I Look At Your Picture Quotes & Sayings

So, it's not gonna be easy. It's gonna be really hard. We're gonna have to work at this every day, but I want to do that because I want you. I want all of you, forever, you and me, every day. Will you do something for me, please? Just picture your life for me? Thirty years from now, forty years from now? What's it look like? If it's with him- go. Go! I lost you once, I think I can do it again, if I thought that's what you really wanted. But don't you take the easy way out. — Nicholas Sparks

Dustin Wax says it well: No matter how organized you are, how together your system is, how careful you are about processing your inbox, making a task list, and working your calendar, if you don't stop every now and again to look at the "big picture," you're going to get overwhelmed. You end up simply responding to what's thrown at you, instead of proactively creating the conditions of your life.16 Find a time for your weekly review, add it to your calendar, and commit to doing it every week. I really can't over-emphasize the importance of this discipline. — Tim Challies

Sometimes you don't know if your memory is because you really experienced it or because you look at your old pictures. I have a nice picture of myself held up by my grandfather and my father standing next to me. We all have the same name - we're all called Anton Corbijn. That's something I cherish. — Anton Corbijn

When I look at you, I still see the son I love more than my own life. But I also see a man who has become so far removed from what matters that his perception is skewed. Family is real, son. A home to settle into - that's real. People who love you and care about you. You've had a phenomenal career, and I'm proud of you. But it's time to stop basing your worth on championships and endorsement deals. You can't buy happiness. You can't earn it. God isn't counting all the deals you're racking up - and neither is your family." He lifted his brow. "And neither is Lucy. For the first time someone's looking at the person inside - and you have to decide if you're going to let her in and be the man she needs you to be." His father turned his head toward a family picture on the mantel. "It's a risk. But one I've never regretted. — Jenny B. Jones

Detective Inspector Carver took a picture from the breast pocket of his suit. He handed it to me. 'This is what you did, Michael. Take a good look. See if it jogs your memory.'
I gawped at the mutilated corpse of a naked young girl lying on a blood-soaked double bed. Her hands were bound to the brass headboard with duct tape. Blood covered her upper body, and her long blonde hair was streaked a murderous shade of red. One eye stared at the ceiling as if searching for salvation, the other, a bloody unrecognisable pulp, bore no relation to its sightless counterpart.
'Carla Marie Coombs. Twenty-one years of age. Do you recognise her, Michael? — Mark Tilbury

I felt tired, but I pitched the ball back at her. You want me to talk about myself, right? Let me tell you what 'self' means to me. The self, myself, the self as I see it, is composed mainly of selected memories from my history. I am not what I am doing now. I am what I have done, and the edited version of my past seems more real to me than what I am at this moment. I don't know who or what I really am. The present is fleeting and intangible. No one in China wants to talk about his past, because nobody wants to paint his face black. Our past is not a flattering picture, and no one wants to look at it for long. Yet what we were in fixed and final. It is the basis for predictions of what we will be in the future. To tell you truth, I identify with what no longer exists more than what actually is. We have lied about what we actually are, and that, unfortunately, will be your book. So would you still like me to talk about myself? — Anchee Min

When I think of excellence in motion, I think of the big picture. Because of the magnitude of this concept, I look at it from an aerial perspective. It is a mindset that challenges the boundaries of self-induced limits - that point where you aspire to exceed your expectations, where the mind-body-achievement connection resides and wins time and time again. — Lorii Myers

I look at pictures of you because I am afraid that you would notice me staring in real life. I looked at your picture today for countless minutes. It is closer than I'll ever get to you for real. I felt like I was looking at a captured animal at a safe distance. If you knew I was doing this, you would feel sickened and frightened. That's why you'll never know. Years will go by and you'll never know. I will never say the things that I want to say to you. I know the damage it would do. I love you more than I hate my loneliness and pain. — Henry Rollins

Eric, you need to look at the whole picture," the PM said. "You look at the jobless as a huge pile of scrap and you're looking for what can be recycled. That's good. That's your job. But what you don't realise is that this pile of scrap itself serves a purpose. I need my zeros, Eric. They put fear in people; fear of crime and terrorism. They are a stark reminder to the stakeholders that what they despise today, they may end up joining tomorrow. It keeps them obedient. Remember that! — Mark Cantrell

When I look back on my life, I marvel at how it hasn't been the major decisions that have most impacted its course. It's been the tiny, seemingly inconsequential ones. Think about it. Think about the sudden events that have affected your life. With most of them, wasn't it just a matter of seconds one way or the other? Wasn't it the little decisions that caused you to cross this street or that, to move yourself into or out of harm's way? These are the things that get you in the end. Who you marry, what you choose as your profession, how you were raised - yes, that is the big picture. But, as they say, the devil's in the details. Well, — Lisa Unger

Are you glad I came?" "Delighted, dear Carmilla," I answered. "And you asked for the picture you think like me, to hang in your room," she murmured with a sigh, as she drew her arm closer about my waist, and let her pretty head sink upon my shoulder. "How romantic you are, Carmilla," I said. "Whenever you tell me your story, it will be made up chiefly of some one great romance." She kissed me silently. "I am sure, Carmilla, you have been in love; that there is, at this moment, an affair of the heart going on." "I have been in love with no one, and never shall," she whispered, "unless it should be with you." How beautiful she looked in the moonlight! Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled. Her — J. Sheridan Le Fanu

I do not believe in the government of the lash, if any one of you ever expects to whip your children again, I want you to have a photograph taken of yourself when you are in the act, with your face red with vulgar anger, and the face of the little child, with eyes swimming in tears and the little chin dimpled with fear, like a piece of water struck by a sudden cold wind. Have the picture taken. If that little child should die, I cannot think of a sweeter way to spend an autumn afternoon than to go out to the cemetery, when the maples are clad in tender gold, and little scarlet runners are coming, like poems of regret, from the sad heart of the earth - and sit down upon the grave and look at that photograph, and think of the flesh now dust that you beat. I tell you it is wrong; it is no way to raise children! Make your home happy. Be honest with them. Divide fairly with them in everything. — Robert G. Ingersoll

Looking at a human being or even a picture of a human being is different from looking at an object. Newborn babies, only hours old, copy the expressions of adults. They pucker up, try to grin, look surprised, and stick out their tongues. The photographs of imitating infants are both funny and touching. They do not know they are doing it; this response is in them from the beginning. Later, people learn to suppress the imitation mechanism; it would not be good if we went on forever copying every facial expression we saw. Nevertheless, we human beings love to look at faces because we find ourselves there. When you smile at me, I feel a smile form on my own face before I am aware it is happening, and I smile because I am seeing me in your eyes and know that you like what you see. — Siri Hustvedt

The biggest ambition in my career is still to win the European Cup. I want to have a picture of that to look at later; I want to have that medal. You can have a contract that is better than your friends, but no player looks back and says: 'I won more money.' — Fernando Torres

I don't look at women as groupies. To me, a groupie is a stalker. If you're a fan, then you're a fan. But I can look at a woman and become a fan of hers instantly. I'll tell a woman, "Look, I don't want your phone number. Just give me your autograph. Can I take a picture with you?" — Tyrese Gibson

That's when I saw you, really saw you for the first time. I didn't intend to look at you, it just happened. It was like those pictures, you know, those optical illusions. You can gaze at them forever and see only one thing. Then when you relax your eyes for just a moment, another picture magically appears. The funny thing with that kind of visual trick it that it's really hard to go back to seeing the original picture once you've seen the new one. — Kimberly Sabatini

Some kid writes to me and says, 'I've got all your records and I listen to your music all day long and I look at your pictures all the time and I write to you and all I get is a bleeding autographed picture. You don't know how much time I spend thinking about you.' I write back to him and say, 'You don't know how much time I spend thinking about teenagers. — Pete Townshend

I had a book of Bible stories when I was a kid. There was a picture I'd look at twenty times every day: Jacob wrestles with the angel. I don't really remember the story, or why the wrestling
just the picture. Jacob is young and very strong. The angel is ... a beautiful man, with golden hair and wings, of course. I still dream about it. Many nights. I'm ... It's me. In that struggle. Fierce, and unfair. The angel is not human, and it holds nothing back, so how could anyone human win, what kind of a fight is that? It's not just. Losing means your soul thrown down in the dust, your heart torn out from God's. But you can't not lose. — Tony Kushner

This changing of focus in the eye, moving the eye itself when looking at things that do not move, deepens one's sense of outer reality. Then static things may be caught in the very act of becoming. By so simple a matter, too, as altering the position of one's head, a different kind of world may be made to appear. Lay the head down, or better still, face away from what you look at, and bend with straddled legs till you see your world upside down. How new it has become! From the close-by sprigs of heather to the most distant fold of the land, each detail stands erect in its own validity. In no other way have I seen of my own unaided sight that the earth is round. As I watch, it arches its back, and each layer of landscape bristles - though bristles is a word of too much commotion for it. Details are no longer part of a grouping in a picture of which I am the focal point, the focal point is everywhere. Nothing has reference to me, the looker. This is how the earth must see itself. — Nan Shepherd

We straighten , bu our snickering is barely contained as we attempt to focus our attention on a picture of a discarded Coke can. "This guy's lady love is kind of a slob, don't you think?" he whispers.
I cover my mouth with my hands again.
"A reaaaaaaaal litterbug."
"Stop it," I hiss. My eyes are watering. "Ohmygod look at this one! How did he get her toenail clippings?"
"If you were my girl," he whispers, "I'd take creepy pictures of your trash when I knew you weren't looking."
"If you were my girl," I whisper back," I"d put the creepy pictures in a foreign museum so you wouldn't know that I take creepy pictures. — Stephanie Perkins

I do my best to look at the bigger picture and not sweat the small stuff. I make it a point to have alone time. I value that some of life's best moments happen over a meal with your family or a glass of wine with your friends. And when life seems like a lot to bear, I dance around like a kid until I laugh. — Candice Accola

I draw because words are too unpredictable.
I draw because words are too limited.
If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning.
But when you draw a picture everybody can understand it.
If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, That's a flower. — Sherman Alexie

I'm not telling you to make the world better, because I don't think that progress is necessarily part of the package. I'm just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment. And if you ask me why you should bother to do that, I could tell you that the grave's a fine and private place, but none I think do there embrace. Nor do they sing there, or write, or argue, or see the tidal bore on the Amazon, or touch their children. And that's what there is to do and get it while you can and good luck at it. — Joan Didion

He doesn't trust me - and I'm sorry to say he has reason." He looked at Samuel. "I don't think he'll trust you either - not another male when his daughter is there." He turned back to me. "But you have his scent all over your van, and he has a picture of you in his bedroom."
Samuel gave me a sharp look. "In his bedroom? — Patricia Briggs

Once the screenplay is finished, I'd just as soon not make the film at all ... I have a strongly visual mind. I visualise a picture right down to the final cuts. I write all this out in the greatest detail in the script, and then I don't look at the script while I'm shooting. I know it off by heart, just as an orchestra conductor needs not look at the score ... When you finish the script, the film is perfect. But in shooting it you lose perhaps 40 percent of your original conception — Alfred Hitchcock

You ever watch a football game and get totally into it? Why? It's not a real battle. It's just a game somebody made up. So how can you take it seriously? Or, you ever see a movie that made your heart about jump out of your chest? Or one that made you cry? Why? It wasn't real. You ever look at a photo of food that made your mouth water? Why? You can't eat the picture.
...
Same thing with water towers and God. I don't have to be a believer to be serious about my religion. — Pete Hautman

Picture a bird perched on a thin branch, she [Miss Saeki] says. 'The branch sways in the wind, and each time this happens the bird's field of vision shifts. You know what I mean?'
I nod.
'When that happens, how do you think the bird adjusts?'
I shake my head. 'I don't know.'
'It bobs its head up and down, making up for the sway of the branch. Take a good look at birds the next time it's windy. I spend a lot of time looking out that window. Don't you think that kind of life would be tiresome? Always shifting your head every time the branch you're on sways?'
'I do.'
'Birds are used to it. It comes naturally to them. They don't have to think about it, they just do it. So it's not as tiring as we imagine. But I'm a human being, not a bird, so sometimes it does get tiring. — Haruki Murakami

A still photograph is something which you can always go back to. You can put it on your wall and look at it again and again. Because it is that frozen moment. I think it tends to burn into your psyche. It becomes ingrained in your mind. A powerful picture becomes iconic of a place or a time or a situation. — Steve McCurry

Late-Flowering Lust

My head is bald, my breath is bad,
Unshaven is my chin,
I have not now the joys I had
When I was young in sin.
I run my fingers down your dress
With brandy-certain aim
And you respond to my caress
And maybe feel the same.
But I've a picture of my own
On this reunion night,
Wherein two skeletons are shewn
To hold each other tight;
Dark sockets look on emptiness
Which once was loving-eyed,
The mouth that opens for a kiss
Has got no tongue inside.
I cling to you inflamed with fear
As now you cling to me,
I feel how frail you are my dear
And wonder what will be--
A week? or twenty years remain?
And then--what kind of death?
A losing fight with frightful pain
Or a gasping fight for breath?
Too long we let our bodies cling,
We cannot hide disgust
At all the thoughts that in us spring
From this late-flowering lust. — John Betjeman

I like to envision the whole world as a jigsaw puzzle ... If you look at the whole picture, it is overwhelming and terrifying, but if you work on your little part of the jigsaw and know that people all over the world are working on their little bits, that's what will give you hope. — Jane Goodall

You know, it's such a peculiar thing
our idea of mankind in general. We all have a sort of vague, glowing picture when we say that, something solemn, big and important. But actually all we know of it is the people we meet in our lifetime. Look at them. Do you know any you'd feel big and solemn about? There's nothing but housewives haggling at pushcarts, drooling brats who write dirty words on the sidewalks, and drunken debutantes. Or their spiritual equivalent. As a matter of fact, one can feel some respect for people when they suffer. They have a certain dignity. But have you ever looked at them when they're enjoying themselves? That's when you see the truth. Look at those who spend the money they've slaved for
at amusement parks and side shows. Look at those who're rich and have the whole world open to them. Observe what they pick out for enjoyment. Watch them in the smarter speak-easies. That's your mankind in general. I don't want to touch it. — Ayn Rand

This thing with everyone knowing you, it's weird, because people have this one-sided relationship where they look at your picture and feel they know you more than someone they actually know. I don't really know myself that well. — Robert Pattinson

I've got nothing." Eve swiveled around to him. "Zip. You've got something. What?"
"Apparently, it's not coffee," he said with a glance at his empty mug.
"What am I, a domestic droid?"
"If so, why aren't you wearing your frilly white apron and little white cap, and nothing else?"
She sent him a pained look of sincere bafflement. "Why do men think that kind of getup is sexy?"
"Hmm, let me think. Mostly naked women wearing only symbols of servitude. No, I can't understand it myself."
"Perverts, your entire species. What have you got?"
"Besides a very clear picture of you in my head wearing a frilly white apron and little white cap?"
"Jesus, I'll get the damn coffee if you'll cut it out. — J.D. Robb

I look at you
And I want to build things
Four walls
A roof
A room with a view

I look at you
And I want to build things
A stack of logs
A roaring fire
A starlit night with you

I look at you
And I want to build things
Hike a secret trail
where the world cannot find us
A bench built for two

Picture this - lightning and thunder
Picture this- my telephone number
Picture this- discovery and wonder
Picture this- the moon as we slumber

I look at you
And I want to build things
I just need my hands
Your smile
And for you to want this too — Jose N. Harris

Maybe you've already guessed by now, and you're sitting there wondering how I could take so long to figure it out. If you are, all I can say is that it's a hell of a lot harder to step back and look at the big picture when you have to keep watching your feet for land mines. — Benedict Jacka

I'll admit that I was staring. Suddenly my whole perspective had flipped inside out, like when you look at an inkblot picture and see just the black part. Then your brain inverts the image and you realize the white part makes an entirely different picture, even though nothing has changed. That was Alex Fierro, except in pink and green. A second ago, he had been very obviously a boy to me. Now she was very obviously a girl. — Rick Riordan