Horror Theater Quotes & Sayings

To erase the possibility of empathy is to erase the possibility of understanding.
To erase the possibility of empathy is also to erase the possibility of art. Theater, fiction, horror stories, love stories. This is what art does. Good or bad, it imagines the insides, the heart of the other, whether that heart is full of light or trapped in darkness. — Amanda Palmer

Suddenly exhausted, she closes her eyes and slips into nightmares again. Graveyards rising out of the ocean. Her friends' corpses in the light of their burning school. Skeletons ripping open men's chests and crawling inside. She endures it patiently, waiting for the horror film to end and the theater to go dark, those precious few hours of blackout that are her only respite. — Isaac Marion

The advantage of horror books is to take the reader and cut him out of the pack and work on him one on one. It has its advantages because the people that are there in the movie theater really are a mob. If you get one guy alone you can do a more efficient job of scaring him. — Stephen King

One can bootstrap in business, one must never bootstrap life..! — Abha Maryada Banerjee

I have a complicated relationship with the horror genre. I love it; I loved it as a kid growing up, and I watched Chiller Theater in New York. So I loved it, but then you do feel if you do it too much, you're stuck there. — Zach Galligan

One of my favorite classes was horror in theater and psychology. — Annie Parisse

I love going to horror movies - especially when they are fun. I think that they get you in touch with sort of these primal instincts that we all have in the relative safety of the theater. — Drew Goddard

I don't care for horror and fantasy films. I never go to see them in the theater. I know I've played in many of them, but I didn't do them because of their genre - I did them just because I loved their scripts. — Peter Weller

The Tantric view is that there is already a complete Buddha dormant within each of us, but we've individually and collectively become addicted to horror movies that we mistake for documentaries. From this perspective, our whole society is caught up in a kind of shared horror story, imagining ourselves as zombie consumers rather than empowered citizens: afraid, insecure, incapable beings who have no choice but to wander through life grasping after fleeting pleasures, needlessly competing with each other instead of collaborating, isolating ourselves from the plight of those whose stories we don't understand. Because our whole society is both constructing and watching this shared screenplay simultaneously, the physical world begins to take on the qualities of this horror movie, and it becomes more and more difficult to distinguish the theater of our experience from the screen of our own projections. — Ethan Nichtern

My biggest influence growing up was Mad magazine, which is a very text-heavy form of visual satire. I didn't grow up wanting to draw donkeys and elephants with the names of politicians written across them. — Tom Tomorrow

We live in an age where there is a firehose of information, and there is no hierarchy of what is important and what is not. Where the truth is often fashioned through a variety of digital means. Are you your avatar? Who are you in social media? What face do you turn toward the world? How much does it have in common with who you actually are? — David Carr

No, the horror genre is not my first love. I don't run to the theater to see horror films. — Amanda Righetti

Cara communicates only through a series of grunts, inching her way, limb by limb, toward coffee. — Veronica Roth

I'm trained as an architect; writing is like architecture. In buildings, there are design motifs that occur again and again, that repeat
patterns, curves. These motifs help us feel comfortable in a physical space. And the same works in writing, I've found. For me, the way words, punctuation and paragraphs fall on the page is important as well
the graphic design of the language. That was why the words and thoughts of Estha and Rahel, the twins, were so playful on the page ... I was being creative with their design. Words were broken apart, and then sometimes fused together. "Later" became "Lay. Ter." "An owl" became "A Nowl." "Sour metal smell" became "sourmetal smell."
Repetition I love, and used because it made me feel safe. Repeated words and phrases have a rocking feeling, like a lullaby. They help take away the shock of the plot
death, lives destroyed or the horror of the settings
a crazy, chaotic, emotional house, the sinister movie theater. — Arundhati Roy

I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream. — Leigh Whannell

In reality it is far less prejudicial to witness the immorality of the great than to witness that immorality which leads to greatness. — Alexis De Tocqueville

Rockwood didn't have a movie theater or an IHOP or a strip mall. But it did have two churches, a ramshackle bar, and last (but certainly not least) Wacky Willie's Deluxe Goofy Golf, a barren landscape of wilted ferns and plastic flamingos with peeling paint. Wacky Willie had added the 'Deluxe' when finally ridding the thirteenth hole windmill of a stubborn family of bats after a great and terrible struggle that would forever be known as 'The Fearsome Bat War of Rockwood County' by Willie, but was usually referred to as 'That Time Willie Had to Get Rabies Shots' by everyone else. — A. Lee Martinez

The discovery of the horror tale at an early age was fortuitous for me. This sort of tale serves, in many ways, the very same purpose as fairy tales did in our childhood. It operates as a theater of the mind in which internal conflicts are played out. In these tales we can parade the most reprehensible aspects of our being: cannibalism, incest, parricide. It allows us to discuss our anxieties and even to contemplate the experience of death in absolute safety.
And again, like a fairy tale, horror can serve as a liberating or repressive social tool, and it is always an accurate reflection of the social climate of its time and the place where it gets birthed. — Guillermo Del Toro

That's when you know a horror film delivers - when you're walking out of the theater going 'Oh my God!' You can't get the images out of your mind. — Elisha Cuthbert

I'm constantly watching people. Watching their strengths and weaknesses. I find myself going into theater less and less, let alone horror. I gave that up when I was seven or eight years old. — Jonathan Frid