How To Make White Paper Quotes & Sayings

Suppose one reads a story of filthy atrocities in the paper. Then suppose that something turns up suggesting that the story might not be quite true, or not quite so bad as it was made out. Is one's first feeling, 'Thank God, even they aren't quite so bad as that,' or is it a feeling of disappointment, and even a determination to cling to the first story for the sheer pleasure of thinking your enemies are as bad as possible? If it is the second then it is, I am afraid, the first step in a process which, if followed to the end, will make us into devils. You see, one is beginning to wish that black was a little blacker. If we give that wish its head, later on we shall wish to see grey as black, and then to see white itself as black. Finally we shall insist on seeing everything
God and our friends and ourselves included
as bad, and not be able to stop doing it: we shall be fixed for ever in a universe of pure hatred. — C.S. Lewis

I carried with me into the West End Bar, the White Horse Tavern, a long list of things I would never do: I would never have my hair set in a beauty parlor. I would never move to a suburb and bake cakes or make casseroles. I would never go to a country club dance, although I did like the paper lanterns casting rainbow colors on the terrace. I would never invest in the stock market. I would never play canasta. I would never wear pearls. I would love like a nursling but I would never go near a man who had a portfolio or a set of golf clubs or a business or even a business suit. I would only love a wild thing. I didn't care if wild things tended to break hearts. I didn't care if they substituted scotch for breakfast cereal. I understood that wild things wrote suicide notes to the gods and were apt to show up three hours later than promised. I understood that art was long and life was short. — Anne Roiphe

Smart art galleries know it's not the words on paper but the emotion in the piece that makes clients pull out the credit card or check book. The gallery's number one concern is will this stuff sell? What your bio, artist's statement or resume articulates will be of no help if you don't make art that connects with buyers. — Jack White

It was about everything. About life and death, and white and black and gray. It was about having to be tough when you weren't used to it. About having to grow when you'd thought you were done growing. In the back of my head, I knew what I'd said didn't make any damn sense. But how could I explain? How could I begin to tell him that I had lost a part of myself with my brother's death, and I was trying so hard to keep what I had left together with duct tape and paper clips? — Mariana Zapata

If you want to make true love to me, take this paper and fill up the white space in-between the blue lines. — Delano Johnson

Seven, ten, fifteen, eighteen years old and still there is nothing finer than a blank sheet of paper, the white promise that the world can be what I make it. A magical place, an adventurous place, a possible place. Erasers take away the mistakes. Another coat of paint to cover them up. Black and red and purple and blue. Always Blue. — Stacey Jay

A Zentangle Art Kit To make your own little art kit you will need: Zentangle squares cut from black and white paper A Micron 01 and 05 Pen A Sakura White Gel Pen A White Pencil A Soft Lead Pencil A Box to house all your treasures. All you have to do is gather your materials and put them in a box. You can decorate the box as you like. Maybe you would like to draw Zentangles all over it. I like to carry my kit in my purse and so a box is quite cumbersome. I use a small plastic pouch. It very easily houses all my Zentangle squares, pencils and pens. — Mahe Zehra Husain

Roppongi is an interzone, the land of gaijin bars, always up late. I'm waiting at a pedestrian crossing when I see her. She's probably Australian, young and quite serviceably beautiful. She wears very expensive, very sheer black undergarments, and little else, save for some black outer layer - equally sheer, skintight, and micro-short - and some gold and diamonds to give potential clients the right idea. She steps past me, into four lanes of traffic, conversing on her phone in urgent Japanese. Traffic halts obediently for this triumphantly jaywalking gaijin in her black suede spikes. I watch her make the opposite curb, the brain-cancer deflector on her slender little phone swaying in counterpoint to her hips. When the light changes, I cross, and watch her high-five a bouncer who looks like Oddjob in a Paul Smith suit, his skinny lip beard razored with micrometer precision. There's a flash of white as their palms meet. Folded paper. Junkie origami. — William Gibson

You survived as a child because others helped to maintain your life. It continues to be true today, even when you think you are abandoned, rejected, neglected, and unloved: the tomatoes you eat sustain you, the crossing guard stops the traffic so you can get to the other side of the street, the dinner offered to you on clean white plates nourishes you, the paper on which these words are printed informs you. Noticed or ignored, this web of others protects and holds you and makes it possible for you to make a difference: to take what came to you as seed and pass it on as blossom, and what came as blossom and ripen it to fruit. — Dawna Markova

I make a composition with a white and a black, and make adjustments when the white has become a paper and the black a shadow. — Juan Gris

He saw the white paper as the great universe of nonexistence. A single stroke would give rise to existence within it. He could evoke rain or wind at will, but whatever he drew, his heart would remain in the painting forever. If his heart was tainted, the picture would be tainted; if his heart was listless, so would the picture be. If he attempted to make a show of his craftsmanship, it could not be concealed. Men's bodies fade away, but ink lives on. The image of his heart would continue to breathe after he himself was gone. — Eiji Yoshikawa

People in America worship money, and a white man's face on a green piece of paper does not make me wealthy. My health makes me wealthy. I used to work at a hospital, so I know the real deal. — Paul Mooney

Her mother had come a week after the baby died, the only time Annie had seen her since she'd left Kansas. Her hair gone white, her dress starched stiff, her small hands as dry as paper. Annie had wanted her mother to make it better. What she got was "God decides what's right for us" and a butter cake she'd packed from home, made by someone in the congregation. Maybe something truthful, some real emotion from her mother, might have been a small bridge Annie could have crossed. But hers had been a family of hidden feelings, held tongues. "Life is so hard out here," her mother had said, unable to wipe the sigh from her voice, the disapproval, as if the Panhandle - Annie's choice - was somehow to blame for the baby's death. Annie had been too grief-tired to get angry, but she had had the thought, when she looked at her mother's stolid face, that she would probably never see her — Rae Meadows

Look at how beautiful this ink is. Now do you understand why I needed clear water? Water is the brightness of the day and the whiteness of the paper. Black is the velvet of night and the satiny ink of the paintbrush. If you know how to make ink correctly, you will never again be afraid of nightmares." Hokusai (The Old Man Mad About Drawing) — Francoise Place