I See The Way You Look At Her Quotes & Sayings

More than once, while staring at the wall, I'd thought of Our Lady. I wanted to talk to her, to say, Where do I go from here? But when I'd seen her earlier, when August and I had first come in, she didn't look like she could be of service to anybody, bound up with all that chain around her. You want the one you're praying to at least to look capable. I dragged myself out of bed and went to see her anyway. I decided that even Mary did not need to be one hundred percent capable all the time. The only thing I wanted was for her to understand. Somebody to let out a big sigh and say, You poor thing, I know how you feel. Given a choice, I preferred someone to understand my situation, even though she was helpless to fix it, rather than the other way around. But that's just me. Right — Sue Monk Kidd

I want Sam to stop liking Craig.
Now I guess maybe you think that's because I am jealous of him. I'm not. Honest. It's just that Craig doesn't really listen to her when she talks. I don't mean that he's a bad guy because he's not. It's just that he always looks distracted.
It's like he would take a photograph of Sam, and the photograph would be beautiful. And he would think the reason the photograph was beautiful was because of how he took it. If I took it, I would know that the only reason it's beautiful is because of Sam.
I just think it's bad when a boy looks at a girl and thinks that the way he sees the girl is better than the girl actually is. And I think it's bad when the most honest way a boy can look at a girl is through a camera. It's very hard for me to see Sam feel better about herself just because an older boy sees her that way. — Stephen Chbosky

Oh God."

I told you not to look."

No, you didn't. You said 'in a minute.' That's not the same thing at all."

It is to me."

She swallowed back her gorge. Her throat was tight in the aftermath. "I'm adding communication issues to the stuff we need to work on."

I communicate just fine. The way I see it, your listening is off. — Sarah McCarty

When they ask why we stayed together for so long I say, I don't know. I just know that we cried at the exact same time in every movie. I know we blushed everyday for the first two years. I know I always stole the covers and she never woke me up. I know the exact look on her face, the first night she used my toothbrush. The next day, I brushed my teeth like thirtysome times, 'cause I didn't want to let her go. You have to understand when it hurt to love her, it hurt the way the light hurts your eyes in the middle of the night, but I had to see, even through the ruin, if what we were burying were seeds. There were so many plants in our house, you could rake the leaves even through that winter when I was trying to make angels in the snow of her cold shoulder. She was still leaving love notes in my suitcase; I'd always find them. — Andrea Gibson

I can't believe you can create such beauty."
"I can't believe I'm finally looking at my beauty. You can't see it, Lark. I know you can't. Maybe it's a girl thing or your shitty family or you do see it and are just fishing for compliments, but you are too beautiful to get right on paper. No matter how much I try," I said, cupping her face, "I can't make my art look nearly as perfect as you."
"Shit," she whispered. "Did you just think that up because it was fucking brilliant?"
Before I could answer, little Lark stepped up as far as she could on her tippy toes, pulled me down to her, and kissed me hard and deep. The girl claimed my breath like she'd already claimed my heart. No way was I imagining all of her wonderful qualities. I wasn't that damn creative. — Bijou Hunter

Rowena Clark and I had met on the first day of our mixed media class. I'd sat down at her table and said, "Mind if I join you? Figure the best way to learn about art is to sit with a masterpiece." Maybe I was in love, but I was still Adrian Ivashkov.
Rowena had fixed me with a flat look. "Let's get one thing straight. I can see through crap a mile away, and I like girls, not guys, so if you can't handle me telling you what's what, then you'd better take your one-liners and hair gel somewhere else. I don't go to this school to put up with pretty boys like you. I'm here to face dubious employment options with a painting degree and then go get a Guinness after class."
I'd scooted my chair closer to the table. "You and I are going to get along just fine. — Richelle Mead

In his way and in his day he was a very modern father. "I want you to see all kinds," he would say to her. "I want you to realize that this whole thing is just a grand adventure. A fine show. The trick is to play in it and look at it at the same time."
"What whole thing?"
"Living. All mixed up. The more kinds of people you see, and the more things you do, and the more things that happen to you, the richer you are. Even if they're not pleasant things. That's living.... — Edna Ferber

I haven't done anything you're supposed to do. Like get so drunk you puke and don't remember the rest of the night."
"Overrated, I swear."
She looked at me, that deadly look on her face, and I held up my hands. "Fine. You wanna get drunk and puke, I'm not gonna stop you."
"But I want to do, like more than just drinking." Her brow furrowed and I could practically see the wheels in her brain spinning. "I should make a list and outline a plan."
I was going to point out that list-making wasn't the best way to let loose, but I decided to let it go. — Cindi Madsen

Breaking the kiss when she had reached the point where she had begun to hope he would never stop, he surged over her and she felt his need digging into her belly as he burrowed his face against her neck. "Don't torture me anymore. I am repentant. I swear."
She opened her eyes to look at him as he lifted his head.
His features were drawn and harsh with painful need. "I have never been more miserable in my life, Mellie, and the only way you could possibly make me more miserable is to leave where I can not even see you."
Lifting a hand, she stroked his hard cheek. He turned his face into her palm, kissing it. "Don't make beg, Mellie."
"Why?"
A pained look flickered across his features. "Because I will, and my ego might never recover. — Julia Keaton

Drake: "I know it;s love because I think of you night and day. I miss you when you are sitting right next to me. When I look at you my heart races and my stomach turns in the best and worst way possible. When I'm with you I feel complete, I feel whole. When I'm away from you it;s hard to breathe. When I think of my life without you I panic and tears fill my eyes. Before I met you, I didn't think I had much of a future besides being CEO at Baylor. I look at you, Morgan, and am filled with beautiful optimism at all of the things my future could have, and that is because i see you right there with me. I want to marry you, Morgan, I want to have children with you. You are my best friend, my confidant, my everything. To me that's love. You say you love me, Morgan, is that how you feel?" I ask hopefully.
"Yes," Morgan says, as a confident smile crosses her face and tears fill her eyes. "Yes, that is exactly how I feel. I love you, Drake, you are my everything, — L.K. Lewis

Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?"
Patch: "Single her out. Talk to her."
Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?"
Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now? — Becca Fitzpatrick

A blush tinged her bronzed skin as she wrapped her arms around herself. Corrado grasped her wrists, pulling her hands away when she tried to shield herself. He stared at her, stunned to see the uncertainty in her eyes.
"You're not nervous this time, are you?" he asked, half-teasingly, half honestly wanting to know. She'd been so confident, unwavering before.
"It's the way you're looking at me."
"How am I looking at you?"
"Like you look at the Taj Mahal. Or the Sistine Chapel. You're staring at me like you stare at the Mona Lisa."
"I've never seen those things."
"It's like you've never seen something so beautiful before."
"I haven't. — J.M. Darhower

Time doesn't matter. When you love someone, the way I love your mother, you'll know, and the amount of time it took you to get there will be irrelevant. But what does matter, is that you find the woman who will be your reason to live, who will stick with you, not during the good times but through the hard times, and who will tell you when you're being an ass. Find the woman worth keeping, for more than sex, the one you can see your future with. And when you look at her, you'll know you've found her. — Tamsyn Bester

She knows Daddy better than I do. I think it's because she's felt since we were children that our Daddy maybe loved me more than he loves her. This isn't true, and she knows that now
people love different people in different ways
but it must have seemed that way to her when we were little. I look as though I just can't make it, she looks like can't nothing stop her. If you look helpless, people react to you in one way and if you look strong, or just come on strong, people react to you in another way, and, since you don't see what they see, this can be very painful. I think that's why Sis was always in front of that damn mirror all the time, when we were kids. She was saying, 'I don't care. I got me.' Of course, this only made her come on stronger than ever, which was the last effect she desired: but that's the way we are and that's how we can sometimes get so fucked up. Anyway, she's past all that. She knows who she is, or, at least, she knows who she damn well isn't. — James Baldwin

No. I wanted to tell you that I was proud of you."
Clary slewed around to look at her mother. "You were?"
Jocelyn nodded. "Of course I was. The way you stood up in front of the Clave like that. The way you showed them what you could do. You made them look at you and see the person they loved most in the world, didn't you?"
"Yeah," Clary said. "How did you know?"
"Because I heard them all calling out different names," Jocelyn said softly. "But I still saw you. — Cassandra Clare

Just watching a girl can give me the best reason to smile. Girls are something very special and you got to treat them that way. That's why I always say don't stare right at a chick. She'll begin to fidget, wondering if her hair's messed up or if her make-up is smeared. It's kind of like going to an art gallery to see beautiful paintings. If you look at a painting just the right way, you get the most out of it! — Michael Jackson

I'll never look at you in any way but complete admiration." He stroked her hair soothingly. "You will never be a millstone about my neck. Rather you're the sunshine that brightens my day." He swallowed. "Don't you see? You brought me into the daylight. You've embraced parts of me that I was never able to let see light. Don't make me retreat again into the night. (Winter Makepeace) — Elizabeth Hoyt

Hey, manager ... Some kid must have left his glove here ... It has his name on it ... See? Right here ... Willie Mays ... He wrote his name on his glove, see? Poor kid ... He's probably been looking all over for it ... We should have a lost and found. I don't know any kid around here named Willie Mays, do you? How are we gonna get it back to him? He was pretty smart putting his name on his glove this way, though ... It's funny, I just don't remember any kid by that name ... "
"Look at your own glove."
"What?"
"Look at your own glove ... There's a name on it ... "
"Babe Ruth ... Well, I'll be! How in the world do you suppose I got her glove?! — Charles M. Schulz

You guys know I love you, right?" I glance between them, knowing they'll freak, but it has to be said.
They look at each other, exchanging a look of alarm, both of them wondering what could've possibly happened to the girl they once pegged as the Ice Queen.
"Um, okay ... " Haven says, shaking her head.
But I just smile and grasp them both to me, squeezing them tightly as I whisper to Miles, "Whatever you do don't stop acting or singing, it's going to bring you great happiness."
And before he can respond, I've moved on to Haven, knowing I have to get this over with and quick, so I can get Damen to Ava's, but determined to find a way to urge her to love herself more, and that Josh is worth hanging on to for however long it lasts. "You have so much value," I tell her. "So much to give
I just wish you could see how bright your star truly does shine."
"Um, gag!" she says, laughing as she untangles herself from my grip. "Are you okay? — Alyson Noel

I can see that. She is lovely, very different from you. Oh, my clumsy tongue." Vollys's bells clanged. "You are lovely too, but in a quieter way. In temperament I see that you are different as well. She could lead a charge, but you could last a siege. This is fascinating, little Adelina. The more I look at her, the more clearly I see you. You may be a worthier opponent than even my Willard was. — Gail Carson Levine

What I recall is this: this native people he lived with, deep in the jungle - their language had dozens of words for rain. Because it was so common to them, you see. Where they lived, it rained almost constantly. Several times a day. So they had words for light rain, and heavy rain, and pounding rain. Something like eighteen different terms for storms, and a whole classification system for mist."
"Why are you telling me this?"
His touch skimmed lightly down her arm. "Because I'm standing here, wanting to give you fitting compliment, but my paltry vocabulary fails me. I think what I need is a scientific excursion. I need to venture deep into some jungle where beauty takes the place of rain. Where loveliness itself falls from the sky at regular intervals. Dots every surface, saturates the ground, hangs like vapor in the air. Because the way you look right now ... " His gaze cought hers in the reflection. "They'd have a word for it there. — Tessa Dare

If you're the cook," he said between mouthfuls, "I'm your captain. You can't continue speaking to me that way."
"You aren't dressed like a captain."
Gray looked down at his homespun tunic and the loose-fitting trousers cinched with a knotted cord. The clothes of a common seaman,, borrowed from a sailor now dead. He hadn't the luxury of fine attire on the Kestrel. With the ship so undermanned, he had to be everywhere-climbing the rigging, down in the hold.
"Don't look apologetic. They suit you." Her gaze glanced off his shoulders, then dropped to the floor. "But I see you've kept the detested boots."
He shrugged, spooning up another bite of chowder. "I've broken them in now."
"And here I hoped you were keeping them for sentimental reasons. — Tessa Dare

Fat bitch," Kessa murmured as the door scraped closed behind Mrs. Stone.
"She meant well, Francesca. And you see, everyone thinks you're too thin."
"Since when is Mrs. Stone an authority on appearance. I've heard you say a thousand times that she looks like an old hooker."
"I never said anything of the sort. What I said was that she wears too much makeup and her clothes are indiscreet."
"Which means she looks like an old hooker. Well, if that's the way a woman is supposed to look, I'd rather be too skinny." Kessa felt a flash of pleasure at the argument. Just let her mother try to push food into her now. — Steven Levenkron

Are you serious?" She asked. "Are you telling me you've got superpowers? 'Cause that'd be pretty much be made of awesome." She grinned at me and shook in her excited, trembly way.
"Um. Yeah. Kind of. I mean, I'm just learning how to use them, and they're kind of fickle
but they came in handy tonight, didn't they?"
"Heck, yeah, they did!" April squealed. "Did you see the look on that guy's face when he hit the ground? Seriously, that was the coolest thing ever. He was all like, 'come here defenseless little girl,' and you were like,'BAM! Take that suck-face! I've got superpowers! — Bree Despain

It was then Jessica realized he wasn't using his left hand at all, and that he held the arm oddly, as though something were wrong with it. There shouldn't be except for a minor bullet wound. She'd aimed carefully, and she was an excellent markswoman. Not to mention he was a very large target.
He looked her way then, and caught her staring. Admiring your handiwork, are you? I daresay you'd like a better look. Regrettably, there's nothing to see. There's nothing wrong with it, according to the quacks. Except that it doesn't work. Still, I count myself fortunate, Miss Trent, that you didn't aim a ways lower. I'm merely disarmed, not dismanned. But I have no doubt that Herriard here will see to the emasculation. — Loretta Chase

We walk up the sandy slope toward the dining terrace. I see Troy sitting at a table with some people I know. I look at Scottie to see if she sees him, and she is giving him the middle finger. The dining terrace gasps, but I realize it's because of the sunset and the green flash. We missed it. The flash flashed. The sun is gone, and the sky is pink. I reach to grab the offending hand, but instead, I correct her gesture.
"Here, Scottie. Don't let that finger stand by itself like that. Bring up the other fingers just a little bit. There you go. That's the cool way to do it."
Troy stares at us and smiles a bit. He's completely confused.
"All right, that's enough." I suddenly feel sorry for Troy. He must feel awful. — Kaui Hart Hemmings

She wanted to remind him, whether his family was there or not. She wanted. And wanted. And endured in her wanting: the damp seat, the dry chicken, more champagne, the headache the champagne brought, the midges, the chat, his failure, no refusal, to look, look at me, I caused a thunderstorm with my passion and I sit here shaking under my skin and you don't notice because you're trying so hard not to notice, but all the people at the table there are really only you and me and you know it, the air is charged with it, it's a heat, a hot wind, and Marina and Seely are a sham next to it, Annabel ceases to exist, is simply obliterated in the gale of it, this isn't a fantasy, not my imagination, I can tell by the way you lift your fork, by the set of your jaw, by that sixth cigarette you are smoking me, or would if you could; but how long can we sustain it, how long till eruption, till the storm returns again and they can all see what it is, what it really is? — Claire Messud

Look," Grace said. "How strange! In spite of the rain, you can still see the stars. How bright they are tonight." She pointed, but Lorcan didn't look. His eyes remained fixed intently on her.
"I can't think of a finer sight in the whole world than the one I'm looking at right now," he said.
In spite of being drenched, Grace flushed at his words.
Lorcan's eyes sparkled at her, brighter than ever before.
It was as if the rare blue gems of his iriseshad been washed by the rain amd buffed by the moonlight to a new intensity. "Grace, there's been something I've wanted to do for a very long time now, but things have kept getting in the way." He reached forward, bringing a hand to the side of her face. Then he gently but firmly drew her wet face toward his. He gazed at her, as if seeing her for the first time. Then he brought his soft lips down to hers and kissed her. — Justin Somper

Gawk? What is gawk?" he asked.
"You tell me. You're the one that does it." I said...
"My definition of gawking would be..." He paused as if to hold back what he was going to say. But he couldn't any longer. "...when you look at her, your heart starts slamming uncontrollably in your chest. So much that it scares you. And every other noise that surrounds you slowly fades away into absolute silence. You only hear the sounds she makes. And when she looks back at you, when her eyes meet yours, it's as if she is looking deep inside your soul. And she can see all of the hatred you're consumed in. Her eyes quench the thirst of your soul, gently soothing your damaged heart in the most alluring way... a way you could only dream of. — E.M. Jade

Henry McAllan was as landsick as any man I ever seen and I seen plenty of em, white and colored both. It's in their eyes, the way they look at the land like a woman they's itching for. White men already got her, they thinking, You mine now, just wait and see what I'm gone do to you. Colored men ain't got her and ain't never gone get her but they dreaming bout her just the same, with every push of that plow and every chop of that hoe. White or colored, none of em got sense enough to see that she the one owns them. She takes their sweat and blood and the sweat and blood of their women and children and when she done took it all she takes their bodies too, churning and churning em up till they one and the same, them and her. — Hillary Jordan

I think I liked you better when you didn't speak," Pete says. Then he grins. I flip him the bird, and he flies at me, jumping on my back. He bounces up and down and leans over my shoulder so I can see his lips. "My feet are cold," he says, batting his golden lashes at me. "You should carry me the rest of the way." He's latched onto me like a koala. And he's fucking heavy. It's like carrying a load of bricks. But I hitch him up higher and start walking. Sam turns his back to Kit and bends down. "You look tired, Kit," he says. "Want a ride?" He waggles his eyebrows at her. She laughs and jumps onto his back. "I'm not sure I got the good end of this deal," I croak as we all walk along together. — Tammy Falkner

Have you not explained to your friend? She seems confused."
"I've told her what she needs to know."
"I would suspect, Nephew, that she needs to know more. Particularly when I see
how you look at her."
Taka gave another sudden start, but didn't turn. What did his uncle see when he looked at her? Murderous tendencies? Vast annoyance? Or something else?
"And she looks at you the same way," the old man added, and it was Summer's
turn to jump. Definitely vast annoyance, then. And something else. — Anne Stuart

Clem is my first dead body. I've heard again and again - mostly from friends who've lost other friends to AIDS - that it's essential to see the corpse of someone you love, especially someone who's died undeservedly young; how it will confirm the way nothing else can that he or she is no longer here. The body won't look like the person you know, the self of that person, at all. This tells you there has to be a soul because something's missing; what else could that something be? The first thing I know, when I see her, isthat this is not a piece of advice I will ever pass on. — Julia Glass

The baron reminds me of someone, but I can't quite put my finger on who it is," Ramsey remarked.
"I swear my own father never talked to me the way Gillian's uncle just did."
"Your father died before you were old enough to know him."
"It was humiliating, damn it. He sure as certain wasn't what I expected. The way Gillian talked about him, I pictured a mild-mannered gentleman. She thinks he's ... gentle. Is the woman blind? How in God's name can she love such a crotchety old ... "
Ramsey's head snapped up, and he suddenly burst into laughter, breaking Brodick's train of thought. "It's you."
"What?"
"Morgan ... he reminds me of you. My God, Gillian married a man just like her uncle. Look at the baron and you'll see yourself in twenty years."
"Are you suggesting I'm going to become a belligerent, foul-tempered old man?"
"Hell, you're already belligerent and foul-tempered. No wonder she fell in love with you," he drawled — Julie Garwood

They'd had fun, for sure. They laughed and enjoyed being together. But if she was painfully honest with herself, something was missing. Something in the way Tim looked at her. She remembered her mom's word. "I saw the way he looked at you ... he adores you." Maybe that was it. Tim looked at her on a surface level. He smiled and seemed happy to see her. But When Cody looked at her, there were no layers left, nothing her didn't reveal, nothing he couldn't see. He didn't really look at her so much as he looked into her. To the deepest, most real places in her heart and soul. — Karen Kingsbury

He is totally dreamy Grace. You see that don't you?" Sarah gave me more Caylie learned lingo.
"Oh, don't I know. I just don't want anyone else dreaming about him."
"He's far from ugly Grace. He's gorgeous." I gave her a glare. She kept on, "I will tell you this because you are my friend. He is so gorgeous every girl in this court has fantasized about him, including me. But you don't see the way we see him look at you. The way he stops everything when you come in the room. They way his eyes pop when you speak the first time to him when you approach. It's how he breathes too Grace. He seems to hold his breath until you are close enough for him to touch. He is completely and utterly in love with you girl. — Cyndi Goodgame

Look who's talking,' Darren repeated, angrier this time. 'I might've welcomed her along in hunts, but I wasn't tripping over myself to talk to her every night. Everyone could see the way you looked at the girl. You weren't exactly subtle, you know. Ruth nearly had kittens every time the two of you went off to do something. So don't lecture me about getting attached, Zeke. You were falling for that vampire - we all knew it. Maybe you'd better check your own neck before you go pointing fingers at other people. Seems to me the vampire could've bitten you anytime she wanted - — Julie Kagawa

You see, Risa, survival is a dance between our needs and our consciences. When the need is great enough, and the music loud enough, we can stomp conscience into the ground.'
Risa closes her eyes. She knows the dance ...
'It's the way of the world,' Divan continues. 'Look at unwinding, society's grand gavotte of denial. There will, no doubt, come a time when people look to one another and say, 'My God, what have we done?' But I don't believe it will happen any time soon. Until then, the dance must have music; the chorus must have its voice. Give it that voice, Risa. Play for me.'
But Risa's fingers offer him nothing, and the Orgao Organico holds the obdurate, unyielding silence of the grave. — Neal Shusterman