Here's Looking At You Quotes & Sayings

Syn pulled Furi to his chest. "Furi, I want you to go back through the bar and go wait at my place. I'm going to have a little chat with your ex-husband," Syn said extra loudly.

Furi huffed in annoyance, "Syn, I took six months of self-defense courses at the YMCA this year. I can fight for myself."

Syn looked at Furi like he'd lost his damn mind. "At the Y? Well hell, that's great Furious. If you ever get jumped by the Village People, feel free to pull out those moves. As for now, I want you to take your karate-kicking-YMCA-going-ass back to my apartment," Syn snarled at Furi, urging him toward the door, having neither the time nor the patience to argue with his ridiculous pride. Thankfully, with one final glare Furi went back into the pub. When Syn turned back, God and Day were looking back and forth between him and his two foes.


"What's going on here, fellas?" God asked casually, not acknowledging Syn. — A.E. Via

You are looking at the world from your window, that's good, but there is something missing here, something very big: You must also look at your window from the world to see yourself! — Mehmet Murat Ildan

I have to bite my lip not to screen every foul name I know at the fire starter. What are they thinking? A fire lit just at nightfall would have been one thing. Those who battled at the Cornucopia, with their superior strength and surplus of supplies, they couldn't possibly have been near enough to spot the flames then. But now, when they've probably been combining the woods for hours looking for victims. You might as well be waving a flag and shouting, "Come and get me!"
And here I am a stone's throw from the biggest idiot in the Games. Strapped in a tree. — Suzanne Collins

I'm fascinated by idiots... Here's looking at you, kid! — Fakeer Ishavardas

So as I'm walking up and down the grocery aisles, I notice this distinct, mildewy, putrid odor following me. And I keep looking around for the responsible party, until I discover that she is me. I stink. When I get home, Craig rolls out of bed to help me with the groceries and I say "Honey, smell me. I stink." And he sniffs my shirt and says without surprise, "Yes, you do." And I say "Well, what IS that? It's disgusting." And he says the following:
"It's mildew. All our clothes smell like that. We always stink." I'll just give you a few seconds to digest that information. I know I needed a little time. "WHAT? WELL WHY DIDN'T YOU TELL ME, HUSBAND?" "I was scared to tell you. You get sensitive about ... . housekeeping stuff." "Oh. So let me clarify here. You'd rather reek all day at work and allow Chase to be THE STINKY KID IN CLASS than risk me getting mad?
"Yes. Yes, I would. Definitely. — Glennon Doyle Melton

Every time you look up at the stars, it's like opening a door. You could be anyone, anywhere. You could be yourself at any moment in your life. You open that door and you realize you're the same person under the same stars. Camping out in the backyard with your best friend, eleven years old. Sixteen, driving alone, stopping at the edge of the city, looking up at the same stars. Walking a wooded path, kissing in the moonlight, look up and you're eleven again. Chasing cats in a tiny town, you're eleven again, you're sixteen again. You're in a rowboat. You're staring out the back of a car. Out here where the world begins and ends, it's like nothing ever stops happening. — Bryan Lee O'Malley

Here's a story, and you don't have to visit many
houses to find it. One person is talking,
the other one is not really listening.
Someone can look like they are but they're
actually thinking about something they
want to say, or their minds are just
wandering. Or they're looking at that
little box people hold in their hands these
days. And people get discouraged, so they
quit trying. And the very quiet people,
you may have noticed, are often the sad
people. — Mary Oliver

Here's the point - you're looking at affirmative action, and you're looking at marijuana. You legalize marijuana, no need for quotas, because really, who's gonna wanna work? — Jon Stewart

I started to grin until I heard laughing and sensed we were on display.
Glancing at them, I tightened my grip on Judd as if to say, "So what? He's mine. Suck it."
Judd though wasn't interested in their laughter. He glared hard at them and literally growled like a dog.
While I giggled at the sound, the men shut up and moved away.
When Vaughn saw this display, he yelled out, "Whipped is a good look on you, brother."
"I'm packing, Outlaw. Don't make me pull it out."
At the same moment, Judd, Vaughn, and I thought of the same thing and started laughing.
"Yeah, don't pull it out here, baby," I said, giggling. "I'm the only one who should be looking at it."
Judd leaned his head back and sighed. "It's not my fault, you know. All of the blood left my brain the minute you sat on my lap."
"Poor bastard," I whispered in his ear as I nibbled on the lobe. — Bijou Hunter

Humph. Looking around for the sword, are you? Well, it's a better idea than thrashing around at random.'
'The Prince,' said Master Horace repressively, 'will inform us of his intentions when he wishes to do so. We are here to serve, not to quest
'
'Yes, it's the sword,' Edoran told her. — Hilari Bell

At its best fashion is a game. But for women it's a compulsory game, like net ball, and you can't get out of it by faking your period. I know I have tried. And so for a woman every outfit is a hopeful spell, cast to influence the outcome of the day. An act of trying to predict your fate, like looking at your horoscope. No wonder there are so many fashion magazines. No wonder the fashion industry is worth an estimated 900 billion dollars a year. No wonder every woman's first thought is, for nearly every event in her life, be it work, snow or birth. The semi-despairing cry of "but what will I wear?" Because when a woman says I have nothing to wear, what she really means is there is nothing here for who I am supposed to be today. — Caitlin Moran

Here though, there are no oppressors. No one's forcing you to do this. You willingly tie yourself to these leashes. And you willingly become utterly socially autistic. You no longer pick up on basic human communication clues. You're at a table with three humans, all of whom are looking at you and trying to talk to you, and you're staring at a screen! Searching for strangers in ... Dubai! — Dave Eggers

Mr. Bloemker moved closer. He smelled like a wet diaper. "What is it," he asked, looking over Lenore's shoulder.
"If it's what I think it is," said Lenore, "it's a sort of joke. A what do you call it. An antinomy."
"An antinomy?"
Lenore nodded. "Gramma really likes antinomies. I think this guy here," looking down at the drawing on the back of the label, "is the barber who shaves all and only those who do not shave themselves."
Mr. Bloemker looked at her. "A barber?"
"The big killer question," Lenore said to the sheet of paper, "is supposed to be whether the barber shaves himself. I think that's why his head's exploded, here."
"Beg pardon?"
"If he does, he doesn't, and if he doesn't, he does. — David Foster Wallace

But the truly brilliant geocachers?"
"Yeah?" he says. "What about us?"
"They know it by its real name. Terra Firma."
"Terra Firma," he repeats. At last, he slips his backpack off his shoulder. I know what he's looking for.
I take a breath. "You don't need your GPS for this cache."
His eyes don't move off mine; he's watching me so carefully. "You don't, huh?"
"Nope," I say.
Some things are meant to be kept - what you learn from experiences good or bad, smiles from an orphaned girl, a boy who is your compass pointing to your True North. So I look at Jacob full in the face with nothing obscuring him. Or me. And then I step closer to him. And closer. And closer yet.
"Here I am," I tell him. "Here I am. — Justina Chen

And speaking of Terms, we need to set a few ground rules here with ... this," he said, clearing his throat and gesturing at the two of them.
"With what?" Lex said.
"That," Uncle Mort replied, pointing to a suspicious-looking mark on her neck.
Lex's hand flew to her throat while Driggs shifted, uneasy.
"Why?" he asked.
"Don't 'why?' me, Romeo. You know I trust you, but Lex is still my niece. In the absence of her father, it's up to me to do everything in my power to complicate and interfere with her budding love life."
Lex frowned. "Hey- — Gina Damico

She raises her hands and places them on either side of my face. My skin burns beneath her touch. 'I think you're beautiful.'
I smile, thinking she's done. But she releases my face and places her palms on my chest, directly over my heart.
'You're beautiful right here,' she says.
I close my eyes, and the breath rushes from my lungs.
'I see the good in you, Dante,' Charlie continues, her words rolling together off her tongue. 'Even if you don't, I do. You have a good heart. You know how I know?'
I open my eyes. She's looking at me like nothing else in the world exists. Like the entire planet and all of mankind just vanished. She slowly wraps my hands inside her own as best she can and places them on her chest. 'Because I feel it here.' She taps our hands against her chest. 'I know you're good, Dante. Because I feel it inside of me. — Victoria Scott

Look- here's a table covered with red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. [ ... ] On its back, clearly marked in blue ink, is the numeral 8. [ ... ] The most interesting thing here isn't even the carrot-munching rabbit in the cage, but the number on its back. Not a six, not a four, not nineteen-point-five. It's an eight. This is what we're looking at, and we all see it. I didn't tell you. You didn't ask me. I never opened my mouth and you never opened yours. We're not even in the same year together, let alone the same room ... except we are together. We are close. We're having a meeting of the minds. [ ... ] We've engaged in an act of telepathy. No mythy-mountain shit; real telepathy. — Stephen King

Take off your damned wrapper! The old buffer ordered, looking intensely at her lower part. Comfort was on her knees, rubbing the old man's dirty feet.
All her plea and tears continually worsen the whole matter.
I want to do you harder cos you gonna be fucked by other folks who needs a large hole, said the man, moving towards her.
Comfort struggled with all her feminine might, but the old masculine but old man ripped her wrapper and slapped her on the face.
Lie here, Lie here! I'm gonna do what your old man did to your mama and its gonna sweet you.
She screamed as the man's organ prick her glory hole like a sharp needle. — Michael Bassey Johnson

Don't you see yourself in every picture you love? You feel a radiance wash through you. It's something you can't analyze or speak about clearly. What are you doing at that moment? You're looking at a picture on a wall. That's all. But it makes you feel alive in the world. It tells you yes, you're here. And yes, you have a range of being that's deeper and sweeter than you knew. — Didi

Rick Blaine: We'll always have Paris. We didn't have Paris, we lost it until you came to Casablanca. We got it back last night. Ilsa Lund: When I said I would never leave you ... Rick Blaine: And you never will. But I got a job to do too. Where I'm going you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now ... here's looking at you kid. — Humphrey Bogart

Achilles was looking at me. "Your hair never quite lies flat, here." He touched my head, just behind my ear. "I don't think I've ever told you how I like it."
My scalp prickled where his fingers had been. "You haven't," I said.
"I should have." His hand drifted down to the vee at the base of my throat, drew softly across the pulse. "What about this? Have I told you what I think of this, just here?"
"No," I said.
"This surely then." His hand moved across the muscles of my chest; my skin warmed beneath it. "Have I told you of this?"
"That you have told me." My breath caught a little as I spoke.
"And what of this?" His hand lingered over my hips, drew down the line of my thigh. "Have I spoken of it?"
"You have."
"And this? Surely I would not have forgotten this." His cat's smile. "Tell me I did not."
"You did not."
"There is this too." His hand was ceaseless now. "I know I have told you of this."
I closed my eyes. "Tell me again," I said. — Madeline Miller

I guess it means we don't understand everything, and we're not going to. Maybe the whys aren't answered here. Not because there aren't answers, but because we wouldn't understand the answers if we had them. Maybe there's a bigger purpose, a bigger picture that we only contribute a very small piece to. You know, like one of those thousand piece puzzles? There's no way you can tell by looking at one piece of the puzzle what the puzzle is going to look like in the end. And we don't have the picture on the outside of the puzzle box to guide us. Maybe everyone represents a piece of the puzzle. We all fit together to create this experience we call life. None of us can see the part we play or the way it all turns out. Maybe the miracles that we see are just the tip of the iceberg. And maybe we just don't recognize the blessings that come as a result of terrible things. — Amy Harmon

She saw Derek and without so much as a hello, leaned to look behind him. "Where's Simon?"
"He's - "
"Is he okay? Why isn't he here?" She glared up at Derek. "Where'd you leave him?"
"Passed out in an alley." Derek frowned in thought. "Not sure where, though ... "
"He's kidding," I said as Tori sputtered.
"We need to get moving." Derek hooked a thumb as Tori while looking at me. " She's your responsibility."
"Excuse me?" Tori said.
Derek didn't even glance her way. "Make sure she keeps up. And shuts up." — Kelley Armstrong

There's a host of difficult issues here, and that's why when you mentioned at the top of the show that the committees were looking at this, that's where I think we should be going. — Angus King

Actually, my brother's in town," Tim replied casually, not looking up from his laptop. "He's staying with me at my townhouse." "Why are you here working then?" Lucas asked incredulously. "Because my brother is in town and staying with me at my townhouse," he repeated in the exact same tone. — Kendall McKenna

Isn't this everyone's Point of View?" asked Tock, looking around curiously.
"Of course not," replied Alec, sitting himself down on nothing. "It's only mine, and you certainly can't always look at things from someone else's Point of View. For instance, from here that looks like a bucket of water," he said, pointing to a bucket of water; "but from an ant's point of view it's a vast ocean, from an elephant's just a cool drink, and to a fish, of course, it's home. So, you see, the way you see things depends a great deal on where you look at them from. — Norton Juster

Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it
tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest
if there ever came an echo that did not die away but swelled into the sound itself
you would know it. Beyond all possibility of doubt you would say Here at last is the thing I was made for. — C.S. Lewis

Listen, here's something we can do: we can look at the moon, sometimes - and, you know, it's the same moon everywhere - and we would be looking at the same thing together that way, you see? — Ayn Rand

Romeo appeared in front of us, crossed his arms over his wide chest, and stared at me and Braeden. Braeden didn't seem to mind the death glare he was receiving. "You're looking awful cozy over here with my girl."
"I was just schooling our girl here on the ways of the world," Braeden replied smoothly.
"Our girl?" Romeo repeated.
"Don't get your panties in a twist." Braeden grinned.
I interrupted their macho talk with some talk of my own. "He was asking about Missy."
Romeo grinned.
Braeden dropped his arm from around me and gave me a look of betrayal. "What happened to brother-sister confidentiality?"
I laughed.
"Dude, there's a hot girl in line over there," Romeo said, motioning with his chin. "Go get in line behind her."
Braeden turned and a slow smile spread across his stubbled jaw. "Day-um," he said. "Good looking out, Rome." He held up his fist and Romeo pounded his against it.
"Tutor girl," Braeden said, and then he was gone. — Cambria Hebert

I think uncertainty is good for things. Certainty breeds complacency and complacency means that you just sit somewhere in your nice little comfortable suburban house in Michigan, looking at CNN and saying, "Oh, those poor immigrant children that are all coming across the border. But we really can't have them here - that isn't what God wants. Let's send them all back to the drug cartels." There's a complacency to it. — Stephen King

Astrology's a moving system that depends on where you're looking at it from on Earth. My horoscope here in London would be completely different to down in New Zealand. — Eleanor Catton

And yet here he was, looking at Jem Carstairs, a boy so fragile-looking that he appeared to be made out of glass, with the hardness of his expression slowly dissolving into tentative uncertainty. "You are not really dying," he said, the oddest tone to his voice, "are you?"
Jem nodded. "So they tell me."
"I am sorry," Will said.
"No", Jem said softly. He drew his jacket aside and took a knife from the belt at his waist. "Don't be ordinary like that. Don't say you're sorry. Say you'll train with me."
He held the knife to Will, hilt first. Charlotte held her breath, afraid to move. She felt as if she were watching something very important happen, though she could not have said what.
Will reached out and took the knife, his eyes never leaving Jem's face. His fingers brushed the other boy's as he took the weapon from him. It was the first time, Charlotte thought that she had ever seen him touch any other person willingly.
"I'll train with you," he said. — Cassandra Clare

He licked his lips, still looking earnest. "Sara. We had such a special connection. It was real and it was fantastic. Maybe that's why I've spent so many years yearning for it too. We both knew what it was like, and we lost it. Even though you may not remember yet, it's somewhere in here." He reached over and touched my head. "And in there." He pointed a finger toward my heart.
I was speechless. I stared at Jack, knowing in my heart that he was being honest and truthful. And I was overwhelmed that he understood me so well.
Turning to face me, his eyes burned with intensity. He took my hands in his and said, "I love you Sara Jordan Hamilton, and I'm willing to give you all the desires of your heart, if only you'll let me. Nothing can take away my love for you. Not time, not distance, not even another husband. — Sharon Ricklin Jones

Forgetting who you are and where you are and if you're there. Getting lost in the thought that you might be imagining everything, you might be dreaming your life. You look at your hand in front of your face, surrounded by light, and your heart thrums as you think: I'm dreaming, I'm not even here, I don't exist. It is too fascinating, the thought that you aren't. The thought that if you watch the lake long enough you might disappear into the white flames of light on the blue, which seem to be just inches from your face. It sucks you in, and you stare, only a little afraid. And then you scream, startled, when your mother comes through the door. You crash back to earth. It's dark. It's evening. You're here and your mother is looking at you asking, What? — Marya Hornbacher

She stared at me curiously. Her voice dropped to a whisper. "Sometimes, when I walk along the corridor here, I fancy I hear her just behind me. That quick, light footstep. I could not mistake it anywhere. And in the minstrels' gallery above the hall. I've seen her leaning there, in the evenings in the old days, looking down at the hall below and calling to the dogs. I can fancy her there now from time to time. It's almost as though I catch the sound of her dress sweeping the stairs as she comes down to dinner." She paused. She went on looking at me, watching my eyes. "Do you think she can see us, talking to one another now?" she said slowly. "Do you think the dead come back and watch the living? — Daphne Du Maurier

Sounds like the start of a beautiful friendship, Leonard. It really does." "Here's looking at you, kid. — Matthew Quick

You don't understand," getting mad. "You guys, you're like Puritans are about the Bible. So hung up with words, words. You know where that play exists, not in that file cabinet, not in any paperback you're looking for, but - " a hand emerged from the veil of shower-steam to indicate his suspended head - "in here. That's what I'm for. To give the spirit flesh. The words, who cares? They're rote noises to hold line bashes with, to get past the bone barrier around an actor's memory, right? But the reality is in this head. Mine. I'm the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, sometimes other orifices also. — Thomas Pynchon

Winning a rowing race is not like winning anything else. Here's my theory: you're facing backwards, so you're looking at the people you're beating
and there's something exquisite about that. — Hugh Laurie

Then, Mother above, Nesta shifted her attention to Cassian, noticing that gleam - what it meant. She snarled softly, "What are you looking at?"

Cassian's brows rose - little amusement to be found now. "Someone who let her youngest sister risk her life every day in the woods while she did nothing. Someone who let a fourteen-year-old child go out into that forest, so close to the wall." My face began heating, and I opened my mouth. To say what, I didn't know. "Your sister died - died to save my people. She is willing to do so again to protect you from war. So don't expect me to sit here with my mouth shut while you sneer at her for a choice she did not get to make - and insult my people in the process. — Sarah J. Maas

What's wrong?" he asked.
"What's wrong?" she repeated. "I don't know what's going on here but you need to put that book back in the attic where you found it. Right away."
"I tried to," he said, looking sheepishly at the floor, "but it wouldn't let me."
"Wouldn't LET you? It's...a...BOOK," she shouted. — Alfred M. Struthers

- I been here before, haven't I?
He just sat there staring out at the plain.
Son of a bitch, I thought. He's ignoring me.
- Hey, I said, I'm not the dead, not a shade in passing. I'm flesh and blood here.
He pulled a notebook out of his pocket and started writing.
- You got to at least look at me, I said. After all, it is my dream.
I drew closer. Close enough to see what he was writing. He had his notebook open to a blank page and three words suddenly materialized.
Nope, it's mine.
- Well, I'll be damned, I murmured. I shaded my eyes and stood there looking out toward what he was seeing - dust clouds flatbed tumbleweed white sky - a whole lot of nothing.
- The writer is a conductor, he drawled. — Patti Smith

Hey, manager ... Some kid must have left his glove here ... It has his name on it ... See? Right here ... Willie Mays ... He wrote his name on his glove, see? Poor kid ... He's probably been looking all over for it ... We should have a lost and found. I don't know any kid around here named Willie Mays, do you? How are we gonna get it back to him? He was pretty smart putting his name on his glove this way, though ... It's funny, I just don't remember any kid by that name ... "
"Look at your own glove."
"What?"
"Look at your own glove ... There's a name on it ... "
"Babe Ruth ... Well, I'll be! How in the world do you suppose I got her glove?! — Charles M. Schulz

She stopped at a red light and turned to face him. "Look. You must know your eyes are truly distracting, and you keep LOOKING at me. I've also never talked to anyone who sounds like a movie trailer announcer before. Your voice is so cool. I'm sure you know that. It's probably part of your famousness. But here in this car it's unsettling, because I have this sensation you might suddenly begin sentences with some dramatic start." She lowered her voice. "like ... IN A WORLD, FAR, FAR AWAY ... — Anne Eliot

And I guess that was right, but it also seemed to me like people who said Ben was special and had no worries were as wrong as the people long ago, but in a different way.
Because that's crappy. What if this life was all Ben got? People said he was sweet and special - and he was - but he was also sad and angry. More than most people. He cried. His own body seemed to feel weird to him sometimes - he would jump and move like he wanted to be free of his skin. I could see him looking at us like Get me out of here and we were never sure where to take him. You can't take someone away from their own body. And that seemed unfair. Would God really do that to someone so other people could feel like they were learning important lessons in the few minutes they spent with him? — Ally Condie

You know, when Trayvon Martin was first shot I said that this could have been my son. Another way of saying that is Trayvon Martin could have been me 35 years ago. And when you think about why, in the African American community at least, there's a lot of pain around what happened here, I think it's important to recognize that the African American community is looking at this issue through a set of experiences and a history that doesn't go away. — Barack Obama

I have wrinkles here, which are very evident. And I will particularly say when I look at movie posters, 'You guys have airbrushed my forehead. Please can you change it back?' I'd rather be the woman they're saying 'She's looking older' about than 'She's looking stoned.' — Kate Winslet

More than anything, I'd like to go to a park today. I want to sit in a swing, drink chocolate milk, and not think about anything in the world except the pleasure of that moment. I want to know what a normal life feels like because I can't remember anymore. I want to drag my feet on the ground as I swing back and forth. I want to feel the fresh, spring chi on my skin. I'm very tempted to get out my Halloween decorations today because looking at them always gives me a little burst of excitement. I can't, though, because I have a rule: No Halloween decorations before June 21. That's the summer solstice, so after that we're officially in the second half of the year.
Another rule I abide by is no peppermint until November 1. I only eat peppermint between November 1 and January 6, because that keeps it special. If you don't do things like that in here, then there's nothing to look forward to. — Damien Echols

William clapped to gain everyone's attention. "All right, listen up. I've got good news and bad news. Because I'm such a positive person, we'll start with the good. Ashlyn survived the birthing, and so did her personal horde."
The hallway echoed with breathy sighs of relief ... none louder than Maddox's own.
"So what's the bad?" someone demanded.
After a dramatic pause, the warrior said, "I'm out of conditioner. I need someone to flash out of here and get me some. Hint, I'm looking at you, Lucien. And, yeah, you're welcome for my amazing contrib to your happy family. Little terrors clawed me up but good. — Gena Showalter

I think of you, Melanie. I see your face in every woman. I flew here just to see you. Communication. Relationships. Those aren't things I'm good at. There are other attributes I have that are far better. Like I see I'm good at making you pant. I see your pupils are dilated, you keep looking at my mouth instead of your favorite movie, and it's taking all of my self-control not to give us exactly what it is we both need right now. It's been a week, but as far as I'm concerned" - he cups the back of my head and nibbles on my lower lip - "I've been waiting a lifetime to sink myself in you. — Katy Evans

Nothing Twice Nothing can ever happen twice. In consequence, the sorry fact is that we arrive here improvised and leave without the chance to practice. Even if there is no one dumber, if you're the planet's biggest dunce, you can't repeat the class in summer: this course is only offered once. No day copies yesterday, no two nights will teach what bliss is in precisely the same way, with exactly the same kisses. One day, perhaps, some idle tongue mentions your name by accident: I feel as if a rose were flung into the room, all hue and scent. The next day, though you're here with me, I can't help looking at the clock: A rose? A rose? What could that be? Is it a flower or a rock? Why do we treat the fleeting day with so much needless fear and sorrow? It's in its nature not to stay: today is always gone tomorrow. With smiles and kisses, we prefer to seek accord beneath our star, although we're different (we concur) just as two drops of water are. — Wislawa Szymborska

I got another chestful of air in, tore loose with it. 'Somebody help me! You people standing around looking, isn't there one of you will help me? I brought my wife here last night; now she's gone and they're trying to tell me I never -'
("All At Once, No Alice") — Cornell Woolrich

Christian growled in anger at his wife's unreasonable temper. "Fine, Adara. Whenever you decide to grow up and act responsibly, I shall be in our tent."
"Me, irresponsible? You're the one who wants to run away. So go. Leave. Creta. Au revior. Bon voyage. Auf Wiedersehen. Vaarwel. Arrivederci ... "
Christian glared at her even though she wasn't even looking at him. "I understood you the first time."
"Then why are you still here? — Kinley MacGregor

My mother's mouth drops. 'Emmy...don't say those things Emmy. Remember, we don't talk about those things.'

'Yes Mom. I remember. That's why I'm here, looking like this.'

An orderly knocks on the door and announces that visiting time is over.

My mother and I look at each other awkwardly, and hug.

'I love you,' she says.

'I love you too, Mom.'

'You aren't telling them too much are you?' she asks, afraid.

I sign. 'No Mommy, I'm not.'

She's visibly relieved. She leaves the room.

The orderley comes back and escorts me back into the main room.

I just sit and laugh to myself."

(after Emmy's suicide attempt) ~ The Finer Points of Becoming Machine — Emily Andrews

Promise me," he whispers, "that you won't go. For me. Do this one thing for me." Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias's dark eyes plead with me. But if I don't go to Erudite, who will? Tobias? It's the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. "Okay." "Promise," he says, frowning. The pain becomes an ache, spreads everywhere - all mixed together, guilt and terror and longing. "I promise. — Veronica Roth

He stared at her again and then smiled a big, goofy smile. "I didn't really think of it like that." He looked lost in thought for a minute and finally, a mischievous grin formed on his face. "Wait here a minute."
He got up and left. He returned a few minutes later and handed her something. A piece of paper, folded too many times.
"What's this?" She took it from him, amused and smiling with curiosity.
He sat down next to her and shrugged. "I dunno, some guy asked me to give it to you."
She tentatively started unfolding, looking up at him with each bend of the paper. Just before the last fold, she could see the crude handwriting inside, as if it were written by a child. She lifted the sheet, opening it up fully and stared at it.
Danarya, will you go with me?
Please mark the box
Yes [ ] or No [ ]
Paul

"Oh my gosh!" she squealed with delight. She burst out laughing. "I haven't received one of these since fifth grade. — S. Jackson Rivera

Katherine stopped abruptly and looked at Langdon. "Robert, Melencolia I is here in Washington. It hangs in the National Gallery."
"Yes," he said with a smile, "and something tells me that's not a coincidence. The gallery is closed at this hour, but I know the curator and - "
"Forget it, Robert, I know what happens when you go to museums." Katherine headed off into a nearby alcove, where she saw a desk with a computer.
Langdon followed, looking unhappy. — Dan Brown

Sometimes I feel kind of wrong here. I used to be normal, but now ... I don't know. I feel like I should be one way, but I'm not." Toby stared at her. "I hear that." He sighed. "There are all these perfect people here. And ... it's like, if you're not one of the,. then you're messed up. But I think, inside, the flawless-looking people are just as messed up as we are. — Sara Shepard

Ground rules, Tanner," he growled. Tanner paled. More good. "No alcohol. No smoking. No drugs. No looking at other girls. You can dance with my daughter. Your hands will avoid the danger zones, which are here, here and here." Liam gestured to his chest, groin and ass. "You can kiss her. Once. At 10:59 p.m. tonight, when you'll be standing here once again. I will be on the other side of this door, waiting for her. Am I clear?" "Yes, sir," Tanner whispered. "I was your age once, too," Liam said. "I'm aware of that, sir." "I know what you think about." "I'm sorry." "You can think it. You can't do it." "Okay." "I have many sharp tools in my garage." "Yes, sir." "We're clear, then?" "Very, sir." "Good!" Liam smiled, then grabbed the boy by the shoulder and dragged him in. "Nicole! Your date's here. — Kristan Higgins

He yelled at the kid: "Stay here, don't go anywhere." He came out, said everything was okay, called over the squad commander from the checkpoint, stood facing the kid and told the squad commander, "That's how you deal with them." Then he gave the kid another two slaps and let him go. It's a crazy story, I remember sitting in the vehicle, looking on, and telling myself: I've been waiting for a situation like this for three years. From the minute I enlisted, I wanted to stop things like this, and here I am doing nothing, choosing to do nothing, is that okay? I remember answering myself: Yes, it's okay. He's hitting an Arab, and I'm doing nothing. I was really aware of doing nothing because I was scared of the company commander, and what could I do? Jump off the jeep and tell him to stop, because it's stupid, what he's doing? — Breaking The Silence

I'm here to take you on a date."
I blinked. "A date?" I repeated as if it was a foreign word I'd never heard before.
"You know, where we go out, hold hands, cast longing glances at each other? It's tradition. You might have heard of it."
"But I have class."
"Class?" Now he was looking at me as if I was speaking a different language. "But it's ten o'clock at night."
"We have classes until midnight." I smiled pointedly. "The thing about vampires is that they kind of like the night. It's tradition. You might have heard of it?"
"Oh, smart mouth." He grinned back. "Sexy. — Alyxandra Harvey

The tears in my pus-filled eyes became a thousand little crystals of ever color. Like stained-glass windows, I thought. God is with you today, Papi! In the midst of nature's monstrous elements, in the wind, the immenseness of the sea, the depth of the waves, the imposing green roof of the bush, you feel your own infinitesimal smallness, and perhaps it's here, without looking for Him, that you find God, that you touch Him with your finger. I had sensed Him at night during the thousands of hours I had spent buried alive in dank dungeons without a ray of sun; I touched Him today in a sun that would devour everything too weak to resist it. I touched God, I felt Him around me, inside me. He even whispered in my ear: You will suffer; you will suffer more. But this time I am on your side. You will be free. You will, I promise you. — Henri Charriere

Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. And yet nobody down on the sidewalk, looking up and yelling 'Don't!' and 'Hang on!', can understand the jump. Not really. — David Foster Wallace

And as we walk back down the street, me gingerly clutching what at this point constitutes my entire collection, my father says, 'One day, when you're all grown up and I'm not here any more, you'll remember the sunny day we went to the market together and bought a boat.' My throat feels tight because, as soon as he says it, I am already there. Standing on another street, without my father, trying to get back. And yet I'm here, with him. So I try to soak up every aspect of the moment, to help me get back when I need to. I feel the weight of the chunky parcel under my arm, and the warmth of the sun, and my father's hand in mine. I smell the flowers with their sharp undertang of cheap hot dog, and taste the slick of toffee on my teeth, and hear the chattering hagglers. I feel the joy of an adventurous Saturday with my father and no school, and I feel the sadness of looking back when it is all gone. When he is gone. — Victoria Coren

Stumped, Ia sat there and tried to comprehend her crew's acceptance. It was possible; it had clearly happened, but . . . she had come here expecting protests, a struggle, a fight to get at least some of them to understand . . .

"Everything alright?" Harper asked her, leaning close.

"I . . . think so?" she said, looking up at him. "Actually, everything just went . . . really well. Too well. I think I may need to worry about this for a while."

He chuckled and shook his head. "Just accept it, Ia. If you said it's necessary, this crew would follow you into Hell itself, no questions asked."

"Excuse me, but I'd ask questions," Helstead argued from his other side. "Like how many demons are we taking out, which ones we're supposed to leave in place, and whether or not we're taking over permanently or just visiting, and if so, for how long? — Jean Johnson

Phelan," Cam said, looking up with an easy smile, "have you come to see the timber yard?"
"Thank you, but I'm here for another reason."
Leo, who was standing near the window, glanced from Christopher's rumpled attire to Beatrix's disheveled condition. "Beatrix, darling, have you taken to going off the estate dressed like that?"
"Only this once," she said apologetically. "I was in a hurry."
"A hurry involving Captain Phelan?" Leo's sharp gaze moved to Christopher. "What do you wish to discuss?"
"It's personal," Christopher said quietly. "And it concerns your sister." He looked from Cam to Leo. Ordinarily there would have been no question concerning which one of them to approach. As lord of the manor, Leo would have been the first choice. However, the Hathaways seemed to have settled on an unconventional sharing of roles.
"Which one of you should I talk to?" Christopher asked.
They pointed to each other and replied at the same time.
"Him. — Lisa Kleypas

I think-I need to ask an embarrassing question. Do you think I could borrow a pair of scrubs? I-uh-my pants-"
"Oh!" Cried the poor nurse. "Yes. Absolutely. I'll be right back."
[ ... ]
"Thanks," I mumbled. "I'll just change here. He's not looking at anything at the moment." I gestured toward Sam, who was looking convincingly sedated.
The nurse vanished through the curtains. Sam eye's flashed open again, distinctly amused.
He whispered, "Did you just tell that man you went potty on yourself?"
"You.Shut.UP." I hissed back furiously. — Maggie Stiefvater

Be glad you're fifty - andThat you got there while things were nice,In a world worth looking at twice.So here's wishing you many more years,But not all that many. Cheers! — Kingsley Amis

[Feeney] "Nearly blew ourselves up about an hour ago, right, Roarke?"
Roarke rose and tucked his hands in his pockets. "I never doubted you for an instant Captain."
"Like hell." In tune with his man, Feeney grinned. "If you weren't saying your prayers, boyo, I was saying mine. Still, I can't think of many others I'd be pleased to be blown to hell with."
"The feeling's nearly mutual."
"If you two have finished your little male bonding dance, would you care to explain what the hell I'm supposed to be looking at here?" [Eve] — J.D. Robb

Hey, here come our ladies. Just looking at them gives you the uh, doesn't it?" McNab gave the sound a push that was unmistakably sexual as he grinned down the long corridor where Peabody got off the glide with Eve.

Then he shot Roarke a quick look. "I mean the uh me for mine, you for yours. It's not like I get the uh for the lieutenant, for which she would kick my ass, then leave you to turn what was left of it into bloody dust. Which She-Body would then grind into the earth before she set it on fire. I was just saying."

"I know what you were saying." McNab could, invariably, entertain him. "And I couldn't agree more, with everything including the bloody dust. They are compelling women. — J.D. Robb

And the City, in its own way, gets down for you, cooperates, smoothing its sidewalks, correcting its curbstones, offering you melons and green apples on the corner. Racks of yellow head scarves; strings of Egyptian beads. Kansas fried chicken and something with raisins call attention to an open window where the aroma seems to lurk. And if that's not enough, doors to speakeasies stand ajar and in that cool dark place a clarinet coughs and clears its throat waiting for the woman to decide on the key. She makes up her mind and as you pass by informs your back that she is daddy's little angel child. The City is smart at this: smelling and good and looking raunchy; sending secret messages disguised as public signs: this way, open here, danger to let colored only single men on sale woman wanted private room stop dog on premises absolutely no money down fresh chicken free delivery fast. And good at opening locks, dimming stairways. Covering your moans with its own. — Toni Morrison

Let's go back to the train station,' she said. 'Or,
rather, let's come back to this room, to the day when we sat here together for the first time
and you recognised that I existed and gave me a gift. That was your first attempt to enter my
soul, and you weren't sure whether or not you were welcome. But, as you say in your story,
human beings were
once divided and now seek the embrace that will reunite them. That is our instinct. But it is
also our reason for putting
up with all the difficulties we meet in that search.I want you to look at me, but I want you to take care
that I don't notice. Initial desire is important because it is hidden, forbidden, not permitted.
You don't know whether you are looking at your lost half or not; she doesn't know either,
but something is drawing you together, and you must believe that it is true you are each
other's other half — Paulo Coelho

Keep calm, they said on television. Everything is under control. I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen? That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn't even an enemy you could put your finger on. Look out, said Moira to me, over the phone. Here it comes. Here what comes? I said. You wait, she said. They've been building up to this. It's you and me up against the wall, baby. She was quoting an expression of my mother's, but she wasn't intending to be funny. — Margaret Atwood

Here is the hardest hit of all, O'Malley," Harry said. "Here is the very worst thing I can do to you."
He held out his hand, as if asking for a handshake.
He was asking for a handshake.
Conor responded almost automatically, putting out his own hand and shaking Harry's before he even thought about what he was doing. They shook hands like two businessmen at the end of a meeting.
"Goodbye, O'Malley," Harry said, looking into Conor's eyes. "I no longer see you. — Patrick Ness

Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ask. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ask. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you cam feel that, and be happy to feel that, you've found it. — Alice Walker

She shut the door and moved on to the floor-to-ceiling cabinets. "There is nothing here. Nothing. What do you eat?"
"Ah ... " Assail found himself looking at the cousins for aid.
"usually we take our meals in town."
The scoffing sound certainly appeared like the old-lady equivalent of Fuck that. "I need the staples. — J.R. Ward

There's something I have to say," I said seriously, looking her in the eye.
She smiled. "Oookay." She was mocking me-mocking my tone-but I didn't care.
"Okay. Here it is. I love you," I said. "And I never, ever wanted to hurt you. It's like, the number one thing I never want to do, but somehow, I keep doing it. And I'm sorry, I just ... that's all I wanted to say all this time. All I was trying to do ... with that thing with your dad, not telling you ... was not to hurt you. And I'm sorry that I did.
Alley stared at me.
"And I'm sorry that I did it again. With the Chloe thing. Which was stupid. Like, really, really, stupid. And I-"
"Can you just stop, for a second?" Ally said, holding up a hand.
"What?" I said.
"Can you say the first part again?" she asked, rolling her fingers around for a rewind.
I racked my brain.
"Um ... I love you?" I said.
"That's the part, Cuz I love you, too. — Kieran Scott

By the way," I said, "I wanted to tell you - about why I decided to hike the PCT? I got divorced. I was married and not long ago I got divorced, and also about four years ago my mom died - she was only forty-five and she got cancer suddenly and died. It's been a hard time in my life and I've sort of gotten offtrack. So I ... " He opened his eyes wider, looking at me. "I thought it would help me find my center, to come out here." I made a crumpled gesture with my hands, out of words, a bit surprised that I'd let so many tumble out. — Cheryl Strayed

Okay, what in Hades just happened? Stones don't glow blue or any other color and they certainly don't burn circles on you."
The stone wasn't talking.
Alexandra considered herself well grounded, yet here she stood, talking to a stone that glowed, burned circles, and refused to answer.
A thread of sensation pricked at the edges of her mind, then grew stronger. It mirrored an idea then became clear.
Tell no one.
What? Looking from side to side, she backed against the wall. Although it felt like someone whispered in her ear, she stood there alone. The day's trauma must have pushed her over the edge, yet the sensation persisted.
Tell no one.
She froze. Her eyes darted around the room. The muscles in her legs tightened as she prepared to bolt from the room.
Alexandra swallowed and licked her lips. "Who would believe me anyway?" she whispered. — H.H. Laura

Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.
'It would be merciful to kill it,' said Tialys.
'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.'
'If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.'
'But if it's in pain?' said Tialys.
'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.'
They moved on. — Philip Pullman

Can I speak to Sayvyer, please?"
"You're looking for the savior? At 1:15 a.m.?"
"No. her name's Sayvyer."
"There's no savior here. Especially not at 1:15 a.m. — Zack Love

Here's the beauty of a camera: you don't have to come up with words for what you're looking at ... Maybe another angle is needed sometimes. When we're burned out from writing, we can photograph or draw, look at the world in a different way, and photographers could try writing what they see. — Barbara Abercrombie

But here there were houses full of *stuff*, fancy sheets woven with silk floss as soft as a baby's bum; fancy washstands carved of dark wood that glowed like cherries where the light hit it; curtains the shade of the summer sky, heavy and glossy and smooth to the touch. The velvet-flocked wallpaper was so soft beneath her fingertips that had her eyes been closed, she might have thought she was brushing the belly of a rabbit.
And the stool in the corner! One wouldn't imagine you'd get too fancy with such a piece, but this stool was covered with embroidery so fine that her knuckles ached just looking at the stitches. Unbelievable. The rich even spoiled their arses! — Meredith Duran

Walter from Microsoft catches my eye. Here's a young guy with perfect teeth and clear skin and the kind of job you bother to write the alumni magazine about getting. You know he was too young to fight in any wars, and if his parents weren't divorced, his father was never home, and here he's looking at me with half my face clean shaved and half a leering bruise hidden in the dark. Blood shining on my lips. And maybe Walter's thinking about a meatless, pain-free potluck he went to last weekend or the ozone or the Earth's desperate need to stop cruel product testing on animals, but probably he's not. — Chuck Palahniuk

You see, because [Norfolk is] stuck out here on the east, on this hump jutting into the sea, it's not on the way to anywhere. People going north and south, they bypass it altogether. For that reason, it's a peaceful corner of England, rather nice. But it's also something of a lost corner.'
Someone claimed after the lesson that Miss Emily had said Norfolk was England's 'lost corner' because that was were all the lost property found in the country ended up.
Ruth said one evening, looking out at the sunset, that 'when we lost something precious, and we'd looked and looked and still couldn't find it, then we didn't have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we were grown up, and we were free to travel the country, we could always go and find it again in Norfolk. — Kazuo Ishiguro

Pops: How about you finish this sentence for me, Jason? When a girl says no she means ...
Justin, looking desperately at me: No?
Nana: Are you sure?
Justin, shifting uncomfortably: I'm sure. No means no.
Nana: Well look at you. You got one right. Now here's another, even tougher sentence for you to finish. Premarital sex is ...
Me: Nana! I'm so sorry Justin.
Nana: Unlike Pops, I'm not moving on. Justin?
Pops: His name is Jason.
Justin:Uh ... uh ...
Pops: While you think about that, why don't you tell me how you feel about drinking and driving?
Justin: I'm totally against it, I swear!
Nana: Methinks he protests too much. — Gena Showalter

The buzzer rang. Magnus pressed the button to let him enter, speechless for a moment because he had wanted Alec there, so badly, and here he was. It felt more like magic than anything he could do.
Then Alec was there, standing in the open doorway.
"I wanted to see you," said Alec with devastating simplicity. "Is this okay? I can go away if you're busy or anything."
It must have been raining a little outside. There were sparkling drops of water in Alec's messy black hair. He was wearing a hoodie that Magnus thought he might have found in a Dumpster, and sloppy jeans, and his whole face was lit up just because he was looking at Magnus.
"I think," said Magnus, pulling Alec in by the strings on his awful gray hoodie, "that I could be persuaded to clear my schedule. — Cassandra Clare

Everyone, this is the new girl. Elder knows her. New girl, this is everyone." A few people look up politely; some actually smile. Most, however, look wary at best, disgusted at worse. The nurse closest to me jabs her finger behind her ear and starts whispering to nobody.
"What's wrong with her?" I ask Harley as he leads me to the table he was sitting at.
"Oh, don't worry, we're all mad here."
I giggle, mostly from nerves. "It's a good thing I read Alice in Wonder-land . I definitely think I've fallen into the rabbit hole."
"Read what?" Harley asks.
"Never mind." All around me, eyes follow my every move.
"Look," I say loudly. "I know I look different. But I'm just a person, like you." I hold my head up high, looking them all in the eyes, trying to hold their stares for as long as possible.
"You tell 'em," says Harley with another Cheshire grin. — Beth Revis

The duke's son and the pauper girl. I suppose as a couple we were the most interesting thing in view.
I took the champagne glass from Armand and finished what he hadn't. As Sophia had said, it wasn't swill.
So much for my manners.
"Why am I here?" I asked curtly, handing back the empty flute.
"Because I invited you."
I dropped my voice. "Did you find out anything about Rue?"
"Is that why you came?"
"No, I came because I simply can't get enough of people looking down their noses at me. The girls at school are getting frightfully lax about it."
"Are they? How remiss of them. We're taught from the cradle how to look down our noses, you know, we rich sons of bitches. Perhaps Westcliffe's curriculum is a tad too liberal these days."
"Why, yes, my lord," I said very audibly. "I would enjoy seeing the rest of the boat."
"The yacht."
"That, yes. — Shana Abe

Few pleasures, for the true reader, rival the pleasure of browsing unhurriedly among books: old books, new books, library books, other people's books, one's own books - it does not matter whose or where. Simply to be among books, glancing at one here, reading a page from one over there, enjoying them all as objects to be touched, looked at, even smelt, is a deep satisfaction. And often, very often, while browsing haphazardly, looking for nothing in particular, you pick up a volume that suddenly excites you, and you know that this one of all the others you must read. Those are great moments - and the books we come across like that are often the most memorable. — Aidan Chambers

Chloe scoffed. "Excuse me, but if this place reeks of body odor, it's not because of me. I am not the one with the shirt soaked in sweat here." She glanced at me.
My cheeks burned. It was one of those moments where you wished the earth could rip open and swallow you whole.
"Oh, that's why I can see your bra," Vincent pointed out, looking at my chest. "Nice boobs by the way."
I looked down and almost had a heart attack. In the haste, I'd put a white top over a black bra. — Tatiana Vila

Francis Bacon is a good-looking young man. I don't think he has a girlfriend but I don't know. I don't think he has a boyfriend, either, but I don't know. If he has a group of friends at school, that where he keeps them. He doesn't get many phone calls here. He doesn't go out often. He keeps to himself, even in the family. He's pleasant and polite. Sure, he and I get into fights. He doesn't have his music loud enough. He doesn't drink or smoke enough. We never walk in on him having sex with some girl. It's regular family stuff. "Francis Bacon, are the cops ever going to come looking for you?" You know. That sort of thing. — James Marshall

This was to be my last trip. Sailing great distances was dangerous, and not very profitable in today's world. I walked down the worn wooden step to the captain's cabin, the creaking of the ship keeping time with my steps. Opening the door I found him bent over an old map.
"Where are we captain?" I asked, hoping it was close to home.
"See this spot, where it says "Here there be monsters"?" he said pointing to an image of a horrid beast.
"Certainly, but you and I both know such creatures don't exist!!"
The captain laughed, and looking up at me with an evil glint in his eye said, "Who's talking about sea monsters?". As he spoke the skin from one corner of his mouth fell loose, exposing a yellow reptilian skin beneath.
"What?" I yelled, and as I turned to run for the cabin door I heard screams and loud moans coming from the deck, and the crew quarters below.
I felt fetid breath on the back of my neck, "Aye matey, here there be monsters — Neil Leckman

This episode isn't about spiders. Nor owls. It's about looking at something and thinking you understand what it is. It's about assuming the best of what you see only to find out quite suddenly that it is the worst.

This kind of misunderstanding has always been, to me, the most compelling kind of horror. The StrexPet here is that issue of Zoobooks. — Joseph Fink

Ford," insisted Arthur, "I don't know if this sounds like a silly question, but what am I doing here?" "Well, you know that," said Ford. "I rescued you from the Earth." "And what's happened to the Earth?" "Ah. It's been demolished." "Has it," said Arthur levelly. "Yes. It just boiled away into space." "Look," said Arthur, "I'm a bit upset about that." Ford frowned to himself and seemed to roll the thought around his mind. "Yes, I can understand that," he said at last. "Understand that!" shouted Arthur. "Understand that!" Ford sprang up. "Keep looking at the book!" he hissed urgently. "What?" "Don't Panic." "I'm not panicking!" "Yes, you are. — Anonymous

If you will, for just one second, look at your life and see how perfect it is. Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else. It's here, and you'd better decide to enjoy it or you're going to be miserable wherever you go, for the rest of your life, forever." "You can't just decide to be happy." "No, you can't. But you can sure as hell decide to be miserable. Is that what you want? Do you want to be the asshole who went to Fillory and was miserable there? Even in Fillory? Because that's who you are right now." There — Lev Grossman

I'm going to take a wild guess here and say the hard-on you've been sporting all afternoon is not on account of Mr. Nicholson continually bending over to pick up the golf balls, right?"
"For fuck's sake, Dad!" James cursed, looking horrified at his father, who just shrugged his shoulders at his son's shocked expression.
"Whaaat? Just making sure," he added, hardly hiding his amusement. — Elle Aycart

And something else, of course; there's always more, deep in art's pockets, far down in the chiaroscuro on which these foodstuffs rest: everything here has been transformed into feeling, as if by looking very hard at an object it suddenly comes that much closer to some realm where it isn't a thing at all but something just on the edge of dissolving. Into what? Tears, gladness - you've felt like this before, haven't you? Taken far inside. — Mark Doty

Come on, sweetheart. I'm letting you do this. Do it." When she didn't respond, he added, "Listen, I know it's easier when they're not fucking looking at you."
Beckett turned and faced the wall.
"I don't know who hired you, but can I ask you for something?" He talked at the wall.
Here comes the fast-talking, the mojo, the shout to his employees.
"Could you make sure Cole doesn't take credit for his handiwork last night? And can you follow up on that Chris guy?" Beckett turned his head a bit, listening for her answer.
He still trusts me. He still trusts me with his brothers. I can't do it. — Debra Anastasia

Here's the amazing thing about sex: you get a whole person to yourself, for the first time since you were a baby. Someone who is looking at you - just you - and thinking about you, and wanting you, and you haven't even had to lie at the bottom of the stairs and pretend you're dead to get them to do it. — Caitlin Moran

I wish I could have fought him for you," he said abruptly, looking back at me. His blue eyes were dark and earnest.
I smiled at him, touched.
"It wasn't your fight, it was mine. But you won it anyway." I reached out a hand, and he squeezed it.
"Aye, but that's not what I meant. If I'd fought him man to man and won, ye'd not need to feel any regret over it." He hesitated. "If ever - "
"There aren't any more ifs," I said firmly. "I thought of every one of them yesterday, and here I still am."
"Thank God," he said, smiling, "and God help you." Then he added, "Though I'll never understand why."
I put my arms around his waist and held on as the horse slithered down the last steep slope.
"Because," I said, "I bloody well can't do without you, Jamie Fraser, and that's all about it. — Diana Gabaldon