Images Of Life And Death Quotes & Sayings
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Top Images Of Life And Death Quotes
Letter to Myself, in Remission, from Myself, Terminal"
You'll come to hate your own poems,
read them as pretty wisps of colorful thinking,
all those images just a splash of colored oil
sloshed over a pool gone rancid. Admit it.
Atheists always scared you. And no wonder.
Those nights you switched on the fan so no one
could hear you scream into your pillow, weeping
and biting your own hands like a motherless
monkey,banded to a body that despised you,
a suit of coals with a jammed-shut zipper.
Instead of the truth, you took refuge in stories
and souls, wore the word survivor like a pink nimbus.
All the while, my dear, I waited, knowing
you'd catch up to me one day. I'm holding the black-
backed mirror to your face. Look into it. — Anya Krugovoy Silver
I'm sick of the images trapped in my head
I'm sick of being preoccupied with the dead — Jessica-Lynn Barbour
It's like being best friends with a fairy-tale giant; Tiny Cooper can't help but hurt you. — John Green
The sun was up, the neighborhood waking. I wiped my face clean with the back of my sleeve, the warming air soft on my wet cheeks. A prayer welled up within me, a new kind of prayer. I was done begging God to forgive me for being too bitter, too needy, too egotistical, too tired. Repenting one day for being too much, the next for not being enough.
Now I clearly understood my real offence against heaven: the stubborn refusal that every failing that I had - from the first - had been forgiven. — Bethany Pierce
I was deeply impressed by the fact that my life could lose three days without my having any awareness of it. Maybe this was a preview of death: continuous visions and dreams and vague glimpses of reality. Only with death you never wake up: you keep having the weird images forever. — John Marsden
Anything can happen; this is the very rule of this universe! The best defence against this rule is this: Don't panic! — Mehmet Murat Ildan
I have more than once tried to analyse this apparently deliberate form of self-torture that seems common to so many people in face of the extinction of a valued life, human or animal, and it springs, I think, from a negation of death, as if by summoning and arranging these subjective images one were in some way cheating the objective fact. It is, I believe, an entirely instinctive process, and the distress it brings with it is an incidental, a by-product, rather than a masochistic end. — Gavin Maxwell
I write alternative, folkie pop. It's very acoustic. — Chord Overstreet
The hardest scene for me is always the scene when I'm dealing with performances, when I'm actually looking at the guys and hoping that I'm covering it in the right way and that I'm handling it in the right way. — Tony Scott
This was a family that consumed attractive, talented people. Its aim was to preserve beauty and genius through the centuries. For all eternity. To bottle the spark of magic that flares up in the soul of an artist, to preserve in wax the pain that is born in the heart of an actor, to dry and store the subtle, shifting images that hover above the head of a writer.
Madness. They didn't realize it was impossible. As the years pass by, feelings and emotions are blunted. And thousands of years of life kill all feelings. The soul becomes cold. It can't burn anymore. The farys took away from humans the one thing that I sought and valued in them most of all - their bright, vital feelings. — Lena Meydan
The sceptic ultimately undermines democracy (1) because he can see no significance in death and such things of a literal equality; (2) because he introduces different first principles, making debate impossible: and debate is the life of democracy; (3) because the fading of the images of sacred persons leaves a man too prone to be a respecter of earthly persons; (4) because there will be more, not less, respect for human rights if they can be treated as divine rights. — Gilbert K. Chesterton
In their purest form myths, not unlike tragedy, are perhaps the most important moment in the troubled history of Mexican civilization. The cement of dreams, the architecture of language, made of images and rhythms which respond to and harmonize with each other through time and space, their wisdom is not of that which can be measured on the scale of the everyday. They are concurrently religion, ritual, belief, phantasmagoria, and the primary affirmation of a human coherence, the coagulating strength of language against the anguish of death and the certainty of nothingness. Myths express life, despite the promise of destruction, of the weight of the inevitable. They are without any doubt the most durable monuments of men, in America as in the ancient world. — Jean-Marie G. Le Clezio
Hysterical in The Mask; funny yet moving in The Truman Show. — Jim Carrey
And this, she saw, her dream had done. She had built against that fear a vision of power not wholly selfish - power to protect not only herself, but others. And that vision - however partial it had been in those days - was worth following. For it led not away from the fear, as a dream of rule might do, but back into it. The pattern of her life - as she saw it then, clear and far away and painted in bright colors - the pattern of her life was like an intricate song, or the way the Kuakgan talked of the grove's interlacing trees. There below were the dream's roots, tangled in fear and despair, nourished in the death of friends, the bones of the strong, the blood of the living, and there high above were the dream's images, bright in the sun like banners or the flowering trees of spring. And to be that banner, or that flowering branch, meant being nourished by the same fears: meant encompassing them, not rejecting them. — Elizabeth Moon
Why, if those were my images of death, did I remain so unable to accept the fact that he had died? Was it because I was failing to understand it as something that had happened to him? Was it because I was still understanding it as something that had happened to me? Life — Joan Didion
Things repeat themselves: people, life, death. But here God is the cameraman's boss, Thomas Alva Edison, he who has done the old biblical Lord one better: made sound that outlasts the life of the voice, light that knows no darkness, and now has made people who do not die, whose images shall remain forever on the earth in celluloid. And, from that which he has created, the light and the phonograph and the moving pictures and so much else, he has made what any true God must make here in America. Money. Piles of the stuff" (343-44). — Jonathan Lowy
The most racking pangs succeeded: a grinding in the bones, deadly nausea, and a horror of the spirit that cannot be exceeded at the hour of birth or death. Then these agonies began swiftly to subside, and I came to myself as if out of a great sickness. There was something strange in my sensations, something indescribably sweet. I felt younger, lighter, happier in body; within I was conscious of a heady recklessness, a current of disordered sensual images running like a millrace in my fancy, a solution of the bonds of obligation, an unknown but innocent freedom of the soul. I knew myself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold a slave to my original evil and the thought, in that moment, braced and delighted me like wine. — Robert Louis Stevenson
Life is not what we think.
Life is what we are now. — Ahsan Chaudhary
He thought, that all men, trickled away, changing constantly, until they finally dissolved, while the artist-created images remained unchangeably the same. He thought that the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life's instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful Madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table- but his work will still be standing hundreds of years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth. — Hermann Hesse
I'm just a fucked up girl looking for my own piece of mind. — Kate Winslet
Since he'd killed Newt, he hadn't thought once about what he had set out to do. Free of WICKED, finally, and here he was voluntarily going back.
He didn't care anymore. Whatever happened, happened. He knew that for the rest of his life he'd be haunted by what he'd seen. Chuck gasping for air while he bled to death, and now Newt screaming at him with raw, terrifying madness. And that last moment of sanity, eyes begging for mercy.
Thomas closed his own, and the images were still there. It took a long time for him to fall asleep. — James Dashner
In the Somme valley, the back of language broke. It could no longer carry its former meanings. World War I changed the life of words and images in art, radically and forever. It brought our culture into the age of mass-produced, industrialized death. This, at first, was indescribable. — Robert Hughes
When you're being celebrated and flying high, don't allow fanatics (fans) to elevate you so far out that you forget whose sky it is. — T.F. Hodge
For a long time, she sat and saw.
She had seen her brother die with one eye open, on still in a dream. She had said goodbye to her mother and imagined her lonely wait for a train back home to oblivion. A woman of wire had laid herself down, her scream traveling the street, till it fell sideways like a rolling coin starved of momentum. A young man was hung by a rope made of Stalingrad snow. She had watched a bomber pilot die in a metal case. She had seen a Jewish man who had twice given her the most beautiful pages of her life marched to a concentration camp. And at the center of all of it, she saw the Fuhrer shouting his words and passing them around.
Those images were the world, and it stewed in her as she sat with the lovely books and their manicured titles. It brewed in her as she eyed the pages full to the brims of their bellies with paragraphs and words. — Markus Zusak
Behold those times re-created by
the brutal power of sunlit images,
the light of life's tragedy.
The walls of the trial, the field
of the firing squad; and the distant
ghost of Rome's suburbs in a ring,
gleaming white in naked light.
Gunshots: our death, our survival. — Pier Paolo Pasolini
Life must go on, yes, but in the end - after the end - life was not important, just pictures on a screen, absorbing for as long as they lasted, causing us to weep and laugh, perhaps, but when the images are gone we step out blinking into the light. — Stephen Volk
Change is a funny thing. We never are quite sure what we are becoming or even why. Then one day we look at ourselves and wonder who we are and how we got that way. Only one thing about change remains constant ... it is always painful — Jodi Picoult
Until we walk with despair, and still have hope, we will not know that our hope was not just hope in ourselves, in our own successes, in our power to make a difference, in our image of what perfection should be. We need hope from a much deeper Source. We need a hope larger than ourselves.
Until we walk with personal issues of despair, we will never uncover the Real Hope on the other side of that despair. Until we allow the crash and crush of our images, we will never discover the Real Life beyond what only seems like death. Remember, death is an imaginary loss of an imaginary self, that is going to pass anyway.
This very journey is probably the heart of what Jesus came to reveal. — Richard Rohr