How To Write A Novel Quotes & Sayings

In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write. — Colson Whitehead

My best advice for aspiring writers is to read a lot and write. Don't worry if you don't get your first, fifth or tenth novel published, if you keep going you'll make it. Also read "how to write" books as they may make the process a bit quicker. — Katie Fforde

The novel had reached its apogee with the marriage plot and had never recovered from its disappearance. In the days when success in life had depended on marriage, and marriage had depended on money, novelists had had a subject to write about. The great epics sang of war, the novel of marriage. Sexual equality, good for women, had been bad for the novel. And divorce had undone it completely. What would it matter whom Emma married if she could file for separation later? How would Isabel Archer's marriage to Gilbert Osmond have been affected by the existence of a prenup? As far as Saunders was concerned, marriage didn't mean much anymore, and neither did the novel. Where could you find the marriage plot nowadays? You couldn't. You had to read historical fiction. You had to read non-Western novels involving traditional societies. Afghani novels, Indian novels. You had to go, literarily speaking, back in time. — Jeffrey Eugenides

I still find the idea of a research-heavy or historical novel daunting. That's something I've had in mind for a while: like, would you research for a year and then start writing? I sit down, and I just don't know how to write it. — Lynn Coady

I suppose I've never set out to write a novel in which nothing happens ... only to write a novel about the lives of certain characters. That nothing 'happens' in their lives is beside the point to me; I'm still interested in how they live, and think, and speak, and make some sense of their own experience. Incident (in novels and in life) is momentary, and temporary, but the memory of an incident, the story told about it, the meaning it takes on or loses over time, is lifelong and fluid, and that's what interests me and what I hope will prove interesting to readers. We're deluged with stories of things that have happened, events, circumstances, actions, etc. We need some stories that reveal how we think and feel and hope and dream. — Alice McDermott

If Laura was so prolific with poems, and in truth she was, then what was the problem with Megan's request? Couldn't Laura, with a little doing, keep stringing together line after line of words and construct, in time, a novel? It seemed logical, but there was the matter of finding an idea and sustaining it. Only fire could do that. The fire of rebellion.
Mario Vargas Llosa had not used the term "fire" exactly, but rather had discussed the presence of "seditious roots" that could "dynamite the world" the writer inhabited. He claimed that writing stories was an exercise in freedom and quarreling - out-and-out rebellion, whether or not the writer was conscious of it. And this rebellion, Vargas Llosa reminded his readers, was why the Spanish Inquisition had strictly censored works of fiction, prohibiting them for three hundred years in the American colonies. — L.L. Barkat

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama. — Flannery O'Connor

The most celebrated American author of the twentieth century, Bellow objected during the first part of his career to being designated a "Jewish writer, " but it was he who demonstrated how a Jewish voice could speak for an integrated America. With Bellow, Jewishness moved in from the immigrant margins to become a new form of American regionalism. Yet he did not have to write about Jews in order to write as a Jew. Bellow's curious mingling of laughter and trembling is particularly manifest in his novel Henderson the Rain King, that follows an archetypal Protestant American into mythic Africa. Bellow not only influenced and paved the way for other American Jewish writers like Philip Roth and Cynthia Ozick, but naturalized the immigrant voice: the American novel came to seem freshly authentic when it spoke in the voice of one of its discernible minorities. — Hana Wirth-Nesher

There is no better way to learn how to write than by writing a novel. — Lawrence Block

There's a lot of ignorance about how long it takes to write a novel. There's a lot of ignorance about how long a novel is in your head before you start to write it. — John Irving

Writing an essay is like a school assignment: I have my topic, I organize my thoughts, and I write it. I have complete control over what I'm doing. Writing a novel is like setting out on a journey without knowing who or what I'll encounter, how long it's going to take, or where I'm going to end up. — Tawni O'Dell

I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel. — Alan Rickman

I don't recall that when I was in high school or college, any novel was ever presented to me to study as a novel. In fact, I was well on the way to getting a Master's degree in English before I really knew what fiction was, and I doubt if I would ever have learned then, had I not been trying to write it. I believe that it's perfectly possible to run a course of academic degrees in English and to emerge a seemingly respectable Ph.D. and still not know how to read fiction. — Flannery O'Connor

When I finally got tired of arguing with her and decided to write a novel as if I was some kind of formulaic, genre writing drone, just to prove to her how awful it would be, I wrote the first book of the Dresden Files. — Jim Butcher

In undergraduate classes, I often see writers who are still simply imitating. I mean, we all imitate - that's how we learn to speak or write in the first place - but they're writing a Dean Koontz novel or something. — Leni Zumas

Laura thought Bell would have a few things to say to Pynchon. And Laura had a few things to say to Bell, like, How the hell was a writer supposed to know when she was one-fifth through her novel-writing, so she could cut a door into the wall and shove her character out into the forest? — L.L. Barkat

Flannery revealed she had been working on the novel "a year and a half and will probably be two more years finishing it." She described her writing habits in a letter dated July 13: "I must tell you how I work. I don't have my novel outlined and I have to write to discover what I am doing. — Flannery O'Connor

The fiction writer is an observer, first, last, and always, but he cannot be an adequate observer unless he is free from uncertainty about what he sees. Those who have no absolute values cannot let the relative remain merely relative; they are always raising it to the level of the absolute. The Catholic fiction writer is entirely free to observe. He feels no call to take on the duties of God or to create a new universe. He feels perfectly free to look at the one we already have and to show exactly what he sees. — Flannery O'Connor

I wanted to write something that was very entertaining to read. The hardest part of this novel [The Yoga of Max's Discontent] was how to make a deeply spiritual transformation journey page-turning and adventurous. That was the hardest part to crack for me. — Karan Bajaj

These motivational tapes have really inspired me! I'm going to make a million dollars, buy my own company and retire early. Then, I'm going to write a novel and a symphony and give all the profits to charity. Then next month, I'll figure out how to do it. — Randy Glasbergen

Don't try to write a novel. Write short stories and then figure out how to connect them. — Ray Bradbury

Whatever I write, no matter how gray or dark the subject matter, it's still going to be a comic novel. — John Irving

But even more than her diary, Shimamura was surprised at her statement that she had carefully cataloged every novel and short story she had read since she was fifteen or sixteen. The record already filled ten notebooks.
"You write down your criticisms, do you?"
"I could never do anything like that. I just write down the author and the characters and how they are related to each other. That is about all."
"But what good does it do?"
"None at all."
"A waste of effort."
"A complete waste of effort," she answered brightly, as though the admission meant little to her. She gazed solemnly at Shimamura, however.
A complete waste of effort. For some reason Shimamura wanted to stress the point. But, drawn to her at that moment, he felt a quiet like the voice of the rain flow over him. He knew well enough that for her it was in fact no waste of effort, but somehow the final determination that it had the effect of distilling and purifying the woman's existence. — Yasunari Kawabata

A novel is not born of a single idea. The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun. — Katherine Paterson

You never learn how to write a novel," he told me. "You only learn to write the novel you're on." He — Neil Gaiman

I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge. — Amy Waldman

I always try to give good ratings to books I have read unless it is really bad. Being a writer I know how a bad rating feels. Sometimes it is better to encourage a writer rather than discourage them. After all the next book they write could be a World Renown novel like Harry Potter. — William Roach

When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she'd gone and I'd felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving. — Roman Payne

Do you know how some people can do anything?"
"What do you mean?"
"I mean, you tell them to write a tune, they give you a symphony right there. You tell them to write a book, they write you a novel in a day. You tell them to move a spoon without touching it, they move it. If they want something, they make it happen. Miracles, almost. — Maggie Stiefvater

You know how some people will say to writers, "Why don't you just write a romance novel that sells a bunch of copies and then you'll have the money to do the kind of writing you want to do"? I always say that I don't have the skills or knowledge to do that. It would be just as hard for me to do that kind of writing as it would be to learn how to do any number of productive careers that I can't manage to make myself do. — Lucy Corin

A novel must be judged on its merits, not on how hard the journey was to write it. — Johnny Rich

I would say I'm a storyteller first, but game making is very wrapped up in how I think of story. If I were to have a story idea, and I decided to write a novel with it instead, I'd have to very consciously de-couple it from gamedom - for example, deliberately add in things that could not be represented in a game scene. — Jane Jensen

It must take a lot of self-discipline,' she said.
'Oh, I don't know. I don't have much.' He felt himself about to say again, and unable to resist saying, that 'Dumas, I think it was Dumas, some terrifically prolific Frenchman, said that writing novels is a simple matter - if you write one page a day, you'll write one novel a year, two pages a day, two novels a year, three pages, three novels, and so on. And how long does it take to cover a page with writing? Twenty minutes? An hour? So you see. Very easy really.'
'I don't know,' she said, laughing. 'I can't even bring myself to write a letter.'
'Oh, now that's hard.'
("Novelty") — John Crowley

You never learn how to write a novel. You just learn how to write the novel that you're writing. — Gene Wolfe

It had never occurred to me to write a historical novel, but then I found Hadley in the pages of Hemingway's 'A Moveable Feast' and wanted to know more about her - who she was, how she and Ernest met and fell in love, what it was like for her to be married to such a demanding and stormy force of nature. — Paula McLain

The turning point was when I hit my 30th birthday. I thought, if really want to write, it's time to start. I picked up the book How to Write a Novel in 90 Days. The author said to just write three pages a day, and I figured, I can do this. I never got past Page 3 of that book. — James Rollins

When, sometime around my fortieth birthday, I was struck by the urge to try to write a novel, I was vastly comforted to learn that Rex Stout didn't write his first Nero Wolfe tale until he was forty-seven, and that he proceeded to write them right up to his death at the age of eighty-eight. It was considerably less comforting to learn that he typically completed a novel in thirty-eight days, and that he always got it right on the first try. P. G. Wodehouse once said, "Stout's supreme triumph was the creation of Archie Goodwin." That's how I've always felt about it, too. When I returned those first Rex Stout books to my librarian, I said to her, "Do you have any more of these Archie Goodwin stories?" She smiled, I recall, and said, "Why, yes. Dozens. — Rex Stout

I have a novel that I can write. It's about three soldiers from Somalia. Some babies have been disappearing up on 144th Street, and I speculate later on what happened to them and how they might have been got back. These guys are dead, all three, and they have a chance in the afterlife to do something they should have done when they were alive. — Gil Scott-Heron

I read daily, not so much for the benefit of my writing, but because I am addicted to it. There is nothing in the world for me that compares to being lost in a really good novel. That said, reading is an absolute must if you want to write. It is a trite enough thing to say, but very true nonetheless. I cannot understand aspiring writers who email me for advice and freely admit that they read very little. I have learned something from every writer I have ever read. Sometimes I have done so consciously, picking up something about how to frame a scene, or seeing a new possibility with regards to structure, or interesting ways to write dialogue. Other times, I think, my collective reading experience affects my sensibilities and informs me in ways that I am not quite aware of, but in real ways that impact how I approach writing. The short of it is, as an aspiring writer, there is nothing as damaging to your credibility as saying that you don't like to read — Khaled Hosseini

Like many writers, I started by writing short stories. I needed to learn how to write and stories are the most practical way to do this, and less soul-destroying than working your way through a lengthy novel and then discovering it's rubbish. — Kate Atkinson

Do not think us as traffic cops, or even driving instructors. Think of us instead as your onboard navigation system, available day or night, a friendly voice to turn to whenever you look up, lost and afraid, and think How the fuck did I end up here? — Howard Mittelmark

I don't assume, because I can write screenplays, that I know how to write a novel. It's a very different world. There's a craft involved in storytelling, and it's a different kind of craft. But yes, someday I will do that. It just might be awhile. — Melissa Rosenberg

When I went to the University of Iowa in order to be a writer, I thought, This is the worst way to learn how to write. To sit in a room with a bunch of would-be writers, who want to write the Great American Novel, every one of them, and you read their stories and they read yours, and you're not living a life. I don't like that. I like learning on the job. The character of my work has definitely evolved from the character of my life. — Joe Frank

Every decade of my life I attempted to write a novel. But I had nothing to say. I was far too self-absorbed, and now I realize I was writing for others, so that they'd applaud me, see my genius, tell me how wonderful I am, or be jealous of my success. — Louise Penny

I grew up in a working-class Catholic family in south Louisiana. I went to a state university. I taught literature, wrote a novel that was the novel I wanted to write, and got a couple of good reviews but no real traction. I had no idea how to get a job in TV. — Nic Pizzolatto

If you don't know what those old occupations were, how they were done, and how they interacted with the passersby, you're not prepared to write a historical novel. A historical figure doesn't pass through a blank countryside. That means you, the novelist, must learn by research what the whole place was like in those times. As much as you can, you must be like someone who has lived there, because you're going to be not just the storyteller but also the tour guide taking your readers through the past. — James Alexander Thom

IF you wish to be a writer then don't wait until you write the "great American novel" for they aren't written they are created. If you don't write at all you won't know how "great" that simple book can be. — Shiree McCarver

Novelists congratulate themselves on their creation of this kind of "character" or that kind of "character," and readers pretend to talk knowingly about "character," but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don't know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying. — Soseki Natsume

Mom, when you write a novel you get to rewrite it, but when you live with someone for twenty years, that is the novel, and you can never write that novel with anyone again! How — Elizabeth Strout

We're slammed at work and busy at home. Throw in an occasional outing with friends or significant others, and we're ready for bed at 10:00 PM every night. Really ready for bed. There's barely enough time in a day to cover all our mandatory obligations, so optional activities like novel writing, journaling, painting or playing music
things that feel great but no one will ever take us to task for shirking
are invariably left for another day.
Which is how most of us become 'one day' novelists. As in, 'One day, I'd really like to write a novel.' The problem is that that day never seems to come, and so we're stuck. — Chris Baty

You never figure out how to write a novel; you just learn how to write the novel that you're on. — Amy Cuddy

The power of literature, I've always thought, lies in how willful the act of making it is. As such, I've never bought into the idea that the writer requires any special ritual in order to write. If need be, I could write almost anywhere, as easily in an ashram as in a crowded cafe, or so I've always insisted when asked whether I write with a pen or a computer, at morning or night, alone or surrounded, in a saddle like Goethe, standing like Hemingway, lying down like Twain, and so on, as if there were a secret to it all that might spring the lock of the safe housing the novel, fully formed and ready for publication, apparently suspended in each of us. — Nicole Krauss

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor

A writer is a person who writes.

Actually, it was John Braine's quote in his book HOW TO WRITE A NOVEL. But I use it all the time — Andrew Puckett

How much energy is wasted in Italy in trying to write the novel that obeys all the rules. The energy might have been useful to provide us with more modest, more genuine things, that had less pretensions: short stories, memoirs, notes, testimonials, or at any rate, books that are open, without a preconceived plan. — Italo Calvino

When I write a novel, I want it to be completely different from a screenplay. I'm very conscious of the difference, and I want novels to work purely as novels. Otherwise I don't see how they'll survive - why don't we just all go to the movies or watch television. — Kazuo Ishiguro

The age of clear answers was over. So was the age of characters and plots. Despite her journal sketches, she no longer really believed in characters. They were quiant devices that belonged to the nineteenth century. The very concept of character was founded on errors that modern psychology had exposed. Plots too were like rusted machinery whose wheels would no longer turn. A modern novelist could no more write characters and plots than a modern composer could a Mozart symphony. It was thought, perception, sensations that interested her, the conscious mind as a river through time, and how to represent its onward roll, as well as the tributaries that would swell it, and the obstacles that would divert it. If only she could reproduce the clear light of a summer's morning, the sensations of a child standing at a window, the curve and dip of a swallow's flight over a pool of water. The novel of the future would be unlike anything in the past. — Ian McEwan

I try to write books that are different from the books I've already written. I think one of the thing I really try to do is reinvent how a novel can be written. — James Frey

Because I don't think I have a handle on how to write for grown-ups. The grown-up publishing world is so fraught with one-upsmanship, scorn and snobbery. I did write an adult novel. Thank goodness it went out of print. I think we kids' authors still start out with hope every morning. We honor our audience. — Virginia Euwer Wolff

In all seriousness, people think that it's the ideas that are important. Well, everyone has ideas, all the time. I tend to write mine down and remember them, but at some point you have to apply the bum to the seat and knock out about sixty five thousand words - that's how long a novel is. — Terry Pratchett

I didn't know how to write a novel, so I sort of let it happen in waves. The only way I could write it was to think like scenes in a movie. — Eileen Myles

One Bagatelle, and I'll raise you a novel," Megan had tweeted back.
"Writing for tea? Now that would have been a solution for the British empire," Laura returned.
"Writing for me," Megan had typed.
"I'll write you a tea fortune."
"No deal. I want a novel. September sounds good. — L.L. Barkat

You're never confident. You go in fear and trembling every day. It would be awfully nice to think that you know how to write a novel. But what you know is the novel you just wrote. You don't have the slightest notion how to write the one you're going to do next. — Wallace Stegner

Well, boys will be bores. Tell me all about yourself, Mary. I've had a marvellous time over my novel. A man I know is really keen to film it, and I have a chance of getting a dramatic version broadcast. That's why I've been away all the time. I was so busy.' 'Is your novel really written, then?' asked Mary. 'Oh, no, that's the whole point. I shall do the film version and the dramatic version, and then with that success behind me it will be as easy as anything to write the novel. People often do, you know. "The Story of the Play". How is Martin's party getting on?' 'It — Angela Thirkell

When I sit down to write a novel I do not at all know, and I do not very much care, how it is to end. — Anthony Trollope

It's just the garbage in/garbage out trick. If you're not taking any fiction in, good or bad, then how can you be spitting any back out (good or bad)? I can't even imagine trying to write without reading. Really, I can hardly write a novel at all if I'm not reading just book after book. — Stephen Graham Jones

How should a prospective writer go about becoming an author?
First of all, realise that it's very hard, and that writing is a grueling and lonely business and, unless you are extremely lucky, badly paid as well. You had better really, really, really want to do it. Next, you have to write something. Unless you are committed to novel writing exclusively, I suggest that you start out writing for radio. It's still a relatively easy medium to get into because it pays so badly. But it is a great medium for writers because it relies so much on the imagination. — Douglas Adams

But it was not what I wanted to do! I wanted to star in a silent movie and vamp the sheik, take a trip to the South Seas ... walk naked in the sand and surf ... write a novel about it. Be the Empress of the Galaxy, be discovered by a hero that would ravish me, and take me away on high adventure! Take a interminable motor home trip across the US and find out how the past had become the present. Journey to Europe, speak flawless French, and become the courtesan in the country chalet where all the real people came to party." She laughed again. "Mostly I did not want be confined to routine ... endless routine. — William C. Samples

If you don't write the story, who will? — Ora Rosalin

No one knows how to write a novel until it's been written. — Alice Hoffman

I believed, after writing 'Mrs. Kimble,' that I knew how to write a novel. I quickly discovered that I only knew how to write that novel. 'Baker Towers' was a different beast entirely; and I felt as though I had to learn to write all over again. — Jennifer Haigh

A lot of aspiring writers are all ready to write a novel, but they don't know how to write sentences. — Tom Robbins

Maybe you didn't need to know anything special to write a work of fiction. Maybe you didn't need to delve into some kind of life question you knew you'd lived. Perhaps your subconscious would do the job for you, if only you dared to dream. — L.L. Barkat

She meant you have to live a story for a time.'
'And?'
'And then you can write it, in time. What have you lived?'
'Kind of a personal question for Twitterland.'
'Kind of the perfect question to answer in fiction. — L.L. Barkat

There is no correct way to write a novel, or rather, there is only one, and that one way is to make it interesting. That is very easily said, but how do you make your writing interesting?
The answer to the question is, that you write interestingly only about the things that genuinely interest you. This is an infallible rule. — Ted Hughes