Iain Banks Culture Quotes & Sayings

She'd asked him what it was like to be in there, doing nothing but then being woken up to speak to somebody you couldn't see. He'd said that it was like being woken from a deep and satisfying sleep, to be asked questions while you kept your eyes closed. He was quite happy. Sight was over-rated anyway. — Iain M. Banks

Besides, it left the humans in the Culture free to take care of the things that really mattered in life, such as sports, games, romance, studying dead languages, barbarian societies and impossible problems, and climbing high mountains without the aid of a safety harness. — Iain M. Banks

A lot of what the 'Culture' is about is a reaction to all the science fiction I was reading in my very early teens. — Iain Banks

It was the Culture's fault. It considered itself too civilized and sophisticated to hate its enemies; instead it tried to understand them and their motives, so that it could out-think them and so that, when it won, it would treat them in a way which ensured they would not become enemies again. The — Iain M. Banks

He could not believe that ordinary people in the Culture really wanted the war, no matter how they had voted. They had their communist Utopia. They were soft and pampered and indulged, and the Contact section's evangelical materialism provided their conscience-salving good works. What more could they want? The war had to be the Mind's idea; it was part of their clinical drive to clean up the galaxy, make it run on nice, efficient lines, without waste, injustice or suffering. The fools in the Culture couldn't see that one day the Minds would start thinking how wasteful and inefficient the humans in the Culture themselves were. — Iain Banks

Ferbin's father had had the same robustly pragmatic view of religion as he'd had of everything else. In his opinion, only the very poor and downtrodden really needed religion, to make their laborious lives more bearable. People craved self-importance; they longed to be told they mattered as individuals, not just as part of a mass of people or some historical process. They needed the reassurance that while their life might be hard, bitter and thankless, some reward would be theirs after death. Happily for the governing class, a well-formed faith also kept people from seeking their recompense in the here and now, through riot, insurrection or revolution. — Iain M. Banks

It had been briefed that when Culture people didn't speak Marain for a long time and did speak another language, they were liable to change; they acted differently, they started to think in that other language, they lost the carefully balanced interpretative structure of the Culture language, left its subtle shifts of cadence, tone and rhythm behind for, in virtually every case, something much cruder. — Iain M. Banks

Special Circumstances had always been the Contact section's moral espionage weapon, the very cutting edge of the Culture's interfering diplomatic policy, the elite of the elite, in a society which abhorred elitism. Even before the war, its standing and its image within the Culture had been ambiguous. It was glamorous but dangerous, possessed of an aura of roguish sexiness - there was no other word for it - which implied predation, seduction and even violation ... No other part of the Culture more exactly represented what the society as a whole really stood for, or was more militant in the application of he Culture's fundamental beliefs. Yet no other part embodied less of the society's day-to-day character. — Iain Banks

The only desire the Culture could not satisfy from within itself was one common to both the descendants of its original human stock and the machines they had (at however great a remove) brought into being: the urge not to feel useless. — Iain M. Banks

Fictional realms are usually terrible places to vacation, as they tend to be full of monsters and conflicts - Narnia and Middle-earth would both be good places to get killed - but I wouldn't mind visiting the worlds of Iain M. Banks's 'Culture.' You'd just have a hard time getting me to leave. — Tim Pratt

Stories set in the Culture in which Things Went Wrong tended to start with humans losing or forgetting or deliberately leaving behind their terminal. It was a conventional opening, the equivalent of straying off the path in the wild woods in one age, or a car breaking down at night on a lonely road in another. — Iain Banks

Horza recalled that the Culture's attitude to somebody who believed in an omnipotent God was to pity them, and to take no more notice of the substance of their faith than one would take of the ramblings of somebody claiming to be Emperor of the Universe. The nature of the belief wasn't totally irrelevant - along with the person's background and upbringing, it might tell you something about what had gone wrong with them - but you didn't take their views seriously. — Iain Banks

Marain, the Culture's quintessentially wonderful language (so the Culture will tell you), has, as any schoolkid knows, one personal pronoun to cover females, males, in-betweens, neuters, children, drones, Minds, other sentient machines, and every life-form capable of scraping together anything remotely resembling a nervous system and the rudiments of language (or a good excuse for not having either). Naturally, there are ways of specifying a person's sex in Marain, but they're not used in everyday conversation; in — Iain M. Banks

It seemed perverse to some, but for all their apparent militarism the Gzilt had remained peaceful over many millenia; it was the avowedly peaceful Culture that had , within living memory, taken part in an all-out galactic war against another civilisation. — Iain M. Banks

But what if someone kills somebody else?"
Gurgeh shrugged. "They're slap-droned."
"Ah! This sounds more like it. What does that drone do?"
"Follows you around and makes sure you never do it again."
"Is that all?"
"What more do you want? Social death, Hamin; you don't get invited to too many parties."
"Ah; but in your Culture, can't you gatecrash?"
"I suppose so," Gurgeh conceded. "But nobody'd talk to you. — Iain M. Banks

It's luck. All is luck when skill's played out. It was luck left me with a face that didn't fit in Contact, it's luck that's made you a great game-player, it's luck that's put you here tonight. Neither of us were fully planned, Jernau Gurgeh; your genes determined you and your mother's genofixing made certain you would not be a cripple or mentally subnormal. The rest is chance. I was brought into being with the freedom to be myself; if what that general plan and that particular luck produced is something a majority - a majority, mark you; not all - of one SC admissions board decides is not what they just happen to want, is it my fault? Is it?"

"No," Gurgeh sighed, looking down.

"Oh, it's all so wonderful in the Culture, isn't it, Gurgeh; nobody starves and nobody dies of disease or natural disasters and nobody and nothing's exploited, but there's still luck and heartache and joy, there's still chance and advantage and disadvantage. — Iain M. Banks

the Culture had placed its bets - long before the Idiran war had been envisaged - on the machine rather than the human brain. This was because the Culture saw itself as being a self-consciously rational society; and machines, even sentient ones, were more capable of achieving this desired state as well as more efficient at using it once they had. That was good enough for the Culture. — Iain M. Banks

though. Our Azadian friends are always rather nonplussed by our lack of a flag or a symbol, and the Culture rep here - you'll meet him tonight if he remembers to turn up - thought it was a pity there was no Culture anthem for bands to play when our people come here, so he whistled them the first song that came into his head, and they've been playing that at receptions and ceremonies for the last eight years." "I thought I recognized one of the tunes they played," Gurgeh admitted. The drone pushed his arms up and made some more adjustments. "Yes, but the first song that came into the guy's head was 'Lick Me Out'; have you heard the lyrics?" "Ah." Gurgeh grinned. "That song. Yes, that could be awkward." "Damn right. If they find out they'll probably declare war. Usual Contact snafu. — Iain M. Banks

Three; - and this would be sufficient reason by itself - what are we supposed to be about, Sma? What is the Culture? What do we believe in, even if it hardly ever is expressed, even if we are embarrassed about talking about it? Surely in freedom, more than anything else. A relativistic, changing sort of freedom, unbounded by laws or laid-down moral codes, but - in the end - just because it is so hard to pin down and express, a freedom of a far higher quality than anything to be found on any relevant scale on the planet beneath us at the moment. — Iain M. Banks