I Can Finally Move On Quotes & Sayings

Nigger, you sure ought to be glad it was us you talked to that way. You're a lucky bastard, 'cause if you'd said that to some other white man, you might've been a dead nigger now." I was learning rapidly how to watch white people, to observe their every move, every fleeting expression, how to interpret what was said and what left unsaid. Late one Saturday night I made some deliveries in a white neighborhood. I was pedaling my bicycle back to the store as fast as I could when a police car, swerving toward me, jammed me into the curbing. "Get down, nigger, and put up your hands!" they ordered. I did. They climbed out of the car, guns drawn, faces set, and advanced slowly. "Keep still!" they ordered. I reached my hands higher. They searched my pockets and packages. They seemed dissatisfied when they could find nothing incriminating. Finally, one of them said: "Boy, tell your boss not to send you out in white neighborhoods at this time of — Richard Wright

I'm not very close to my parents. My stepfather (in my opinion) was very emotionally abusive when I was growing up and there were a lot of other issues I don't feel comfortable talking about publicly. I spent a lot of time in therapy dealing with these issues though, and I feel i'm finally starting to move past them. — Marie Calloway

An old Gordita reflex, dating back to shortly after the Second World War, when a black family had actually tried to move into town and the citizens, with helpful advice from the Ku Klux Klan, had burned the place to the ground and then, as if some ancient curse had come into effect, refused to allow another house ever to be built on the site. The lot stood empty until the town finally confiscated it and turned it into a park, where the youth of Gordita Beach, by the laws of karmic adjustment, were soon gathering at night to drink, dope, and fuck, depressing their parents, though not property values particularly. — Thomas Pynchon

Alf pondered his next move. On the one hand, the savages seemed to be responding reasonably well to "How." On the other hand they really weren't making much progress.
At least they're not eating us, he thought.
Ten seconds went by, then twenty, as Alf looked at the older savage, and the older savage looked at Alf. Finally, out of sheer nervousness, and unable to think of what else to do, Alf raised his right hand again. But this time, just as Alf began to speak, the savage rotated his spear from the vertical to the horizontal, pointing it toward Alf's chest. Alf stopped in mid "How," staring at the sharp pink spear tip, inches from his heart.
And the savage spoke.
Poking his spear tip against Alf's chest, he said: "Can we move this conversation along, old chap? I'm getting frightfully tired of "How. — Dave Barry

It may be that true happiness lies in the conviction that one has irremediably lost happiness. Then we can begin to move through life without hope or fear, capable of finally enjoying all the small pleasures, which are the most lasting. — Maria Luisa Bombal

We left about midnight and walked down the hill in silence. the night was muggy, and all around me i felt the same pressure, a sense of time rushing by while it seemed to be standing still. whenever i thought of time in puerto rico, i was reminded of those old magnetic clocks that hung on the walls of my classrooms in high school. every now and then a hand would not move for several minutes
and if i watched it long enough, wondering if it had finally broken down, the sudden click of the hand jumping three for four notches would startle me when it came. — Hunter S. Thompson

Were you ever actually going to leave New York, or were you just saying that to get her to finally make a move?"
"Clary," said Luke, "I am shocked that you would suggest such a thing. — Cassandra Clare

It was awful, but it's over. And now I feel like I'm finally coming up for air."
"Yes, well, it's been a very stressful time for both of us," said Leonard.
"How has it been stressful for you? said Holly.
"I had that move."
Holly just looked at him.
"What," said Leonard.
"You moved apartments" said Holly. — Sarah Dunn

He tightened his arms, not wanting Ty to move away. "It's more than just fucking around now," he said. "Isn't it?" He made sure the tone of his voice emphasized that it wasn't really a question. Ty was motionless in response. He didn't even seem to be breathing. The silence stretched on, edging toward tension. Finally, he let out his breath quietly and lowered his head. "No," he lied blithely, just as he'd done in a hotel in New York City over a year ago. Zane chuckled. A classic Grady response, and definitely the one he preferred to hear. A "yes" just might have given him a heart attack. He held Ty close. "You owe me." "Owe you?" Ty repeated in a rough, questioning voice as Zane felt his heartbeat begin to speed up. "Mm hmm. How I've wanted you," Zane breathed. "It scares the hell out of me." "I know," Ty murmured as he turned in place and nuzzled against Zane's neck. — Abigail Roux

The cosmic humor is that if you desire to move mountains and you continue to purify yourself, ultimately you will arrive at the place where you are able to move mountains. But in order to arrive at this position of power you will have had to give up being he-who-wanted-to-move-mountains so that you can be he-who-put-the-mountain-there-in-the-first-place. The humor is that finally when you have the power to move the mountain, you are the person who placed it there
so there the mountain stays. — Ram Dass

Thanks, you guys." Fiona smiled. "I haven't been with anyone since Jackson and I split. I hate to act like such a hoochie mama, but
"
"Hey. There's a little hoochie mama in all of us," Charli said. "Didn't I tell you how I finally got Reno to make the big move?"
"No."
"The famous Wilder barbecue party? While we were dancing, I conveniently told him I'd forgotten to put panties on under my dress. He could barely keep his hands to himself. Then I told him if he was interested, I'd meet him back at his house."
"Oooh, devious." Abby laughed. "Was there any rubber left on his tires?"
"Nope." Charli grinned. "But that was one hoochie-mama move I'll never regret. — Candis Terry

The first question we must address deals with optimism, the possibility of achieving our goal. Are we in a position where we can actually hope to effect change? Assuming we become convinced that there are reasons for optimism, we move to the next question. Are we cetain that we want change? The stories about EHMs, jackals, and suffering around the globe strike raw nerves, but now we demand absolute proof that our grievances justify the efforts change will demand. Third: Is there a unifying principle that will validate our efforts? We look to ascertain that we are not merely seeking to impose our moral, religious, or philosophical values on others but instead are intent on creating something of true and lasting universal benefit. And finally: What can we each do? You and I personally need to evaluate our talents and passions. What are our individual options and desires? How do they fit into the bigger picture? — John Perkins

Don't be afraid to write bad songs and then start over and re-evaluate. Songs are like plants, in that you grow them. Some grow really fast, and others need pruning and care ... And, finally, a song needs to move you. If it doesn't move you, it will never move anybody else. — Corey Harris

He was right in front of me. I hadn't even seen him move. I jerked, pressing my back against the wall of the library. My bag slid off my shoulder, landing next to my feet. "Holy crap, you can move."
"I can do a lot of things." Angling his body, he pressed one palm against the wall beside my head. Good God, he was tall. "Some of them fast. Some of them real slow."
My mouth opened. "Was that a s-sexual innuendo?"
His lips twitched. "Something along those lines."
The heat was back in my face and throat, despite the chill bleeding from the wall through my lightweight sweater. "Well, it was a crappy one."
"I can do better," he offered, and those golden eyes finally lightened — Jennifer L. Armentrout

And yet how treacherous, I thought, after such neutrality, bordering on indifference, and occaisonally open hostility, when the whole city finally seemed alive and tremulous to my touch, a seething structure reaching out to meet me and accommodate my every move, as if I had been expected and was welcome there, that she was the only thing in it that would not respond. — Olivia Sudjic

Memories are weird. They never really leave you alone, no matter how much you try, and the funny part is--the more you try, the more they haunt you. The more you want to run away, the faster they seem to catch up, and then there comes a time when you are convinced that you have finally managed to leave them behind and move on. You rejoice. You celebrate. You have exorcised the ghosts of the past--you feel liberated, UNTIL one fine day, some old memory creeps up slowly from behind and taps you on your shoulder just to say "Hi. How's it going so far?". That is when everything comes rushing in, and you realize that maybe, just maybe, it had never really gone away. — Priyanka Naik

I'm having a permanent out-of-body experience. When it's finally done, I lie flat on my back. Glare up at the greenish, star-pricked night sky. I try not to think about what I must look like, black and bony out here on the bank of this pond. My body is all sharp angles - nothing to hold it together but armored joints and a knobby curved spine. I'm a holy fucking terror, I imagine. A walking weapon. After a while, I dig my elbow joints into the mud and sit up. My body can really move now, no longer hauling rotted bone and flesh but streamlined with these thin limbs made of light titanium. I feel like an obsidian skeleton out here. A devil dancing in the dark. I feel free. — Daniel H. Wilson

I still can't help but love Sienna, though, I adore her. looking at her still makes me melt somewhere deep in my soul. Her presence lifts me up more than anyone else I know. Thinking about her fills me with happiness. What we have is unique. But I have accepted that she will never be mine, so I have to just love her from a distance and move on. It's working. It really is. I am finally achieving peace. — Jessica Thompson

Too bad. And Mozart, not long after writing The Magic Flute, had died
in his thirties
of kidney disease. And had been buried in an unmarked pauper's grave.
Thinking this, he wondered if Mozart had any intuition that the future did not exist, that he had already used up his little time. Maybe I have too, Rick thought as he watched the rehearsal move along. This rehearsal will end, the performance will end, the singers will die, eventually the last score of the music will be destroyed in one way or another; finally the name "Mozart" will vanish, the dust will have won. If not on this planet then another. We can evade it awhile. As the andys can evade me and exist a finite stretch longer. But I will get them or some other bounty hunter gets them. In a way, he realized, I'm part of the form-destroying process of entropy. — Philip K. Dick

Either we can be victimized and become victims, or we can be victimized and rise above it. Often it is easier to play the victim than take off our masks and ask for help. We get comfortable with our victim status. It becomes our identity and is hard to give up. The Israelites often played the victim card, and I love what God finally tells them, "You have circled this mountain long enough. Now turn north" (Deuteronomy 2:3 [NASB]). Turn north! It's time to move on! Self-pity, fear, pride, and negativity paralyze us. Taking off our masks takes courage, but if we don't do it, we will remain in our victim status and end up stunted.6 — Lysa TerKeurst

This too shall pass. Life has a way of going on, and you do your best to move with it. A broken heart heals. Like every wound, there's a scar, a memory, but it fades. Finally you realize that an hour has passed without your thinking about it, then a day ... — Kristin Hannah

I remember being upset because I was finally legal to drink in Canada, and I decided to throw that all away and move to America, where I had to wait another two years. I came here to do improv and to try to join the Groundlings. — Ryan Reynolds

If I work on a certain move constantly, then finally, it doesn't seem risky to me. The idea is that the move stays dangerous and it looks dangerous to my foes, but it is not to me. Hard work has made it easy. — Nadia Comaneci

He knew how to handle pain. You had to lie down with pain, not draw back away from it. You let yourself sort of move around the outside edge of pain like with cold water until you finally got up your nerve to take yourself in hand. Then you took a deep breath and dove in and let yourself sink down it clear to the bottom. And after you had been down inside pain a while you found that like with cold water it was not nearly as cold as you had thought it was when your muscles were cringing themselves away from the outside edge of it as you moved around it trying to get up your nerve. He knew pain. — James Jones

Without thinking, I knelt in the grass, like someone meaning to pray.
When I tried to stand again, I couldn't move,
my legs were utterly rigid. Does grief change you like that?
Through the birches, I could see the pond.
The sun was cutting small white holes in the water.
I got up finally; I walked down to the pond.
I stood there, brushing the grass from my skirt, watching myself,
like a girl after her first lover
turning slowly at the bathroom mirror, naked, looking for a sign.
But nakedness in women is always a pose.
I was not transfigured. I would never be free. — Louise Gluck

Max felt his eye twitching. He knew he should be yelling, but his limbs wouldn't move. This was what it felt like to be paralyzed with rage. Yes, he was going to do it. He was going to finally go utterly psychotic and prove the whole town right. He was going to walk over to those arrogant assholes and take the first one apart. Then he'd beat the other one to death with his dead brother's leg. He looked to his own brother. Rye would save him from his towering rage. Rye would have calming words. Rye would talk him down.
Rye's face was red as he pointed at the young cowboys. You, kill now, Max. — Sophie Oak

Chloe doesn't move right away even though I've stepped to the side to allow her to pass. When she finally does, it's as if she's stealing my air as she goes. She's so damn beautiful. — K.K. Allen

In the bar, the jukebox comes on. Molley must be trying to drown out the sounds of raised voices. I move toward her, unable to resist; her eyes are wet, her face flushed, and I can finally look at her, want her, let myself touch her without grief turning everything to ashes in my mouth. — Amie Kaufman

By now I had drawn up as much magic as I could possibly hold, but I was afraid to start sending big bolts of it into the fray. The last thing I wanted was to hit Archer, who, I was beginning to realize, had definitely held back in Defense. I'd never seen anyone move like he did, his movements fast and sure. Too bad they weren't doing any good.
Finally,one of the ghouls got a grasp on his hair, and he winced as the thing jerked his head back. I think I might have cried out, but it was hard to hear anything between my heartbeat and the whirring of magic in my veins.
"Could we start with the necromancing now?" Archer shouted at me. — Rachel Hawkins

I thought it could be something, I mean, eventually." Harrison finally looks at us. "My life I thought-but I mean ... it's nothing."
"Don't cry" Grace says. "You have a lot of time."
"No, I don't."
"Yeah, you do."
"No.-"
"Yeah! Yeah, you do. It's okay. Look-"
She does something that is so amazingly selfless and also gross. She tilts Harrison's face up and gives him a sweet kiss on the lips and it lasts long enough for him to taste her back, to move his mouth against hers.
Harrison stares at her dumbfounded but he's stopped crying
She is so nice. — Courtney Summers

He was one of those old people who give the impression of having undergone a lifetime trial by fire which they somehow managed to turn to their own good in the end; using the fire to burn away everything in them that could possibly decay, everything mortal. So that what remains finally are only their cast-iron hearts, the few muscles and bones tempered to the consistency of steel needed to move them about, the black skin annealed long ago by the sun's blaze and thus impervious to all other fires; and hidden deep within, out of harm's way, the indestructible will: old people who have the essentials to go on forever. — Paule Marshall

Intimacy is not trapped within words. It passes through words. It passes. The truth is that intimates leave the room. Doors close. Faces move away from the window. Time passes. Voices recede into the dark. Death finally quiets the voice. And there is no way to deny it. No way to stand in the crowd, uttering one's family language. — Richard Rodriguez

The two states - envious and grateful - have little to do with what a person actually receives. They have more to do with the character of the person. If you give something to entitled, envious people, it profits them or you nothing. They just feel that you have finally paid your debt to them. If you give to grateful people, they feel overwhelmed with how fortunate they are and how good you are. Parents need to help children work through their feelings of entitlement and envy and move to a position of gratitude. — Henry Cloud

We have gone on too long blaming or pitying the mothers who devour their children, who sow the seeds of progressive dehumanization, because they have never grown to full humanity themselves. If the mother is at fault, why isn't it time to break the pattern by urging all these Sleeping Beauties to grow up and live their own lives? There never will be enough Prince Charmings or enough therapists to break that pattern now. It is society's job, and finally that of each woman alone. For it is not the strength of the mothers that is at fault but their weakness, their passive childlike dependency and immaturity that is mistaken for "femininity." Our society forces boys, insofar as it can, to grow up, to endure the pains of growth, to educate themselves to work, to move on. Why aren't girls forced to grow up - to achieve somehow the core of self that will end the unnecessary dilemma, the mistaken choice between femaleness and humanness that is implied in the feminine mystique? — Betty Friedan

tucked an arm around the back of Prophet's neck and Prophet buried his face in Doc's shoulder as Doc said, "It's not fair. I know it's not. But before you do anything else, you have to tell Tom." "How do you know I haven't?" "How do I know the sun rises in the morning?" "Fucker," Prophet muttered against Doc's shoulder. "Disability-hater." Doc rubbed the back of his neck but didn't make a move to let him go. And Prophet was okay with that. "Do you want me to tell him?" Doc asked finally. "Yeah. But you can't." God, it was safe right here, with Doc. And Prophet wanted it to be this safe with Tommy . . . and it was, except for this issue. Which he hadn't given Tommy the chance to deal with. "I can be there with you. I'll answer the questions he'll have, so you don't have to." Prophet lifted his head. "Yeah, I get you're trying to make it easier on me, but fuck, it's not going to be at all. I can't pretend anything will help." "Not pretending is the first step. — S.E. Jakes

Start with clothes, then move on to books, papers, komono (miscellany), and finally things with sentimental value. — Marie Kondo

Whenever you're struck by misfortune, either through an illness or an accident, the people around you suddenly change. There are those who scurry off the sinking ship, like rats, those who wait to see how the situation develops before making their next move, and finally those who remain loyal to their feelings and whose behavior doesn't change. Those friends are both rare and precious. He — Tahar Ben Jelloun

When the electric dog finally stopped shocking him, Mack Sullivan lay outstretched on the cold concrete, pretending he was unable to move. — Hugo Krait

Unable to break the tenacious grip, Claude spun around and forced Mr. Braddock backward, slamming him hard into the walls, crashing into bookcases, and finally, in a desperate move, throwing himself out the street window. A shrill, useless scream escaped from my throat as the glass shattered and the cold London air rushed in. The pair disappeared out the window. There was the briefest silence, a thud, and a rattling. — Tarun Shanker

Another minute passed, when suddenly something round fell with a soft but heavy thud upon the stone flooring of the veranda, and came bounding and rolling along past me. For a moment I did not rise, but sat wondering what it could be. Finally, I concluded it must have been an animal. Just then, however, another idea struck me, and I got up quick enough. The thing lay quite still a few feet beyond me. I put down my hand towards it and it did not move: clearly it was not an animal. My hand touched it. It was soft and warm and heavy. Hurriedly I lifted it and held it up against the faint starlight. It was a newly severed human head! — H. Rider Haggard

I am not sure what it is that finally allows people to just turn to each other and touch. There is some hidden trigger. There is a secret language people learn, so they can signal to stop talking and just move. I don't know it. — M T Anderson

He doesn't move.

Please, I beg him inwardly.

Please go up to bed.

It's hard enough to look at his face each day and not feel heartbreak. I can't be close to him right now. I'm afraid I'll give in and kiss him again. The way his hard body had aligned so perfectly with mine is burned in my consciousness. I'll be trying not to remember that for weeks.

I wait, and I ache.

Finally the door clicks open. I hear him exit the car. When the door slams shut, I feel it like a sledgehammer to the heart.

Don't look, I coach myself.

But my self-control isn't infinite. His fair hair glints under the streetlight as his long legs eat up the walkway in just a few paces. Seeing him walk away from me splinters something inside me. — Sarina Bowen

The further humans move from hunters to horticulturists to agriculturists to urbanisation to industrialists, the further the sacred recedes, first to heaven, then condensed to monotheism and finally it dies in irony. — Lierre Keith

Finally I realized these were the nasty Christians praying for their neighborhoods, their communities, their families - the prayers of the people I hated the most. Wherever these praying Christians lived, I couldn't penetrate the neighborhood. I got in, but I couldn't do the evil acts I had come to perform. So I would move on to the next neighborhood. This was my calling, and it was also what I loved to do. — John Ramirez

Now, they should have been in bed, making out and groping until one of them finally came up for air long enough to put on a condom. But they didn't move. They stood in the middle of the room, skin to skin, arms around each other and kissing like ... like ... Like this. It was as if no one had ever given Dom the memo about the difference between fucking and making love. About how to kiss a one-night stand versus how to kiss a boyfriend. Sergei — L.A. Witt

Former Sony CEO Amy Pascal - they threw her out of the headquarters, but they gave her a new office on the lot. But she can't move into it because it reeks of pot smoke. Apparently, this is true, the former tenant was Seth Rogan. And he, as we know, smokes so much weed, when he finally exhales, it looks like there's a new pope. — Peter Sagal