I Know I Can Move On Quotes & Sayings

Many times we recognize our weakness, but we fail to recognize what God can accomplish through it. It's a giving up point for far too many people who claim to know the all-powerful God. "I just can't" is a foolish statement for those who know God; it should not be in our vocabulary. "I can't" should be replaced by "I can do all things through him who strengthens me" (Phil. 4:13). Weakness should cause us to surrender to Christ in a way we never have before, to cry out to the One who has also known weakness, who has been tempted in every way, who knows the pull to give up, to move on, to pursue His own way. — Francis Chan

A woman can always get some practical use from a torn-up life ... She likes mending and patching it, making sure the edges are straight. She spreads the last shred out and takes its measure: 'What can I do with this remnant? How long does it need to last?
A man puts on his life ready-made. If it doesn't fit, he will try to exchange it for another. Only a fool of a man will try to adjust the sleeves or move the buttons; he doesn't know how. — Mavis Gallant

I know I'm not being fair to you here. I know I should let you move on. But I can't. I'll do anything to be with you for a much time as I can. Anything you ask. — R.K. Lilley

People forget that it's an acting assignment. You can work with someone for three months, three years or 30 years, and then you move on. I've done I don't know how many films, and I can look at the film and know that I worked with Clint Eastwood, but I'm not still trying to hang out with Clint Eastwood. We did our jobs. — Isaiah Washington

It's kind of a mystery to me, as far as my own life experiences and what I've witnessed - why some people can just move on through traumatic experiences, in childhood particularly, and why other people are just paralyzed by it. I just don't know how and why that is. — Annette Bening

You ... you need to move on," I managed. Yes, that was a sound reason. "You need to find someone else. You know I don't - that I can't. Well, you know. You're wasting your time with me."
He remained firm. "It's my time to waste. — Richelle Mead

Actually, I think you have to know that whatever advice you give, they may not take it. The priority should be on keeping the friendship rather than giving the best advice. Your best advice is usually, 'Walk away from him! Tell him you never want to see him again!' But if you are dealing with someone still in love, nothing you say can change their feelings. All you can do is be there for them and pick them up every time they get hurt. Until, that is, they are ready to move on for themselves. — Taylor Swift

Something else you should really know about me. When I get nervous, my fingers shake. I've noticed this a lot recently. When mother and father argue and their voices are falling around the small family apartment, when their voices are banging against my bedroom door, I can feel my fingers start to move. I tell my fingers to stop and, sometimes, they do. But if I look at my hands closely, once I've told them to stop, and I try to focus on keeping them as still as possible, I notice that they are still moving. — Kerem Mermutlu

We can't spend all day trying to get the performance exactly right and you just have to accept that and move on and accept the medium that you're working in and you know, there's a beauty in working under constraints and limitations. I think a lot of great things can come out of that. — Emily Deschanel

I loved Eddie. You know that, Stan. He'll be enshrined in my heart until I draw my last breath. But he can't be enshrined in my life. I've got to let go and move on. So do you. — Sandra Brown

Love, as the poet says, is like the spring. It grows on you and seduces you slowly and gently, but it holds tight like the roots of a tree. You don't know until you're ready to go that you can't move, that you would have to mutilate yourself in order to be free. That's the feeling. It doesn't last, at least it doesn't have to. But it holds on like a steel claw in your chest. Even if the tree dies, the roots cling to you. I've seen men and women give up everything for love that once was. — Walter Mosley

Some people, they can't just move on, you know, mourn and cry and be done with it. Or at least seem to be. But for me ... I don't know. I didn't want to fix it, to forget. It wasn't something that was broken. It's just ... something that happened. And like that hole, I'm just finding ways, every day, of working around it. Respecting and remembering and getting on at the same time. — Sarah Dessen

I find many adults are put off when young children pose scientific questions. Why is the Moon round? the children ask. Why is grass green? What is a dream? How deep can you dig a hole? When is the world's birthday? Why do we have toes? Too many teachers and parents answer with irritation or ridicule, or quickly move on to something else: 'What did you expect the Moon to be, square?' Children soon recognize that somehow this kind of question annoys the grown-ups. A few more experiences like it, and another child has been lost to science. Why adults should pretend to omniscience before 6-year-olds, I can't for the life of me understand. What's wrong with admitting that we don't know something? Is our self-esteem so fragile? — Carl Sagan

Certain guys, they can see a guy do a certain thing with their glove and know what pitch is coming. I couldn't do that. But I can get on first base and I can tell you by his move if that pitcher is going to first base or home plate every time. — Rickey Henderson

I suppose I took comfort in the illusion that I could go back. But I'd been around long enough to know history is sealed and unchangeable. You can move on, with a heart stronger in the places it's been broken, create new love. You can hammer pain and trauma into a righteous sword and use it in defense of life, love, human grace and God's blessings. But nobody gets a do-over. Nobody gets to go back and there's only one road out. Ahead, into the dark. — Bruce Springsteen

Christ's version of kindness:
I know you are hurt. I contributed to that. Maybe, I should have said more. Done more. Listened. I am sorry for my part in the situation. I am sorry if I caused you any pain or confused you with my actions or words. How can I help you move on? I want you to have peace in your life. Let's end this by communicating.
The world's perverted version of kindness:
You caused your own pain. You get what you get. Get over it and move on. Maybe, one day you will figure out what happiness really means. By the way, I am not responsible for giving it to you. Nor, do I have to put up with people that don't bring me joy or who I can't trust. I am only responsible for myself. I will pray for you because I am a good Christian. — Shannon L. Alder

pointed to glass panes high on the wall. "How do we get up there?" said Jenny. "And once we're out, how do we get out of here?" Cora thought a minute. "There's a barn out back with horses. We'll take them. Can you ride?" "Yes, I can ride, but what if they catch us? And which way do we go?" "They won't even know we're gone until much later. By then we'll be in town. Galena is only a few miles away. We went through it on the way here, remember? We'll go straight to the sheriff there and tell him what happened. Now help me move some tables and chairs." They assembled a rickety pile that gave them access to the high window, which was loose enough — Jordan St. John

What was toughest for me in writing "Trust," was reliving it, turning and facing this. We move on and we don't move on, you know? She's still there - and by "she" I mean me - caught in that windowless room, that bad bargain and that violation. No one can touch me, sexually, without activating that memory. But I had walled, I thought, that time off. I say that and then want to say "and I got off lightly"! — Laura Mullen

Sjogren's is something you live with your whole life. The good news for me is now I know what's happening after spending years not knowing ... I feel like I can get better and move on. — Venus Williams

Times change, Selena. Believe me, I know, and sometimes there's nothing you can do about it except to let it go. No matter how much you want to stop time, it has
to go forward and move on to something else. — Sherrilyn Kenyon

That's what I want you to tell me. See, I deal with ... well, most days, bizarre paranormal crap. You are Queen Weird. I need the queen on this before I have to start hiring a new staff of medical examiners who don't freak out when the dead move off their tables. You know where I can find some of these unusual people? I know you hang out with them. (Tate)
Thanks, Tate. I always look forward to these ego-bolstering pep talks of ours. (Simone) — Sherrilyn Kenyon

Lend stood up, shouldering his duffel bag, as I walked back into the living room. "Where do you think you're going?" I snatched his coat away and held it. He just got here. There was no way I was letting him go anywhere else.
"I happen to have very important things to do."
"What on earth is more important than watching Easton Heights??"
"Christmas shopping for you?"
I dropped the coat into his arms and opened the door. "Take your time."
"Glad to know I'll be missed."
"Have fun!" I leaned up and kissed him hard, then shoved him out and sat back on the couch with a sloppy smile on my face. "Best boyfriend ever."
"Shut. Up. Now." Arianna didn't move, eyes fixed on the television. A firm knock sounded on the door. "And tell Lend he can just walk in already!"
"Did you forget something?" I said as I opened the door, surprised to see a short black woman in a suit. And not Lend pretending to be one, either. — Kiersten White

Many times, I've been broken. Often used and abused. Many trials go unspoken. Often leaving me sad and confused. But Lord if you put your hands on me, And grant me just a touch of your Peace. I know that I can win this race, With the help of your mercy and grace. Lord fix me, I'm broken, and I need to move on. — B.M. Hardin

You can see in the dark, move incredibly fast, you don't spar - "
"Are you listing traits of fictional vamires?" he asked, amused, smirk still plastered on his face.
I almost felt embarrassed, but why should I? I didn't know about his vampiric traits, or until a few weeks ago, that he even existed. — Inger Iversen

Sometimes I can't tell the difference between living and dead. Sometimes I look at a pretty little girlie and I think to myself, Is she a living, breathing thing? Or is she just a doll? Are those actualy tears she's crying? Are those real creams coming out of her mouth? And it's like a fog in my mind, like I get all confused and frustrated and mixed up, so I start doing things. Start small at first, like maybe with the ears or the lips or the toes. And then move on to the bigger things, and there's blood, so I keeping going and my hands are wet and my mouth is warm and I keep going and then something magical happens, Jasper. It's real magical and special and beautiful. See, they stop moving. They stop struggiling. All the fight just goes away and that's when it's all clear to me: She's dead. And if she's dead, then that means that she used to be alive. So then I know: This was a living one, a real one. And I feel good after that 'cause I figured it out. — Barry Lyga

Scarlet, before you go through this, I want to remind you of September 7th, 1988. It was the first time that I saw you. You were reading Less Than Zero, and you were wearing a Guns 'n' Roses t-shirt. I'd never seen anything so perfect. I remember thinking that I had to have you or I'd die... then you whispered that you loved me at the homecoming dance, and I felt so peaceful... and safe... because I knew that no matter what happened, from that day on, nothing can ever be that bad... because I had you. And then I, uh... I grew up and I lost my way. And I blamed you for my failures. And I know that you think you have to do this today... but I don't want you to. But I guess... if I love you, I should let you move on. — Mike O'Donnell

Lev,' said Ruby, 'when I was younger, I always told people the things I thought they wanted to hear. But I don't do that anymore. It's a cruel thing to do. So I can't say now that you will be free of it ( grief) and move on, because I just don't know the answer. — Rose Tremain

As for free will, there is such a narrow crack of it for man to move in, crushed as he is from birth by environment, heredity, time and event and local convention. If I had been born of Italian parents in one of the caves in the hills I would be a prostitute at the age of 12 or so because I had to live (why?) and that was the only way open. If I was born into a wealthy New York family with pseudo-cultural leanings, I would have had my coming-out party along with the rest of them, and be equipped with fur coats, social contacts, and a blase pout. How do I know? I don't; I can only guess. I wouldn't be I. But I am I now; and so many other millions are so irretrievably their own special variety of "I" that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratches on the paper ... I ... I ... I ... I ... I ... I. — Sylvia Plath

There were a great many jokes about the disaster (house falling on and killing Wicked Witch of the East), naturally. "You can't hide from desinty, that house had her name on it" "That Nessarose, she was giving such a good speech about religious lessons, she really brought down the house!" "Everybody needs to grow up and leave home sometimes, but sometimes HOME DOESN'T LIKE IT." "What's the different between a shooting star and a falling house?" "One which is propitious grants delicious wishes, the other which is vicious squishes witches." "What's big, thick, makes the earth move, and wants to have its way with you?" "I don't know, but can you introduce me? — Gregory Maguire

I know now what was happening to me, what was overwhelming me, what was about to consume and almost destroy me. Didier had even given me a name for it - assassin grief, he'd once called it: the kind of grief that lies in wait and attacks you from ambush, with no warning and no mercy. I know now that assassin grief can hide for years and then strike suddenly on the happiest day, without discernible reason or exegesis. But on that day, ... almost a year after Khader's death, I couldn't understand the dark and trembling mood that was moving in me, swelling to the sorrow I'd too long denied. I couldn't understand it, so i tried to fight it as a man fights pain or despair. But you can't bite down on assassin grief and will it away. The enemy stalks you, step for step, and knows your every move before you make it. The enemy is your own grieving heart and, when it strikes, it can't miss. — Gregory David Roberts

Lights and darks. And suddenly i was here, where everything seems strange. And I don't know why. Like the Fox and the Crow, I don't know the whole story yet. But that's a good reason to go on, don't you think?"
"Go where?" said the Scarecrow.
"Go forward," said the girl. "See something. Learn something. Figure it out. We won't ever get the whole thing, I bet, but we'll get something. And then we'll have something to tell when we're old about what happened to us when we were young."
"Now?" said the Scarecrow. "Can you tell it now?"
"After," said the girl. "We have to have the BEFORE first, and that's life"
"And what's life?" said the scarecrow.
"Moving," said the girl. "Moving on. Shall we move on? Will you come with me? — Bruce Coville

Well, then, if I admit I know who you are and really couldn't care less will that assuage your damaged manhood enough that we can get past this and move on to something that ends with your giving me a sandwich? (Leta) — Sherrilyn Kenyon

I try Dr. Pat's breathing exercises but they're not working because my entire mind is focused on keeping myself glued to the couch. I don't want to move any closer to the bathroom just in case. But I hate myself for the thought. I know it's not right or normal. I know I'm not simply some cute quirky girl like Beck says, and every moment I can't get off the couch is a moment that makes me one level crazier. That heavy, pre-crying feeling floods my sinuses and I drop my head from the weight of it. Cover my face with my hands long enough to get out a cry or two. Because there is nothing, nothing worse than not being able to undo the crazy thoughts. I ask them to leave, but they won't. I try to ignore them, but the only thing that works is giving in to them.
Torture: knowing something makes no sense, doing it anyway. — Corey Ann Haydu

I hid this one in the hopes that you would find it long after I'm gone. I hope you find this months from now, when I'm still out there, on the road, away from you. I can't imagine what the time apart has done to us. I'm hoping we're closer.
I'm hoping we're more in love than ever. I'm hoping that when I come back, you'll move in with me. In all honesty, I'm hoping that when I come back you'll agree to marry me someday. Because that's what I want, what I dream about.
You, mine, for the rest of my life. I hope you feel the same ... because I don't know what I would do without you. I love you so much. But, if for some reason we're not closer, if something has gotten between us, please, I'm begging you ... don't give up on me. Stay. Stay with me. Work it out with me. Just don't leave me ... please.
I love you, always, Kellan — S.C. Stephens

You'd think with all the magazines and the covers and all the sexy stuff I've done, that that's hugely a part of me. But even though I've played those roles and I've dressed up and been on the covers of these things and done this and that, it is all such pretense. So I just thought, "I can't be one of those girls. I wear bib jeans. I don't wear underwear like that. I don't move in the world like that." You know, I'm more bare-footed Rastafarian, crazy. — Kim Basinger

Moved on ... " he said. "Rusted nuts! You can do that?"
"Certainly."
"Huh. You think ... I should ... you know ... Ranette ... "
"Wayne, if ever someone should have taken a hint, it was you. Yes. Move on. Really."
"Oh, I took the hint," he said, taking a swig of sherry. "Just can't remember which jacket I left it in." He looked down at the jug. "You sure?"
"She has a girlfriend, Wayne."
"'S only a phase," he mumbled. "One what lasted fifteen years. ... — Brandon Sanderson

She put a hand on his hip and turned him to her. "But things could go wrong, so i want to tell you something while it's just the two of us, Eddie. I want to tell you how much I love you." She spoke simply, with no drama.
I know you do," he said, "but I'll be damned if I know why."
Because you made me feel whole," she said. "When I was younger, I used to vacillate between thinking love was this great and glorious mystery and thinking it was just something a bunch of Hollywood move producers made up to sell more tickets in the Depression, when Dish Night kind of played out."
Eddie laughed.
Now I think that all of us are born with a hole in our hearts, and we go around looking for the person who can fill it. You ... Eddie, you fill me up. — Stephen King

I will always know that the grass, though it seems emerald and glowing in that field on the other side - it isn't. Flowers grow here. They grow over there. Weeds do, too. But both are wide, and they're open. And I can lie and cry in one and move and spin in the other, all while knowing this: they're the same field. And they're both mine. — Andie Mitchell

I know. And I'm Sorry. People will disappoint you, Gemma. The question to ask is whether you can learn to live with the disappointment and move on. I'm offering you a new world. — Libba Bray

I know," she said, "rejection's not easy. But you reject words, whole pages, long impossible stories, and it feels good once it's done. It's no different rejecting pictures, a picture's right to hang on a wall. And most of these have hung here too long; you don't even see them any more. The best stuff you have, you don't see any more. And they kill each other because they're badly hung. Look, here's a thing of mine and here's your drawing, and they clash. We need distance, it's essential. And different periods need distance to set them apart - unless you're just cramming them together for the shock effect! You simply have to feel it ... There should be an element of surprise when people's eyes move across a wall covered with pictures. We don't want to make it too easy for them. Let them catch their breath and look again because they can't help it. Make them think, make them mad, even ... Now we'll give our colleagues here better light. Why did you leave so much space right here? — Tove Jansson

There comes a time when even the thing you love betrays you ... you have to know when it's time to give it up, I suppose. Doesn't mean you love it any less, of course. Just means it's time to move on. When you can't agree with the decisions that bind you, then you have to take your talents elsewhere. — Siri Mitchell

If you want something bad enough, you've got to make a bold move. Just make sure you clear the bold move with the people whose lives it's going to affect. Like George Washington, had to get all those guys who the British killed to agree to die. Neil Armstrong, had to crank a couple of elbows into Buzz Aldrin's face mask to make sure he got on the moon first. And Christopher Titus, well, he worked his dad for five grand. Ha ha. Who can't support who ? I know, it's complicated. — Christopher Titus

Kristian, if you don't love me now, no one ever will. This is it; you are the only person that knows I'm here. If you move on, there is no one else." She sounds defeated.
"I know," I say softly. And that's exactly why I won't, I can't, move on. — Dannielle Wicks

I started out playing traditional jazz, and I still do: I love standards, I love the music. But it must move on, and it must live and breathe, and continue to grow, and continue to change, and continue to mesh with other music - all that kind of stuff. Jazz can be on the playground too, you know. — Robert Glasper

Consider a man riding a bicycle. Whoever he is, we can say three things about him. We know he got on the bicycle and started to move. We know that at some point he will stop and get off. Most important of all, we know that if at any point between the beginning and the end of his journey he stops moving and does not get off the bicycle he will fall off it. That is a metaphor for the journey through life of any living thing, and I think of any society of living things. — William Golding

The hard and unexpected part is the realization not just that my son is not here but that the boy he was is gone forever. I would give anything to have them both back. But of course that cannot be. Life moves on. Kids grow up and move away, and if you don't know this already, believe me, it happens faster than you can imagine. — Bill Bryson

Rosie: I don't know what you're talking about! I am not waiting for Alex!
Ruby: Yes you are, my dear friend. He must be some man because nobody can ever measure up to him. And I know that's what you do every time you meet someone: compare. I'm sure he's a fabulous friend and I'm sure he always says sweet and wonderful thing to you. But he's not here. He's thousands of miles away, working as a doctor in a great big hospital and he lives in a fancy apartment with his fancy doctor fiancee. I don't think he's thinking of leaving that life anytime soon to come back to a single mother who's living in a tiny flat working in a crappy part-time job in a paperclip factory with a crazy friend who emails her every second. So stop waiting and move on. Live your life. — Cecelia Ahern

I don't have any idea what to wear anymore, so I tried to cover all bases."
"Try skin."
"Little chilly for that."
We looked at each other across the coffee table.
His eyes didn't say, I'd heat you up, and mine didn't say What are you waiting for? He didn't reply, Fuck if I'm making the first move, so I was careful not to say, I wish you would, because I can't, because I'm ... and he didn't snap ... choking on your pride?!
"As if you aren't."
"Excuse me?"
"Really Barrons," I said drily. "I'm not the only one who didn't just not have that conversation, and you know it."
There was the faint, sexy lift of his lip. "You're a piece of work, Ms. Lane."
"Right back at you. — Karen Marie Moning

We have to emphasize to the gay community that opposition to same-sex marriages is not about hate, but about debate. Opposition to what some of us see as a devastating move that will further weaken the family and harm children
such opposition is not hateful. Morality is not bigotry.
In their book The Homosexual Agenda, authors Alan Sears and Craig Osten give this illustration, which I've summarized: Imagine that you are standing at the bottom of a cliff and you are watching as someone on the ledge above you is walking backwards, and in a few steps he will surely fall over the precipice. You shout, warning him to stop, and before you know it, a crowd gathers around you, snapping your picture and accusing you of "hate speech." You are being warned to keep your prejudices to yourself. After all, who are you to tell someone where they can and can't walk? Who are you to say that someone can't walk backwards? You are dumbfounded, but there you are, the object of everyone's wrath. — Erwin W. Lutzer

I squeezed her hand. "He's not coming back, Carlee"
When I said her name, her whole body stiffened, her eyes opening wide and clearing, as though a veil over them had lifted. "Carlee," she whispered.
I nodded and waited for her to freak out, to start screaming or crying, bracing myself and getting ready to hug her or carry her back to the village, whatever it took. For a few impossibly long moments she didn't say anything, didn't move, and I wondered if the shock had broken her brain. Then her brown eyes locked on mine again, narrowing into slits.
"I'm gonna kill that effing creep."
I laughed, relief flooding through me, and threw my arms around her neck.
"No, seriously. I'm going to kill him! I can't believe I bought his stupid lines! I don't care how pretty he was, I mean, have you seen what I'm wearing?"
Laughing, I nodded into her shoulder. "So not the style."
"I know, right? I look like an extra in some fantasy movie. Some stupid fantasy movie. — Kiersten White

At the Ball

I chanced to see you. Music played,
Vain chatter filled the place.
It seemed as though a veil were laid
Across your secret face.

Your eyes alone were sad; your way
Of speaking ravished me,
As though I heard a far pipe play,
And on the shores the sea.

How welcome was your look of thought,
Your figure tall and slight;
And that clear laugh with sadness fraught
Is in my heart to-night.

And when the noise of day is stilled
Once more they come to me,
Those eyes with so much sadness filled,
That voice, with gaiety.

Down to the depths of sleep I go,
Where dreams uncaptured move.
But do I love you? Who can know?
Yet this, I think, is love. — Alexei Tolstoy

The American revolution, the terms are these: not that I drive you out or that you drive me out, but that we come together and embrace and learn to live together. That is the only way that we can have achieved the American revolution.
Now, if we can face this, it involves facing a great many things. It demands that white people face the fact that I, for example, or any black person they will ever meet or have ever met - I am not an exotic rarity. I am not a stranger. I am none of those things. On the contrary, for all you know, for all you know, I might be your uncle, your brother, your cousin, among other things. One of the things that has happened here - and the pathology of the Deep South proves it; so does the pathology of the North, which dictates to them that they move out and I move in - among other things which have to be excavated here is the fact that this long history is also the history of a love affair. — James Baldwin

Slowly, as waves recede, my expanding spirit shrinks back into earthly dimensions
not voluntarily, because I would prefer to lose myself, but I am pulled from below, back to myself, into myself, so that for just one moment I am on the couch again, fitting the fingers of my awareness into the glove of my flesh. And I know I can move this finger or wink that eye
if I want to. But I don't want to move. I will not move! — Daniel Keyes

If 'Chicago Fire' goes for a long run, maybe I'll look for a place, but in my line of work, you can't throw your eggs into one basket because you might have to move. I'm not big on 'things,' though, so I don't own TVs, couches or cars because I wouldn't know where to put them. — Taylor Kinney

I still can't help but love Sienna, though, I adore her. looking at her still makes me melt somewhere deep in my soul. Her presence lifts me up more than anyone else I know. Thinking about her fills me with happiness. What we have is unique. But I have accepted that she will never be mine, so I have to just love her from a distance and move on. It's working. It really is. I am finally achieving peace. — Jessica Thompson

I've been mayor so I believe there is something else for me. I don't know what that is yet, but I definitely have a testimony now brother! As far as talking to young couples, talking to brothers who are strong, they have it going on, they know exactly what they want to do, how they want to do it but they don't have any God in their life. They don't really move by a spirit. They are not really connected to the community. There is a testimony in here somewhere that I think I can share but I don't know. — Kwame Kilpatrick

You remember how he used to be girl on either arm? You really don't see that guy too much anymore. Why do you think that is? He's waiting for you. I know you're dealing with stuff but you cannot ask him to wait forever! Unless of course, you're okay with him pulling away."
"What if it doesn't work out? What if it ends up like you and Javier?"
"Well at least we gave it a shot. And so it didn't work out, so what? Now, we can move on give or take the occasional booty call."
"I just don't wanna lose what we have, you know?"
"Girl please! What exactly do you have, really?"
"A friendship."
"No. What you and I have is a friendship. What you and castle have is a holding pattern. How long can you circle before the fuel runs out? — Richard Castle

I tried to find a way to go on. I could see familiar traces of the path that was my life, but there was always the wall behind me. Do you know what I mean? First you try and climb, pretending it never happened, but it's too tall. Then you try to go around, thinking you can fix it, but it is too far. Then, in frustration, you beat on it with your hands, but it does nothing, so you tire and sit down and just stare at it. You stare because you can't bring yourself to walk away. Walking away means that you're giving up, abandoning them.
"There is no way back. There is only forward. It's impossible to imagine there's any reason to move ahead, but that isn't the real reason you give up. The real fear
the terror that keeps you rooted
is that you might be wrong."
Myron, Monk of Maribor — Michael J. Sullivan

Another voice rages.
I hate that boy! I hate me! I am so incredibly stupid!
A sunflower leans over the fence, smiling
How dare you!
I rip off its head and throw it in the gutter.
The smart thing to do is to keep going on. Walk away quickly and no one will know what I've done. But I can't move because my eyes are locked on the slowly opening front door - locked on Mrs Muir.
'I'm sorry.' My tiny voice sounds so pathetically lame, but I've still got more lameness for her. 'I never do this sort of thing. I like sunflowers. I was just angry about something - nothing to do with you or the flower. I'm really, really sorry.'
'Oh, you are upset! Well, never mind'. Mrs Muir comes closer to me. 'Goodness, we all get cross. The main thing is: did it make you feel any better?'
'No. Yes. Maybe. A little bit.'
'Would you like to do another one? There's more out the back, too. You go for your life dear. I don't mind at all - they need a good pruning. — Bill Condon

The late Curt Cobain captured the attitude of today's culture with the line, "Here we are; now entertain us." I believe that, unfortunately, many Christians have made Cobain's line the refrain of their friendships.
In my opinion, our cultural obsession with entertainment is really just an expression of selfishness. The focus in entertainment is not producing something useful for the benefit of others but consuming something for the pleasure of self. And a friendship based on this self-serving, pleasure-seeking mind-set can easily slip into a similarly self-serving romantic relationship that meets the needs of the moment.
But when we shift our relationship orientation from entertainment to service, our friendships move from a focus on ourselves to a focus on the people we can serve. And here's the punch line: In service we find true friendship. In service we can know our friends in a deeper way than ever before. — Joshua Harris

Most of the time, I grill over high heat. I like things to move fast. I like the sound and smell of a very hot fire. I gravitate towards dishes that you can get on and off the grill as quickly as possible. After a while, you'll know without thinking about it how hot the fire is. — Bobby Flay

His eyes darkened in frustration.
"I'm tired of waiting, Thalia. I'm not a patient person. You have to know."
"What do you mean, Keal? You know I like Joss." I tried to move away again, but his hands on either side of me pinned me in. Keal's determination scared me.
"You know what we share is infinitely more powerful than ... that. And you feel this between us, too," he growled. "You melt when I kiss you. You watch me when you think I'm unaware. You can't sleep unless I'm near. Tell me none of that is true."
I swallowed nervously and licked my lips. "No, that's all true."
"I promised your father I'd give you time, but I'm tired of waiting. Tired of watching Joss try and win your heart from me."
"Keal, I don't understand. Ho is joss keeping you from me, when you and I don't think of one another that way?
"Don't think
Thalia! You and I are lifemates. — Chanda Hahn

In a healthy relationship, you're allowed to get pissed and in my face. Fuck, I need you to do that so I know what buttons not to push, where I can't go and avoid those places. And I'll do the same for you. Its part of learning how to take care of each other. Its fightin but its a form of communication and it's also a form of trust. We have words, we come to terms, we learn about each other and we move on stronger. — Kristen Ashley

No. No!" he says.
"I ... " He looks wildly around the room. For inspiration? For divine intervention? I don't know.
"You can't go. Ana, I love you!"
"I love you, too, Christian, it's just - "
"No ... no!" he says in desperation and puts both hands on his head. "Christian ... "
"No," he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn't move. What?
"Christian, what are you doing?"
He continues to stare down, not looking at me.
"Christian! What are you doing?"
My voice is high-pitched. He doesn't move.
"Christian, look at me!" I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze - he's almost serene ... expectant.
Holy Fuck ... Christian. The submissive. — E.L. James

Right now I feel guilty to be alive. Why? Because I'm wasting it. I've been given this life and all I do is mope it away.
What's worse is, I am totally aware of how ridiculous I am. It would be a lot easier if I believed I was the center of the universe, because then I wouldn't know any better NOT to make a big deal out of everything. I know how small my problems are, yet that doesn't stop me from obsessing about them.
I have to stop doing this.
How do other people get happy? I look at people laughing and smiling and enjoying themselves and try to get inside their heads. How do Bridget, Manda, and Sara do it? Or Pepe? Or EVERYONE but me?
Why does everything I see bother me? Why can't I just get over these daily wrongdoings? Why can't I just move on and make the best of what I've got?
I wish I knew. — Megan McCafferty

You hear stories like that all your life and think: cool, a ghost bus. But now we have to look at this stuff analytically ... a ghost bus?! The "ghost" of a motor vehicle? A public conveyance, presumably, which didn't head towards the light, move on to join the choir invisible in ... bus heaven, the great terminus in the sky, where all good buses go when they ... I don't know, break down, but instead is doomed to ... drive eternally the streets of Earth! How can there be a ghost bus?! — Paul Cornell

Returning to her position beneath the skylight, she yanked her arm down. The end of a length of rope tumbled into the room. "Oh, Mr. Addison. I never give something for nothing."
He found that he wasn't quite ready for her to leave. "Perhaps we could negotiate."
She released the rope, approaching him with a walk that looked half Catwoman and all sexy. "I already suggested that, and you turned me down. But be careful. Somebody wants you dead. And you have no idea how close somebody like me can get, without you ever knowing," she
murmured, lifting her face to his.
Jesus. She practically gave off sparks. He could feel the hairs on his arms lifting. "I would know," he returned in the same low tone, taking a slow step closer, daring her to make the next move. If she did, he was going to touch her. He wanted to touch her, badly. The heat coming off her body was almost palpable. — Suzanne Enoch

What people think about you is not supposed to matter much, so long as you yourself know where the truth lies; but I have found out, as have others who move in and out of newspaper headlines, that on occasion it can matter a good deal. For once you enter the world of headlines you learn there is not one truth but two: the one which you know from the facts; and the one which the public, or at any rate a highly imaginative part of the public, acquires by osmosis. — Richard E. Byrd

His eyes move to my lips, and I know he's thinking the same thing; I can feel it in the way the air charges between us. I can almost taste him half an inch away, can feel the way the tiny hairs on my skin lift and reach for him like plants seeking the sunlight. — Amie Kaufman

She stepped out of the box, smiled sweetly. "You know, Brian, just because you can make a fifteen hundred pound horse do what you want, doesn't mean you can budge me one inch.I'm going to go bet on our horse.To win."
"It's not our-" He broke off, swore, as she'd already flounced out. "And you don't bet to win," he muttered. "It's nothing personal," he said to Finnegan who was watching him with soft, sad eyes. "I just can't be owning things.It's not that I don't have great affection and respect for you,for I do. But what happens in a year or two down the road I move on? Even if I don't-as it's feeling more and more that I'd wonder why I would-I can't have the wman give me a horse.Even a half a horse. Well, not to worry.We'll straighten it all out later. — Nora Roberts

Every one of us can honestly claim that "worst of sinners" title. No, it isn't specially reserved for the Adolf Hitlers, Timothy McVeighs, and Osama bin Ladens of the world. William Law writes, "We may justly condemn ourselves as the greatest sinners we know because we know more of the folly of our own heart than we do of other people's."
So admit you're the worst sinner you know. Admit you're unworthy and deserve to be condemned. But don't stop there! Move on to rejoicing in the Savior who came to save the worst of sinners. Lay down the luggage of condemnation and kneel down in worship at the feet of Him who bore your sins. Cry tears of amazement.
And confess with Paul: "I was shown mercy so that in me, the worst of sinners, Christ Jesus might display his unlimited patience as an example for those who would believe on him and receive eternal life" (1 Timothy 1:16) — C.J. Mahaney

Look I have somewhere I have to be and I don't particularly love that I have to go, but you freaking out and making a scene is not going to do anything other than piss me off. I hope you had a good time last night and you can leave your number but we both know the chances of me calling you are slim to none. If you don't want to be treated like crap maybe you should stop going home with drunken dudes you don't know. Trust me we're really only after one thing and the next morning all we really want is for you to go quietly away. I have a headache and I feel like I'm going to hurl, plus I have to spend the next hour in a car with someone that will be silently loathing me and joyously plotting my death so really can we just save the histrionics and get a move on it? — Jay Crownover

Everybody f-king does it. I suppose I can't say 'everybody' because I don't know for sure, but come on ... It's just the tiniest sprinkle of Botox twice a year. I think most women do 10 units, but that freezes the face and you can't move it. This is just one unit, and it's just sprinkled here and there to take the edge off ... Perhaps it's not wise to put that in a magazine? But I ain't hiding anything. — Robin Wright

You want to know what I'm afraid of? I'm afraid of every morning when I wake up that this will be the day when I can no longer move for myself. I know it's coming. It's just a matter of time until I have no choice, except to have someone else clothe me, feed me. Change my diaper. And I can't stand it. (Adron)
Then why don't you kill yourself? Why are you still here? (Livia)
Because every time I think of doing that, I can hear my family praying over me while I was in the hospital. I hear my mother weeping, my father begging me not to die on them. I could never intentionally hurt them that way. It would devastate them both, and while I'm a pathetic asshole, I'm not that selfish. (Adron) — Sherrilyn Kenyon

tucked an arm around the back of Prophet's neck and Prophet buried his face in Doc's shoulder as Doc said, "It's not fair. I know it's not. But before you do anything else, you have to tell Tom." "How do you know I haven't?" "How do I know the sun rises in the morning?" "Fucker," Prophet muttered against Doc's shoulder. "Disability-hater." Doc rubbed the back of his neck but didn't make a move to let him go. And Prophet was okay with that. "Do you want me to tell him?" Doc asked finally. "Yeah. But you can't." God, it was safe right here, with Doc. And Prophet wanted it to be this safe with Tommy . . . and it was, except for this issue. Which he hadn't given Tommy the chance to deal with. "I can be there with you. I'll answer the questions he'll have, so you don't have to." Prophet lifted his head. "Yeah, I get you're trying to make it easier on me, but fuck, it's not going to be at all. I can't pretend anything will help." "Not pretending is the first step. — S.E. Jakes

It's Ky's move. In the quiet before the Ky takes his turn, Xander watches him carefully. Ky's hand hovers over the board. For a moment, as he holds the piece in the air, I see where he could put it to win and I know he sees it, too, that he planned the whole game for that last move. He looks at Xander and Xander looks back, both of them locked in some kind of challenge that seems to run deeper and older than what's happening here on this board.
Then Ky moves his hand and puts his piece down in a spot where Xander can eventually overtake him for the win. Ky doesn't hessitate once he places the piece; he sets it down with a solid sound and leans back in his chair, looking up at the ceiling. I think I see the slightest hint of a smile on his lips but I can't be sure. — Ally Condie

She watched his throat move, and then, he reached out and touched her face. "You sure are pretty," he said. "It's the stone," she replied immediately. Her skin felt warm; his fingertip touched just the very edge of her mouth. "It's flattering." Adam gently pulled the stone out of her hand and a set it on the floorboards between them. Through his ingers he threaded one of the flyaway hairs by her cheek. "My mother used to say, 'Don't throw compliments away, so long as they're free." HIs face was very earnest. "That one wasn't mean tho cost you anything, Blue." Blue plucked at the hem on her dress, but she didn't look away from him. "I don't know what to say when you say things like that." "You can tell me if you want me to keep saying them." She was torn by the desire to encourage him and the fear of where it would lead. "I like when you say things like that." Adam asked, "But what?" "I didn't say but." "You meant to. I heard it. — Maggie Stiefvater

Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.
'It would be merciful to kill it,' said Tialys.
'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.'
'If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.'
'But if it's in pain?' said Tialys.
'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.'
They moved on. — Philip Pullman

I do not know what you are supposed to do with memories likes these. It feels wrong to want to forget. Perhaps this is why we write these things down, so we can move on. — Lloyd Jones

After everything happened with you and me, I tried to heal. I knew that I needed to forget you and move on. I hurt so much; everyday felt like a death sentence. I mourned you like you were dead and then, I met Leah. We were set up on a blind date and I remember feeling hope that day. It was the first day in a year that I felt hope. We took our time getting to know each other, I bought her a ring." He shot me a look to see if I remembered the iceberg.
"And then, all of a sudden I missed you again. I mean, I never stopped missing you, but this time it hit me hard. I couldn't go to sleep for a single night without seeing you in my dreams. I compared everything Leah did to everything I remembered about you. It was like the old wound opened itself up again and I was bleeding out my feelings for you." I close my eyes at his words. Words that I want to hear badly but that are making my heart ache so terribly I can barely breathe. — Tarryn Fisher

I had to learn how to trust my gut. Trust what I know to be right ... not right, but not waver on who I am. Know who I am, know what I want, and know it. Not waver on it and be secure in that. And I still struggle with it. But I really ... I can't be moved. You can't move me, and that all comes with loving myself, and I'm like my best buddy. — Mary J. Blige

I can make 10 jackets of the same colour, same two pockets and same length, that will look like 10 completely different jackets when you put them on. It's about the way they are cut - it makes them look and feel completely different and move differently, and that's a never-ending study. People who wear my clothes will know exactly what I mean. — Ann Demeulemeester

Jace set what he was holding down on the windowsill and reached out to her. She came to lean against him, and his hand slid up under her t-shirt and rested caressingly, possessively, on the small of her back. He bent to kiss her, gently at first, but the gentleness went quickly and soon she was pressed up against the glass of the window, his hands at the hem of her shirt - his shirt
"Jace." She moved a little bit away. "I'm pretty sure people down there in the street can see us."
"We could ... " He gestured toward the bed. "Move ... over there."
She grinned. "You said that like it took you a while to come up with the idea."
When he spoke, his voice was muffled against her neck. "What can I say, you make my thought processes slow down. Now I know what it's like to be a normal person."
"How ... is it?" The things he was doing with his hands under the t-shirt were distracting.
"Terrible. I'm already way behind on my quota of witty comments for the day. — Cassandra Clare

I know you are new at this dating thing, but people don't usually insult their girlfriend and ask them to move in with them in the same sentence," I inform him, chewing my bottom lip to suppress my smile.

"Well, sometimes the said girlfriend needs to lighten up." He grins. Even drunk, he's charming as hell.

"Well, then said boyfriend needs to stop being a jerk," I say to retaliate.

He laughs and moves from the chair over to my bed. "I am trying not to be a jerk, I really am. Sometimes I can't help it." He sits on the edge of the bed. "I'm really, really good at it! — Anna Todd

Stop thinking," he said.
I have to think," said val. "You said I was supposed to concentrate."
Thinking makes you slow. You need to move as I move. Right now, you're merely following my lead."
How can I know where you're going to go before you've gone there? That's stupid."
It's no different from knowing where an opponent might move. How do you know where a ball is likely to go on the lacrosse field?"
The only things you know about lacrosse are the things I told you," Val said.
I might say the same about you and sword fighting." He stopped. "There. You did it. You were so busy snapping at me that you didn't notice you were doing it."
Val frowned, too annoyed to be pleased, but too pleased to say anything more. — Holly Black

I don't know much about the music business, but for just general advice for someone trying to create things, as simple as this sounds, I think the best thing you can do is constantly try to improve upon your work. Always focus on that first and foremost, and leave everything else (marketing, image) completely secondary. Obviously, easier said than done when you're trying to make a living, but if you can move along those lines and earnestly try to make things that you really enjoy it can only benefit you in the long run. — Joe Rogan

I love roundabouts. I absolutely think they're the best invention, and I don't care who invented the pen, the biro; whoever invented the roundabout, they should be up there on that plinth that they've got going on in Trafalgar Square. You can have a little bit of fun with it, you know. Will I go? Will I not go? The other car might go in my lane. There's a bit of a dance going. It's like a samba. Because in this city, sometimes you just come to a sudden gridlock and you think, well I'm waiting for him, he's waiting for me, he's waiting for him, and you've got everyone looking at everyone - who will make the first move? And you begin to move and he begins to move and then you stop, and everyone's being really polite. But every day you get somebody who just doesn't care, a young lad and he doesn't give a monkey's. — Craig Taylor

I know that I'll move on, I tell myself I'll find me something better
I'll let go and just forget her
She was no good for me
Deep down I know that's the way it has to be so
How come I still can't open this letter
I can't forget her... — James Morrison

Well, then- Before I can finish his lips are on mine fervently and I return his kiss as our mouths move together in a slow rhythm. I wrap my arms around his neck tightly. He grasps my face between both of his warm hands, then pulls back to look at me.
You don't know how happy you just made me, Gracie. I love you. I fucking love you!
Yes I do because it's the same feeling you give me. I love you so much Carter and I want to move in with you and see you every day and wake up next to you every morning. — Annie Brewer

I can find almost anything funny, thank God, so you search for the black, lacy slip that encases the corpse. You know, shift the angle. God may take away, but he often leaves you with a terrific opening line for the next adventure. I would suggest taking it. Move on; change the angle; look at it in a different way tomorrow. — Tennessee Williams

In the parking lot of a Safeway on Oahu," he says. And he's telling the truth;
in the background she can hear the shopping carts performing their clashy, anal
copulations.
"I'm kind of busy now, Whitey -- but what can I do for you?"
"It's Y.T., " she says, "and you can help bust me out of The Clink." She gives
him the details.
"How long ago did he put you there?"
"Ten minutes."
"Okay, the three-ring binder for Clink franchises states that the manager is
supposed to check on the detainee half an hour after admission."
"How do you know this stuff?" she says accusingly.
"Use your imagination. As soon as the manager pulls his halfhour check, wait
for another five minutes, and then make your move. I'll try to give you a hand.
Okay?"
"Got it. — Neal Stephenson

What else? I also believe that if someone comes up behind you on the freeway and flashes their lights to get you to move into the slow lane, they deserve whatever punishment you dole out to them. I promptly slow down and drive at the same speed as the car beside me so that I can punish Speed Racer for his impertinence.
Actually, it's not the impertinence I'm punishing him for, it's that he let other people know what he wanted.
Speed Racer, my friend, never ever let people know what you want. Because if you do, you might as well send them engraved invitations saying, Hi, this is what I want you to prevent me from ever having. — Douglas Coupland

Ten years ago I said, you know, my goal is to be able to get food on the table. What I'm trying to say by that is trying to create a vibrant, capable and effective middle class. The quicker and stronger that we can be able to do this, the easier it is for political reform to move forward. — Abdallah II Of Jordan

I have definitely been in experiences where my girlfriends have outgrown me and that's ok and I think that I should be inspired by that to know that it's time to move on - it's time to evolve as well and I think that should be inspirational to other people. They shouldn't feel stifled and feel like oh we can't grow up, we can't move on - change is a good thing. — Adrienne Bailon

You can say the Jesus Prayer from now till doomsday, but if you don't realize that the only thing that counts in the religious life is detachment, I don't see how you ever move an inch. Detachment, buddy, and only detachment. Desirelessness. 'Cessations from all hankerings.' It's this business of desiring, if you want to know the goddam truth, that makes an actor in the first place. Why're you making me tell you things you already know? Somewhere along the line - in one damn incarnation or another, if you like - you not only had a hankering to be an actor or an actress but to be a good one. You're stuck with it now. You can't just walk out on the results of your own hankerings. Cause and effect, buddy, cause and effect. The only thing you can do now, the only religious thing you can do, is act. Act for God, if you want to - be God's actress, if you want to. What could be prettier? — J.D. Salinger

I quietly cast camouflage on myself, which is the nearest I can come to invisibility. It binds my pigment to my surroundings, so that I become practically invisible when I remain still. People can see me if I move quickly, but if I imitate the Rock of Gibraltar they have to really know I'm there to spot me. I figured it was best: Naked women rarely welcome the approach of strange naked men, except in porn movies. — Kevin Hearne

Mrs. Hamilton told me teenagers are resilient, that we'll bounce back," he scoffs. "And I'm thinking, Okay. When?"
I don't remember Mrs. Hamilton saying that, but I've heard the theory before. That the younger you are, the quicker you can normalize an event and move on, because you don't know any other way of life. It just becomes a small part of your narrative as the years go by. But it seems to me the younger you are when something bad happens to you, the longer you have to carry it with you. — Sarah Skilton

I see what grief does, how it strips you bare, shows you all the things you don't want to know. That loss doesn't end, that there isn't a moment where you are done, when you can neatly put it away and move on. — Elizabeth Scott

When we were doing interviews for our bio, I described hearing that song for the first time to be like Sara was standing on my chest. I just felt really sad, and that was having heard all the other songs in order leading up to that one. I know that when Sara was writing these songs it was during the end of her relationship and it was someone she'd been friends with for almost ten years and been with for four years. It was just the psyche of it, when you've known someone for half your life, literally, and then have to leave them, and not necessarily because you want to but just because it's the right thing to do, and it's just not healthy and you're not good anymore, there's no growth and you have to have growth. And when I hear that song, the idea of that all happening just makes me sick to my stomach a little bit. But it's in an enjoyable way. — Tegan Quin

I don't really know what it means to move on, but lately, with Sky, I'm starting to feel like I want to because when I look at her, I don't see you or the war or any of the shit in my head. I just see her, and it's like suddenly I can breathe again after holding my breath for so long. — Heather Demetrios