Quotes & Sayings About I Can't Move On

Her gaze follows my every move. I think she can feel something is weird but hasn't put her finger on it yet. Maybe she's seen my fangs and written them off as gimmick. I fucking love gimmicks. They're so convenient to hide behind. — Carrie Clevenger

My one challenge with the support group that I'd become involved with on campus is that the people seem to spend as much time talking about their ill-begotten pasts as their promising futures. It's as if people are drawn to looking back. They can't move on until it all makes sense. Humbly submitted: It never does. — Carol Plum-Ucci

You can't imagine fame. You can only ever see it from an outsider and comment on it with the rueful wisdom of a non participant. When it happens to you, it doesn't matter what age or how, it is a very steep learning curve. The imprtanot thing to realize in all of it is that life is short, to protect the ones you love, and not expose yourself to too much abuse or narcissistic reflection gazing and move on. If fame affords me the type of ability to do the kind of work I'm being offered, who am I to complain about the downsides. It's all relative. And this are obviously very high class problems. The way privacy becomes an every shrinking island is inevitable but also manageable and it doesn't necessary have to get that way ... — Benedict Cumberbatch

Soul can't exist unless you have active, meaningful dialogue with stakeholders: employees, customers, the community, suppliers, and investors. When you launch a business, your job as the entrepreneur is to say, 'Here's a value proposition that I believe in. Here's where I'm coming from. This is my point of view.' At first, it's a monologue. Gradually it becomes a dialogue and then a real conversation. Like breaking in a baseball glove. You can't will a baseball glove to be broken in; you have to use it. Well, you have to use a new business, too. You have to break it in. If you move on to the next thing too quickly, it will never develop its soul. Look what happens when a new restaurant opens. Everyone rushes in to see it, and it's invariably awkward because it hasn't yet developed soul. That takes time to emerge, and you have to work at it constantly. — Anonymous

What you desire, as an actor, is to have an impact. That's why you did it. You want to move people, and you want to resonate with your audience. It's always a great compliment to have people appreciate and speak of the characters. I can go anywhere in the world, to places where people don't actually speak English, and people can say, verbatim, what I said on the show as Mr. Eko, which is great. That's fun! — Adewale Akinnuoye-Agbaje

I can't stop being in parades. I just love dancing on floats that move really slowly on the city streets in the early morning. — Chris Kattan

First slow dance, you get out there and ask her. Promise?"
Max knocked back his shot. "Fine, I can probably manage that."
I chugged my water as another good song came on. So I grabbed his hand. "Don't be self-conscious. I'm going to teach you some move. Nothing fancy."
He watched me for a few seconds than shook his head. "My pelvis only moves that way under one circumstance. This isn't it. — Ann Aguirre

When I'm gone, time won't change. It will pass the way it always has. I've seen it happen. People always move on. You will find your mate. You will move on then I'll be nothing but a memory, but I will never forget you. I will always love you for you have drawn emotions in me no other has in two thousand years. I will live with the memory of you in my heart because nothing can erase you from within me. You have forever changed me. You've taught me what it's like to truly love. — J.L. Sheppard

It's kind of a mystery to me, as far as my own life experiences and what I've witnessed - why some people can just move on through traumatic experiences, in childhood particularly, and why other people are just paralyzed by it. I just don't know how and why that is. — Annette Bening

If I could do it all over again, I'd probably still leave. Except, this time, I would hold you closer, tighter, longer. I would kiss you a thousand more times, tell you I love you ten thousand more times, have sex with you one million more times. I didn't get it right the first time when you were mine. If I could it all over again, I would value your trust, stand by your actions, and never take score...even though I'm totally winning. So if you can just find it in your heart to shut the hell up and love me, I swear with every fiber of my being that I will spend every possible minute loving you." A smile that flirts with cruelty lifts on his mouth. "Your move. I'm wearing to many clothes. — Elisa Marie Hopkins

For me, I can't understand something unless I've experienced it and I tend to be very judgmental by nature. But, it's very telling when you see the world from the other side of the lens because it opens the door to self-discovery. Perspective changes everything. I prefer empathy to sympathy if I have a choice. That's where the research comes in. I've packed a lot of life into the past few years trying to understand people and situations. Trying to make sense of my life. I have a lot to work through. My past is something that requires introspection and forgiveness. And that takes time. Research. When I feel like I've learned something about myself and grown as a person, I move on to the next journey. Hopefully with new perspective. — Kim Holden

Afterwards, go to a pub for lunch. I've got $260 in my savings account and I really want you to use it for that. Really, I mean it
lunch is on me. Make sure you have pudding
sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money.
And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream.
Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. — Jenny Downham

Read poetry every day of your life. Poetry is good because it flexes muscles you don't use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.
What poetry? Any poetry that makes your hair stand up along your arms. Don't force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don't understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day. — Ray Bradbury

We can't spend all day trying to get the performance exactly right and you just have to accept that and move on and accept the medium that you're working in and you know, there's a beauty in working under constraints and limitations. I think a lot of great things can come out of that. — Emily Deschanel

Certain guys, they can see a guy do a certain thing with their glove and know what pitch is coming. I couldn't do that. But I can get on first base and I can tell you by his move if that pitcher is going to first base or home plate every time. — Rickey Henderson

People can move on and live their lives but that doesn't mean you're not a part of it anymore. I love you, Clay. Ruby loves you. Because you, Clay are worthy of that love. You deserve it. All of it. — A Meredith Walters

There's hardly anybody who hasn't owned or at least ridden a bicycle at some point in his or her life. I mean, sure, you do come across people occasionally who never learned how to ride a bike, but it's rare and a little unsettling. It's like meeting Someone who can't operate a washing machine, or a thirty-two-year-old guy who never learned how to pee standing up. You smile politely, you pity them silently, and then you move on down to the other end of the bar. Despite — BikeSnobNYC

Dad always said there were three types of workers. The ones who stood there saying "Is there anything I can do " and did nothing. Most of our city guests were like that. The ones who said "Tell me what you want done and I'll do it" and did. Most of our workers over the years had been like that. And the ones who didn't say anything but were always a jump or two ahead of you. When you were changing a flat tyre and you took the old one off and turned to pick up the new one they'd already have it in their hands and they'd move in and put it on from your left while you were still turning round to the right.
Dad reckoned one of those was worth two or the second type and five of the first type. — John Marsden

I understand individuals and their personal motivations, but when those same individuals become a part of something bigger, some amorphous corporate ball of greed, I can't anticipate the logical next move, because it has long ago stopped being human. Your average human being has a conscience and the world is structured with checks and balances to shed light on that individual should he or she become something ugly and cruel. But a company can hide its corruption; the individuals responsible can sit innocently and united behind their desks for years before they are discovered. They are as guilty as the guy robbing the liquor store in the ski mask, only they're free to show their faces. I had no idea whether I should be looking for the worker bee or the nest, or both, and my nearsightedness cost my boss his job. — Lisa Lutz

She started to rise, for she feared Dash might become angry, lose his temper as he had before with Finn, but this Dash, this man who was struggling to find his footing, planted his feet solidly on the deck.
"She married someone else, Finn," he said quietly. "There was no battle to fight once she'd done that. I'd lost, and sometimes when you lose, there is nothing you can do but move on."
Finn sighed and shook his head, the arguments and problems of adults far beyond his ken, but he still persisted, struggling to understand. "Did you?"
"Did I what?"
"Move on? After you lost her?"
Again, Dash shook his head. "Nay, I didn't. Not at all."
"'Cause you loved her?"
Dash looked away. "Aye. Without her, I lost my course and sailed about the seas rather like the Dutchman. — Elizabeth Boyle

They don't matter. I thought I had to prove something, and I did, to myself. There's nothing left for me to prove. I can move on with my life. — Tami Hoag

At a certain point, you have to convince the actors that you've done the right thing. The way I work, if I can't convince them, I've got to move on. I can't coerce them or browbeat them. — Harold Ramis

People move on quicker than I can comprehend. People forget you within days, they take new pictures to put on Facebook and they don't read your messages. They keep on moving forward and shove you to the side because you make more mistakes than you should. — Alice Oseman

Of course I put a chain on him - he's recovering fast and he's quite muscular." He frowned on a thought. "You shouldn't be visiting him now that he can move about - he might grab you." She gave him an incredulous look. He grimaced. "I can find a suitable place for him, perhaps a room with a barred door - " "You mean a cage." "We've already discussed this: I'll not let a madman near you. — Elizabeth Hoyt

She waved, laughing, waiting for him to go zooming past her. Instead he slowed, then came to a stop right in front of her.
"What are you doing?" she demanded, as he put his foot on the asphalt. She pointed to the finish line, a scant hundred yards away. "Go."
People around them started screaming. Josh ignored them all.
He pulled off his glasses. "How you doing?"
"Josh! This isn't funny. Move." She glanced over his shoulder, knowing the other racers would appear at any second. "Just finish. You can win. Then we'll talk."
"We can talk now."
She shrieked. "No! I said I was wrong. I said I loved you. What more do you want?"
"You," he said. "For always."
"Yes, yes. You can have that. Now go. Cross the finish line. It's right there. Can't see it? Hurry."
"You'll marry me?"
The man next to her turned. "For God's sake, lady. Marry him already. — Susan Mallery

Bond doesn't have an inner life. There would be moments when I'd think, 'We need to gather our thoughts here and have a breather,' where in another novel you'd slow the pace, have some description and see what Bond feels about this. But Bond doesn't reflect. All you can do is move on to the next bomb or shark or car. — Sebastian Faulks

Hold on." Luke didn't move. "You can do that--take me along with you--and you've let us get in trouble for being late to school?"
"Luke!"
"I'm just saying. — Jen Meyers

I can't move anymore,
But I wish I could.
And live on a Reservation.
Close to the Mountains
Closer to the sun and moon
To live among this Land's Peoples.
To learn a truer way of life.
For If I did so, I think I might learn the secret
Of how to live forever ...
In people's stories,
And in the stars — Jose N. Harris

His eyes darkened in frustration.
"I'm tired of waiting, Thalia. I'm not a patient person. You have to know."
"What do you mean, Keal? You know I like Joss." I tried to move away again, but his hands on either side of me pinned me in. Keal's determination scared me.
"You know what we share is infinitely more powerful than ... that. And you feel this between us, too," he growled. "You melt when I kiss you. You watch me when you think I'm unaware. You can't sleep unless I'm near. Tell me none of that is true."
I swallowed nervously and licked my lips. "No, that's all true."
"I promised your father I'd give you time, but I'm tired of waiting. Tired of watching Joss try and win your heart from me."
"Keal, I don't understand. Ho is joss keeping you from me, when you and I don't think of one another that way?
"Don't think
Thalia! You and I are lifemates. — Chanda Hahn

In a healthy relationship, you're allowed to get pissed and in my face. Fuck, I need you to do that so I know what buttons not to push, where I can't go and avoid those places. And I'll do the same for you. Its part of learning how to take care of each other. Its fightin but its a form of communication and it's also a form of trust. We have words, we come to terms, we learn about each other and we move on stronger. — Kristen Ashley

No. No!" he says.
"I ... " He looks wildly around the room. For inspiration? For divine intervention? I don't know.
"You can't go. Ana, I love you!"
"I love you, too, Christian, it's just - "
"No ... no!" he says in desperation and puts both hands on his head. "Christian ... "
"No," he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn't move. What?
"Christian, what are you doing?"
He continues to stare down, not looking at me.
"Christian! What are you doing?"
My voice is high-pitched. He doesn't move.
"Christian, look at me!" I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze - he's almost serene ... expectant.
Holy Fuck ... Christian. The submissive. — E.L. James

Right now I feel guilty to be alive. Why? Because I'm wasting it. I've been given this life and all I do is mope it away.
What's worse is, I am totally aware of how ridiculous I am. It would be a lot easier if I believed I was the center of the universe, because then I wouldn't know any better NOT to make a big deal out of everything. I know how small my problems are, yet that doesn't stop me from obsessing about them.
I have to stop doing this.
How do other people get happy? I look at people laughing and smiling and enjoying themselves and try to get inside their heads. How do Bridget, Manda, and Sara do it? Or Pepe? Or EVERYONE but me?
Why does everything I see bother me? Why can't I just get over these daily wrongdoings? Why can't I just move on and make the best of what I've got?
I wish I knew. — Megan McCafferty

What the hell is going on?" I demand, craning my neck to look at Jeanine. "We agreed-cooperation in exchange for results! We agreed--"
"This is entirely separate from our agreement," says Jeanine, glancing at her watch. "This is not about you, Beatrice."
The door opens again.
Tobias walks in--limps in--flanked by Dauntless traitors. His face is bruised and there's a cut above his eyebrow. He does not move with his usual care; he's holding himself perfectly straight. He must be injured. I try not to think about how he got that way.
"What is this?" he says, his voice rough and creaky.
From screaming, probably.
My throat feels swollen.
"Tris," he says, and he lurches toward me, but the Dauntless traitors are too quick. They grab him before he can move more than a few steps. "Tris, are you okay?"
"Yeah," I say. "Are you?"
He nods. I don't believe him. — Veronica Roth

I don't lift weights at all. Every muscle on my body is for an actual task; there is no muscle that I train for show. If I want to be able to do a certain move or action, I train really hard until I can. And with all of that training comes muscle definition, so it's really an afterthought. — Ronda Rousey

Mel? Mel, I love you. Mel, come back . Mel, Mel, Mel."
It's Jared's voice, trying to call me back the way Wanda called back the Healer's host, the way she taught Kyle to call to Jodi.
I can answer him. I can speak now. I can feel my tongue in my mouth, ready to move into whatever shape I ask it to. I can feel the air in my lungs, ready to push out the words. If I want this.
"Mel, I love you, I love you."
This is Wanda's gift to me, paid for with her silver blood. Jared and I, put back together again as if she'd never lived. As if she hadn't saved us both.
If I accept this gift, I profit from her death. I kill her again. I take her sacrifice and make it murder.
"Mel, please? Open your eyes."
I feel his hand on my face, cradling my cheek. I feel his lips burn against my forehead, but I don't want them, not at this price.
Or do I? — Stephenie Meyer

I had Sophie in my arms when Eric came in. He went straight to Delia and kissed her on the mouth, then bent his forehead against hers for a moment, as if whatever he was thinking may be transferred by osmosis. Then Eric turned, his eyes locking on his daughter. "You can hold her," Delia prompted.
But Eric didn't make any move to take Sophie from me. I took a step toward him, and saw what Delia must have overlooked
Eric's hands were shaking so hard that he had buried him in his coat pockets.
I pushed the baby against his chest, so that he'd have no choice but to grab hold. "It's okay," I said under my breath-To Eric? To Sophie? To myself?-and as I transferred this tiny prize to Eric's arms, I held long longer than I had to. I made damn sure he was steady, before I let go. — Jodi Picoult

It's an unfortunate word, 'depression', because the illness has nothing to do with feeling sad, sadness is on the human palette. Depression is a whole other beast. It's when your old personality has left town and been replaced by a block of cement with black tar oozing through your veins and mind. This is when you can't decide whether to get a manicure or jump off a cliff. It's all the same. When I was institutionalised I sat on a chair unable to move for three months, frozen in fear. To take a shower was inconceivable. What made it tolerable was while I was inside, I found my tribe - my people. They understood and unlike those who don't suffer, never get bored of you asking if it will ever go away? They can talk medication all hours, day and night; heaven to my ears. — Ruby Wax

Moved on ... " he said. "Rusted nuts! You can do that?"
"Certainly."
"Huh. You think ... I should ... you know ... Ranette ... "
"Wayne, if ever someone should have taken a hint, it was you. Yes. Move on. Really."
"Oh, I took the hint," he said, taking a swig of sherry. "Just can't remember which jacket I left it in." He looked down at the jug. "You sure?"
"She has a girlfriend, Wayne."
"'S only a phase," he mumbled. "One what lasted fifteen years. ... — Brandon Sanderson

The words "I should have done this back then" are a curse. Whenever they come up, they tangle around your heart and keep you from moving. They bring up all the baggage you carry and dull your emotions. From this point on is a domain where your emotions can't be dull... "I want to get faster", "I want to beat him", "This is fun"... "I want to move forward". You need to have only pure feelings like that, if you want to reach that domain! — Wataru Watanabe

You shouldn't be afraid of failure - when something fails, you think, 'What did I learn from that experience? I can do better next time.' Then kill that project and move on to the next. Don't get disappointed. — Niklas Zennstrom

When I was feeling more secure, I started to see his insecurities. Aren't relationships like that? It's like being on a seesaw. There are those precious moments when you're just even with each other, but you move through that, and then one person being down by definition means the other person is up. I knew he loved me, and I knew he was afraid. I discovered that, if you look, you can actually see everything. All you have to do is clear away your own fears. The things you think are so well hidden: we can all see them. That's the secret. Everyone can see everything. — Kate Morgenroth

You want me to make it better for you. Just the way you feel full and satisfied now, you're going to let me satiate you in the bedroom. Any way I want. Splayed out for me in chains on the bed, unable to move while my tongue finds all the places that drive you crazy."

"I won't let that happen," she breathed.

"You already have. You've let me lick you. I swear I can still taste you--sweet. Addictive." He smiled. "I can already hear you moaning. Letting go. Submitting to me."

~Trance — Sydney Croft

Make a wish," said Indigo.
Rose made a wish and then asked, "Why?"
"That's what I always do. Wish on the moving ones."
"Does it matter how fast they move?"
"I don't think so."
"Can you wish on airplanes, too?"
"Oh, yes. — Hilary McKay

This is Luke's favorite thing to say about me, to remind me. I'm a survivor. It's the finality of the word that bothers me, its assuming implication. Survivors should move on. Should wear white wedding dresses and carry peonies down the aisle and overcome, rather than dwell in a past that can't be altered. The word dismisses something I cannot, will not, dismiss. — Jessica Knoll

He's, he's deserted us," he stammered, "deserted us. He got bored here with us. I'm all alone in the world, like this finger, all alone!" he repeated several times and each time held out his hand in front of him, sticking out his index finger. Then Arina Vlasyevna came next to him and, laying her grey head by his, said, "what can we do, Vasya! Our son has left the nest. Like a falcon he came to us when he wanted to, and when he wanted to he flew off. And you and I sit side by side and can't move, like mushrooms on a hollow tree. Only I'll be your true one for ever and you'll be mine. — Ivan Turgenev

One fast move or I'm gone,' I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you can't learn in school no matter how many books on existentialism or pessimisn you read, or how many jugs of vision-producing Ayahuasca drink, or Mescaline take, or Peyote goop up with - — Jack Kerouac

I tried to find a way to go on. I could see familiar traces of the path that was my life, but there was always the wall behind me. Do you know what I mean? First you try and climb, pretending it never happened, but it's too tall. Then you try to go around, thinking you can fix it, but it is too far. Then, in frustration, you beat on it with your hands, but it does nothing, so you tire and sit down and just stare at it. You stare because you can't bring yourself to walk away. Walking away means that you're giving up, abandoning them.
"There is no way back. There is only forward. It's impossible to imagine there's any reason to move ahead, but that isn't the real reason you give up. The real fear
the terror that keeps you rooted
is that you might be wrong."
Myron, Monk of Maribor — Michael J. Sullivan

The problem with being an alpha is that you can never make the first move.
Makes you feel like you're taking advantage of your position. You have to wait until
the other person decides they want in."
Jim set the basket on the coffee table and crouched by me.
"And sometimes it seems like that person likes you, and you try to test the waters,
so you try to tell her how you feel, that she matters and that you want to be with her
and you're concerned about her safety. And every time you do that, she waves her
arms around and accuses you of being a controlling alpha asshole. So you back off
and hope you didn't completely fuck it up."
He was close, too close. I just stared at him. What was happening ... "Why are
you telling me this?"
His voice was low and smooth. "That time when I told you it didn't matter what
your mother thought about your looks ... "
"Aha ... "
"I meant it," he said. "Because I think you're beautiful. — Ilona Andrews

We've done a lot of films now about the IRA, we can move on from all that. I loved '71 because I think it showed a very honest trail and what it was actually like. It wasn't one-sided. I really respect ['71 director] Yann [Demange] for what he did. But we have done a lot of those things. — Saoirse Ronan

SOME PEOPLE BELIEVE IN FATE, OTHERS DON'T. I DO, and I don't. It may seem at times as if invisible fingers move us about like puppets on strings. But for sure, we are not born to be dragged along. We can grab the strings ourselves and adjust our course at every crossroad, or take off at any little trail into the unknown. — Thor Heyerdahl

Grief is a terrible, painful place. You can't grind away on grief in a solid way and say, 'I'm going to work on this until it's over' because it will be with you for the rest of your life, whatever you do. So, you deal with it and move on. — Pam Ferris

Another voice rages.
I hate that boy! I hate me! I am so incredibly stupid!
A sunflower leans over the fence, smiling
How dare you!
I rip off its head and throw it in the gutter.
The smart thing to do is to keep going on. Walk away quickly and no one will know what I've done. But I can't move because my eyes are locked on the slowly opening front door - locked on Mrs Muir.
'I'm sorry.' My tiny voice sounds so pathetically lame, but I've still got more lameness for her. 'I never do this sort of thing. I like sunflowers. I was just angry about something - nothing to do with you or the flower. I'm really, really sorry.'
'Oh, you are upset! Well, never mind'. Mrs Muir comes closer to me. 'Goodness, we all get cross. The main thing is: did it make you feel any better?'
'No. Yes. Maybe. A little bit.'
'Would you like to do another one? There's more out the back, too. You go for your life dear. I don't mind at all - they need a good pruning. — Bill Condon

The only way to move forward is to focus on the good in your life and the good that you are doing for others and yourself. My past has shown me things in life, others and myself that I wouldn't wish upon anyone, but I can choose to pick up the pieces and build a beautiful life for myself and help others to do the same. — Brittany Burgunder

I can pick up a screenplay and flip through the pages. If all I see is dialog, dialog, dialog, I won't even read it. I don't care how good the dialog is - it's a moving picture. It has to move all the time ... It's not the stage. A movie audience doesn't have the patience to sit and learn a lesson. Their eyes need to be dazzled. The writer is the most important element in the entire film because if it ain't on the page it ain't going to be on the screen. — Robert Evans

You're serious? You want me to go to school?"
"Why not?" he challenged. "So long as you take care of shit around here, I'm fine with it. Might want to move on that whole divorce thing too while you're at it. Club's got a lawyer, I'll set up an appointment for you. I can pretty much guarantee your ex won't put up a fight."
He smiled when he said it - not a nice smile.
"Okay, I'll go check it out," I said slowly. "This is weird, you get that? You kidnapping me, holding me hostage and then sending me to school? This isn't how things like this usually work."
Horse grinned at me, eyes lazy and satisfied.
"Just roll with it," he whispered. "And keep doing whatever exercises you do to make your cunt squeeze like that. They got a college degree for that? — Joanna Wylde

I can't understand people being rude to their spouses. Your husband or wife should be the one person in the world you treat with loving patience. He or she chose you above all others-for a lifetime! And yet I see women who are nicer to their girlfriends, and men who are more thoughtful toward their employees. That's meshuganeh. Friends come and go. Employees move on. Your partner is there for the long haul. He deserves your best every day of your life. — Joanna Campbell Slan

Some books you never get over, like a first love. Some books that made an enormous impression on you when you were young you are afraid to read again years later, like being sorry you met that former love for coffee, because you couldn't see what you once saw. But there are those few books that can still move you in the old, throbbing way."
"How I got over — Darryl Pinckney

She watched his throat move, and then, he reached out and touched her face. "You sure are pretty," he said. "It's the stone," she replied immediately. Her skin felt warm; his fingertip touched just the very edge of her mouth. "It's flattering." Adam gently pulled the stone out of her hand and a set it on the floorboards between them. Through his ingers he threaded one of the flyaway hairs by her cheek. "My mother used to say, 'Don't throw compliments away, so long as they're free." HIs face was very earnest. "That one wasn't mean tho cost you anything, Blue." Blue plucked at the hem on her dress, but she didn't look away from him. "I don't know what to say when you say things like that." "You can tell me if you want me to keep saying them." She was torn by the desire to encourage him and the fear of where it would lead. "I like when you say things like that." Adam asked, "But what?" "I didn't say but." "You meant to. I heard it. — Maggie Stiefvater

tucked an arm around the back of Prophet's neck and Prophet buried his face in Doc's shoulder as Doc said, "It's not fair. I know it's not. But before you do anything else, you have to tell Tom." "How do you know I haven't?" "How do I know the sun rises in the morning?" "Fucker," Prophet muttered against Doc's shoulder. "Disability-hater." Doc rubbed the back of his neck but didn't make a move to let him go. And Prophet was okay with that. "Do you want me to tell him?" Doc asked finally. "Yeah. But you can't." God, it was safe right here, with Doc. And Prophet wanted it to be this safe with Tommy . . . and it was, except for this issue. Which he hadn't given Tommy the chance to deal with. "I can be there with you. I'll answer the questions he'll have, so you don't have to." Prophet lifted his head. "Yeah, I get you're trying to make it easier on me, but fuck, it's not going to be at all. I can't pretend anything will help." "Not pretending is the first step. — S.E. Jakes

Don't miss out on the love of a good women,son. No matter what that old man of yours tells you,love is real.I'd have never had the success in my life without the women right there.She's been my backbone.She's been my reason for everything I've ever done.One day your drive to make a name for yourself will begin to drift away. It won't be that important anymore.But when you're doing it for someone else, someone you would move heaven and earth for then you never lose the desire to succeed.I can't imagine this world without her in it.I don't ever want to. — Abbi Glines

I don't always do what I say but if you want to follow my actions, be my guest. You can do what I do and fail, or you can do what I say and move on with your life. It's your choice. — Nicketa Gomes

It's Ky's move. In the quiet before the Ky takes his turn, Xander watches him carefully. Ky's hand hovers over the board. For a moment, as he holds the piece in the air, I see where he could put it to win and I know he sees it, too, that he planned the whole game for that last move. He looks at Xander and Xander looks back, both of them locked in some kind of challenge that seems to run deeper and older than what's happening here on this board.
Then Ky moves his hand and puts his piece down in a spot where Xander can eventually overtake him for the win. Ky doesn't hessitate once he places the piece; he sets it down with a solid sound and leans back in his chair, looking up at the ceiling. I think I see the slightest hint of a smile on his lips but I can't be sure. — Ally Condie

Our culture believes strong individuals can transcend their circumstances. I myself don't much enjoy books by Hardy or Dreiser or Wharton, where the outside world is so strong, so overwhelming, that the individual hasn't a chance. I get impatient, I keep feeling that somehow the deck is stacked unfairly. That is the point, of course, but my feeling is that if that's true, I don't want to play. I prefer to move to another table where I can retain my illusion, if illusion it be, that I'm working only against only probabilities, and have a chance to win. Then if you lose, you can blame it on your own poor playing. That is called a tragic flaw, and like guilt, it's very comforting. You can go on believing that there really is a right way, and you just didn't find it. — Marilyn French

I never dwell on what happened. You can't change it. Move forward. Don't waste your energy on being angry at something that somebody did six months ago or a year ago. It's over. Done. Move forward. — Joan Rivers

I don't want to act as if 'Harry Potter' wasn't the most amazing thing because it truly was, but it's also great personally that I'm starting to see signs that I can move on from it and do other stuff that hopefully people enjoy. — Matthew Lewis

Women must find their own answer. That's the important thing. I'm no longer interested in books about women written by men. Even if I could believe in their objectivity, I just can't find their opinions relevant. Now I will only believe what a woman has to say about women, because even if it's not entirely true, it's her struggle and she's on the way to the answer.
Many of you seek masculine approval. Even though you have inside you your way of talking and writing, you have mountains of it inside you, and even though it is enough to begin expressing yourselves so long as it is with your vocabulary, your abstractions, and your own conceptualization, I think you are still afraid of the master: men. Of their judgment. As long as you have this fear, you will not progress. I think the future belongs to women. Men have been completely dethroned. Their rhetoric is stale, used up. We must move on the rhetoric of women, one that is anchored in the organism, in the body. — Marguerite Duras

Jesus, Mary, and Joseph, it shows?"
Before Jude could answer, Brenna was up, pacing, knocking the heels of her hands against the sides of her, moaning out curses. "I'll have to move away, leave my family. I can go to the west counties. I have some people, on my mother's side, in Galway. No, no, that's not far enough. I'll have to leave the country entirely. I'll go to Chicago and stay with your granny until I get on me feet. She'll take me in, won't she? — Nora Roberts

Stu stops munching, looks up at me from under his shaggy hair.
"So, can you read?" He slides a section toward me.
I cock my head toward the paper. The letters are small, blurry drawings. The alphabet might as well be Chinese or Arabic. Strange that I can't read or speak, though I still have language inside my head. Words are a consolation, but not a tool.
"Guess not. You want me to read stuff out loud to you?"
I would, but not right now. If I wanted to show interest in the newspaper I could cross the table and rub against his shoulder. Instead I gaze at him over the bowl of milk.
"It's so weird," he says in a hesitant voice. "You don't look like a cat. When you stare at me, you look like Eliza."
That's the nicest thing he could have said. With a happy lightness to my step I move between the bowls, over his napkin ring and spoon, until I stand on the edge of the table and nip at his prickly chin. This is my way of saying: Hi, there. I like you. — Simone Martel

If I think of something, half-way into it, I can throw it in there and it won't be so far down the line that it would be insignificant. However, I also like to completely focus on something for a certain period of time, and then be able to move on to something else. — T.I.

Come on, tough guy." "You can get fresh with me in the snow and threaten me with a gun all you want. But if you really want my help, you'll put your weight on me and move your feet." "In about two minutes, my extremities are going to be so numb I won't be able to do anything for either of us - even if you do shoot. So move."

He couldn't have been rescued by some meek, mousy thing who'd do what he said without the attitude? He tapped the butt of the gun against her shoulder. "That's pretty bold talk for a woman who's got no advantage."

"Uh-huh. I'm not the one bleeding to death. — Julie Miller

The stories get passed on and the truth gets passed over. As the sayin goes. Which I reckon some would take as meanin that the truth cant compete. but I dont believe that. I think that when the lies are all told and forgot the truth will be there yet. It don't move about from place to place and it dont change from time to time. You cant corrupt it any more than you can salt salt. You cant corrupt it because that's what it is. — Cormac McCarthy

You do realize you just insulted me, right?"
"How so?"
"You implied that I can't protect her or my people."
I looked at him. "That's not at all what I meant."
"Apologize and I'll let it go."
I kept my hands firmly on the iron rail before me. Grabbing the weight bar and walloping the Beast Lord upside the head wouldn't be the best diplomatic move.
"I'm sorry, Your Majesty." There. I was civil. It almost killed me. — Ilona Andrews

Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.
'It would be merciful to kill it,' said Tialys.
'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.'
'If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.'
'But if it's in pain?' said Tialys.
'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.'
They moved on. — Philip Pullman

Move on to the Qs: Quiet and Quirky. Take some quiet time for more review and reflection. This will help you feel your way around all the "I can't because's" that come to mind as you think about focusing on what you truly wish to be and do. The process will help you move on to renewal. And the quirky? That's the core that's truly you, the idiosyncratic self, a force that now — Mark Evan Chimsky

Rounder Records decided to call the album Move It On Over, much to my chagrin but they knew what they were doing. It took off and to this day I can't figure out why. — George Thorogood

She is bending over her child. She can't leave her. The
child is laid out in state on a table. She wants to take one more photograph of the child, probably the last. In life, the child would never sit still for a photograph. She says to herself, "I'm going to get the camera," as if saying to the child, "Don't move. — Lydia Davis

The heart sags. My footprints forget me.
I don't think anything will ever be the same.
This is the edge of the cliff and you can't move,
can't jump. Everything is vertical. With binoculars
you can see where you'll be in an hour. Raindrops
collect on the lens. A fine mist. It hides us.
It drifts into clocks. Gravity presses your hands.
Some hurts never get said. Some get smuggled. — Richard Jackson

Whenever I teach writing I tell them to never revise as you go. Finish the first draft. This is my writing advice. I can't do that myself. I'm lying to everybody. I write a paragraph, and then I rewrite that paragraph. I want to feel like I'm standing on firm ground before I move on to the next paragraph. Mentally, I have to do that. — Matt De La Pena

Whenever I tell people I'm a misanthrope they react as though that's a bad thing, the idiots. I live in London, for God's sake. Have you walked down Oxford Street recently? Misanthropy's the only thing that gets you through it. It's not a personality flaw, it's a skill.
It's nothing to do with sheer numbers. Move me to a remote cottage in the Hebrides and I'd learn to despise the postman, even if he only visited once a year. I can't abide other people, with their stink and their noise and their irritating ringtones. Bill Hicks called the human race 'a virus with shoes', and if you ask me he was being unduly hard on viruses; I'd consider a career in serial killing if the pay wasn't so bad. — Charlie Brooker

I work on one page, revising and polishing until I can't make it better, then move on to the next. Some pages might get 20 or more drafts before I move on. — Dean Koontz

She'll ruin me for all women, I can just tell.
Charlie isn't the kind of woman you move on from. She draws you in with the brightness of her sun and then leaves you blind. There's something deep and dark inside of her. She's trying to keep it locked down, but I can see it in her eyes. — Corinne Michaels

Well everybody's got a story to tell
And everybody's got a wound to be healed
I want to believe there's beauty here
So, I guess you're tired of holding on
I can't let go, I can't move on
I want to believe there's meaning here

How many times have you heard me cry out
"God please take this"?
How many times have you given me strength to
Just keep breathing?
Oh I need you
God, I need you now.

Standing on a road I didn't plan
Wondering how I got to where I am
I'm trying to hear that still small voice
I'm trying to hear above the noise

Though I walk, though I walk through the shadows
And I, I am so afraid
Please stay, please stay right beside me
With every single step I take

How many times have you heard me cry out?
And how many times have you given me strength?

I need you now
I need you now — Plumb

Ardour in well-doing is a misleading and a treacherous thing. It cries out loudly for employment; you can't satisfy it at first; it wants more and more; it is eager to move mountains and divert the course of rivers. It isn't content till it perspires. And then, too often, when it feels the perspiration on its brow, it wearies all of a sudden and dies, without even putting itself to the trouble of saying, I've had enough of this. — Arnold Bennett

Returning to her position beneath the skylight, she yanked her arm down. The end of a length of rope tumbled into the room. "Oh, Mr. Addison. I never give something for nothing."
He found that he wasn't quite ready for her to leave. "Perhaps we could negotiate."
She released the rope, approaching him with a walk that looked half Catwoman and all sexy. "I already suggested that, and you turned me down. But be careful. Somebody wants you dead. And you have no idea how close somebody like me can get, without you ever knowing," she
murmured, lifting her face to his.
Jesus. She practically gave off sparks. He could feel the hairs on his arms lifting. "I would know," he returned in the same low tone, taking a slow step closer, daring her to make the next move. If she did, he was going to touch her. He wanted to touch her, badly. The heat coming off her body was almost palpable. — Suzanne Enoch

There - the chandelier, choked with dust and webs. A single rivulet of red had trickled from the ceiling, down the central column, and out along a curving crystal arm. At its lowest point, a new pendant of blood was slowly building.
'It - it can't do that,' I stammered. 'We're inside the iron.'
'Move out of the way!' Lockwood pushed me back just as the drop fell, spattering on the floor in the center of the circle. We were all standing almost atop the iron chains. 'We've made it too big,' he said. 'The power of the iron doesn't extend into the very center. It's weak there, and this Visitor's strong enough to overcome it.'
'Adjust the chains inward-' George began.
'If we make the circle smaller,' Lockwood said, 'we'll be squeezed in a tiny space. It's scarcely midnight; we've seven hours till dawn and this thing's just gotten started. No, we've got to break out — Jonathan Stroud

You remember how he used to be girl on either arm? You really don't see that guy too much anymore. Why do you think that is? He's waiting for you. I know you're dealing with stuff but you cannot ask him to wait forever! Unless of course, you're okay with him pulling away."
"What if it doesn't work out? What if it ends up like you and Javier?"
"Well at least we gave it a shot. And so it didn't work out, so what? Now, we can move on give or take the occasional booty call."
"I just don't wanna lose what we have, you know?"
"Girl please! What exactly do you have, really?"
"A friendship."
"No. What you and I have is a friendship. What you and castle have is a holding pattern. How long can you circle before the fuel runs out? — Richard Castle

Lauren returned her phone to her ear. "Jenny!" she snapped, "I don't have time right now. I need your help. I can't move Nick by myself and I can't leave him on the ground. He'll catch a cold - "
"A cold?" Jennifer interrupted. "You can't leave him on the ground because he'll catch a cold? How 'bout you can't leave him on the ground because he's Nick Blackthorne? — Lexxie Couper

It was dusk when I drove back into downtown Detroit. I was annoyed by how much traffic there was at that hour of the day. Being a guy with two good legs who doesn't mind ankling, I hadn't realized the car situation had gotten so bad in the city. I almost had two smack-ups with people who refused to yield to me. Then I bumped someone from behind, intentionally, at the new flashing traffic light on Jefferson. The guy in the car had refused to move - he just sat there waiting because the light was red. After I bumped him (not that hard), the squirt hopped out of his car red in the face, and I must admit the sight of him gave me my first laugh in two days. He said, "Can't you see it's a red light?" I told him a red light is just a suggestion. Then I pressed the gas lightly and started pushing his car further out into the intersection whilst he stood there in disbelief. "Better get back in, your car is leaving without you," I said. — W.K. Berger

Our lives, as short as they may be, are a test. And one of the biggest tests we can endure is how we respond to those moments when we don't feel the presence of God in our lives. I believe deeply that one of God's greatest gifts is to teach us there is a purpose behind every single one of our trials or problems.
Treat them as a gift, an opportunity to move forward and draw closer to God. Problems often times compel us to look to God and count on him, rather than ourselves. — Matt Patterson

She stepped out of the box, smiled sweetly. "You know, Brian, just because you can make a fifteen hundred pound horse do what you want, doesn't mean you can budge me one inch.I'm going to go bet on our horse.To win."
"It's not our-" He broke off, swore, as she'd already flounced out. "And you don't bet to win," he muttered. "It's nothing personal," he said to Finnegan who was watching him with soft, sad eyes. "I just can't be owning things.It's not that I don't have great affection and respect for you,for I do. But what happens in a year or two down the road I move on? Even if I don't-as it's feeling more and more that I'd wonder why I would-I can't have the wman give me a horse.Even a half a horse. Well, not to worry.We'll straighten it all out later. — Nora Roberts

You hear stories like that all your life and think: cool, a ghost bus. But now we have to look at this stuff analytically ... a ghost bus?! The "ghost" of a motor vehicle? A public conveyance, presumably, which didn't head towards the light, move on to join the choir invisible in ... bus heaven, the great terminus in the sky, where all good buses go when they ... I don't know, break down, but instead is doomed to ... drive eternally the streets of Earth! How can there be a ghost bus?! — Paul Cornell

Every one of us can honestly claim that "worst of sinners" title. No, it isn't specially reserved for the Adolf Hitlers, Timothy McVeighs, and Osama bin Ladens of the world. William Law writes, "We may justly condemn ourselves as the greatest sinners we know because we know more of the folly of our own heart than we do of other people's."
So admit you're the worst sinner you know. Admit you're unworthy and deserve to be condemned. But don't stop there! Move on to rejoicing in the Savior who came to save the worst of sinners. Lay down the luggage of condemnation and kneel down in worship at the feet of Him who bore your sins. Cry tears of amazement.
And confess with Paul: "I was shown mercy so that in me, the worst of sinners, Christ Jesus might display his unlimited patience as an example for those who would believe on him and receive eternal life" (1 Timothy 1:16) — C.J. Mahaney

Steel is such a nice material to use. It can move. It's terribly easy, you just stick it or you cut it off, and bang! you're there: it's so direct. I think Manet was very direct, he didn't prepare his canvases like Courbet, he just put paint straight on and it's very like that with steel. — Anthony Caro

I wish that restaurateurs would choose simpler and smaller glassware. The tables on restaurants these days are way too crowded, and mostly because the plates are too odd looking and big, and the wine glasses are so gigantic that it takes up the whole surface area and you can't move. I prefer smaller glassware. — Geoffrey Zakarian

Reasons for Joy Happy are the people whose God is the LORD. Psalm 144:15 "How's life?" someone asks. And we who've been resurrected from the dead say, "Well, things could be better." Or "Couldn't get a parking place." Or "My parents won't let me move to Hawaii." Or "People won't leave me alone so I can finish my sermon on selfishness." ... Are you so focused on what you don't have that you are blind to what you do? You have a ticket to heaven no thief can take, an eternal home no divorce can break. Every sin of your life has been cast to the sea. Every mistake you've made is nailed to the tree. You're blood-bought and heaven-made. A child of God - forever saved. So be grateful, joyful - for isn't it true? What you don't have is much less than what you do. — Max Lucado

Look I have somewhere I have to be and I don't particularly love that I have to go, but you freaking out and making a scene is not going to do anything other than piss me off. I hope you had a good time last night and you can leave your number but we both know the chances of me calling you are slim to none. If you don't want to be treated like crap maybe you should stop going home with drunken dudes you don't know. Trust me we're really only after one thing and the next morning all we really want is for you to go quietly away. I have a headache and I feel like I'm going to hurl, plus I have to spend the next hour in a car with someone that will be silently loathing me and joyously plotting my death so really can we just save the histrionics and get a move on it? — Jay Crownover

Everybody f-king does it. I suppose I can't say 'everybody' because I don't know for sure, but come on ... It's just the tiniest sprinkle of Botox twice a year. I think most women do 10 units, but that freezes the face and you can't move it. This is just one unit, and it's just sprinkled here and there to take the edge off ... Perhaps it's not wise to put that in a magazine? But I ain't hiding anything. — Robin Wright

I'm not your boyfriend!" I snapped, trying to gently move her hands away from my body.
"How can you say that?" Sara asked in horror.
"It's shockingly effortless," I replied. "My vocal chords vibrate, and my mouth and tongue articulate. I can even do it without thinking." I had to remind myself to stay calm, and sarcasm was the best way to do that.
"When are you going to give me a key to your house so I don't have to knock like some guest?" Sara asked, coming at me again.
I backed away. "How about never? Is never good for you?"
Sara, undeterred, said, "You're the reason I go to therapy on Fridays."
"The plot thickens!" Gabby exclaimed for comedic relief. — Laura Kreitzer

Am I making myself clear, Orrin? I don't regret how I've lived these past few years. I move where I will. I set no appointments. I guard no borders. What landbound king has the freedom of a ship's captain? The Sea of Brass provides. When I need haste, it gives me winds. When I need gold, it gives me galleons." Thieves prosper, thought Locke. The rich remember. He made his decision, and gripped the rail to avoid shaking.
"Only gods-damned fools die for lines drawn on maps," said Zamira. "But nobody can draw lines around my ship. If they try, all I need to do to slip away is set more sail. — Scott Lynch

You want to know what I'm afraid of? I'm afraid of every morning when I wake up that this will be the day when I can no longer move for myself. I know it's coming. It's just a matter of time until I have no choice, except to have someone else clothe me, feed me. Change my diaper. And I can't stand it. (Adron)
Then why don't you kill yourself? Why are you still here? (Livia)
Because every time I think of doing that, I can hear my family praying over me while I was in the hospital. I hear my mother weeping, my father begging me not to die on them. I could never intentionally hurt them that way. It would devastate them both, and while I'm a pathetic asshole, I'm not that selfish. (Adron) — Sherrilyn Kenyon