If You Knew My Story Quotes & Sayings

I knew we were not alone, but there was something in the air, something good and pure that reassured me. It's a beautiful energy, and has been with me ever since. — Caroline Mitchell

I went to church my entire childhood, and do you know what I learned?" "What?" "Not a thing. I know I heard a lot of things about God, but I don't remember one of them." "Maybe you didn't have good teachers." "How good do you have to be to teach a child one thing? No, the problem wasn't that they couldn't teach me one thing. The problem was they tried to teach me everything. Every week was a different story and a different lesson with a different picture. All I knew is that if I sat there quietly, I'd get a cookie at the end. — Andy Stanley

I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life. — Moshe Kasher

And Nedley started saying,'Shut Up!Quit that! And i knew it really meant something to him. So I asked for his help,"Mark said. "Don't tell the story like that," Nedley laughed. "What he said was 'Quit pretendin you're a bad guy I need your help, and I need it now! — Margaret Peterson Haddix

My name, among our people, means 'slow arrow.' It comes from a story in which the god Fen'Harel was asked by a village to kill a great beast. He came to the beast at dawn, and saw its strength, and knew it would slay him if he fought it. So instead, he shot an arrow up into the sky. The villagers asked Fen'Harel how he would save them, and he said to them, 'When did I say that I would save you?' And he left, and the great beast came into the village that night and killed the warriors, and the women, and the elders. It came to the children and opened its great maw, but then the arrow that Fen'Harel had loosed fell from the sky into the great beast's mouth, and killed it. The children of the village wept for their parents and elders, but still they made an offering to Fen'Harel of thanks, for he had done what the villagers had asked. He had killed the beast, with his cunning, and a slow arrow that the beast never noticed. — Patrick Weekes

Henry nodded. "May I ask you a question?"
"Certainly, Your Grace."
He pointed at Jack. "Is he the Artful Dodger?"
Mr. Dickens bent low. "I write fiction, Your Grace. The characters in
my books do not really exist, but if they did" - he winked - "I do believe
he would be the Artful Dodger."
"I knew it!"
"And do you see that gentleman over there?"
"Lord Claybourne?"
Dickens nodded. "He would be Oliver."
"And what about Miss Frannie?"
"She is every sweet girl who appears in the story. — Lorraine Heath

If I knew this is your final goodbye; I'd have told you that still I've a lot of things to say. I'd have told you how you changed my life, how you made me close to Me, how you made me realize the beauty of the world.
If only I knew, this is your final goodbye ... I'd have never let you say it ... — Crestless Wave

We always knew that we wanted to keep Atlantis off for a while and when it did show up, to make it a big story. The goal for Aquaman was to position him as an A-list character; position him as an important member of the Justice League. — Geoff Johns

It would be nice if the story ended differently - if he had burst into tears and professed his love for me; if he had said the same three words back and hugged me; if he had given it thought and then asked if we could try a relationship.

But you know what? I said those three words to a boy who didn't love me back, at least not in that way. He casually dropped a "love you" later on, and in a platonic 'you have impacted my life' way, he was telling the truth. But I knew. He had given it thought, and we were not on the same page. I built up all this courage to say "I love you" for the very first time, and I said those words to a person that couldn't reciprocate them.

But guess what?

I don't regret any of it. — Stephen Lovegrove

It didn't matter.
Carson wasn't the one for me. He wasn't even the one for right now. My life would hopefully have its great love story but this wasn't it. It would happen in D.C. in the next four years or it would happen in Africa, if I ever got there, or in Sienna or, for all I knew, Kentucky or Timbuktu.
Life was long.
And people only really had great love affairs in high school in the movies. And maybe during world wars. But this was not a movie and not a war, even if it sometimes felt that way. It was only high school and it was almost over with anyway. — Tara Altebrando

It was exactly the sort of thing I needed to be reading that afternoon: a story where, no matter how bad things got, you knew everything was going to turn out fine in the end. — Heather James

You want to hear it? Fine. It's a simple story really, about a pretty girl who was pretty stupid. She let a man touch her because she was scared to say no, and then she told her parents because she was scared to say nothing. Then they were scared to do anything that might ruin their pretty little lives, so they told the girl that it was nothing. That just being touched wasn't enough to fight for. Too scared to prove them wrong, she kept going like it was nothing, and she let more people touch her, never knowing that she was handing out pieces of herself. Or, hell, maybe she knew deep down, and she just hated herself so much that she was glad to be rid of them. And life wasn't pretty, but it also wasn't scary until she met a man with two names who touched her without taking and made her miss the pieces she had lost. And now things aren't just scary, they're fucking terrifying, and I can't do it. I can't live like this, knowing all that I've ruined and that it can't be fixed. — Cora Carmack

Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason
if the worlds are in any way blurred
the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'. — Raymond Carver

That was all Rose, and Rose knew what she was doing. Her main thing was story. — John Goodman

Even if only the people in your writing group read your memoirs or stories or novel, even if you only wrote your story so that one day your children would know what life was like when you were a child and you knew the name of every dog in town - still, to have written your version is an honorable thing to have done. — Anne Lamott

Caregivers, like all of us, inevitably reflect their culture's attitude toward children and life. The story goes that when Pearl Buck was a child in China, someone asked how she compared her mother to her Chinese amah. Buck replied, "If I want to have a story read, I go to my mother. But if I fall down and need to be comforted, I go to my amah." Her mother's culture valued teaching and learning, while her amah's placed a greater value on nurture. Even as a child, Buck instinctively knew the difference. — David C. Pollock

He knew one thing for sure, though. Whatever happened, Matt would have some handy excuse. He'd make up some story or change an old one, find some dumb quote to explain it all. — Charlie Higson

I knew the story of 'War Horse' very well. I had read the book even before I did the auditions. I'm a big fan of Michael Morpurgo. — Celine Buckens

A central principle underlying Mrs Quinty's Rules for Writing is that you have to have a Beginning Middle and End. If you don't have these your Reader is lost. But what if Lost is exactly where the writer is? I asked her. Ruth, the writer can't be lost, she said, and then knew she'd said it too quickly and bit her lip knowing I was going to say something about Dad. She pressed her knees together and diverted into a fit of dry coughing. This, Dear Reader, is a river narrative. My chosen style is The Meander. I know that in The Brothers Karamazov (Book 1,777, Penguin Classics, London) Ippolit Kirillovich chose the historical form of narration because Dostoevsky says it checked his own exuberant rhetoric. Beginnings middles and ends force you into that place where you have to Stick to the Story as Maeve Mulvey said the night the Junior Certs were supposed to be going to the cinema in Ennis but were buying cans in Dunnes and drinking — Niall Williams

She had not known how to tell him that his loving whispers were always in her ears, like a story she'd been told, the story of a thing she did not deserve. But he understood. He called those thoughts "the baby teeth of a snake," and swore he would rip them out of her, and pledged to prove to her that the opposite was true. And he didn't even have to explain to her what he meant by "the opposite"; she knew it was the opposite of her. — David Grossman

Well,'said Ernest, 'by some strange coincidence I know this story.'
Boddichek was not good at irony. 'I knew that there was that possibility,' he said, 'but we have a great new way to treat it, and I thought you might want to reread it before taking a meeting.'
'Reread it?' said Mayday. 'We are talking about Cinderella, and the wicked stepmother and the Ugly Sisters and Buttons the page and the Fairy Godmother, "Cinders, you shall go to the ball but be sure you're home by midnight or you'll turn into pumpkin"?'
'Hey, you know it pretty well,' said young Casey with admiration in his voice. 'But I've found a new directionality for this story.'
'Do you mean direction?' asked Mayday.
'I guess I do.'
'Then', snapped Mayday, 'why don't you fucking say so? — Jonathan Lynn

I knew little about short story writing then so it was rough going, but I did find the experience very memorable. — Haruki Murakami

It was a story to tell myself, a promise. Saying out loud, "You're never going to touch me again" - that was a piece of magic, magic in the belly, the domed kingdom of sex, the terror place inside where rage and power live. Whiskey rush without whiskey, bravado and determination, this place where for the first time I knew no confusion, only outrage and pride. In the worst moments of my life, I have told myself that story, the story about a girl who stood up to a monster. Doing that, I make a piece of magic inside myself, magic to use against the meanness of the world. — Dorothy Allison

Danny had no idea what the thing was. All he knew was that he lived more or less in a constant state of expecting something any day, any hour, that would change everything, knock the world upside down and put Danny's whole life into perspective as a story of complete success, because every twist and turn and snag and fuckup would always have been leading up to this. Unexpected stuff could hit him like the thing at first: a girl he'd forgotten giving his number to suddenly calling up out of the blue, a friend with some genius plan for making money, better yet a person he'd never heard of who wanted to talk. Danny got an actual physical head rush from messages like these, but as soon as he called back and found out the details, the calls would turn out to just be about more projects, possibilities, schemes that boiled down to everything staying exactly like it was. — Jennifer Egan

The waitress serving the wedding party was a short young blonde. She took their orders efficiently and delivered everyone's food correctly. "If
only she knew my story," Melora mused. then she thought again, "Better yet,
maybe she's in the middle of her own story." Who knew what things might have
happened already on the island to this typical college-age waitress. — Marie Zhuikov

I had a hard time on TV, the last time on television, so I wasn't sure that I wanted to do that again. But, I really am a big fan of Jenji and I knew this is her next thing, so I read it. And once I read the script, I was really, really impressed that there was a woman who was the centerpiece of her own story, and that she was in the center of her own narrative. — Taylor Schilling

I lit a fire and sat there in my rocking chair. We lit a candle for him. It was as simple as that. I knew that what I had done may have been a catalyst in Danny's death, but I also knew that there was really nothing else I could have done. I can never really lose that feeling. I wasn't guilty, but I felt responsible in a way. It's part of what I do. Managing the band and taking care of the music is very painful at times. It's a sad story. A moment I will never forget, years I can never replace, music the world will never hear, all gone in the turning of a second. — Neil Young

So if there was a way that I knew something about my character's desires or the things that they were resisting because I was saving it for some grand epiphany moment for my readers, I just feel like that's when you can feel the machine at work in a story. That's when you can feel the writer pulling the strings of the puppet. — Molly Antopol

A lot happens when the prince and princess live happily ever after--the king, his father, dies, so he is now ruler and she his queen, they have their children, she conducts discreet affairs with Sir Lancelot, there are border uprisings...but still the story ended when the love toward which their destinies drove them came to mutual consciousness when they knew, each knowing the other knew, that they were meant for each other. — Arthur C. Danto

You ever hear about that experiment an American journalist did in Moscow in the 1970s? He just lined up at some building, nothing special about it, just a random door. Sure enough, someone got in line behind him, then a couple more, and before you knew it, they were backed up around the block. No one asked what the line was for. They just assumed it was worth it. I can't say if that story was true. Maybe it's an urban legend, or a cold war myth. Who knows? — Max Brooks

She knew how to hit to a hair's breadth that moment of evening when the light and the darkness are so evenly balanced that the constraint of day and the suspense of night neutralize each other, leaving absolute mental liberty ... At times her whimsical fancy would intensify natural processes around her till they seemed a part of her own story. Rather they became a part of it; for the world is only a psychological phenomenon, and what they seemed, they were. The midnight airs and gusts, moaning amongst the tightly wrapped buds and bark of the winter twigs, were formulae of bitter reproach. A wet day was the expression of irremediable grief at her weakness in the mind of some vague ethical being whom she could not class definitely as the God of her childhood, and could not comprehend as any other. — Thomas Hardy

He licked his lips, still looking earnest. "Sara. We had such a special connection. It was real and it was fantastic. Maybe that's why I've spent so many years yearning for it too. We both knew what it was like, and we lost it. Even though you may not remember yet, it's somewhere in here." He reached over and touched my head. "And in there." He pointed a finger toward my heart.
I was speechless. I stared at Jack, knowing in my heart that he was being honest and truthful. And I was overwhelmed that he understood me so well.
Turning to face me, his eyes burned with intensity. He took my hands in his and said, "I love you Sara Jordan Hamilton, and I'm willing to give you all the desires of your heart, if only you'll let me. Nothing can take away my love for you. Not time, not distance, not even another husband. — Sharon Ricklin Jones

This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood. — Ernest Hemingway,

You're sad-looking," she said. "My grandson used to be such a happy boy. He used to write me stories. I remember the first story he ever wrote me, 'Once upon a time, there was a boy.' And that became 'Once upon a time there was a boy who wanted to fly.' And they kept getting better and better over time. I never found out if the boy got to fly."
I gave her a small smile. If only she knew the boy's wings had been clipped. — Chris Colfer

As a boy, I never knew where my mother was from
where she was born, who her parents were. When I asked she'd say, "God made me." When I asked if she was white, she'd say, "I'm light-skinned," and change the subject. She raised twelve black children and sent us all to college and in most cases graduate school. Her children became doctors, professors, chemists, teachers
yet none of us even knew her maiden name until we were grown. It took me fourteen years to unearth her remarkable story
the daughter of an Orthodox Jewish rabbi, she married a black man in 1942
and she revealed it more as a favor to me than out of any desire to revisit her past. Here is her life as she told it to me, and betwixt and between the pages of her life you will find mine as well. — James McBride

Hmmm," you muse out loud. Your voice is deep and carnal, a sound which sends new surges of desire rushing to my sex. "These balls are awfully dusty - if only I knew a little slut who was good at polishing balls ... — Felicity Brandon

I met this boy here who I knew as a kid and his mum left him with a pedophile for two weeks when he was eight years old and I'm presuming you know everything there is to know about Jonah's father, and that my father is dead, and my mother hasn't been around for years, and God knows Jessa's real story. So what I'm saying here, Sergeant, is that we're just a tad low on the reliable adult quota so you have no right to be all self-righteous about what Chaz did and if you're going to go around not talking to him when his only crime was wanting me to have what he has, then I think you're going to turn out to be a bit of a dud and you know something? I'm just a bit over life's little disappointments right now. Do you understand what I'm saying? — Melina Marchetta

I watched you try on suits in Hugo Boss.'For the big job,' you said. And I laughed, because I knew I would never see it. I'd never get up and watch you put it on and walk out of the door. I would never be the one that you came home to. — Kate Chisman

Emily just knew that the grocery store clerk's cousin had slipped on a bath mat and fallen out a second-story open window only to be saved because the woman landed on a discarded mattress.
But what interested Emily most about the incident was how the cousin had subsequently met a man in physical therapy who introduced her to his half brother who she ended up marrying and then running over with her car a year later after a heated argument. And that man, it was discovered, had been the one to dump the mattress in her yard.
He'd saved her so that she could later cripple him.
Emily found that not ironic but intriguing.
Because everything, she believed, was connected. — Holly Goldberg Sloan

Supposing an emperor was persuaded to wear a new suit of clothes whose material was so fine that, to the common eye, the clothes weren't there. And suppose a little boy pointed out this fact in a loud, clear voice ...
Then you have The Story of the Emperor Who Had No Clothes.
But if you knew a bit more, it would be The Story of the Boy Who Got a Well-Deserved Thrashing from His Dad for Being Rude to Royalty, and Was Locked Up.
Or The Story of the Whole Crowd Who Were Rounded Up by the Guards and Told 'This Didn't Happen, OK? Does Anyone Want to Argue?'
Or it could be a story of how a whole kingdom suddenly saw the benefit of the 'new clothes', and developed an enthusiasm for healthy sports in a lively and refreshing atmosphere which got many new adherents every year, and led to a recession caused by the collapse of the conventional clothing industry.
It could even be a story about The Great Pneumonia Epidemic of '09.
It all depends on how much you know. — Terry Pratchett

When I was developing the [Daredevil] idea, we were really doing something closer to what was in the comic book. By that, I mean in terms of civilians in the street knew that superpowers were an everyday matter of fact. When it finally ended up at Netflix, they really decided to land it in the Marvel Universe that exists in the cinematic universe. That changes the story entirely. It was no longer about the other, which is what that metaphor was. It's really more about the character herself, which I love. — Melissa Rosenberg

I felt like a character in a science fiction story, trapped in someone else's body, articulating someone else's words. To be frank, I bored even myself. And by the time I was thirty-six, my course was set, my die stamped, I knew I would never change. — Philip Palmer

You can't plan for people to like your movies. I knew that people were not going to run in droves to the theater for the 'In the Valley of Elah.' I knew they might not want to see it, but I still had to the movie; I felt very strongly about it. Wanting to keep telling a good story is what you want to do, a compelling story. — Paul Haggis

Without thinking too much about it in specific terms, I was showing the America I knew and observed to others who might not have noticed. My fundamental purpose is to interpret the typical American. I am a story teller. — Norman Rockwell

I did it to protect my good reputation in case anyone ever caught me walking around with crab apples in my cheeks. With rubber balls in my hands I could deny there were crab apples in my cheeks. Everytime someone asked me why I was walking around with crab apples in my cheeks, I'd just open my hands and show them it was rubber balls I was walking around with, not crab apples, and that they were in my hands, not my cheeks. It was a good story, but I never knew if it got across or not, since its pretty hard to make people understand you when your talking to them with two crab apples in your cheeks. — Joseph Heller

Remember that nutty little story I told you about the first time I ever went overseas for my junior year abroad at Green Bay, and I stepped onto the airstrip in Madrid to be obscurely disheartened that Spain, too, had trees. Of course Spain has trees! you jeers. I was embarrassed; of course I knew, in a way, it had trees, but with the sky and the ground and the people walking around
well, it just didn't seem that different. — Lionel Shriver

I think of Jeremy telling me I had to be ruthless to be a writer. And I think how I did not go visit my brother and sister and my parents because I was always working on a story and there was never enough time. (But I didn't want to go either.) There never was enough time, and then later I knew if I stayed in my marriage I would not write another book, not the kind I wanted to, and there is that as well. But really, the ruthlessness, I think, comes in grabbing onto myself, in saying: This is me, and I will not go where I can't bear to go - to Amgash, Illinois - and I will not stay in a marriage when I don't want to, and I will grab myself and hurl onward through life, blind as a bat, but on I go! This is the ruthlessness, I think. — Elizabeth Strout

Her eyes stung from crying for so long and having some tears dry on them. Her body was weak from the exercise but she did not feel better. While she was crying she had wanted someone, anyone to come and hold her. She had crawled into her closet, hoisted herself up onto the shelf that had duvets and bedsheets and curled herself among those. Now she knew that no hug could erase her pain, no sort of embrace could bind up her heart. She needed a new heart it seemed, her old heart was beyond repair. — Roxanna Aliba Kazibwe

If people knew the story of their lives, how many would then elect to live them? — Cormac McCarthy

I wasn't an expert or even the biggest Dennis Hopper fan in the world. All I knew about him were through his associations with James Dean and Andy Warhol, the fact that he made 'Easy Rider.' I thought his story would have a really great outlaw literary quality to it. — Tom Folsom

People knew there were two ways of coming at truth. One was science, or what the Greeks called Logos, reason, logic. And that was essential that the discourse of science or logic related directed to the external world. The other was mythos, what the Greeks called myth, which didn't mean a fantasy story, but it was a narrative associated with ritual and ethical practice but it helped us to address problems for which there were no easy answers, like mortality, cruelty, the sorrow that overtakes us all that's part of the human condition. And these two were not in opposition, we needed both. — Karen Armstrong

In my heart of hearts I knew I was wrong. The World Cup was about to begin in the United States. The planet was interested in nothing else. And in any case, whatever happened in Rwanda, it would always be the same old story of blacks beating up on each other. Even Africans would say, during half-time of every match, "They're embarrassing us, they should stop killing each other like that." Then they'll go on to something else. [9-10] — Boubacar Boris Diop

The Samaritans and the Jews were enemies, two tribes caught in an ancient argument about birthright and ethnicity who lived in segregated neighborhoods. By Jesus's time they were forbidden to have contact with each other, and violent squabbles sometimes erupted. The lawyer, who was a Jew, surely knew of both the informal customs and formal laws separating the two groups. Samaritans and Jews were not good neighbors. Yet Jesus turns the ancient Jewish command to love your neighbor into a story about these hostile groups. The man in the ditch, who is Jewish, is bypassed by those close to him by tribal ties (most likely the priest and the Levite were afraid the thieves were still about in the area and that they might be the next victim) and is eventually rescued by a Samaritan. Thus Jesus enlarges the sphere of neighborhood to include those we deem objectionable. — Diana Butler Bass

He remembered a story Madrigal had told him once: the human tale of the golem. It was a thing shaped of clay in the form of a man, brought to life by carving the symbol aleph into its brow. Aleph was the first symbol of an ancestral human alphabet, and the first letter of the Hebrew word truth; it was the beginning. Watching Karou rise to her feet, radiant in a fall of lapis hai, in a woven dress the colour of tangerines, with a loop of silver beads at her throat and a look of joy and relief and ... love ... on her beautiful face, Akiva knew that she was his aleph, his truth and beginning. His soul. — Laini Taylor

Michael Bloomfields' musical understanding was broad and deep, and he knew how to turn that understanding into communication .. his influence was phenomenal ... his story is about those kinds of things and about the people he knew and the audiences he thrilled and the times he had ... — Mark Naftalin

His eyes trace the droplets branching down my chest.
They stop at my waistband.
"Brandon. Cutie."
"Yeah."
"You're still wearing your boxers."
"I am."
"Is there something you need to tell me?"
"No."
"Are you actually a Ken doll?"
"Nope."
"Is your dad a secret superhero and you have a bionic penis and you make up this big religious-paranoia back story because it shoots laser beams and has the strength of a bulldozer?"
"Yes."
"I knew it. — J.C. Lillis

In a place where everyone knew my story, it was nice to know there was a chapter that ONLY I HAD TO READ. — Ally Carter

Be Willing to Pay the Price If people knew how hard I had to work to gain my mastery, it wouldn't seem wonderful at all. MICHELANGELO Renaissance sculptor and painter who spent 4 years lying on his back painting the ceiling of the Sistine Chapel Behind every great achievement is a story of education, training, practice, discipline, and sacrifice. You have to be willing to pay the price. Maybe that price is pursuing one single activity while putting everything else in your life on hold. Maybe it's investing all of your own personal wealth or savings. Maybe it's the willingness to walk away from the safety of your current situation. But though many things are typically required to reach a successful outcome, the willingness to do what's required adds that extra dimension to the mix that helps you persevere in the face of overwhelming challenges, setbacks, pain, and even personal — Jack Canfield

Through her voice I saw a free woman, down on her land, a woman who knew how to kill her own chickens, hunt her own possum, cut her own cotton, fix her own roof, make her own whiskey, walk in her own shoes, and speak her mind, tell her own story.

A black woman.
Ready for the journey.
The Journey. — Bonnie Greer

I have been successful probably because I have always realized that I knew nothing about writing and have merely tried to tell an interesting story entertainingly. — Edgar Rice Burroughs