Her Black Eyes Quotes & Sayings

I was with her when she died," Ned reminded the king. "She wanted to come home, to rest beside Brandon and Father." He could hear her still at times. Promise me, she had cried, in a room that smelled of blood and roses. Promise me, Ned. The fever had taken her strength and her voice had been faint as a whisper, but when he gave her his word, the fear had gone out of his sister's eyes. Ned remembered the way she smiled then, how tightly her fingers had clutched his as she gave up her hold on life, the rose petals spilling from her palm, dead and black. After that he remembered nothing. They had found him still holding her body, silent with grief. The little crannogman, Howland Reed, had taken her hand from his. — George R R Martin

Holy cow," Chloe said faintly.
"No kidding," Gwen breathed.
The sexy Fae prince flashed them a smile that was pure devilish charm, sexy and playful and mischievous, briefly catching the tip of his tongue between white teeth, before his lip curved, dark eyes sparkling gold.
Gabby groaned. She choked on it hastily, camouflaging it with a dry little cough. Her own private stash of eye candy had just been made available for public consumption and she didn't like it one bit.
Apparently she wasn't the only one.
"Are you thinking what I'm thinking, Dageus?" Drustan said irritably.
"Och, aye," Dageus said darkly. "You liked him better invisible too?"
"Och, aye."
"Should I curse him again?"
"Och, aye."
Adam threw back his head and laughed, eyes sparkling with gold fire. "Bloody hell, it's good to be back," he purred. — Karen Marie Moning

She put a hit on her boyfriend, so it's not like she hasn't murdered someone."
"And you know that how?" Sam asks.
I'm trying really hard to be honest, but telling the whole thing to Sam seems beyond me. Still, the fragments sound ridiculous on their own. "She said so. In the park."
He rolls his eyes. "Because the two of you were so friendly."
"I guess she mistook me for someone else." I sound so much like Philip that it scares me. I can hear the menace in my tone.
"Who?" Sam asks, not flinching.
I force my voice back to normal. "Uh, the person who killed him. — Holly Black

He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. "You protected me, Kaz."
"The fact that you're bleeding through your bandages tells me otherwise."
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. "I need Nina to fix this one."
He didn't mean to say it. He meant to let her go. "I can help you."
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she'd spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she'd nearly destroyed him. Maybe he should let her finish the job. — Leigh Bardugo

Look into my eyes, and you will see me there
all, all that is in my heart.' 'Oh, I know what I should see there!' ... 'What would you see? Tell me?' 'There is a little black ball in the middle of your eye; I should see myself in it no bigger than that,' and she marked off about an eighth of her little finger-nail. 'There is a pool in the wood, and I look down and see myself there. That is better. Just as large as I am
not small and black like a small, small fly. — William Henry Hudson

Hayati?"

"Yeah, that one. What does it mean?"

He was quiet for so long she had started to think he'd never answer. "There is no English translation for this name," he finally said.

She smiled. "Try. Get as close as you can."

His dark eyes searched her gaze. "It means, my life."

Her forehead wrinkled. "My life?"

Hani pulled her head down and forced her to rest against his chest. He said nothing for a suspended moment and then, "My life," he murmured. "My love. — Jaid Black

He still looked so sad. Not a sign of the laughter that once used to be as much a part of his face as his black eyes. The smile he gave her now was only a sad shadow of it. — Cornelia Funke

He lay with yellow hair and closed eyes, and the book thief ran toward him and fell down. She dropped the black book. "Rudy," she sobbed, "wake up ... " She grabbed him by his shirt and gave him just the slightest disbelieving shake. "Wake up, Rudy," and now, as the sky went on heating and showering ash, Liesel was holding Rudy Steiner's shirt by the front. "Rudy, please." THe tears grappled with her face. "Rudy, please, wake up, Goddamn it, wake up, I love you. Come on, Rudy, come on, Jesse Owens, don't you know I love you, wake up, wake up, wake up ... — Markus Zusak

The relief of being clasped firmly, held close by his hands, was so great that Amanda couldn't hold back a sudden gasp. He nuzzled into her bare throat, kissing, tasting, and her knees wobbled at the sensations that streaked through her. "Beautiful Amanda," he muttered, his breath rushing fast and hot against her skin. "A chuisle mo chroi... I said that to you once before, remember?"
"You didn't tell me what it meant," she managed to say, resting her soft cheek on his shaven, faintly scratchy one.
He pulled his head back and stared down at her with shadowed eyes that looked black instead of blue. His broad chest moved jerkily from the force of his breathing. "The very pulse of my heart," he whispered. "From the first moment we met, Amanda, I knew how it would be between us. — Lisa Kleypas

Who you were," Lyre corrected, wiping his hand across the trickling blood on his face, smearing it over one cheek. "But it doesn't matter. You're still female." Natania's eyes narrowed, then she threw her head back and loosed a chiming peal of laughter. "You think you can defeat me with aphrodesia?" Lyre's eyes darkened to black. "I already have." Natania took a quick step back, her hand clenching around the Sahar as power leaped into her. Lyre's hand snapped down the front of his shirt where he kept his chain of spelled gems. He yanked it out, blood-coated fingers already clenched around a gem. Gold light flashed. The world went black. — Annette Marie

I don't want any money."
I put the wallet away.
She said: "What are you going to do about last night?"
"What should I do?"
"Kill that son of a bitch."
"And fry?"
"You're too smart to fry."
"Maybe," I said. "But, lady, I've been drawing the line at murder lately."
She lay against the pillow, watching me. Her skin was dead white and it made the black eyes look big. She wasn't young, but she was still good-looking. Her shoulders were round and firm. As far as I could tell she was naked under the sheet. I sat down on a rocking-chair. It creaked under my weight.
"But you want to get him, don't you?" she asked.
"I wouldn't mind."
"Neither would I," she said.
"He's pretty tough for a gal to tackle."
"He knocked out my teeth."
The way she said it, it sounded like a good reason for bumping off a man. Maybe it was, at that. A girl likes to hold on to her teeth. — Jonathan Latimer

Dylan, in her skintight black jeans, safety-pinned shirt, and bulky armbands, with her hair sticking out in every direction and that black freshly smeared around her eyes, doesn't just smile, doesn't just walk toward Maddy and put her arms around her. No. Instead, every muscle in her whole body seems to lose all tension, her step forward resembles a skip, and she lets out a hey that might as well say, I love you, you are so beautiful, no one in the world is as amazing as you are. — Nina LaCour

Viktor was swinging a leather duffle and wearing a black Adidas tracksuit and his favorite brown UGG slippers with a hole in the toe.
"Worn and old, just like Viv," he'd say when Frankie made fun of them, and then his wife would swat him on the arm. But Frankie knew he was just joking, because Viveka was the type of woman you wished was in a magazine just so you could stare at her violet-colored eyes and shiny black hair without being called a stalker or a freak. — Lisi Harrison

Victoria?" she hissed. "Laurent?"
I nodded, a teensy bit alarmed by the expression in her black eyes. I pointed at my chest. "Danger magnet, remember? — Stephenie Meyer

The woman, one of those usually known as a good-time girl, was famous for the premature portliness which had earned her the nickname Boule de Suif. Small, round as a barrel, fat as butter and with fingers tightly jointed like strings of small sausages, her glowing skin and the enormous bosom which strained under the constraints of her dress - as well as her freshness, which was a delight to the eye - made her hugely desirable and much sought after. She had a rosy apple of a face, a peony bud about to burst into bloom. Out of it looked two magnificent dark eyes shaded by thick black lashes. Further down was a charming little mouth complete with invitingly moist lips and tiny, gleaming pearly-white teeth. She was said to possess a variety of other inestimable qualities. — Guy De Maupassant

We stayed a step behind the three boys. Every once in a while they would turn around and look at us, wondering, I guess, why we were following them. Sometimes they stared openly at Ema. There may have been derision in their eyes, I couldn't say for sure. Ema was decked out in her customary black - black clothes, black hair, black nail polish, black lipstick. Tattoos ran up and down her arms and across her neck. I — Harlan Coben

Fatima's hair, what was left of it, had pulled free of the coil into which she'd put it before striking the match. Her face was now black and shiny, as if an artist commissioned to lacquer the eyes of a statue of — Katherine Boo

As for Nina, Genya had offered up a glorious red kefta from her collection and they'd pulled out the embroidery, altering it from blue to black. She and Genya were hardly the same size, but they'd managed to let out the seams and sew in a few extra panels.
It had felt strange to wear a proper kefta after so long. The one Nina had worn at the House of the White Rose had been a costume, cheap finery meant to impress their clientele. This was the real thing, worn by soldiers of the Second Army, made of raw silk dyed in a red only a Fabrikator could create. Did she even have a right to wear such a thing now?
When Matthias had seen her, he'd frozen in the doorway of the suite, his blue eyes shocked. They'd stood there in silence until he'd finally said, "You look very beautiful."
"You mean I look like the enemy."
"Both of those things have always been true."
Then he'd simply offered her his arm. — Leigh Bardugo

Smith shrugged and came over to Cella and Crush. Another shifter, a black bear, waited to lead them out, the security cameras conveniently and temporarily turned off.
"What did you really do to him?" Cella had to ask her.
"Nothin'."
"Smith," she said, stopping by the bear. "The man shit, pissed, and vomited after spending less than thirty minutes with you. There has to be a reason."
"Got me. All I did was stare at him until he told me something I could use."
The bear looked Smith over. "Did you stare at him with those eyes of yours?"
"I have my daddy's eyes."
"Annnnd, we now have our answer," Cella announced before they made their way out of the maximum security prison and headed home. — Shelly Laurenston

Kieran glanced at her with shimmering eyes. Neither looked quite human: The black eye was too dark, the silver too metallic. And yet the overall effect was haunting, inhumanly beautiful. — Cassandra Clare

Anne looked at the white young mother with a certain awe that had never entered into her feelings for Diana before. Could this pale woman with the rapture in her eyes be the little black-curled, rosy-cheeked Diana she had played with in vanished schooldays? It gave her a queer desolate feeling that she herself somehow belonged only in those past years and had no business in the present at all. — L.M. Montgomery

Then the woman in the bed sat up and looked about her with wild eyes; and the oldest of the old men said: 'Lady, we have come to write down the names of the immortals,' and at his words a look of great joy came into her face. Presently she, began to speak slowly, and yet eagerly, as though she knew she had but a little while to live, and, in English, with the accent of their own country; and she told them the secret names of the immortals of many lands, and of the colours, and odours, and weapons, and instruments of music and instruments of handicraft they held dearest; but most about the immortals of Ireland and of their love for the cauldron, and the whetstone, and the sword, and the spear, and the hills of the Shee, and the horns of the moon, and the Grey Wind, and the Yellow Wind, and the Black Wind, and the Red Wind. ("The Adoration of the Magi") — W.B.Yeats

I smiled half a smile at her puppy antics, wondering what it would be like to be able to join her, to shed my human skin and the confines that went with it and just live in the moment as a wolf. What would I look like with four legs and fur - would I be light-colored like Katie, or a darker timber, like Dev? I wondered if I would be velvet black with ice-blue eyes, like Chase. — Jennifer Lynn Barnes

I've found her, she is how the story tells. Black hair, pale skin, perfect body. And her eyes, oh, her eyes! She hurts with her eyes. I saw her at the School. Two pink diamonds. It's she, I perceive the fire. I finally found the Maid of Flames. — Chiara Cilli

Eyes, golden-brown curls and crimson cheeks. She laughed too much to please her father's congregation and had shocked old Mrs. Taylor, the disconsolate spouse of several departed husbands, by saucily declaring - in the church-porch at that - "The world ISN'T a vale of tears, Mrs. Taylor. It's a world of laughter." Little dreamy Una was not given to laughter. Her braids of straight, dead-black hair betrayed no lawless kinks, and her almond-shaped, dark-blue eyes had something wistful and sorrowful in them. Her mouth had a trick of falling open over her tiny white teeth, and a shy, meditative smile occasionally crept over her small face. She was much more sensitive to public opinion than Faith, and had an uneasy consciousness that there was something askew in their way of living. She longed to put it right, but did not know how. Now and then she dusted the furniture - but it was so seldom she could find the duster because it was never in the same place twice. And when — L.M. Montgomery

She's got those big black eyes with plenty shiny white in them that makes them shine like brand new money and she knows what God gave women eyelashes for, too. Her hair is not what you might call straight. It's negro hair, but it's got a kind of white flavor. Like the piece of string out of a ham. It's not ham at all, but it's been around ham and got the flavor. — Zora Neale Hurston

And what was she like?" "Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester's: large and black, and as brilliant as her jewels. And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw. She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee. She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls. — Charlotte Bronte

She's just nervous, Paddy. Don't worry, hon," saidSharon , her lips pulled into a generous smile. Her eyes sparkled with warmth and sincerity. "I'm used to these neck nibblers."
"No offense,Sharon . But I'd rather have the chocolate," I said.
She laughed and slapped her thigh. "Hell's bells, Patrick! She's the reason you've had me eating these Godiva truffles all day?"
I looked at Patrick. "You're mean." His black brows formed question marks. Then his lips curled into a smile. "No, not just mean. Cruel."
"I had her eat truffles for you," he said.
"Are you insane? How is her eating my chocolate in any way helpful?"
Sharon chortled. "You might not be able to eat the truffle, sweetie, but you'll taste it. Prob'ly be the best chocolate you ever eat, too."
I looked at Sharon , then at Patrick. "Are you telling me that she's gonna taste like chocolate?"
"Yes. — Michele Bardsley

She removed the shining black disk from its sleeve, holding it by the edges. After she placed it on the turntable and set the arm into motion, she adjusted the volume on the amplifier, flooding the room with sound. She closed her eyes and began to sway to the music. She could almost feel Clive's arms guiding her, as he had done so many times over the course of their lives together.
(from Independence Day) — Ken Doyle

I do love you." He said it suddenly, raising his head so his black eyes could meet her startled green ones. "I mean it, Shea. I do not just need you, I love you. I know everything about you, I have been in your head, shared your memories, shared your dreams and your ideas. I know you think I need you and that is why I am with you, but it is much more than that. I love you." He grinned unexpectedly, traced her lower lip with the tip of a finger. "What is more, I know you love me. You hide it from yourself, but I found it in a little corner, tucked away in your mind." Shea — Christine Feehan

My love has eyes blue as the sky.
Her warm, bright smile makes me want to try
To give her the world,
And when she's curled
Up in my arms where I can feel her touch,
I realize again that I love her so much.
My world has turned from black to white.
Kissing in starlight, basking in sunlight, dancing at midnight.'
~John's poem for Belle — Julia Quinn

She was beautiful and lithe, with soft skin the color of bread and eyes like green almonds, and she had straight black hair that reached to her shoulders, and an aura of antiquity that could just as well have been Indonesian as Andean. She was dressed with subtle taste: a lynx jacket, a raw silk blouse with very delicate flowers, natural linen trousers, and shoes with a narrow stripe the color of bougainvillea. 'This is the most beautiful woman I've ever seen,' I thought, when I saw her pass by with the stealthy stride of a lioness, while I waited in the check-in line at Charles de Gaulle Airport in Paris for the plane to New York. — Gabriel Garcia Marquez

How much do you love me, Bella?"
"Why?"
She stared at me with pleading eyes, her long black eyebrows slanting up in the middle and pulling together, her lips trembling at the corners. It was a heart-breaking expression.
"Please, please, please," she whispered. "Please, Bella, please - if you really love me ... Please let me do your wedding."
"Aw, Alice!" I groaned, pulling away and standing up. "No! Don't do this to me."
"If you really, truly love me, Bella."
I folded my arms across my chest. "That is so unfair. And Edward kind of already used that one on me."
"I'll bet Edward would like it better if you did this traditionally, though he'd never tell you that. And Esme - think what it would mean to her!"
I groaned. "I'd rather face the newborns alone."
"I'll owe you for a decade."
"You'd owe me for a century! — Stephenie Meyer

Skinny like a model with her eyes all painted black, keeps going to the bathroom always says she'll be right back — Caroline Weiss

The cashier had long since left for home. By now she was probably bustling by an unmade bed that was waiting in her small room like a boat to carry her off to the black lagoons of sleep, into the complicated world of dreams. The person sitting in the box office was only a wraith, an illusory phantom looking with tired, heavily made-up eyes at the empyiness of light, fluttering her lashes thoughtlessly to disperse the golden dust of drowsiness scattered by the elctric bulbs. — Bruno Schulz

Those eerie diamond eyes shifted over to her and she stilled, as if he's willed her to do so.
There was a moment of silence. And then in a rough voice the man whose life she saved spoke four words that changed everything ... changed her life, changed her destiny: She. Comes. With. Me. — J.R. Ward

She started to tell him so, but the words vanished
unsaid when he abruptly thrust his hands under her skirt, all the way to her waist. Mary
gave a startled shriek and jerked back, almost oversetting the chair. He glared at her, his
eyes like black ice.
"You don't have to worry," he snapped. "This is Saturday. I only rape on Tuesdays and
Thursdays. — Linda Howard

She was too thin, her face all sharp bones and pale skin, tinged blue from lack of sunlight. Ugly, like him. Her eyes were huge and round, black puddles collecting in the hollows of her skull. The tips of her ears were pointed. In a pinch Bartholomew might still pass as a human child, but not Hettie. There was no mistaking the faery blood in her veins. For where Bartholomew had a mess of chestnut hair growing out of his scalp, Hettie had the smooth, bare branches of a young tree. — Stefan Bachmann

It was a trick. It was this place, all the memories. His longing heart and the darkness conspiring. But his eyes told him it was no trick. He jumped down off the steps and walked toward her. Hoping. Fearing. He'd done this before. So many times. Caught sight of a slender black-haired woman and impulsively called to her, only to have her turn and gaze at him with eyes that were questioning, coldly polite, and never, ever hers. — Jennifer Donnelly

Jasmine shook her head. She had forgotten about the tales of the Jinn that her father warned her about. Now, being here the memories were returning like a slow and purposeful
spider. With its long, black legs the nightmares would creep into her mind each time she closed her eyes. Then, she would see through the creature's murky eyes. She would see the carcass of a deer as it lay in the glistening white. She would watch the hyena tearing at its sweated flesh, blood seeping into the snow forming warm pools of death around her feet. And in that moment, the deer shifted. It shifted into the shape of a young boy. — Shereen Malherbe

Anyone could buy a green Jaguar, find beauty in a Japanese screen two thousand years old. I would rather be a connoisseur of neglected rivers and flowering mustard and the flush of iridescent pink on an intersection pigeon's charcoal neck. I thought of the vet, warming dinner over a can, and the old woman feeding her pigeons in the intersection behind the Kentucky Fried Chicken. And what about the ladybug man, the blue of his eyes over gray threaded black? There were me and Yvonne, Niki and Paul Trout, maybe even Sergei or Susan D. Valeris, why not? What were any of us but a handful of weeds. Who was to say what our value was? What was the value of four Vietnam vets playing poker every afternoon in front of the Spanish market on Glendale Boulevard, making their moves with a greasy deck missing a queen and a five? Maybe the world depended on them, maybe they were the Fates, or the Graces. Cezanne would have drawn them in charcoal. Van Gogh would have painted himself among them. — Janet Fitch

In a dark layer of Esme's memory there was a kiss. Vividly she recalled Mihai in the snow, naked and fanged. That kiss had conjured ancient passions a god had tried to erase, and Esme remembered the pressure of it and even knew the flavor of that black river. But it belonged to someone else. Tom's kiss, by contrast, wasn't passionate.Esme didn't even have time to close her eyes and tilt her face up to meet it, and it landed crooked and only half on her lips. It was clumsy and it ended quickly. And it was hers. — Laini Taylor

Slowly, without taking his eyes from hers, the man in the black coat knelt before her. "I have come for the girl in the window," he said, and his eyes filled with tears — Catherynne M Valente

Jane was wearing a charcoal shift dress. The black dipped into a love V accented with a large black chiffon bow. A layer of delicate black lace peeked out from the bottom of her dress. Her long blond hair was pulled back tightly into a straight ironed ponytail. Her makeup was simple: coral blush on her cheeks and gunmetal shadow brushed under her blue eyes. — Lauren Conrad

There is something of yours I would like to return to you."
"What?"
He leaned across the distance between them and caught her mouth with his own. Her eyes fluttered closed and her lips parted easily as she felt the kiss sizzling through her nerves, rendering her thoughts to smoke.
"Um..." Kaye stepped make, a little unsteadily. "Why does that belong to me?"
"That was the kiss I stole from you when you were enchanted," he said patiently.
"Oh...well, what if I didn't want it?"
"You don't?"
No," she said, letting a grin spread across her face, hoping her mother would take her time of the drive over. "I'd like you to take it back again, please."
"I am your servant," the King of the Unseelie Court said, his lips a moment from her own, "Consider it done. — Holly Black

I gotta go," he said. Like now.
"Yes ... me, too." She flushed and stepped back, her eyes meeting his briefly and skirting away. "Anyway, I'll see you. Around."
She turned away and started walking quickly back up to the house. And guess who appeared in the doorway to meet her: Rehvenge.
Rehv ... so strong ... so powerful ... so completely able to feed her.
Marissa didn't make it another yard.
Butch shot out of the SUV, grabbed her around the waist, and dragged her back to the car. Although it wasn't as if she fought him. In the slightest. — J.R. Ward

No", she wanted to say. " I don't want you to care for me, I want to be with my husband." But nothing came out. She turned beseeching her eyes to Darcy and she saw him as if from a great distance, through a distorting glass, but his words were firm and clear. "She has no taste for your company," he said.
"No?" said the gentleman. "But I have a taste for her."
Hers, thought Elizabeth. He should have said hers.
"Let her go," said Darcy warningly.
"Why should I?" asked the gentleman.
"Because she is mine," said Darcy.
The gentleman turned his full attention toward Darcy and Elizabeth followed his eyes.
And then she saw something that made her heart thump against her rib cage and her mind collapse as she witnessed something so shocking and so terrifying that the ground came up to meet her as everything went black. — Amanda Grange

Here was an ugly little girl asking for beauty ... A little black girl who wanted to rise up out of the pit of her blackness and see the world with blue eyes. His outrage grew and felt like power. For the first time he honestly wished he could work miracles. — Toni Morrison

Her voice was as rough as sandpaper. As long as Blomkvist lived, he would never forget her face as she went on the attack. Her teeth were bared like a beast of prey. Her eyes were glittering, black as coal. She moved with the lightning speed of a tarantula and seemed totally focus on her prey as she swung the club again, striking Martin in the ribs. — Stieg Larsson

Deeper into the woods, the inky black threatened to engulf her tiny beam of light. But everything was so clear in its path. Within that beam, she and Blake had danced in the club, twirling in the corner. She had felt his white shirt under her fingers. She had kissed the hollow of his neck. He had touched her so gently, and when his eyes sparked with a naughty idea, he'd tightened his hold on her. Blake. — Debra Anastasia

Lou stood at the kitchen sink, her eyes unfocused on her hazy reflection in the window. Outside the sky was fading from steely blue to indigo. The mountain range beyond was a solid sheet of black, cut out by a child's sloppy scissors. — Danika Stone

Hello. Do I know you?"
She smiled, showing surprisingly tiny white teeth, like a baby's, swaddled in pink gums. She said "Esmeralda Ulloa, I would hope that you know me. But I doubt you do."
I rocked back on my heels as she leaned in close, her black eyes snapping. "Tell your uncle I have what he's looking for," she said softly. "And if he asks me nicely, I might give it to him." She smiled again. "I'd rather give it to you, though. If you ask. — Elise Forier Edie

I call myself Mandarb." He could not stop the guffaw that burst out of him. Those tilted eyes regarded him with heat. "I will teach you something, farmboy." Her voice remained level. Barely. "In the Old Tongue, Mandarb means 'blade.' It is a name worthy of a Hunter of the Horn!"
He managed to get his laughter under control, and hardly wheezed at all as he pointed to the rope pen between the masts. "You see that black stallion? His name is Mandarb."
The heat went out of her eyes, and spots of color bloomed on her cheeks. "Oh. — Robert Jordan

Raphael came through the door like a child's nightmare, his eyes glowing an almost solid silver with wrath, his gleaming fangs fully extended, blood painting his mouth a brilliant red, dripping from his chin to shine wetly against the tattered remains of his black shirt. His huge chest was heaving with the fury of his breath, and his hands curled into claws as his gaze found her and he growled a warning. 'Release her, human.'
'Who are you? the man rasped, fear taking away his breath, coarsening his voice.
'Release her.'
The man tightened his grip, 'Come closer and she dies.'
Rachael's mouth widened in a terrifying smile, 'You think to bargain with me? — D.B. Reynolds

When she'd stepped from the red bus, the porch had crowded her with their eyes. Hair pressed and gleaming like polished black walnut. Lipstick red and thick, her cornflower blue sundress darted and stitched tight to her waist. Ephram had watched her light a cigarette and glare down at the crowd on the market porch in such a way that made folks feel embarrassed for breathing. Chauncy Rankin had said later, "Not only do her shit not stink, way she act, she ready to sell it by the ounce. — Cynthia Bond

She made a slow turn as she loosened her ponytail and shook her head; her hair streamed down her back like a glossy black waterfall. She finished her spin. Her focus landed on me, and the air caught in my throat. My Wolf stirred.
Clare.
Her body went rigid; her sultry gaze hardened as she stared at me.
Clare Walker. I'd know those moonlit eyes anywhere.
She ran and grabbed hold of the stage right pole. Her feet left the floor as she wrapped her legs around the brass and spun.
What in god's name is she doing working in a fucking strip club? — Elizabeth Morgan

The tears and the pain all but blinding her, she forced open her eyes one more time, to a curtain of dark hair; to a waterfall of black ink spilling across the last page of her life.
No.
I'm not nothing.
I was loved. — Renee Ahdieh

On the walk home he asks her, "How was training today, my angel?" As he looks down into her beautiful, ice blue eyes he marvels at her beauty. Her long, black hair, fair skin and eye color are a striking difference next to his tan skin, brown eyes and black hair. Elina heaves a huge sigh, "I don't know. Sometimes I feel like I do nothing right. Today, I was able to project farther than ever. It was amazing, Papi! — Lynn Landes

You never cared that I was your sister before."
"Didn't I?" His black eyes flicked up and down her. "Our father's dead," he said. "There are no other relatives. You and I, we are the last. The last of the Morgensterns. You are the only one left whose blood runs in my veins, too. You are my last chance. — Cassandra Clare

Slowly, he lifts the flashlight. Her shorts are torn and frayed, her shirt ripped from chest to naval, exposing her black bra and dirty stomach. And then he raises the light so it reflects off her face, off the crimson tears streaming from the girl's eyes. Her boney hands fly up to protect her face, and her head tilts sharply as she hisses. — Laura Kreitzer

It's about time you saw how fortunate you are. You have ... the most virile man in the world." He grinned, and in his eyes, black as sin, she saw the devil inside him laughing. But he was her devil, and she loved him madly.
"The most conceited, you mean," she said.
He bent his head until his great Usignuolo nose loomed as inch from hers, "The most virile, " he repeated firmly. "You are pathetically slow if you haven't learned that by now. Fortunately for you, I am the most patient of tutors. I shall prove it to you."
"You patience?" she asked.
"My virility. Both. Repeatedly." His black eyes glinted. "I will teach you a lesson you'll never forget. "
She tangled her fingers in his hair and brought his mouth to hers. "My wicked darling," she whispered. "I should like to see you try. — Loretta Chase

She had beautiful pale skin, which was a stark contrast to her dark eyes and hair, like black marble and snow. It was very dramatic, like she would be cool to the touch. But she smelled sweet, like candy. No, that wasn't it, Chloe thought. She smelled like Christmas. "Adam's right," Chloe said as she set the bag on the counter in front of Josey. "You smell like peppermint. — Sarah Addison Allen

Those icy bright eyes left her and shifted to his buddy. The frown didn't leave his face. "You look like
hell."
"And you're Miss America. — J.R. Ward

She'd neglected makeup entirely, and those damn black eyes lent her the appearance of a raccoon. A raccoon that had gotten hit in the face. After a lifetime of poor nutrition. The silence was broken only by the humming of the lift, and it felt conspicuous. — Daniel O'Malley

In her red dress and black boots, she stood straight and tall, blue eyes flashing with righteous fury, breasts rising and falling rapidly. Se had never looked more beautiful. — Trinity Faegen

Scarlet O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were. In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French descent, and the heavy ones of her florid Irish father. But it was an arresting face, pointed of chin, square of jaw. Her eyes were pale green without a touch of hazel, starred with bristly black lashes and slightly tilted at the ends. Above them, her thick black brows slanted upward, cutting a startling oblique line in her magnolia-white skin-that skin so prized by Southern women and so carefully guarded with bonnets, veils and mittens against hot Georgia suns. — Margaret Mitchell

She stared at herself in the mirror. Her eyes were dark, almost black, filled with pain. She'd let someone do that to her. She'd known all along she felt things too deeply. She became attached. She didn't want a lover who could walk away from her, because she could never do that - love someone completely and survive intact if her left her. — Christine Feehan

She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat's. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille. — Cassandra Clare

So this, Harriet thought, gazing at her black-clad reflection, was what bearing up looked like. The eyes in the mirror stared at her, somehow, while fixing themselves far away.
Bearing up, then, must be this: the feeling of perfect frozen stillness, so that to raise your hand was a wrenching and unnatural event. It was not being able to sleep or eat, and the small placid tone in which she heard herself decline the food. It was the presentiment that there must be a crack or a hole somewhere at hand down which she was to throw and extinguish herself, since there must surely be something provided to make this bearable. — Jude Morgan

Lynn said, "The blue of the sky is one of the most special colors in the world, because the color is deep but see-through both at the same time. What did I just say?"
"The sky is special."
"The ocean is like that too, and people's eyes."
She turned her head toward me and waited. I said, "The ocean and people's eyes are special too."
That's how I learned about eyes, sky, and ocean: the three special, deep, colored, see-through things. I turned to Lynnie. Her eyes were deep and black, like mine. — Cynthia Kadohata

Anya looked back to see a massive man standing by the fire. He had dark skin and black hair that fell to his waist. He had the deep amber eyes of a wolf and was naked. She averted her eyes. Maybe Yvan was right, maybe she really did have a problem with nakedness. — Amy Kuivalainen

As the last Seelie left the hall, Roiben, self-declared King of the Unseelie Court, nearly fell into his throne. Kaye tried to smile at him, but he was not looking at her. He was staring out across the brugh with eyes the color of falling ash.
Corny had not stopped laughing. — Holly Black

Cold?" Ravus echoed. He took her arm and rubbed it between his hands, watching them as though they were betraying him. "Better?" He asked warily.
His skin felt hot, even through the cloth of her shirt, his touch was both soothing and electric.
She leaned into him without thinking. His thighs parted, rough black cloth scratching against her jeans as she moved between his long legs. His eyes half-lidded as he pushed himself off the desk, their bodies sliding together, his hands still holding hers. Then, suddenly, he froze. — Holly Black

Oliver couldn't walk away. Not when the wallflower needed rescuing. His goddamn Achilles heel, no matter how disastrous the outcome tended to be. He just wished his heroics would work out for once.
He kept his eyes trained on the pretty black-haired American, every muscle tensed for action. An eternity ticked by. No one approached her. She had no one to dance with, to talk to. She looked... lost. Hauntingly lonely. Frightened and defiant all at the same time.
'Twould be better for them both if he turned around right now. Never met her eye. Never exchanged a single word. Left her to her fate and him to his.
It was already too late. — Erica Ridley

Rosie, it's okay, it's me."
She knew that voice. She pulled the hand off her mouth.
"Pip?"
He let her go and she spun around.
He smiled, blue eyes glinting. "Surprise."
For a second she was too stunned to move, then she threw her arms around his neck and hugged him tight, almost knocking him off balance. — Lara Morgan

Well, clearly someone you trust isn't really someone you should be trusting, she said without thinking, and regretted it when Terrible glanced at her. He did it fast, just a quick cut of his eyes in her direction and then away again, but she saw it. She felt it. It was starting already. She wished she could say she was surprised, wished she hadn't been waiting for it, expecting it the way she expected rain from black clouds overhead. Nothing in the world was permanent, especially not happiness. She'd always known that. She just wished life would stop proving her right. — Stacia Kane

It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn't have known. There was smoke in her nose, thick and black, and she couldn't breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn't her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol' hands with scars on the fingers. Men's hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and- — Angele Gougeon

That's my girl," she said, her eyes holding a shared pain as she saw my confusion. "Al, where are you going to put her? Not in your room. She'd pull a line through you and kill you when you hog the blankets. I'll take the waif in. I promise I'll bring this one up properly. — Kim Harrison

On a cold, fretful afternoon in early October, 1872, a hansom cab drew up outside the offices of Lockhart and Selby, Shipping Agents, in the financial heart of London, and a young girl got out and paid the driver.
She was a person of sixteen or so
alone, and uncommonly pretty. She was slender and pale, and dressed in mourning, with a black bonnet under which she tucked back a straying twist of blond hair that the wind had teased loose. She had unusually dark brown eyes for one so fair. Her name was Sally Lockhart; and within fifteen minutes, she was going to kill a man. — Philip Pullman

Don't break my heart," he heard her whisper, making him stop for just a second to look her in the eyes.
"I won't. Don't break mine," he responded, making her smile as she pulled him back to her. She wanted his lips on hers again. — Kat Green

He stopped moving for the space of a heartbeat. He bent his head to her shoulder and rocked his hips, pressing inside her. His hair fell forward around either side of his face, a frame of black, silky where it brushed her collarbone. "I am in paradise." His hips rocked again.
She closed her eyes tight. She felt his lips on her cheek and then on her eyelids, placing gentle kisses. — Carolyn Jewel

Scuse me, my lady," the boy said, "but we thought ye'd want ter know that tha' new stray, the black wot's been hangin' 'bout, looks like she's ready ter have her kittens."
"Abigail?"
"Aye, if tha's wot yer callin' her. She's settled in ter a corner of tha' feed room in the haymow."
"Of course I want to know. I'll go check on her now. While I do, see if you can find a good sturdy box, medium sided and broad; an herb box would do nicely. And some soft blankets and laundered rags. She and her kittens might feel more secure in there for the first few weeks, until at least the babies open their eyes."
"Aye, Lady Esme."
"Oh, bring me a pan of clean warm water too. You never know when there might be trouble during a delivery. I want to be ready to help if need be. — Tracy Anne Warren

I'd like to sit there, I said softly to the girl sitting in front of the other mirror. She scampered.
I took over her abandoned make-up and painted my face. Red cheeks, to attract hungry vampyre glances. Black liquid eyeliner and mascara, to draw attention away from my bitter eyes. My silky-thin, raven hair, undone in waves over my bare shoulders. The magenta shade of apple gloss on my lips, to make them plump and inviting. Finally, a strapless golden dress that hugged my hips and not much lower. I stood up, feeling the cold air slide down the bare skin of my back like fingers, and panicked. I couldn't wear something like this! Not without a cardigan! A light dress jacket, at least!
I took a gulp of Amrit's wine and detached myself from the fretting child in my head. Then I strode from the sleeping chambers. — Heather Heffner

How big are souls anyway? asked Coraline.
The other mother sat down at the kitchen table and leaned against the back wall, saying nothing. She picked at her teeth with a long crimson-varnished fingernail, then she tapped the finger, gently, tap-tap-tap against the polished black surface of her black button eyes. — Neil Gaiman

Kisten, please don't leave me," I begged, and his eyes opened.
"I'm cold," he said, fear rising in his blue eyes.
I held him tighter. "I'm holding you. It's going to be okay."
"Tell Ivy," he said with a gasp, clenching in on himself. "Tell Ivy that it wasn't her fault. And tell her that at the end ... you remember love. I don't think ... we lose our souls ... at all. I think God keeps them for us until we ... come home. I love you, Rachel."
"I love you, too, Kisten," I sobbed, and as I watched, his eyes, memorizing my face, silvered, and he died. — Kim Harrison

Pretty was hardly the word. With her fierce curled lips, black eyes and clean angry bones she must have stood out in her graduating class like a chicken hawk in a flock of pullets. — Ross Macdonald

He wants to say, because Anne is not a carnal being, she is a calculating being, with a cold slick brain at work behind her hungry black eyes. I believe any woman who can say no to the King of England and keep on saying it, has the wit to say no to any number of men, including you, including Harry Percy, including anyone else she may choose to torment for her own sport while she is arranging her career in the way it suits her. So I think, yes, you've been made into a fool, but not quite in the way you thought. — Hilary Mantel

Two women, one fat and the other slim, sat on straw-bottomed chairs, knitting black wool. The slim one got up and walked straight at me - still knitting with downcast eyes - and only just as I began to think of getting out of her way, as you would for a somnambulist, stood still, and looked up. Her dress was as plain as an umbrella-cover, and she turned round without a word and preceded me into a waiting-room. — Joseph Conrad

Miss Breland was fairly tall for a
female. She had to be about 5'10." The black skinny jeans that she
wore made her legs even more impossibly lengthened. The jeans
were paired with a soft gray Angora sweater that hugged her
petite frame. Just before she turned to take her seat, she looked
up directly into my eyes, and smiled shyly. She was a beautiful
creature. — E. Genelle Edwards

*For eleven years, I've been worked over and abused in ways you can't imagine by things you don't want to know about. I've killed every kind of vile, black-souled, dead-eyed nightmare that ever made you piss your pjs and cry for mommy in the middle of the night. I kill monsters and, if I wanted, I could say a word and burn you to powder from the inside out. I can tear any human you ever met to rages with my bare hands. Give me one good reason why I could possibly need you?
*She looks straight at me, not blinking. No fear in her eyes.
*Because you might be the Tasmanian Devil and the Angel of Death all rolled into one, but you don't even know how to get a phone.
*I hate to admit it, but she has a point. — Richard Kadrey

Jacques." She hesitated, wanting to touch him, needing to touch him, but afraid of being lost in the sexual lure she couldn't seem to resist. "How do I know if I'm the one thinking for myself when you're always with me, always sharing my mind?"
"You will have to figure that out for yourself, Shea." His black eyes moved lovingly over her face. "You know me better than anyone, and I have never tried to hide anything from you. If you brand me a monster, even I will believe you." His smile was gentle and reassuring. — Christine Feehan

I'd get out of here," he said. "Go someplace where no one knew me. Start over. Go to Paris like you did or go to - I don't know - Prague. Somewhere." He looked toward the window, like he could already see himself gone.
"Oh," she said, because it hurt that he was thinking about that when she was thinking about him. She narrowed her eyes. "What's stopping you?"
The boy looked down at the book of fairy tales. "Nothing," he said.
Lila wanted to be the one to stop him. — Holly Black

There was something sly about his smile,
his eyes so black and sharp, his rufous hair. Something
that sent her early to their trysting place,
beneath the oak, beside the thornbush,
something that made her climb the tree and wait.
Climb a tree, and in her condition.
Her love arrived at dusk, skulking by owl-light,
carrying a bag,
from which he took a mattock, shovel, knife.
He worked with a will, beside the thornbush, beneath the oaken tree,
he whistled gently, and he sang, as he dug her grave,
that old song ...
shall I sing it for you, now, good folk? — Neil Gaiman

Langston Hughes, who wrote, "That Justice is a blind goddess/Is a thing to which we black are wise:/Her bandage hides two festering sores/That once perhaps were eyes." As — C. Arthur Ellis Jr

Myron walked up the little brick walk and knocked on the door. A very attractive black woman answered, a pleasant smile at the ready. Her hair was tied back in a severe bun, emphasizing the high cheekbones. Age lines around the eyes and mouth, but nothing drastic. She was well dressed, kind of conservative. Anne Klein II. Her jewelry was noticeable but not too flashy. The overall impression: classy. Her smile seemed to fade when she saw him. "Can I help you?" "Mrs. Yeller?" She nodded slowly, as though not sure. "My name is Myron Bolitar. I'd like to ask you a few questions." The smile fled completely. "What about?" Her diction was different now. Less suburban civil. More street suspicious. — Harlan Coben

The Blue Fly"

Five summer days, five summer nights,
The ignorant, loutish, giddy blue-fly
Hung without motion on the cling peach
Humming occasionally 'O my love, my fair one!'
As in the canticles.

Magnified one thousand times, the insect
Looks farcically human; laugh if you will!
Bald head, stage fairy wings, blear eyes,
A caved-in chest, hairy black mandibles,
Long spindly thighs.

The crime was detected on the sixth day.
What then could be said or done? By anyone?
It would have been vindictive, mean, and what-not,
To swat that fly for being a blue-fly,
For debauch of a peach.

Is it fair either, to bring a microscope
To bear on the case, even in search of truth?
Nature, doubtless, has some compelling cause
To glut the carriers of her epidemics -
Nor did the peach complain. — Robert Graves

She reached behind her back and pulled out slender, black nunchucks and simply invited them to come get her. Their eyes could barely follow the chucks as they circled around her shoulders and torso slapping back and forth, and up and under, while she remained focused and composed with her eastern, tomboy flair. — K.N. Smith

But I want her, I must have her, I shall die if I do not get her - false, proud, black-hearted daughter of a dog that she is! I cannot sleep and my food has no savor and my eyes are darkened because of her beauty. I must have the barbarian queen. — C.S. Lewis

I was greeted at the Magraths' apartment door by a dumpy, pie-faced woman with a frizz of unsprung black hair. She wore black spandex leggings and an oversized T-shirt with an equally oversized message stamped across the front: Don't Give Me Attitude, I Have One of My Own. This witticism ran six full lines, drawing my eyes southward over her person from wavering bosom to detumescent belly, a journey I regret even now. — William Landay

If anyone had bothered to notice me, they would only see a scared fifteen-year-old girl with eyes of sable ringed by kohl liner and black hair that fell to her waist. They wouldn't see someone struggling to remain sane. Only an empty space where a real girl used to live. — Sherry Soule