Innate Talent Quotes & Sayings
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Top Innate Talent Quotes

Talent is a process, not a thing. Failure is not proof of an innate limit but rather is an indication of a skill we haven't yet developed. — David Shenk

There is a reason why we admire certain people. They espouse something that strikes a chord within us. Be it their innate talent, drive, wisdom, or attitude, there is a reason we find certain individuals fascinating, and if we can harness that same spark that made them great, perhaps we can achieve greatness as well. — Ryan Blair

The closer psychologists look at the careers of the gifted, the smaller the role innate talent seems to play and the bigger the role preparation seems to play. — Malcolm Gladwell

We often say that psi is like musical ability: it is widely distributed in the populate, and everyone has some ability and can participate to some extent - in the same way that the most nonmusical person can learn to play a little Mozart on the piano. On the other hand, there is no substitute for innate talent, and there is no substitute for practice. — Russell Targ

Somewhere out there are a few men with more innate talent at golf than Jack Nicklaus, or women with greater ability at tennis than Chris Evert or Martina Navratilova, but they will never lift a club or swing a racket and therefore will never find out how great they could have been. Instead, they'll be content to sit and watch stars perform on television. — Donald Trump

We all start out with the same alphabet. We are all unique. Talent is not the most important thing
discipline and dedication are. Craft can be learned but desire and longing are innate. Despite the demands of school and just being young, try to write SOMETHING every day
a description, a captured emotion, a simile, a metaphor. Read, for crying out loud! A writer must read the way a ball player must go to the ballfield every day to practice. Everything is possible in this world of ours
and so's publication. — Robert Cormier

Meritocracy is our social ideal, particularly among good liberals. Equality of opportunity, but not of outcome. Not evaluating people by their [outside] features, but by their innate talent and drive. — Chris Hayes

For the most part, "naturals" are myths. People who are especially good at something may have some innate inclination, or some particular talent, but they have also spent about ten thousand hours practicing or doing that thing. — Meg Jay

Genius is a word that is very loosely used nowadays. It is ascribed to persons to whom a more sober judgement would be satisfied to allow talent. Genius and talent are very different things. Many people have talent; it is not rare: genius is. Talent is adroit and dexterous; it can be cultivated; genius is innate, and too often strangely allied to grave defects. But what is genius? — W. Somerset Maugham

If there is a defining aspect of UNC women's soccer, and its success, it is what we call the competitive cauldron. It is the pinnacle of our program. The great part about the cauldron is that it fosters a quality we can all possess. It isn't a talent we are born with. Competitive drive is not governed by innate ability, but by self-discipline and desire — Anson Dorrance

I wasn't born with any innate talent. I've never been naturally gifted at anything. I always had to work at it. The only way I knew how to succeed was to try harder than anyone else. Dogged persistence is what got me through life. But here was something I was half-decent at. Being able to run great distances was the one thing I could offer the world. Others might be faster, but I could go longer. My strongest quality is that I never give up. — Dean Karnazes

Ruskin's interest in beauty and in its possession led him to five central conclusions. First, beauty was the result of a number of complex factors that affected the mind both psychologically and visually. Second, humans had an innate tendency to respond to beauty and to desire to possess it. Third, there were many lower expressions of this desire for possession (including, as we have seen, buying souvenirs and carpets, carving one's name on a pillar and taking photographs). Fourth, there was only one way to possess beauty properly, and that was by understanding it, by making oneself conscious of the factors (psychological and visual) responsible for it. And last, the most effective means of pursuing this conscious understanding was by attempting to describe beautiful places through art, by writing about or drawing them, irrespective of whether one happened to have any talent for doing so. — Alain De Botton

And it works. There have now been many studies of elite performers - international violinists, chess grand masters, professional ice-skaters, mathematicians, and so forth - and the biggest difference researchers find between them and lesser performers is the cumulative amount of deliberate practice they've had. Indeed, the most important talent may be the talent for practice itself. K. Anders Ericsson, a cognitive psychologist and expert on performance, notes that the most important way in which innate factors play a role may be in one's willingness to engage in sustained training. — Atul Gawande

I feel like directing is an innate talent. — Jordana Brewster

Natural talent is a questionable phenomenon. Inclination perhaps, but innate ability is extremely rare. — Erin Morgenstern

A completely different aspect, however, the thoroughly incommensurable one, lies in the imposition of accepting that the torso sees me while I observe it - indeed, that it eyes me more sharply than I can look at it.
The ability to perform the inner gesture with which one makes space for this improbability inside oneself most probably consists precisely in the talent that Max Weber denied having. This talent is 'religiosity', understood as an innate disposition and a talent that can be developed, making it comparable to musicality. One can practise it, just as one practises melodic passages or syntactic patterns. In this sense, religiosity is congruent with a certain grammatical promiscuity. Where it operates, objects elastically exchange places with subjects. — Peter Sloterdijk

Like the Baron, Mathilde developed a formula for acting out life as a series of roles - that is, by saying to herself in the morning while brushing her blond hair, "Today I want to become this or that person," and then proceeding to be that person.
One day she decided she would like to be an elegant representative of a well-known Parisian modiste and go to Peru. All she had to do was to act the role. So she dressed with care, presented herself with extraordinary assurance at the house of the modiste, was engaged to be her representative and given a boat ticket to Lima.
Aboard ship, she behaved like a French missionary of elegance. Her innate talent for recognizing good wines, good perfumes, good dressmaking, marked her as a lady of refinement. — Anais Nin