How Can I Move On Quotes & Sayings

Judah Friedlander, I'm ok with you being the world champion for a few years more. That's a hook with legs. But I think he should make one more hat, that says 'there's a limit to how funny words on a hat can be'. And then move to a chapeau. — Andy Kindler

A woman can always get some practical use from a torn-up life ... She likes mending and patching it, making sure the edges are straight. She spreads the last shred out and takes its measure: 'What can I do with this remnant? How long does it need to last?
A man puts on his life ready-made. If it doesn't fit, he will try to exchange it for another. Only a fool of a man will try to adjust the sleeves or move the buttons; he doesn't know how. — Mavis Gallant

You can't imagine fame. You can only ever see it from an outsider and comment on it with the rueful wisdom of a non participant. When it happens to you, it doesn't matter what age or how, it is a very steep learning curve. The imprtanot thing to realize in all of it is that life is short, to protect the ones you love, and not expose yourself to too much abuse or narcissistic reflection gazing and move on. If fame affords me the type of ability to do the kind of work I'm being offered, who am I to complain about the downsides. It's all relative. And this are obviously very high class problems. The way privacy becomes an every shrinking island is inevitable but also manageable and it doesn't necessary have to get that way ... — Benedict Cumberbatch

Shirts and jeans litter the asphalt, the empty fabric limbs askew as if they're attempting to escape. Blood smears Sarah's lips as she struggles against the chest of a dirty looking man with a beard. Terror. Terror is the only word my mind can seize on and it forgets what it means. I forget how to think - to move. — Brenna Ehrlich

i have been told many times by family, friends, colleagues and strangers that I, a black African Muslim lesbian, am not included in this vision; that my dreams are a reflection of my upbringing in a decadent, amoral Western society that has corrupted who I really am. But who am I, really? Am I allowed to speak for myself or must my desires form the battleground for causes I do not care about? My answer to that is simple: 'no one allows anyone anything.' By rejecting that notion you discover that only you can give yourself permission on how to lead your life, naysayers be damned. In the end something gives way. The earth doesn't move but something shifts. That shift is change and change is the layman's lingo for that elusive state that lovers, dreamers, prophets and politicians call 'freedom'. — Diriye Osman

Alf pondered his next move. On the one hand, the savages seemed to be responding reasonably well to "How." On the other hand they really weren't making much progress.
At least they're not eating us, he thought.
Ten seconds went by, then twenty, as Alf looked at the older savage, and the older savage looked at Alf. Finally, out of sheer nervousness, and unable to think of what else to do, Alf raised his right hand again. But this time, just as Alf began to speak, the savage rotated his spear from the vertical to the horizontal, pointing it toward Alf's chest. Alf stopped in mid "How," staring at the sharp pink spear tip, inches from his heart.
And the savage spoke.
Poking his spear tip against Alf's chest, he said: "Can we move this conversation along, old chap? I'm getting frightfully tired of "How. — Dave Barry

People forget that it's an acting assignment. You can work with someone for three months, three years or 30 years, and then you move on. I've done I don't know how many films, and I can look at the film and know that I worked with Clint Eastwood, but I'm not still trying to hang out with Clint Eastwood. We did our jobs. — Isaiah Washington

It's kind of a mystery to me, as far as my own life experiences and what I've witnessed - why some people can just move on through traumatic experiences, in childhood particularly, and why other people are just paralyzed by it. I just don't know how and why that is. — Annette Bening

I mean, really, whatever you woke up worrying about this morning, get over it. How important in the greater scheme of things can it possibly be? Make your peace and move on. — Ken Robinson

Traffic is about drugs. As detailed a portrait as I can muster about what is happening in the drug world, from top to bottom, from policy to how things move on the street. — Steven Soderbergh

She's fulfilled her obligation, assuaged her conscience by finding me in the hallway and giving me the chance to freak out, and I've played my role too, by remaining calm, pretending to be okay, and therefore giving her permission to cross me off her things-to-do list. Now she can move on, and I can too.
Once you understand how adults are controlled by the system, manipulating them is elementary. — Matthew Quick

Read poetry every day of your life. Poetry is good because it flexes muscles you don't use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.
What poetry? Any poetry that makes your hair stand up along your arms. Don't force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don't understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day. — Ray Bradbury

In other languages,
you are beautiful- mort, muerto- I wish
I spoke moon, I wish the bottom of the ocean
were sitting in that chair playing cards
and noticing how famous you are
on my cell phone- picture of your eyes
guarding your nose and the fire
you set by walking, picture of dawn
getting up early to enthrall your skin- what I hate
about stars is they're not those candles
that make a joke of cake, that you blow on
and they die and come back, and you
you're not those candles either, how often I realize
I'm not breathing, to be like you
or just afraid to move at all, a lung
or finger, is it time already
for inventory, a mountain, I have three
of those, a bag of hair, box of ashes, if you
were a cigarette I'd be cancer, if you
were a leaf, you were a leaf, every leaf, as far
as this tree can say. — Bob Hicok

I find many adults are put off when young children pose scientific questions. Why is the Moon round? the children ask. Why is grass green? What is a dream? How deep can you dig a hole? When is the world's birthday? Why do we have toes? Too many teachers and parents answer with irritation or ridicule, or quickly move on to something else: 'What did you expect the Moon to be, square?' Children soon recognize that somehow this kind of question annoys the grown-ups. A few more experiences like it, and another child has been lost to science. Why adults should pretend to omniscience before 6-year-olds, I can't for the life of me understand. What's wrong with admitting that we don't know something? Is our self-esteem so fragile? — Carl Sagan

Christ's version of kindness:
I know you are hurt. I contributed to that. Maybe, I should have said more. Done more. Listened. I am sorry for my part in the situation. I am sorry if I caused you any pain or confused you with my actions or words. How can I help you move on? I want you to have peace in your life. Let's end this by communicating.
The world's perverted version of kindness:
You caused your own pain. You get what you get. Get over it and move on. Maybe, one day you will figure out what happiness really means. By the way, I am not responsible for giving it to you. Nor, do I have to put up with people that don't bring me joy or who I can't trust. I am only responsible for myself. I will pray for you because I am a good Christian. — Shannon L. Alder

pointed to glass panes high on the wall. "How do we get up there?" said Jenny. "And once we're out, how do we get out of here?" Cora thought a minute. "There's a barn out back with horses. We'll take them. Can you ride?" "Yes, I can ride, but what if they catch us? And which way do we go?" "They won't even know we're gone until much later. By then we'll be in town. Galena is only a few miles away. We went through it on the way here, remember? We'll go straight to the sheriff there and tell him what happened. Now help me move some tables and chairs." They assembled a rickety pile that gave them access to the high window, which was loose enough — Jordan St. John

There's hardly anybody who hasn't owned or at least ridden a bicycle at some point in his or her life. I mean, sure, you do come across people occasionally who never learned how to ride a bike, but it's rare and a little unsettling. It's like meeting Someone who can't operate a washing machine, or a thirty-two-year-old guy who never learned how to pee standing up. You smile politely, you pity them silently, and then you move on down to the other end of the bar. Despite — BikeSnobNYC

[Finishing schools] are nicely adapted machines for experimenting on the question, "Into how little space a human being can be crushed?" I have seen some souls so compressed that they would have fitted into a small thimble, and found room to move ... — Olive Schreiner

The first question we must address deals with optimism, the possibility of achieving our goal. Are we in a position where we can actually hope to effect change? Assuming we become convinced that there are reasons for optimism, we move to the next question. Are we cetain that we want change? The stories about EHMs, jackals, and suffering around the globe strike raw nerves, but now we demand absolute proof that our grievances justify the efforts change will demand. Third: Is there a unifying principle that will validate our efforts? We look to ascertain that we are not merely seeking to impose our moral, religious, or philosophical values on others but instead are intent on creating something of true and lasting universal benefit. And finally: What can we each do? You and I personally need to evaluate our talents and passions. What are our individual options and desires? How do they fit into the bigger picture? — John Perkins

I have met many entrepreneurs who have the passion and even the work ethic to succeed - but who are so obsessed with an idea that they don't see its obvious flaws. Think about that. If you can't even acknowledge your failures, how can you cut the rope and move on? — Kevin O'Leary

Times change, Selena. Believe me, I know, and sometimes there's nothing you can do about it except to let it go. No matter how much you want to stop time, it has
to go forward and move on to something else. — Sherrilyn Kenyon

She waved, laughing, waiting for him to go zooming past her. Instead he slowed, then came to a stop right in front of her.
"What are you doing?" she demanded, as he put his foot on the asphalt. She pointed to the finish line, a scant hundred yards away. "Go."
People around them started screaming. Josh ignored them all.
He pulled off his glasses. "How you doing?"
"Josh! This isn't funny. Move." She glanced over his shoulder, knowing the other racers would appear at any second. "Just finish. You can win. Then we'll talk."
"We can talk now."
She shrieked. "No! I said I was wrong. I said I loved you. What more do you want?"
"You," he said. "For always."
"Yes, yes. You can have that. Now go. Cross the finish line. It's right there. Can't see it? Hurry."
"You'll marry me?"
The man next to her turned. "For God's sake, lady. Marry him already. — Susan Mallery

How can you be so nice to me and how can you forgive me when I've been such a jerk?"
Maddy appears to think for a moment. "When you are reading a book and you finish a chapter, you don't keep re-reading the chapter you just finished. You move on to the next chapter to see what happens. — Stephen Reid Andrews

I did sit down with Jared Polis (D-CO), and we had a good discussion about having the LGBT [Equality] Caucus pool some money and perhaps hire a staffer like some of the other caucuses do. That way we could hopefully be even more proactive on issues like ENDA, student non-discrimination and some of the other bills that are out thereit's just a matter of now figuring out - having seven of us total - how can we best move those forward either through legislation and working with the president to issue orders. — Mark Pocan

As for free will, there is such a narrow crack of it for man to move in, crushed as he is from birth by environment, heredity, time and event and local convention. If I had been born of Italian parents in one of the caves in the hills I would be a prostitute at the age of 12 or so because I had to live (why?) and that was the only way open. If I was born into a wealthy New York family with pseudo-cultural leanings, I would have had my coming-out party along with the rest of them, and be equipped with fur coats, social contacts, and a blase pout. How do I know? I don't; I can only guess. I wouldn't be I. But I am I now; and so many other millions are so irretrievably their own special variety of "I" that I can hardly bear to think of it. I: how firm a letter; how reassuring the three strokes: one vertical, proud and assertive, and then the two short horizontal lines in quick, smug succession. The pen scratches on the paper ... I ... I ... I ... I ... I ... I. — Sylvia Plath

How can I move on from yesterday if some people keeps on reminding me my mistakes everyday.. — San Sai R.A

Samuel glanced at him. "That's right," he said. "Set your teeth in it. How we do defend a wrongness! Shall I tell you what you do, so you will not think you invented it? When you go to bed and blow out the lamp - then she stands in the doorway with a little light behind her, and you can see her nightgown stir. And she comes sweetly to your bed, and you, hardly breathing, turn back the covers to receive her and move your head over on the pillow to make room for her head beside yours. You can smell the sweetness of her skin, and it smells like no other skin in the world - — John Steinbeck

If you like, you can all think of it as my gift to you. I never had much else to give. You can get on and play your own lives as you like, while I just keep moving. This story of it all can be another gift. I've made an arrangement with Adam. When I've finished, which is almost now, I'm going to put the bundle of papers in the garden of the Old Fort, before I move on. Adam's going to get them and take them to his father. And if you read it and don't believe it's real, so much the better. It will make another safeguard against Them.
But you wouldn't believe how lonely you get. — Diana Wynne Jones

And the time sundials tell
May be minutes and hours. But it may just as well
Be seconds and sparkles, or seasons and flowers.
No, I don't think of time as just minutes and hours.
Time can be heartbeats, or bird songs, or miles,
Or waves on a beach, or ants in their files
(They do move like seconds - just watch their feet go:
Tick-tick-tick, like a clock). You'll learn as you grow
That whatever there is in a garden, the sun
Counts up on its dial. By the time it is done
Our sundial - or someone's - will certainly add
All the good things there are. Yes, and all of the bad.
And if anyone's here for the finish, the sun
Will have told him - by sundial - how well we have done.
How well we have done, or how badly. Alas,
That is a long thought. Let me hope we all pass. — John Ciardi

I was only able to get over my past when I decided I was going to! As I've discovered, that's how everything starts. I decided to get out of bed this morning. I decided to get ready for work (D'oh! Another early morning). Everything I did today was because I made a decision. Although we can't set ourselves free, getting up and making a decision to move on from our past is a step in the right direction. We can't do God's part, and He won't do our part. He can't make that decision for you, because only you can. But once you have made that decision, He can help you with the rest. — Corallie Buchanan

Maybe you're starting to move on, my love. But to fully do it, you have to let the guilt go. Gabriel will always be an important part of your life. I don't even want to imagine how difficult it is to move on, but a new love always helps. I can bet you will find it in MacCraig's arms. He may be domineering and commanding, but everyone has flaws. — Cristiane Serruya

I had to learn how to trust my gut. Trust what I know to be right ... not right, but not waver on who I am. Know who I am, know what I want, and know it. Not waver on it and be secure in that. And I still struggle with it. But I really ... I can't be moved. You can't move me, and that all comes with loving myself, and I'm like my best buddy. — Mary J. Blige

In those early years, I worked endlessly to research every detail that might affect the deal I wanted to pursue. I do the same today. People often comment on how quickly I operate, but I can move quickly when opportunities open because I've done the background work first - which no one else sees. I prepare thoroughly. Then, when the green flag is dropped, I can stay ahead of competitors. — Gary W. Eldred

Jace set what he was holding down on the windowsill and reached out to her. She came to lean against him, and his hand slid up under her t-shirt and rested caressingly, possessively, on the small of her back. He bent to kiss her, gently at first, but the gentleness went quickly and soon she was pressed up against the glass of the window, his hands at the hem of her shirt - his shirt
"Jace." She moved a little bit away. "I'm pretty sure people down there in the street can see us."
"We could ... " He gestured toward the bed. "Move ... over there."
She grinned. "You said that like it took you a while to come up with the idea."
When he spoke, his voice was muffled against her neck. "What can I say, you make my thought processes slow down. Now I know what it's like to be a normal person."
"How ... is it?" The things he was doing with his hands under the t-shirt were distracting.
"Terrible. I'm already way behind on my quota of witty comments for the day. — Cassandra Clare

I love the ideas of looking back to historical heroes to give us inspiration on how we can be today's heroes to move forward in the future. So guys like ... William Bradford and William Wallace, the Bravehearts, the Patriots, the Pilgrims. There are so many of those people throughout history ... whose stories have just never been told. — Kirk Cameron

Stop thinking," he said.
I have to think," said val. "You said I was supposed to concentrate."
Thinking makes you slow. You need to move as I move. Right now, you're merely following my lead."
How can I know where you're going to go before you've gone there? That's stupid."
It's no different from knowing where an opponent might move. How do you know where a ball is likely to go on the lacrosse field?"
The only things you know about lacrosse are the things I told you," Val said.
I might say the same about you and sword fighting." He stopped. "There. You did it. You were so busy snapping at me that you didn't notice you were doing it."
Val frowned, too annoyed to be pleased, but too pleased to say anything more. — Holly Black

Don't worry, Ian. I totally protected your anonymity. I told her you were my brother."
"Great," he pouted."Now she's going to ask me about you. And I told you
I'm friendly and pleasant and then I move on."
"You can do that. She'll find you perfectly understandable."
"Oh? And why's that?"
"Well, she wondered about you. Said you ask for some heavy reading sometimes, but that you didn't make much conversation."
"Oh, really?"
"Yes," Marcie explained. "I said you were brilliant, but not a very social animal. I said she shouldn't expect a lot of chitchat from you, but you were perfectly nice and there was no reason to be shy around you
you're safer than you look."
"Is that so? And how did you convince her of that?"
"Easy. I said you were an idiot savant
brilliant in literature and many other things, but socially you weren't on your game."
"Oh, Jesus Christ!"
-Ian and Marcie — Robyn Carr

It's amazing how much time one can spend in a garden doing nothing at all. I sometimes think, in fact, that the nicest part of gardening is walking around in a daze, idly deadheading the odd dahlia, wondering where on earth to squeeze in yet another impulse buy, debating whether to move the recalcitrant artemisia one more time, or daydreaming about where to put the pergola. — Jane Garmey

In America you can be Donald Trump, have a business go wrong, and file for Chapter 11. You can move on, and no one complains. When his casinos were in Chapter 11, he was still on TV telling people how to get rich. I had to persevere for years with easyInternet because I couldn't afford to hurt the brand. — Stelios Haji-Ioannou

I've been mayor so I believe there is something else for me. I don't know what that is yet, but I definitely have a testimony now brother! As far as talking to young couples, talking to brothers who are strong, they have it going on, they know exactly what they want to do, how they want to do it but they don't have any God in their life. They don't really move by a spirit. They are not really connected to the community. There is a testimony in here somewhere that I think I can share but I don't know. — Kwame Kilpatrick

At the Ball

I chanced to see you. Music played,
Vain chatter filled the place.
It seemed as though a veil were laid
Across your secret face.

Your eyes alone were sad; your way
Of speaking ravished me,
As though I heard a far pipe play,
And on the shores the sea.

How welcome was your look of thought,
Your figure tall and slight;
And that clear laugh with sadness fraught
Is in my heart to-night.

And when the noise of day is stilled
Once more they come to me,
Those eyes with so much sadness filled,
That voice, with gaiety.

Down to the depths of sleep I go,
Where dreams uncaptured move.
But do I love you? Who can know?
Yet this, I think, is love. — Alexei Tolstoy

I squeezed her hand. "He's not coming back, Carlee"
When I said her name, her whole body stiffened, her eyes opening wide and clearing, as though a veil over them had lifted. "Carlee," she whispered.
I nodded and waited for her to freak out, to start screaming or crying, bracing myself and getting ready to hug her or carry her back to the village, whatever it took. For a few impossibly long moments she didn't say anything, didn't move, and I wondered if the shock had broken her brain. Then her brown eyes locked on mine again, narrowing into slits.
"I'm gonna kill that effing creep."
I laughed, relief flooding through me, and threw my arms around her neck.
"No, seriously. I'm going to kill him! I can't believe I bought his stupid lines! I don't care how pretty he was, I mean, have you seen what I'm wearing?"
Laughing, I nodded into her shoulder. "So not the style."
"I know, right? I look like an extra in some fantasy movie. Some stupid fantasy movie. — Kiersten White

I felt like if I could get the epiphany out of the way in my drafting process, through my eighth or tenth draft, then that can just be part of how I've assembled the character, and then we can move on and move forward with it. In general, I don't ever want to feel smarter than my characters, because I just feel like that's not a great way to write a story. — Molly Antopol

A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor. How deep is it? Nobody knows. Going down to the first underground floor, people can write novels and music. However, I believe that such works cannot move people's hearts. — Haruki Murakami

I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, "Well, that's over and done with, and I can't control the outcome, so move on." I just remember that it's entertainment I am making. — Julia Stiles

If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far. — Russell Crowe

As we just saw, in this learning process we assume from the start that as long as you are breathing, there is more right with you than wrong with you, no matter how ill or how despairing you may be feeling in a given moment. But if you hope to mobilize your inner capacities for growth and for healing and to take charge in your life on a new level, a certain kind of effort and energy on your part will be required. The way we put it is that it can be stressful to take the stress reduction program. I sometimes explain this by saying that there are times when you have to light one fire to put out another. There are no drugs that will make you immune to stress or to pain, or that will by themselves magically solve your life's problems or promote healing. It will take conscious effort on your part to move in a direction of healing, inner peace, and well-being. This means learning to work with the very stress and pain that are causing you to suffer. — Jon Kabat-Zinn

She put a hand on his hip and turned him to her. "But things could go wrong, so i want to tell you something while it's just the two of us, Eddie. I want to tell you how much I love you." She spoke simply, with no drama.
I know you do," he said, "but I'll be damned if I know why."
Because you made me feel whole," she said. "When I was younger, I used to vacillate between thinking love was this great and glorious mystery and thinking it was just something a bunch of Hollywood move producers made up to sell more tickets in the Depression, when Dish Night kind of played out."
Eddie laughed.
Now I think that all of us are born with a hole in our hearts, and we go around looking for the person who can fill it. You ... Eddie, you fill me up. — Stephen King

You have to accept the fact that not all your decisions are going to be right - and when they are wrong, you have to own it right away. I try not to have an emotional connection or investment in the decisions I make so that when they need to change, I can quickly move on to: 'How do we fix this?' — Lynn Jurich

When I started out in business, I spent a great deal of time researching every detail that might be pertinent to the deal I was interested in making. I still do the same today. People often comment on how quickly I operate, but the reason I can move quickly is that I've done the background work first, which no one usually sees. I prepare myself thoroughly, and then when it is time to move ahead, I am ready to sprint. — Donald Trump

You wouldn't understand my works. You wouldn't have the faintest idea of what they were about. You wouldn't appreciate the points of reference. You're way behind. All of you. There's no point in sending you my works. You'd be lost. It's nothing to do with a question of intelligence. It's a way of being able to look at the world. It's a question of how far you can operate on things and not in things. I mean it's a question of your capacity to ally the two, to relate the two, to balance the two. To see, to be able to see! I'm the one who can see. That's why I can write my critical works. Might do you good ... have a look at them ... see how certain people can view ... things ... how certain people can maintain ... intellectual equilibrium. Intellectual equilibrium. You're just objects. You just ... move about. I can observe it. I can see what you do. It's the same as I do. But you're lost in it. You won't get me being ... I won't be lost in it. — Harold Pinter

I kissed her hard and deep. Her fingers delved into my still damp hair and massaged at my scalp, making me growl low in my chest. When she started to move against me, I knew it was probably time to cool things off. We were still at the stadium.
"I didn't expect you to wait. I would've hurried."
"That's why I didn't tell you," she said, brushing her fingertips across my cheek. "I want you to enjoy tonight. You earned it. But I also wanted to be here to tell you how happy I am for you."
"Is that the only reason?" I asked, pinning her with a stare.
She sighed and pushed back so I would set her on her feet. I did and we started walking out toward the parking lot. "I really wish this could wait, but I know it can't."
"I know you called Braeden."
Her teeth sank into her lower lip and she glanced at me swiftly. "What did he tell you?"
"Nothing. Sisters before misters, ya know."
She wrinkled her nose. "What?"
"Exactly." I agreed. — Cambria Hebert

I'm sitting her thinking, -God, I swear I will take a vow of silence and move to a monastery and worship you for all my days if you just this once provide me with an invisibility cloak, come on, come on, please please invisibility cloak now now now-. It's very possible that Jane is thinking the same thing, I have no idea, because she's not talking either, and I can't look at her on account of how I'm blinded by embarrassment. — John Green

Lauren returned her phone to her ear. "Jenny!" she snapped, "I don't have time right now. I need your help. I can't move Nick by myself and I can't leave him on the ground. He'll catch a cold - "
"A cold?" Jennifer interrupted. "You can't leave him on the ground because he'll catch a cold? How 'bout you can't leave him on the ground because he's Nick Blackthorne? — Lexxie Couper

Most of the time, I grill over high heat. I like things to move fast. I like the sound and smell of a very hot fire. I gravitate towards dishes that you can get on and off the grill as quickly as possible. After a while, you'll know without thinking about it how hot the fire is. — Bobby Flay

In a healthy relationship, you're allowed to get pissed and in my face. Fuck, I need you to do that so I know what buttons not to push, where I can't go and avoid those places. And I'll do the same for you. Its part of learning how to take care of each other. Its fightin but its a form of communication and it's also a form of trust. We have words, we come to terms, we learn about each other and we move on stronger. — Kristen Ashley

Right now I feel guilty to be alive. Why? Because I'm wasting it. I've been given this life and all I do is mope it away.
What's worse is, I am totally aware of how ridiculous I am. It would be a lot easier if I believed I was the center of the universe, because then I wouldn't know any better NOT to make a big deal out of everything. I know how small my problems are, yet that doesn't stop me from obsessing about them.
I have to stop doing this.
How do other people get happy? I look at people laughing and smiling and enjoying themselves and try to get inside their heads. How do Bridget, Manda, and Sara do it? Or Pepe? Or EVERYONE but me?
Why does everything I see bother me? Why can't I just get over these daily wrongdoings? Why can't I just move on and make the best of what I've got?
I wish I knew. — Megan McCafferty

What the hell is going on?" I demand, craning my neck to look at Jeanine. "We agreed-cooperation in exchange for results! We agreed--"
"This is entirely separate from our agreement," says Jeanine, glancing at her watch. "This is not about you, Beatrice."
The door opens again.
Tobias walks in--limps in--flanked by Dauntless traitors. His face is bruised and there's a cut above his eyebrow. He does not move with his usual care; he's holding himself perfectly straight. He must be injured. I try not to think about how he got that way.
"What is this?" he says, his voice rough and creaky.
From screaming, probably.
My throat feels swollen.
"Tris," he says, and he lurches toward me, but the Dauntless traitors are too quick. They grab him before he can move more than a few steps. "Tris, are you okay?"
"Yeah," I say. "Are you?"
He nods. I don't believe him. — Veronica Roth

I can't move anymore,
But I wish I could.
And live on a Reservation.
Close to the Mountains
Closer to the sun and moon
To live among this Land's Peoples.
To learn a truer way of life.
For If I did so, I think I might learn the secret
Of how to live forever ...
In people's stories,
And in the stars — Jose N. Harris

You hear stories like that all your life and think: cool, a ghost bus. But now we have to look at this stuff analytically ... a ghost bus?! The "ghost" of a motor vehicle? A public conveyance, presumably, which didn't head towards the light, move on to join the choir invisible in ... bus heaven, the great terminus in the sky, where all good buses go when they ... I don't know, break down, but instead is doomed to ... drive eternally the streets of Earth! How can there be a ghost bus?! — Paul Cornell

Minutes passed, each pulling my hopes down a little lower from the heights to which they had soared, and then, when tension on my nerves and the weight of the heavy rifle were becoming unbearable, I heard a stick snap at the upper end of the thicket. Here was an example of how a tiger can move through the jungle. From the sound she had made I knew her exact position, had kept my eyes fixed on the spot, and yet she had come, seen me, stayed some time watching me, and then gone away without my having seen a leaf or a blade of grass move. — Jim Corbett

Well everybody's got a story to tell
And everybody's got a wound to be healed
I want to believe there's beauty here
So, I guess you're tired of holding on
I can't let go, I can't move on
I want to believe there's meaning here

How many times have you heard me cry out
"God please take this"?
How many times have you given me strength to
Just keep breathing?
Oh I need you
God, I need you now.

Standing on a road I didn't plan
Wondering how I got to where I am
I'm trying to hear that still small voice
I'm trying to hear above the noise

Though I walk, though I walk through the shadows
And I, I am so afraid
Please stay, please stay right beside me
With every single step I take

How many times have you heard me cry out?
And how many times have you given me strength?

I need you now
I need you now — Plumb

Returning to her position beneath the skylight, she yanked her arm down. The end of a length of rope tumbled into the room. "Oh, Mr. Addison. I never give something for nothing."
He found that he wasn't quite ready for her to leave. "Perhaps we could negotiate."
She released the rope, approaching him with a walk that looked half Catwoman and all sexy. "I already suggested that, and you turned me down. But be careful. Somebody wants you dead. And you have no idea how close somebody like me can get, without you ever knowing," she
murmured, lifting her face to his.
Jesus. She practically gave off sparks. He could feel the hairs on his arms lifting. "I would know," he returned in the same low tone, taking a slow step closer, daring her to make the next move. If she did, he was going to touch her. He wanted to touch her, badly. The heat coming off her body was almost palpable. — Suzanne Enoch

You remember how he used to be girl on either arm? You really don't see that guy too much anymore. Why do you think that is? He's waiting for you. I know you're dealing with stuff but you cannot ask him to wait forever! Unless of course, you're okay with him pulling away."
"What if it doesn't work out? What if it ends up like you and Javier?"
"Well at least we gave it a shot. And so it didn't work out, so what? Now, we can move on give or take the occasional booty call."
"I just don't wanna lose what we have, you know?"
"Girl please! What exactly do you have, really?"
"A friendship."
"No. What you and I have is a friendship. What you and castle have is a holding pattern. How long can you circle before the fuel runs out? — Richard Castle

The problem with being an alpha is that you can never make the first move.
Makes you feel like you're taking advantage of your position. You have to wait until
the other person decides they want in."
Jim set the basket on the coffee table and crouched by me.
"And sometimes it seems like that person likes you, and you try to test the waters,
so you try to tell her how you feel, that she matters and that you want to be with her
and you're concerned about her safety. And every time you do that, she waves her
arms around and accuses you of being a controlling alpha asshole. So you back off
and hope you didn't completely fuck it up."
He was close, too close. I just stared at him. What was happening ... "Why are
you telling me this?"
His voice was low and smooth. "That time when I told you it didn't matter what
your mother thought about your looks ... "
"Aha ... "
"I meant it," he said. "Because I think you're beautiful. — Ilona Andrews

It was dusk when I drove back into downtown Detroit. I was annoyed by how much traffic there was at that hour of the day. Being a guy with two good legs who doesn't mind ankling, I hadn't realized the car situation had gotten so bad in the city. I almost had two smack-ups with people who refused to yield to me. Then I bumped someone from behind, intentionally, at the new flashing traffic light on Jefferson. The guy in the car had refused to move - he just sat there waiting because the light was red. After I bumped him (not that hard), the squirt hopped out of his car red in the face, and I must admit the sight of him gave me my first laugh in two days. He said, "Can't you see it's a red light?" I told him a red light is just a suggestion. Then I pressed the gas lightly and started pushing his car further out into the intersection whilst he stood there in disbelief. "Better get back in, your car is leaving without you," I said. — W.K. Berger

Our lives, as short as they may be, are a test. And one of the biggest tests we can endure is how we respond to those moments when we don't feel the presence of God in our lives. I believe deeply that one of God's greatest gifts is to teach us there is a purpose behind every single one of our trials or problems.
Treat them as a gift, an opportunity to move forward and draw closer to God. Problems often times compel us to look to God and count on him, rather than ourselves. — Matt Patterson

Reasons for Joy Happy are the people whose God is the LORD. Psalm 144:15 "How's life?" someone asks. And we who've been resurrected from the dead say, "Well, things could be better." Or "Couldn't get a parking place." Or "My parents won't let me move to Hawaii." Or "People won't leave me alone so I can finish my sermon on selfishness." ... Are you so focused on what you don't have that you are blind to what you do? You have a ticket to heaven no thief can take, an eternal home no divorce can break. Every sin of your life has been cast to the sea. Every mistake you've made is nailed to the tree. You're blood-bought and heaven-made. A child of God - forever saved. So be grateful, joyful - for isn't it true? What you don't have is much less than what you do. — Max Lucado

I'm not your boyfriend!" I snapped, trying to gently move her hands away from my body.
"How can you say that?" Sara asked in horror.
"It's shockingly effortless," I replied. "My vocal chords vibrate, and my mouth and tongue articulate. I can even do it without thinking." I had to remind myself to stay calm, and sarcasm was the best way to do that.
"When are you going to give me a key to your house so I don't have to knock like some guest?" Sara asked, coming at me again.
I backed away. "How about never? Is never good for you?"
Sara, undeterred, said, "You're the reason I go to therapy on Fridays."
"The plot thickens!" Gabby exclaimed for comedic relief. — Laura Kreitzer

When you ask what are electrons and protons I ought to answer that this question is not a profitable one to ask and does not really have a meaning. The important thing about electrons and protons is not what they are but how they behave, how they move. I can describe the situation by comparing it to the game of chess. In chess, we have various chessmen, kings, knights, pawns and so on. If you ask what chessman is, the answer would be that it is a piece of wood, or a piece of ivory, or perhaps just a sign written on paper, or anything whatever. It does not matter. Each chessman has a characteristic way of moving and this is all that matters about it. The whole game os chess follows from this way of moving the various chessmen. — Paul A.M. Dirac

Am I making myself clear, Orrin? I don't regret how I've lived these past few years. I move where I will. I set no appointments. I guard no borders. What landbound king has the freedom of a ship's captain? The Sea of Brass provides. When I need haste, it gives me winds. When I need gold, it gives me galleons." Thieves prosper, thought Locke. The rich remember. He made his decision, and gripped the rail to avoid shaking.
"Only gods-damned fools die for lines drawn on maps," said Zamira. "But nobody can draw lines around my ship. If they try, all I need to do to slip away is set more sail. — Scott Lynch

tucked an arm around the back of Prophet's neck and Prophet buried his face in Doc's shoulder as Doc said, "It's not fair. I know it's not. But before you do anything else, you have to tell Tom." "How do you know I haven't?" "How do I know the sun rises in the morning?" "Fucker," Prophet muttered against Doc's shoulder. "Disability-hater." Doc rubbed the back of his neck but didn't make a move to let him go. And Prophet was okay with that. "Do you want me to tell him?" Doc asked finally. "Yeah. But you can't." God, it was safe right here, with Doc. And Prophet wanted it to be this safe with Tommy . . . and it was, except for this issue. Which he hadn't given Tommy the chance to deal with. "I can be there with you. I'll answer the questions he'll have, so you don't have to." Prophet lifted his head. "Yeah, I get you're trying to make it easier on me, but fuck, it's not going to be at all. I can't pretend anything will help." "Not pretending is the first step. — S.E. Jakes

You do realize you just insulted me, right?"
"How so?"
"You implied that I can't protect her or my people."
I looked at him. "That's not at all what I meant."
"Apologize and I'll let it go."
I kept my hands firmly on the iron rail before me. Grabbing the weight bar and walloping the Beast Lord upside the head wouldn't be the best diplomatic move.
"I'm sorry, Your Majesty." There. I was civil. It almost killed me. — Ilona Andrews

Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.
'It would be merciful to kill it,' said Tialys.
'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.'
'If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.'
'But if it's in pain?' said Tialys.
'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.'
They moved on. — Philip Pullman

From the beginning, of course, I had known that the pure forcefulness of my argument would not penetrate deep enough to effect any change. It almost never does. It's never worked for me when I've been in therapy. Only when one feels an insight in one's bones does one own it. Only then can one act on it and change. Pop psychologists forever talk about "responsibility assumption," but it's all words: it is extraordinarily hard, even terrifying, to own the insight that you and only you construct your own life design. Thus, the problem in therapy is always how to move from an ineffectual intellectual appreciation of a truth about oneself to some emotional experience of it. It is only when therapy enlists deep emotions that it becomes a powerful force for change. And powerlessness was — Irvin D. Yalom

Do you ever get the feeling that when you show someone your affection for them, you are assaulting them? Like you should probably leave them alone? Your affection, no matter how sincere, does not necessarily mean a damn thing to the person you are giving it to. Love can corner you. When you intrude on someone with your affection, you might find yourself trying to knock a strong door down with your shoulder. Either you break the door or you break yourself. Something almost always gets broken. In my mind it runs like this:
I'm going to like you, whether you like it or not. I'll wear you down until you relent and swallow this big lie I have for you. Don't move. Don't live. I love you. — Henry Rollins

Well, then- Before I can finish his lips are on mine fervently and I return his kiss as our mouths move together in a slow rhythm. I wrap my arms around his neck tightly. He grasps my face between both of his warm hands, then pulls back to look at me.
You don't know how happy you just made me, Gracie. I love you. I fucking love you!
Yes I do because it's the same feeling you give me. I love you so much Carter and I want to move in with you and see you every day and wake up next to you every morning. — Annie Brewer

I stare at his chest. I can't seem to make my eyes move away. When I seen him without his shirt before, back at Hopetown, all I noticed was the scars. But now all I can see is how lean an strong he is. With wide shoulders an arms roped with muscle. He ain't got no hair on his chest, not like Pa an Lugh. My fingers itch to touch it. Find out if his skin feels as smooth as it looks. — Moira Young

Beyond telling and getting away however there are an awful lot of myths out there about how to move on or get justice. People may tell you to report the crime or confront you abuser- or even to forgive him. I don't necessarily advocate any of these things. I think counseling of some kind can be enormously useful, but the bottom line is that the main way to heal is to find people who will support you, to talk about what happened, and to ground yourself in the reality that the abuse was not your fault, that you have nothing to be ashamed of, and that you deserve great love and happiness in your life. — Patti Feuereisen

What can I do but stand with my mouth open, no sound emerging? My lips move and I wave my arms making gestures from the other side of the glass, which I can't penetrate.
... people can speak out of anything, though the struggle takes years. The problem is, whatever I say about the present feels false-nothing contains it all, or catches the depth of things, or their terrible one-dimensionality.
What am I living on? Someone said the other day, "that old irrepressible-impossible- hope." And I thought no, this doesn't feel like hope. But maybe that's what hope is, no shining thing but a kind of sustenance, plain as bread, the ordinary thing that feeds us. How could we confuse this optimism, when it has nothing to do with expecting things to get better?
Hope has to do with continuing, that's all ... I can imagine now, where I couldn't before, this long erosion of faith, this steady drawing from one's strength, until what's left is tenuous, transparent. — Mark Doty

How are you, Rory?' [the Doctor] asked.
I [Rory] ... answered him. 'It's been odd being you.'
'Isn't it?' The Doctor's smile didn't quite reach his eyes.
'How do you cope?'
'Ah ... ' The Doctor picked away at a scrap of loose paint on the door. 'Well, I just get as close as I can to a happy ending, then I shut the door behind me and move on.'
I nodded.
We shut the door behind us and moved on. — James Goss

There is more beauty inside you than in anyone I have ever met. These pictures don't lie. I won't ever forget you. Or stop loving you. You can ask me to. You can tell me to move on. But I won't. And I never will. Just don't forget how beautiful we were. How beautiful we can still be.
Please. — A Meredith Walters

In the parking lot of a Safeway on Oahu," he says. And he's telling the truth;
in the background she can hear the shopping carts performing their clashy, anal
copulations.
"I'm kind of busy now, Whitey -- but what can I do for you?"
"It's Y.T., " she says, "and you can help bust me out of The Clink." She gives
him the details.
"How long ago did he put you there?"
"Ten minutes."
"Okay, the three-ring binder for Clink franchises states that the manager is
supposed to check on the detainee half an hour after admission."
"How do you know this stuff?" she says accusingly.
"Use your imagination. As soon as the manager pulls his halfhour check, wait
for another five minutes, and then make your move. I'll try to give you a hand.
Okay?"
"Got it. — Neal Stephenson

I'm tougher than this."

He shook his head. "Somehow it doesn't matter how tough you are. You can be tough as hell and still be leveled flat without warning."
She looked at him. "What do you do when you're leveled flat?"
"You make a plan, you move on that plan, and you keep breathing — Jill Shalvis

The only scorecard that ever gets tallied in the real world is how many times you walk away from the fight and leave your opponent dead in the dust. I can shoot damn straight when the occasion calls for it, but I'm not a bulls-eye expert. The difference is, I can hit a man on the other side of the street while I'm running, ducking, and dodging automatic weapons fire. Sacrificing pinpoint accuracy for shooting fast and on the move may mean you burn a little more ammo, but in the end, it's going to keep you alive a lot longer. Gunfighting isn't a biathlon. It's an ugly business that rewards dirty tricks and being faster and meaner and more ruthless than the other guy. It's the only way you're going to win. — Jack Badelaire

You can say the Jesus Prayer from now till doomsday, but if you don't realize that the only thing that counts in the religious life is detachment, I don't see how you ever move an inch. Detachment, buddy, and only detachment. Desirelessness. 'Cessations from all hankerings.' It's this business of desiring, if you want to know the goddam truth, that makes an actor in the first place. Why're you making me tell you things you already know? Somewhere along the line - in one damn incarnation or another, if you like - you not only had a hankering to be an actor or an actress but to be a good one. You're stuck with it now. You can't just walk out on the results of your own hankerings. Cause and effect, buddy, cause and effect. The only thing you can do now, the only religious thing you can do, is act. Act for God, if you want to - be God's actress, if you want to. What could be prettier? — J.D. Salinger

I know that I'll move on, I tell myself I'll find me something better
I'll let go and just forget her
She was no good for me
Deep down I know that's the way it has to be so
How come I still can't open this letter
I can't forget her... — James Morrison

I've always been more interested in organisms that can move on their own than in stationary plants. But when I canoe or hike along the edge of lakes or oceans and see trees that seem to be growing out of rock faces, I am blown away. How do they do it? — David Suzuki

I see what grief does, how it strips you bare, shows you all the things you don't want to know. That loss doesn't end, that there isn't a moment where you are done, when you can neatly put it away and move on. — Elizabeth Scott

Do you remember how this life of yours longed in childhood to belong to the grown-ups? I can see that it now longs to move on from them and is drawn to those who are greater yet. That is why it does not cease to be difficult, but also why it will not cease to grow. — Rainer Maria Rilke

Make a wish," said Indigo.
Rose made a wish and then asked, "Why?"
"That's what I always do. Wish on the moving ones."
"Does it matter how fast they move?"
"I don't think so."
"Can you wish on airplanes, too?"
"Oh, yes. — Hilary McKay

One fast move or I'm gone,' I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you can't learn in school no matter how many books on existentialism or pessimisn you read, or how many jugs of vision-producing Ayahuasca drink, or Mescaline take, or Peyote goop up with - — Jack Kerouac

Recall the metaphor I used in chapter 4 relating the random movements of molecules in a gas to the random movements of evolutionary change. Molecules in a gas move randomly with no apparent sense of direction. Despite this, virtually every molecule in a gas in a beaker, given sufficient time, will leave the beaker. I noted that this provides a perspective on an important question concerning the evolution of intelligence. Like molecules in a gas, evolutionary changes also move every which way with no apparent direction. Yet we nonetheless see a movement toward greater complexity and greater intelligence, indeed to evolution's supreme achievement of evolving a neocortex capable of hierarchical thinking. So we are able to gain an insight
into how an apparently purposeless and directionless process can achieve an apparently purposeful result in one field (biological evolution) by looking at another field (thermodynamics). — Ray Kurzweil

Another voice rages.
I hate that boy! I hate me! I am so incredibly stupid!
A sunflower leans over the fence, smiling
How dare you!
I rip off its head and throw it in the gutter.
The smart thing to do is to keep going on. Walk away quickly and no one will know what I've done. But I can't move because my eyes are locked on the slowly opening front door - locked on Mrs Muir.
'I'm sorry.' My tiny voice sounds so pathetically lame, but I've still got more lameness for her. 'I never do this sort of thing. I like sunflowers. I was just angry about something - nothing to do with you or the flower. I'm really, really sorry.'
'Oh, you are upset! Well, never mind'. Mrs Muir comes closer to me. 'Goodness, we all get cross. The main thing is: did it make you feel any better?'
'No. Yes. Maybe. A little bit.'
'Would you like to do another one? There's more out the back, too. You go for your life dear. I don't mind at all - they need a good pruning. — Bill Condon

I can pick up a screenplay and flip through the pages. If all I see is dialog, dialog, dialog, I won't even read it. I don't care how good the dialog is - it's a moving picture. It has to move all the time ... It's not the stage. A movie audience doesn't have the patience to sit and learn a lesson. Their eyes need to be dazzled. The writer is the most important element in the entire film because if it ain't on the page it ain't going to be on the screen. — Robert Evans

You're serious? You want me to go to school?"
"Why not?" he challenged. "So long as you take care of shit around here, I'm fine with it. Might want to move on that whole divorce thing too while you're at it. Club's got a lawyer, I'll set up an appointment for you. I can pretty much guarantee your ex won't put up a fight."
He smiled when he said it - not a nice smile.
"Okay, I'll go check it out," I said slowly. "This is weird, you get that? You kidnapping me, holding me hostage and then sending me to school? This isn't how things like this usually work."
Horse grinned at me, eyes lazy and satisfied.
"Just roll with it," he whispered. "And keep doing whatever exercises you do to make your cunt squeeze like that. They got a college degree for that? — Joanna Wylde

Some books you never get over, like a first love. Some books that made an enormous impression on you when you were young you are afraid to read again years later, like being sorry you met that former love for coffee, because you couldn't see what you once saw. But there are those few books that can still move you in the old, throbbing way."
"How I got over — Darryl Pinckney