Famous Quotes & Sayings

Quotes & Sayings About Italian Architecture

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Top Italian Architecture Quotes

Italian Architecture Quotes By Metropolitan Home

I Dolci Libri

Rizzoli, the famed Italian purveyor of art tomes has over the years produced an entire library of gorgeous coffee table books. With the additional Universe imprint and partnerships with Flammarion and Skira the company has upped the ante on modernism in hardcover with a stack of architecture and design books that are as much nourishment for the mind as cannoli for the eye. Rizzoli's editors have their fingers on the pulse of what's happening right now and next in design in the United States and abroad. — Metropolitan Home

Italian Architecture Quotes By Robert Venturi

The Italian landscape has always harmonized the vulgar and the Vitruvian: the contorni around the duomo, the portiere'S laundry across the padrone's portone, Supercortemaggiore against the Romanesque apse. Naked children have never played in our fountains, and I. M. Pei will never be happy on Route 66. — Robert Venturi

Italian Architecture Quotes By Rebecca Solnit

Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts. — Rebecca Solnit

Italian Architecture Quotes By Jhumpa Lahiri

In graduate school, I decide to write my doctoral thesis on how Italian architecture influenced English playwrights of the seventeenth century. I wonder why certain playwrights decided to set their tragedies, written in English, in Italian palaces. — Jhumpa Lahiri

Italian Architecture Quotes By Renzo Piano

There is something about giving everything to your profession. In Italian, an obsession is not necessarily negative. It's the art of putting all your energy into one thing; it's the art of transforming even what you eat for lunch into architecture. — Renzo Piano

Italian Architecture Quotes By Diego Rivera

In my previous murals, I had tried to achieve a harmony in my painting with the architecture of the building. But to attempt such a harmony in the garden of the Institute would have defeated my purposes. For the walls here were of an intricate Italian baroque style, with little windows, heads of satyrs, doorways, and sculpturesque mouldings. It was within such a frame that I was to represent the life of an age which had nothing to do with baroque refinements
a new life which was characterized by masses, machines, and naked mechanical power. So I set to work consciously to over-power the ornamentation of the room. — Diego Rivera