Jazz Albert Quotes & Sayings
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Top Jazz Albert Quotes

Back in the day in my teens I was listening to Joe Pass and Wes Montgomery a lot; before that I was listening to what I would call now the more 'simple' jazz players (but still very valid), like Barney Kessell or Johnny Smith; I learnt a lot of voicings from Johnny Smith records. Now, I listen to the old blues players; that's what you'd hear in my house if there was music on. It would be Albert Collins or Albert King. — Larry Carlton

We must develop a deeper interest and greater understanding of the people we meet here or abroad. Like us, they are passengers on board that mysterious ship called life. — Ella Maillart

The improvisational nature of jazz musicianship is such that a truly competent performer must be prepared to function as an on-the-spot composer who is expected to contribute to the orchestration in progress, not simply to execute the score as it is written and rehearsed. — Albert Murray

Bebop was like humming along to Mitch Miller to me. — Albert Ayler

Everything in existence undergoes constant change. The things that surround us, even our selves are temporary manifestations of Ki energy. — Ilchi Lee

You are my beloved! I made you and everything you have ever been or are or will become is already approved. Nothing you can ever do will make me love you more, and nothing you can ever do will make me love you less. That is finished. So stop hiding, stop waiting, and come now! Just get up and dance with me! — Glennon Doyle Melton

It suddenly occurred to me that true believers in hard-driving jazz - Albert Ayler, Don Cherry, Cecil Taylor - could never become owners of cleaning shops in malls across from railroad stations. — Haruki Murakami

If people don't like my music now, they will. — Albert Ayler

My favorite country blues player was Big Bill Broonzy. City blues was Freddie King, but I liked them all - Muddy Waters, John Lee Hooker, Ralph Willis, Lonnie Johnson, Brownie McGhee and the three Kings, B.B., Albert and Freddie. Jazz-wise, I listened to Django, Barney Kessel and Wes Montgomery. — Alvin Lee

Sadeq, being human, has fantasies by the dozen, but he doesn't dare permit himself to succumb to temptation. I'm not dead, he reasons; therefore, how can I be in Paradise? Therefore, this must be a false paradise, a temptation sent to lead me astray. Probably. Unless I am dead, because Allah, peace be unto him, considers a human soul separated from its body to be dead. But if that's so, isn't uploading a sin? In which case, this can't be Paradise because I am a sinner. Besides which, this whole setup is so puerile! — Charles Stross

We must be as pure as our music. — Albert Ayler

A jazz tune, melody, or composition is usually based on either a traditional twelve-bar, eight-bar, or four-bar blues chorus or on the thirty-two-bar chorus of the American popular song. — Albert Murray

If the modern spirit, whatever that may be, is disinclined towards taking the Lord's word at its face value (as I hear is the case), we may observe that Isaiah's testimony to the character of the masses has strong collateral support from respectable Gentile authority. Plato lived into the administration of Eubulus, when Athens was at the peak of its jazz-and-paper era, and he speaks of the Athenian masses with all Isaiah's fervency, even comparing them to a herd of ravenous wild beasts. — Albert J. Nock

I don't care what other people say. I fight every day to be the best player I can. — Steve Nash

Jazz music, as is also the case with the old down-home spirituals, gospel and jubilee songs, jumps, shouts and moans, is essentially an American vernacular or idiomatic modification of musical conventions imported from Europe, beginning back during the time of the early settlers of the original colonies. — Albert Murray