John Rowlands Quotes & Sayings

Of course I would change anything if John Cassavetes said so - it's his script. But he was very easy about that. — Gena Rowlands

I was a big fan of John Cassavetes, his wife, Gena Rowlands, and that era of filmmaking which was about realism and which represented the antithesis of the dreamy escapism you found in musicals. — Carmen Ejogo

John Cassavetes wrote A Woman Under the Influence as a play. He said, "Hey, I wrote you a play." And I said, "Great, let's read it." I read it and I said, "John, I couldn't do this every night and twice on Wednesday and Saturday". — Gena Rowlands

He[John Cassavetes] was just being an actor. A very successful actor, especially in live TV. He did many wonderful performances. — Gena Rowlands

It somehow became an article of faith on the right that Obama is the most extreme president in American history. Although, when they say that, I think what they really mean is ... he's black. — Bill Maher

John [Cassavetes] loved actors. He gave them a lot of freedom. So if something came up that a certain actor just felt at the moment and said - that kind of improvisation he would accept. He gave very little direction. — Gena Rowlands

You look at people like Gena Rowlands, but she had [John] Cassavetes to write these amazing roles for her. — Winona Ryder

Because John Cassavetes was so terrific in live TV, a lot of his friends had not been able to participate in that yet and so they asked if he would gather with them at night when I was at the play and tell them what live TV was like, what you had to adjust to because it was its own medium - it had many things you had to be aware of. — Gena Rowlands

Whatever I do, I do with the greatest love that I have in me. Try this, and you will see that you do not become fatigued at all. Love is one of the greatest stimulants to the will. Under the influence of love the will can do almost anything. — Paramahansa Yogananda

When I was young, I was really, really obsessed with Gena Rowlands and John Cassavetes. Because my mom was a projectionist in college, she was somehow able to get a real projector. And she had some connections, so she would get real prints, and we'd put up a sheet. The first movies I saw were To Kill a Mockingbird [1962], Gigi [1958], A Woman Under the Influence [1974]. Then when I was old enough to be able to rent movies, I went through a very big Cassavetes phase. — Winona Ryder

John Cassavetes was a year ahead of me but we met there. What you do when you are at a school for drama, you do a play as opposed to a final. Anyone who wanted to come could just come. So he came, and I can't remember the name of the play, of course, it was a long time ago. — Gena Rowlands

Curiosity is the driving force that propels humanity forward. — Debasish Mridha

So many people mistakenly think that the rest of his [John Cassavetes] pictures and the ones we did were improvised, which isn't true. He wrote all the rest of them. — Gena Rowlands

It was a very hard play [Woman Under the Influence] to do every night. And John Cassavetes said, "Don't worry. Don't even think about it, you're right. I hadn't thought of that." He said, "Just forget it." — Gena Rowlands

Will picked a single blossom from a gorse bush beside him; it shone bright yellow on his grubby hand. "People are very complicated," he said sadly.
"So they are," John Rowlands said. His voice deepened a little, louder and clearer than it had been. "But when the battles between you and your adversaries are done, Will Stanton, in the end the fate of all the world will depend on just those people, and on how many of them are good or bad, stupid or wise. And indeed it is all so complicated that I would not dare foretell what they will do with their world. Our world. — Susan Cooper

I got a part opposite Edward G. Robinson in a play called Middle of The Night, which Paddy Cheyafsky had written. It played for a long time because everybody just loved Edward G. Robinson, everybody in New York wanted to see it. John [Cassavetes] and I were married at the time and put into a position where I was working very long evening hours and he was working in the daytime and so there was a lot of spare time. — Gena Rowlands

French Louis Seymour of the West Canada Creek, who knew how to survive all alone in a treacherous wilderness, and Mr. Alfred G. Vanderbilt of New York City and Raquette Lake, who was richer than God and traveled in his very own Pullman car, and Emmie Hubbard of the Uncas Road, who painted the most beautiful pictures when she was drunk and burned them in her woodstove when she was sober, were all ten times more interesting to me than Milton's devil or Austen's boy-crazy girls or that twitchy fool of Poe's who couldn't think of any place better to bury a body than under his own damn floor. — Jennifer Donnelly

It was more freedom than I think most people get when they're starting out - or even when they're not starting out. He [John Cassavetes] did his thing and I did whatever I thought. — Gena Rowlands

[John Cassavetes] came backstage afterwards and introduced himself and we talked a bit, and then went for a little coffee at the Russian Tea Room next door. It just ... started. — Gena Rowlands

I was honestly a cartoon kid. I loved cartoons. That was more my dream than anything else. But now, it's the films of people like John Cassavetes and Gena Rowlands. Those are the kinds of characters I want to play, and that's the kind of filmmaking I'm fascinated by. — Tatiana Maslany

She came forward, the outlines of her figure blurred in the half-light. She came forward like a film star, or rather like the ideal woman in an adolescent's dream. — Georges Simenon

John [Cassavetes] had shot a great deal of Shadows and I had to go fulfill my contract in California, so he and all the rest of the Shadows cast came out to California and they finished it off and he cut it. He turned the garage into an editing room and he was by then a director of Shadows. That's the only thing he'd directed. But, he loved it. — Gena Rowlands

Gardens were meant to be seen, smelled, walked through, grubbed in. A hundred objective measurements didn't sum the worth of a garden; only the delight of its users did that. — Lois McMaster Bujold

You let me kiss you, but you won't let me take you out on a date." He shook his head. "Maybe I'm going about this the wrong way. Maybe I need to convince you that you can't live without me."
She raised her brows. "How are you going to do that?"
"I'll show you." He pressed closer as his hands roamed down her body. "But it might take all night. That okay with you?"
"I've got nowhere else to be ... — Cat Johnson

In the next room Baby Kochamma heard the noise and came to find out what it was all about. She saw Grief and Trouble ahead, and secretly, in her heart of hearts, she rejoiced. — Arundhati Roy

John Cassavetes was there at night while I was working. After they [with his friends] discussed as much live TV as they felt they needed to, they started improvising scenes just for the fun of it and one of those scenes everybody got very interested in and it turned into Shadows [1959]. That movie was entirely improvised. — Gena Rowlands