Quotes & Sayings About Indigenous Art

Mowaljarlai rarely answered questions with an abstract explanation; he always told a story. His was not a fragmented world, divided into the convenient disciplinary languages and jargon that seem to be required for the understanding of concepts and principles in, for example, mathematics, physics, art and literature. Not only did he not have these languages; he thought this was a strange way to arrive at understanding the way in which the world lives in itself. It baffled him that whitefellas developed their knowledge by busting things up, reducing things to little pieces separate from everything else that contributes to their nature. For him, everything in creation is not only living and interconnected, but exists in a story and story cycle. Yet his knowledge of what whitefellas call 'science' was extraordinary."
p80-1. — Hannah Rachel Bell

I was the first Arts Council official in the archipelago to do something for what you might call indigenous music. — Michael Longley

To put this even more bluntly, one might think about the difference between adding traditional and contemporary Indigenous art to the National Gallery of Canada's historical Canadian wing and imagining the entire gallery curated from an Indigenous perspective of what a "National Gallery of Canada" might mean.37 Put slightly differently, the project of Indigenous representation in the gallery in Canada has been defined as "bringing aboriginal art in to the history of Canadian art" rather than of incorporating settler history into the history of Aboriginal art.38 Would such reimaginings mean, for example, a move away from the primacy of a liberal politic and of the artist genius as a cultural application of that politic? — Lynda Jessup

The thing we often forget to talk about, or perhaps we take for granted, is our country's dazzling beauty. Our natural environment is so much a part of Australia's art, writing, music and culture, both indigenous and non indigenous. — Quentin Bryce

In Britain, chinoiserie was eclipsed by the medievalism of Sir Walter Scott and the Gothic Revival, while in Europe japonisme would be chinoiserie's successor. Japonisme never compelled the general middle-class British taste as did the indigenous medieval style. Nonetheless, through extensive importations to Britain of Japanese art and artifacts, notably by the shop Liberty's of London, as well as through the artists James McNeill Whistler and Dante Gabriel Rossetti, the architect E.W. Godwin, and the writer Oscar Wilde, the Japanese style of decoration was known in Britain well before 1894. — Linda Gertner Zatlin

So what is the Dreaming? I would say the Dreaming is a non-indigenous term used in its broadest sense to describe the stories of our ancestors and how they shaped the land and how they are still part of the land ... Across Aboriginal Australia there are as many different terms for Dreaming as there are language groups — Hetti Perkins

[Jazz] is a music of freedom and wonder. It's our indigenous art form, and I'm still blessed to travel around the world and people lay out the carpet for us, so it's quite touching. — Charles Lloyd

I have called this phenomenon of stealing common knowledge and indigenous science "biopiracy" and "intellectual piracy." According to patent systems we shouldn't be able to patent what exists as "prior art." But the United States patent system is somewhat perverted. First of all, it does not treat the prior art of other societies as "prior art." Therefore anyone from the United States can travel to another country, find out about the use of a medicinal plant, or find a seed that farmers use, come back here, claim it as an invention or an innovation. — Vandana Shiva

the journey of going from 'I' to 'We'. "When two indigenous Quechuans meet sixteen thousand feet atop a mountain in Peru for the first time, often they set a challenge. Let's say the challenge is a race. In their society, whoever wins the race is duty bound to coach the loser until he has attained a similar competency. In return, the loser teaches the victor a new skill. This interdependence helps both people. Both win, as does society. Ayni, the art of reciprocation, ensures that their society as a whole grows together. — Kevin Kelly