Internal Criticism Quotes & Sayings

I've always done a few things at once. I've always been a musician and an actor, at the same time. — Janina Gavankar

In 1972, the psychologist Irving Janis defined groupthink as, "a mode of thinking that people engage in when they are deeply involved in a cohesive in-group, when the members' strivings for unanimity override their motivation to realistically appraise alternative courses of action." Groupthink most commonly affects homogenous, close-knit communities that are overly insulated from internal and external criticism, and that perceive themselves as different from or under attack by outsiders. Its symptoms include censorship of dissent, rejection or rationalization of criticisms, the conviction of moral superiority, and the demonization of those who hold opposing beliefs. It typically leads to the incomplete or inaccurate assessment of information, the failure to seriously consider other possible options, a tendency to make rash decisions, and the refusal to reevaluate or alter those decisions once they've been made. — Kathryn Schulz

modern era of multivalent "secularity" and "exclusive humanism" in which we live, a shift from the premodern, socially embedded "porous self" to the meaning-constructing "buffered self" that lives within our "immanent frame" of disenchanted modern reality that (supposedly) lacks room for the sacred.24 — Brad S. Gregory

To go to the Oscars for 'Moneyball' - that was pretty amazing. — Chris Pratt

One of the most wonderful things about Pride and Prejudice is the variety of voices it embodies. There are so many different forms of dialogue: between several people, between two people, internal dialogue and dialogue through letters. All tensions are created and resolved through dialogue. Austen's ability to create such multivocality, such diverse voices and intonations in relation and in confrontation within a cohesive structure, is one of the best examples of the democratic aspect of the novel. In Austen's novels, there are spaces for oppositions that do not need to eliminate each other in order to exist. There is also space - not just space but a necessity - for self-reflection and self-criticism. Such reflection is the cause of change. We needed no message, no outright call for plurality, to prove our point. All we needed was to reach and appreciate the cacophony of voices to understand its democratic imperative. There was where Austen's danger lay. — Azar Nafisi

The best way to live is to live like there is no tomorrow. — Uche Okafor

Draughtsmen may be made, but colourists are born. — Eugene Delacroix

This is all you have to do. Sit down once a day to the novel and start working without internal criticism, without debilitating expectations, without the need to look at your words as if they were already printed and bound. The beginning is only a draft. Drafts are imperfect by definition. — Walter Mosley

The artist has some internal experience that produces a poem, a painting, a piece of music. Spectators submit themselves to the work, which generates an inner experience for them. But historically it's a very new, not to mention vulgar, idea that the spectators experience should be identical to, or have anything to do with, the artist's. That idea comes from an over-industrialized society which has learned to distrust magic. — Samuel R. Delany

Which of us would not be preoccupied with thoughts of food if we were suffering from internal starvation? Hunger is such an awful thing that it is classically cited with pestilence and war as one of our three worst burdens. Add to the physical discomfort the emotional stresses of being fat, the taunts and teasing from the thin, the constant criticism, the accusations of gluttony and lack of "will power," and the constant guilt feelings, and we have reasons enough for the emotional disturbances which preoccupy the psychiatrists. — Gary Taubes

Good writers practice. They take time to write, crafting and editing a piece until it's just right. They spend hours and days just revising. Good writers take criticism on the chin and say "thank you" to helpful feedback; they listen to both the external and internal voices that drive them. And they use it all to make their writing better. They're resigned to the fact that first drafts suck and that the true mark of a champion is a commitment to the craft. It's not about writing in spurts of inspiration. It's about doing the work, day-in and day-out. Good writers push through because they believe in what they're doing. They understand this is more than a profession or hobby. It's a calling, a vocation. — Jeff Goins

The professional cannot take rejection personally because to do so reinforces Resistance. Editors are not the enemy; critics are not the enemy. Resistance is the enemy. The battle is inside our own heads. We cannot let external criticism, even if it's true, fortify our internal foe. That foe is strong enough already. — Steven Pressfield