed in the morning you'd lose all respect for judges. I suppose I could take the key away from him but that'd only make things worse. It only takes a tiny effort to break any of the doors here off their hinges. — Franz Kafka

I am forever fettered to myself [ ... ] and that's what I must try to live with. — Franz Kafka

As told by Kafka's close friend Max Brod:

"Suddenly he began to speak to the fish in their illuminated tanks. 'Now at least I can look at you in peace, I don't eat you anymore.' It was the time he turned strictly vegetarian. — Jonathan Safran Foer

That's how it will be, except that in reality, both today and later, one will stand there with a palpable body and a real head, a real forehead, that is, for smiting on with one's hand. — Franz Kafka

Way
as her hands reached to the back of his father's head and she begged him to spare Gregor's life. — Franz Kafka

When Kafka allows a friend to understand that he writes because otherwise he would go mad, he knows that writing is madness already, his madness, a kind of vigilence, unrelated to any wakefulness save sleep's: insomnia. Madness against madness, then. But he believes that he masters the one by abandoning himself to it; the other frightens him, and is his fear; it tears through him, wounds and exalts him. It is as if he had to undergo all the force of an uninterruptable continuity, a tension at the edge of the insupportable which he speaks of with fear and not without a feeling of glory. For glory is the disaster. — Maurice Blanchot

When I am not reading Kafka I am thinking about Kafka. When I am not thinking about Kafka I miss thinking about him. Having missed thinking about him for a while, I take him out and read him again. That's how it works. — Laszlo Krasznahorkai

All one wants to do is make a small, finished, polished, burnished, beautiful object ... I mean, that's all one wants to do. One has nothing to say about the world, or society, or morals or politics or anything else. One just wants to get the damn thing done, you know? Kafka had it right when he said that the artist is the man who has nothing to say. It's true. You get the thing done, but you don't actually have anything to communicate, apart from the object itself. — John Banville

Each of us has his own way of emerging from the underworld, mine is by writing. That's why the only way I can keep going, if at all, is by writing, not through rest and sleep. I am far more likely to achieve peace of mind through writing than the capacity to write through peace. — Franz Kafka

Nothing, you know, gives the body greater satisfaction than ordering people about, or at least believing in one's ability to do so. — Franz Kafka

When you read The Arabian Nights you accept Islam. You accept the fables woven by generations as if they were by one single author or, better still, as if they had no author. And in fact they have one and none. Something so worked on, so polished by generations is no longer associated with and individual. In Kafka's case, it's possible that his fables are now part of human memory. What happened to Quixote could happen to to them. Let's say that all the copies of Quixote, in Spanish and in translation, were lost. The figure of Don Quixote would remain in human memory. I think that the idea of a frightening trial that goes on forever, which is at the core of The Castle and The Trial (both books that Kafka, of course, never wanted to publish because he knew they were unfinished), is now grown infinite, is now part of human memory and can now be rewritten under different titles and feature different circumstances. Kafka's work now forms a part of human memory. — Jorge Luis Borges

But I'm not guilty," said K. "there's been a mistake. How is it even possible for someone to be guilty? We're all human beings here, one like the other." "That is true" said the priest "but that is how the guilty speak — Franz Kafka

With the rain falling
surgically against the roof,
I ate a dish of ice cream
that looked like Kafka's hat.
It was a dish of ice cream
tasting like an operating table
with the patient staring
up at the ceiling. — Richard Brautigan

I would really hate it if I could call up Kafka or Hemingway or Salinger and any question I could throw at them they would have an answer. That's the magic when you read or hear something wonderful - there's no one that has all the answers. — Regina Spektor

Kafka is one of my very favorite writers. Kafka's fictional world is already so complete that trying to follow in his steps is not just pointless, but quite risky, too. What I see myself doing, rather, is writing novels where, in my own way, I dismantle the fictional world of Kafka that itself dismantled the existing novelistic system. — Haruki Murakami

When one has lived for thirty years in this world and had to fight one's way through it, as I have had to do, one becomes hardened to surprises and doesn't take them too seriously. — Franz Kafka

Celibacy and suicide are a similar levels of understanding, suicide and a martyr's death not so by any means, perhaps marriage and a martyr's death. — Franz Kafka

Don't be too hasty, don't take somebody else's opinion without testing it. — Franz Kafka

Which of us would not have been happy under Alexander's radiant gaze? But Diogenes frantically begged him to move out of the way of the sun. That tub was full of ghosts. — Franz Kafka

I don't know,' I cried without being heard, 'I do not know, If nobody comes, then nobody comes. I've done nobody any harm, nobody's done me any harm, but nobody will help me. A pack of nobodies. Yet that isn't all true. Only, that nobody helps me - a pack of nobodies would be rather fine, on the other hand. I'd love to go on an excursion - why not? - with a pack of nobodies. Into the mountains, of course, where else? How these nobodies jostle each other, all these lifted arms linked together, these numberless feet treading so close! Of course they are all in dress suits. We go so gaily, the wind blows through us and the gaps in our company. Our throats swell and are free in the mountains! It's a wonder that we don't burst into song. — Franz Kafka

I ought to be able to invent words capable of blowing the odor of corpses in a direction other than straight into mine and the reader's face. — Franz Kafka

Kafka's inevitable tropism for the allegorical puts him in marked opposition to the realism that dominated the literary world of the first half of the 20th century. — John Kessel

If they were shocked, then Gregor was no longer responsible.' This passage betray's Gregor's premeditation and points to the idea that Gregor wanted to change into a monstrous vermin- something incapable of working in an office. — Franz Kafka

The relationship to one's fellow man is the relationship of prayer, the relationship to oneself is the relationship of striving; it is from prayer that one draws the strength for one's striving. — Franz Kafka

Photography concentrates one's eye on the superficial. For that reason it obscures the hidden life which glimmers through the outlines of things like a play of light and shade. One can't catch that even with the sharpest lens. — Franz Kafka

In the morning and in the evening and at night in his dreams, this street was filled with constantly bustling traffic, which seen from above seemed like a continually self-replenishing mixture of distorted human figures and of the roofs of all sorts of vehicles, constantly scattered by new arrivals, out of which there arose a new, stronger, wilder mixture of noise, dust, and smells, and, catching and penetrating it all, a powerful light that was continually dispersed, carried away, and avidly refracted by the mass of objects that made such a physical impression on one's dazzled eye that it seemed as if a glass pane, hanging over the street and converging everything, were being smashed again and again with the utmost force. — Franz Kafka

And now you intend to stay here with us in Riva?' asked the burgomaster. 'I do not,' said the hunter with a smile, and to excuse the jest he laid his hand on the burgomaster's knee. 'I am here, more than that I do not know. My boat has no rudder, it is driven by the wind that blows in the nethermost regions of death. — Franz Kafka

I can't think of any greater happiness than to be with you all the time, without interruption, endlessly, even though I feel that here in this world there's no undisturbed place for our love, neither in the village nor anywhere else; and I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more. — Franz Kafka

Since my first encounter with Kafka's writing, I've been interested in a quality that, while he was alive, stood in the way of his achieving a large reputation: his allegory. — John Kessel

Listen, Kafka. What you're experiencing now is the motif of many Greek tragedies. Man doesn't choose fate. Fate chooses man. That's the basic worldview of Greek drama. And the sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles' Oedipus Rex being a great example. Oedipus is drawn into tragedy not because of laziness or stupidity, but because of his courage and honesty. So an inevitable irony results. — Haruki Murakami

Gregor's serious wound, from which he suffered for over a month - the apple remained imbedded in his flesh as a visible souvenir since no one dared to remove it - seemed to have reminded even his father that Gregor was a member of the family, in spite of his present pathetic and repulsive shape, who could not be treated as an enemy; that, on the contrary, it was the commandment of the family duty to swallow their disgust and endure him, endure him and nothing more. — Franz Kafka

Yet Gregor's sister
was playing so beautifully. Her face was leant to one side,
following the lines of music with a careful and melancholy
expression. Gregor crawled a little further forward, keeping his
head close to the ground so that he could meet her eyes if the
chance came. — Franz Kafka

Sometimes I have the feeling that we're in one room with two opposite doors and each of us holds the handle of one door, one of us flicks an eyelash and the other is already behind his door, and now the first one has but to utter a word ad immediately the second one has closed his door behind him and can no longer be seen. He's sure to open the door again for it's a room which perhaps one cannot leave. If only the first one were not precisely like the second, if he were calm, if he would only pretend not to look at the other, if he slowly set the room in order as though it were a room like any other; but instead he does exactly the same as the other at his door, sometimes even both are behind the doors and the the beautiful room is empty. Franz Kafka (in a letter to Milena Jesenska) — Edmund White

Reality is the most effective mask of reality. Our fondest wish, attained, ceases to be our fondest wish. Success is the greatest of disappointments. The spirit is most alive when it is lost. Anxiety was Kafka's composure, as despair was Kierkegaard's happiness. Kafka said impatience is our greatest fault. The man at the gate of the Law waited there all of his life. — Guy Davenport

At the expense of Gregor's sacrifice, the sister, at the end of the story, stretches her arrogant body and gets the liberation Gregor longed for. Under Gregor's care first, and then her parents', the sister enjoys a healthy childhood, one leading to physical and mental development, and one in which she isn't trapped. Yet our loyalty to Gregor extends even beyond death, and his sister's cheery success story offers but a bitter pill — Franz Kafka

They were given the choice of becoming kings or the king's messengers. As is the way with children, they all wanted to be messengers. That is why there are only messengers, racing through the world and, since there are no kings, calling out to each other the messages that have now become meaningless. — Franz Kafka

It's entirely conceivable that life's splendor surrounds us all, and always in its complete fullness, accessible but veiled, beneath the surface, invisible, far away. But there it lies - not hostile, not reluctant, not deaf. If we call it by the right word, by the right name, then it comes. This is the essence of magic, which doesn't create but calls. — Gustav Kafka

It's characteristic of this judicial system that a man is condemned not only when he's innocent but also in ignorance. — Franz Kafka

Yur Karyakin once wrote: 'We should not judge a man's life by his perception of himself. Such a perception may be tragically inadequate.' And I read something in Kafka to the effect that man was irretrievably lost within himself. — Svetlana Alexievich

In the mountains our throats become free. It's a wonder we don't break into song. — Franz Kafka

What does the novel know? It has no practical or educational aim; yet it knows what ordinary knowledge cannot seize. The novel's intricate tangle of character-and-incident alights on the senses with a hundred cobwebby knowings fanning their tiny threads, stirring up nuances and disclosures. The arcane designs and driftings of metaphor - what James called the figure in the carpet, what Keats called negative capability, what Kafka called explaining the inexplicable - are that the novel knows. — Cynthia Ozick

Human lives are not equal in their worth. The proof? People are sad when a good person dies, and happy when an evil person dies. And for me, a human's life has no worth. I am not, and neither do I plan to become, a saint who preaches about the value of human lives. Still... You have killed too many people. — Kafka Asagiri

like anyone bringing up the past." "What's the name of the song?" "'Kafka on the Shore.'" Oshima says. "'Kafka on the Shore'?" "That's correct, Kafka Tamura. — Haruki Murakami

Why does loving somebody mean you have to hurt them just as much? I mean if that's the way it goes, what's the point of loving someone? Why the hell does it have to be like that? — Haruki Murakami

Oh well, memories, said I. Yes, even remembering in itself is sad, yet how much more its object! Don't let yourself in for things like that, it's not for you and not for me. It only weakens one's present position without strengthening the former one - nothing is more obvious - quite apart from the fact that the former one doesn't need strengthening. — Franz Kafka

Kafka's fiction examines a universe largely unexplored in the literature preceding him, one full of implications that venture into the remote regions of human psychology. It's a universe with different rules than those governing our reality. And there's no map. — Franz Kafka

If you look at the literature of the 19th century, you get things like Kafka and Dostoevsky, who basically write about feeling bored and alienated. That's because we lost contact with the important things in life like work that you enjoy, or the garden, nature, your family and friends. — Tom Hodgkinson

People keep themselves at a tolerable height above an infernal abyss toward which they gravitate only by putting out all their strength and lovingly helping one another. They are tied together by ropes, and it's bad enough when the ropes around an individual loosen and he drops somewhat lower than the others into empty space; ghastly when the ropes break and he falls. That's why we should cling to the others. — Franz Kafka

Whoever utters 'Kafkaesque' has neither fathomed nor intuited nor felt the impress of Kafka's devisings. If there is one imperative that ought to accompany any biographical or critical approach, it is that Kafka is not to be mistaken for the Kafkaesque. — Cynthia Ozick

Extraordinary,' said the Burgomaster, 'extraordinary. And now do you think of staying here in Riva with us?'
'I think not', said the Hunter with a smile, and, to excuse himself, he laid his hand on the Burgomaster's knee. 'I am here, more than that I do not know, further than that I cannot go. My ship has no rudder, and it is driven by the wind that blows in the undermost regions of death.'
("The Hunter Gracchus") — Franz Kafka

If I didn't have my parents to think about I'd have given in my notice a long time ago, I'd have gone up to the boss and told him just what I think, tell him everything I would, let him know just what I feel. He'd fall right off his desk! And it's a funny sort of business to be sitting up there at your desk, talking down at your subordinates from up there, especially when you have to go right up close because the boss is hard of hearing. — Franz Kafka

She is so distinct to me, it's as though I had run my hands all over her. — Franz Kafka

Before he dies, all his experiences in these long years gather themselves in his head to one point, a ques-tion he has not yet asked the doorkeeper. He waves him nearer, since he can no longer raise his stiffening body. The doorkeeper has to bend low towards him, for the difference in height between them has altered much to the man's disadvantage. "What do you want to know now?" asks the doorkeeper; "you are insati-able." "Everyone strives to reach the Law," says the man, "so how does it happen that for all these many years no one but myself has ever begged for admit-tance?" The doorkeeper recognizes that the man has reached his end, and to let his failing senses catch the words roars in his ear: "No one else could ever be admitted here, since this gate was made only for you. I am now going to shut it. — Franz Kafka

It was more than childish perversity, of course, or the unexpected confidence she had recently acquired, that made her insist; she had indeed noticed that Gregor needed a lot of room to crawl about in, whereas the furniture, as far as anyone could see, was of no use to him at all. Girls of that age, though, do become enthusiastic about things and feel they must get their way whenever they can. Perhaps this was what tempted Grete to make Gregor's situation seem even more shocking than it was so that she could do even more for him. Grete would probably be the only one who would dare enter a room dominated by Gregor crawling about the bare walls by himself. So — Franz Kafka

K.'s uncle, who had already been made very angry by the long wait, turned abruptly round and retorted, "Ill? You say he's ill?" and strode towards the gentleman in a way that seemed almost threatening, as if he were the illness himself. — Franz Kafka

It's impossible to defend oneself in the absence of goodwill — Franz Kafka

Many a book is like a key to unknown chambers within the castle of one's own self. — Franz Kafka

When I encountered these haunting words from Franz Kafka, I realized exactly why this light sermon about the search for God had struck such a nerve: Everyday life is the greatest detective story ever written. Every second, without noticing, we pass by thousands of corpses and crimes. That's the routine of our lives. — Stephen Kendrick

When I wrote 'Your Republic Is Calling You,' it was Franz Kafka's writing that I had most in mind, and James Joyce's 'Ulysses.' Entirely out of the blue, Kafka's characters receive an order to go somewhere, and when they try to comply, they never quite manage it. Ki-yong in 'Your Republic Is Calling You' is precisely that sort of character. — Kim Young-ha

Franz's domineering father expected his son to take up a profitable business career that would ensure social advancement for the family, as well as a successful marriage promising the same. — Franz Kafka

When the little mouse, which was loved as none other was in the mouse-world, got into a trap one night and with a shrill scream forfeited its life for the sight of the bacon, all the mice in the district, in their holes were overcome by trembling and shaking; with eyes blinking uncontrollably they gazed at each other one by one, while their tails scraped the ground busily and senselessly. Then they came out, hesitantly, pushing one another, all drawn towards the scene of death. There it lay, the dear little mouse, its neck caught in the deadly iron, the little pink legs drawn up, and now stiff the feeble body that would so well have deserved a scrap of bacon.
The parents stood beside it and eyed their child's remains. — Franz Kafka

There's no quiet place here on earth for our love, not in the village and not anywhere else, so I picture a grave, deep and narrow, in which we embrace as if clamped together, I bury my face against you, you yours against me, and no one will ever see us. — Franz Kafka

It is not Kafka's fault that his wonderful writings have lately turned into a fad, and are read by people who have neither the ability nor the desire to absorb literature. — Herman Hesse

The episode of Banaka pointing to his chest and crying out of existential anguish reminds me of a line from Goethe's West-East Divan: "Is one man alive when others are alive?" Deep within Goethe's query lies the secret of the writer's creed. By writing books, the individual becomes a universe (we speak of the universe of Balzac, the universe of Chekhov, the universe of Kafka, do we not?). And since the principal quality of a universe is its uniqueness, the existence of another universe constitutes a threat to its very essence. — Milan Kundera

Why then do you fear love in particular more than earthly existence in general?" Kafka replied as if from an astral distance: "You write: 'Why be more afraid of love than of other things in life?' And just before that: 'I experienced the intermittently divine for the first time, and more frequently than elsewhere, in love.' If you conjoin these two sentences, it's as if you had said: 'Why not fear every bush in the same way that you fear the burning bush? — Franz Kafka

The animal wrests the whip from its master and whips itself in order to become master, not knowing that this is only a fantasy produced by a new knot in the master's whiplash. — Franz Kafka

My life was sweeter than other people's and my death will be more terrible by the same degree. — Franz Kafka

The only thing I can do now," he said to himself, and his thought was confirmed by the equal length of his own steps with the steps of the two others, "the only thing I can
do now is keep my common sense and do what's needed right till the end. I always wanted to go at the world and try and do too much, and even to do it for something that was not too cheap. That was wrong of me. Should I now show them I learned nothing from facing trial for a year? Should
I go out like someone stupid? Should I let anyone say, after I'm gone, that at the start of the proceedings I wanted to end them, and that now that they've ended I want to start them again? I don't want anyone to say that. I'm grateful they sent these unspeaking, uncomprehending men to go with me on this journey, and that it's been left up to me to say what's necessary — Franz Kafka

You see, Willem, he admits he doesn't know the law, and at the same time claims he's innocent. — Franz Kafka

If you have to deal with our friends at ICE, Immigration and Customs Enforcement, it's like a Kafka novel. Files just disappear. — Jeb Bush

Kafka was a master at the gruesome task of picturing people who do not use their potentialities and therefore lose their sense of being persons. The chief character in The Trial and in The Castle has no name - he is identified only by an initial, a mute symbol of one's lack of identity in one's own right. — Rollo May

Perhaps most people in the world aren't trying to be free, Kafka. They just think they are. It's all an illusion. If they really were set free, most people would be in a real pickle. You'd better remember that. People actually prefer not being free? — Haruki Murakami

Kafka, in everybody's life there's a point of no return. And in a very few cases, a point where you can't go forward anymore. And when we reach that point, all we can do is quietly accept the fact. — Haruki Murakami

No one will read what I write here, no one will come to help me ... My ship is rudderless, it's driven by the wind blowing into the nethermost regions of death. — Franz Kafka

I would never have named them in the
first place as they are not the ones I hold responsible. It's the organization that's to blame, the high officials are the ones to blame. — Franz Kafka

Anthropological theory assumes that exposure in a treeless situation where all escape upwards was cut off led to the invention of myths. Kafka's ape, dragged into human society, expresses very similar ideas in his 'Report for an Academy'. It is the absence of any way of escape that has forced him to become human himself. — W.G. Sebald

The main thing, when a sword cuts into one's soul, is to keep a calm gaze, lose no blood, accept the coldness of the sword with the coldness of a stone. By means of the stab, after the stab, become invulnerable. — Franz Kafka