Hands Look Old Quotes & Sayings

And she told me I deserved a merit badge for it ... which was such a particularly funny, particularly uncanny thing for her to have said, because when I was about eight years old and I was a Cub Scout, all the boys in our den were sitting around in the kitchen of our den mother one afternoon, and she lit a cigarette bending over the flame from the front burner of the stove, and she set her hair on fire, and I put it out - I don't remember if I just smothered it with my hands or doused it with some Sprite or what - but she stared at me with this sort of demented look of gratitude on her face (she drank) and she said, 'I'm going to recommend that you get a merit badge for this,' and sure enough I did, I actually got a merit badge for extinguishing the fire in our den mother's hair. — Mark Leyner

When I die
Give what's left of me away
To children
And old men that wait to die.

And if you need to cry,
Cry for your brother
Walking the street beside you
And when you need me,
Put your arms
Around anyone
And give to them
What you need to give to me.

I want to leave you something,
Something better
Than words
Or sounds.

Look for me
In the people I've known
Or loved,
And if you cannot give me away,
At least let me live in your eyes
And not on your mind.

You can love me most
By letting
Hands touch hands
By letting
Bodies touch bodies
And by letting go
Of children
That need to be free.

Love doesn't die,
People do.
So, when all that's left of me
Is love,
Give me away — Merrit Malloy

Another, a former Wall Street Journal reporter, suggests I need to change my Facebook photo to something that makes me look younger. I scan an old photo from my First Communion and make it my profile photo. There I am, age eight, wearing my First Communion robe, hands folded in prayer in front of me, looking angelic. "I'm trying to get a promotion at HubSpot," I write. "The 8-year-old version of me has lots of ideas about how to expand geographically while also driving up MRR by pushing into the enterprise. — Dan Lyons

The irony is that the more we fight age, the more it shows. Paint on a 50-year-old face brings to mind a Gilbert and Sullivan comic figure. Smooth the cheeks, and suddenly the ear lobes and hands look out of place. Do we run around in October, painting the gold leaves green? — Karen DeCrow

It's a Catholic glacier. You can tell by the look of it. And the management." I said, no, I believed nothing but the extreme end of it was in a Catholic canton. "Well, then, it's a government glacier," said Harris. "It's all the same. Over here the government runs everything - so everything's slow; slow, and ill-managed. But with us, everything's done by private enterprise - and then there ain't much lolling around, you can depend on it. I wish Tom Scott could get his hands on this torpid old slab once - you'd see it take a different gait from this." I said I was sure he would increase the speed, if there was trade enough to justify it. — Mark Twain

In the second row was a boy named Doon Harrow. He sat with his shoulders hunched, his eyes squeezed shut in concentration, and his hands clasped tightly together. His hair looked rumpled, as if he hadn't combed it for a while. He had dark, thick eyebrows, which made him look serious at the best of times and, when he was anxious or angry, came together to form a straight line across his forehead. His brown corduroy jacket was so old that its ridges had flattened out. — Jeanne DuPrau

Kami glanced over at Angela. Angela lay serenely with her hands folded across her chest and her lashes like black lace against her white cheeks. "You look so sweet when you sleep," Kami said. "Like an emo ten-year-old's first Vampire Bride Barbie. Pull the string on the back and she says cruel things to her hardworking friends. — Sarah Rees Brennan

[Some people] put their work on the internet and check every day how many people look, how many people made contact, but I don't have internet, I don't have a hand-phone, I don't have fax, I don't have email. I just have old-fashioned telephone and letters. — Erro

I kept learning about being a widow in little, distant flashes. I saw that after a long while, if you had no one to touch you, you might eventually become someone who went to beauty parlors and paid to have strangers do your hair. You'd pay for the sensation of it, the hands of another human being pouring warmth on you, gently smoothing, stroking. You'd close your eyes and lean back into those hands and your face might have exactly that look, I thought.

Life just goes on, you see, any old way it can. Even the dead can't interrupt the flow. — Joyce Johnson

It was Dolana, at the salt farm, who first told me about the gaze of men: that look of temporary possession that some men pressed against female flesh. About its dangers and possibilities. It can be used to survive, Dolana had said softly, showing me the power that lay in reflecting a man's desire. And even at twelve years old, the knowledge of it was already in the way I moved my head, my hands, my shoulders. But Dolana had whispered her secrets to a girl. And I had to become a boy. I had to stop being alert to the turn of a man's head towards me. Stop glancing up to meet his gaze in fleeting connection. Stop falsely veiling my eyes from his momentary interest. It was hard to train out of my body, but I practised and learned to cloak myself in the skin and gaze of a boy. — Alison Goodman

When Aziza first spotted Mariam in the morning, her eyes always sprang open, and she began mewling and squirming in her mother's grip. She thrust her arms toward Mariam, demanding to be held, her tiny hands opening and closing urgently, on her face a look of both adoration and quivering anxiety ...
"Why have you pinned your little heart to an old, ugly hag like me?" Mariam would murmur into Aziza's hair ... "What have I got to give you?"
But Aziza only muttered contentedly and dug her face in deeper. And when she did that, Mariam swooned. Her eyes watered. Her heart took flight. And she marveled at how, after all these years of rattling loose, she had found in this little creature the first true connection in her life of false, failed connections. — Khaled Hosseini

It truly is a little intimidating to go speak at a middle school. Sure, on one hand the kids are only around 13 years old, but on the other hand, merely going back there reactivates the dorky, miserable feeling of being that age again. It isn't easy. As soon as I arrived I could almost feel the braces on my teeth, the don't-look-at-me slouch of my shoulders, the feathered wings of my bangs. — Kristin Armstrong

Since a good part of my life has been wasted dealing with fools just like them, it's not worry I feel but weariness as I watch the approach of one more episode in the old, tired story of men who try to beat life, the smart ones who think they know it all and die with a look of surprise on their faces: at the final moment they always see the truth - they never really understood anything, never held anything in their hands. An old story, old and boring. — Alvaro Mutis

So it is useless to evade reality, because it only makes it more virulent in the end. But instead, look steadfastly into the slit, pin-pointed, malignant eyes of reality: as an old-hand trainer dominates his wild beasts. Take it by the scruff of the neck, and shake the evil intent out of it; till it rattles out harmlessly, like gall bladder stones, fossilized on the floor. — Caitlin Thomas

They share a look filled with meaning. Realized dreams, old fears, shared hopes, and a lifetime of memories. They clasp hands and step beneath the canopy together where the Seelie Court officiant is standing. — Rachel Morgan

What's the matter?" said the old man. "Can't you make up your mind what kind you want?"
The kid laughed. "I want them all." He threw his hands out. "I'm learning everything!"
He opened one of the books. "Look ... geometry ... triangles ... — Jerry Spinelli

I made the mistake of looking down when I got ready to wash his legs. The water in the lagoon was clear enough to see that he had a hard-on sticking up in this shorts. "TJ!"
"Sorry." He looked at me sheepishly. "I cant hide this one."
Wait, how many have there been?
I suddenly didn't know where to look. It wasn't his fault though; I had forgotten what would happen if you rubbed a seventeen-year-old all over with your hands.
Or any man, actually. — Tracey Garvis-Graves

I'm a spiritual person, she said. I believe in Allah, you know, though I don't always call It 'Allah' and I pray the way I want to pray. Sometimes I just look out at the stars and this love-fear thing comes over me, you know? And sometimes I might sit in a Christian church listening to them talk about Isa with a book of Hafiz in my hands instead of the hymnal. And you know what, Yusef? Sometimes, every once in a while, I get out my old rug and I pray like Muhammad prayed. I never learned the shit in Arabic and my knees are uncovered, but if Allah has a problem with that then what kind of Allah do we believe in? — Michael Muhammad Knight

I cast a look at where Rhys still remained sprawled on the cushions, watching us with raised brows. "For someone who was just dead," I said tightly, "you seem remarkably relaxed."

Rhys smirked. "I'm glad you're bouncing back to your usual spirits, Feyre darling."

Drakon snorted, and took my hands, squeezing them as tightly as his mate had. "What he doesn't want to tell you, my lady, is that he's so damn old he can't stand up right now."

I whirled to Rhys. "Are you - "

"Fine, fine," Rhys said, waving a hand, even as he groaned a bit. "Though perhaps now you see why I didn't bother visiting these two for so long. They're terribly cruel to me. — Sarah J. Maas

Arturo Vega: I always thought the ONLY way to really conquer evil is to make love to it. My favourite dream is always the one where I face the devil. I'm in the nude and the devil appears, and he is a beautiful blue. He looks like a mannequin, he looks like a robot. He doesn't have any clothes on, of course, and he's blue and shiny. I keep hearing voices that say, "It's him! It's him!" And I go, "Okay."
So he comes and faces me and I look at him and he's a little taller than me, not much taller, but a little taller, and I say, "I like you." And he says, "I like you too." But he starts beating me up, RA RA RA RA, and I'm down on the floor - and then all of the sudden, he turns into a little baby, like a baby, just a few months old, and then I fuck him, ha ha ha ha. And while I'm fucking him, he's moving his hands, he's moving them like a helpless baby.
So I always thought that to conquer evil, you have to make love to it. You have to understand it. — Legs McNeil

[My wife] liked to collect old encyclopedias from second-hand bookstores, and at one point we had eight of them. When I wrote my first historical novel
back in 1980, before I was online
I used them often as a research tool. For instance, I learned that the Bastille was either 90 feet high or 100 feet or 120 feet. This led me to formulate Wilson's 22nd Law: 'Certitude belongs exclusively to those who only look in one encyclopedia.' — Robert Anton Wilson

Hing hang hung! the words rang faintly through his daydream like echoes of Miz Cunningham's tart little doorbell. Then he looked again at the old woman herself. Why, she was really quite wonderful - this old fat woman! In the end, she got her hands on nearly everything in the world! Just look at her window! There by the pair of old overshoes were Jamey Hankins' ice skates. There was old Walt Spoon's elk's tooth. There - his mother's own wedding ring! There was a world in the window of this remarkable old woman. And it was probable that when Miz Cunningham like an ancient barn owl fluttered and flapped to earth at last, they would take her away and pluck her open and find her belly lined with fur and feathers and the tiny mice skulls of myriad dreams. — Davis Grubb

How solemn and beautiful is the thought, that the earliest pioneer of civilization, the van-leader of civilization, is never the steamboat, never the railroad, never the newspaper, never the Sabbath-school, never the missionary - but always whiskey! Such is the case. Look history over; you will see. The missionary comes after the whiskey - I mean he arrives after the whiskey has arrived; next comes the poor immigrant, with ax and hoe and rifle; next, the trader; next, the miscellaneous rush; next, the gambler, the desperado, the highwayman, and all their kindred in sin of both sexes; and next, the smart chap who has bought up an old grant that covers all the land; this brings the lawyer tribe; the vigilance committee brings the undertaker. All these interests bring the newspaper; the newspaper starts up politics and a railroad; all hands turn to and build a church and a jail - and — Mark Twain

Nothing can be sadder or more profound than to see a thousand things for the first and last time. To journey is to be born and die each minute ... All the elements of life are in constant flight from us, with darkness and clarity intermingled, the vision and the eclipse; we look and hasten, reaching out our hands to clutch; every happening is a bend in the road ... and suddenly we have grown old. We have a sense of shock and gathering darkness; ahead is a black doorway; the life that bore us is a flagging horse, and a veiled stranger is waiting in the shadows to unharness us. — Victor Hugo

Sometimes he has me climb into his lap and sit there while he strokes my hair and tells me about the old days in Tallith. The seven towers of Tallith castle and the walkways between them, his life with his sister and his father. That sometimes he sounds so wistful and lonely that I forget for an instant that he's a monster, lulled by his soft voice and his hands in my hair. Until he turns my face to his and I see him, and I recall exactly what he is, and the look in my eyes reminds him that he might control my body, but he can't control my mind. Then he throws me to the ground and leaves me there for hours, unable to move until he wills it. — Melinda Salisbury

You look at me, you look at me closely, each time closer and then we play cyclops, we look at each other closer each time and our eyes grow, they grow closer, they overlap and the cyclops look at each other, breathing confusion, their mouths find each other and fight warmly, biting with their lips, resting their tongues lightly on their teeth, playing in their caverns where the heavy air comes and goes with the scent of an old perfume and silence. Then my hands want to hide in your hair, slowly stroke the depth of your hair while we kiss with mouths full of flowers or fish, of living movements, of dark fragrance. And if we bite each other, the pain is sweet, and if we drown in a short and terrible surge of breath, that instant death is beauty. And there is a single saliva and a single flavour of ripe fruit, and I can feel you shiver against me like a moon on the water. — Julio Cortazar

I grinned at Jessica James's backside as she walked away because she had a big old brown grease stain on the left side of her skirt where I'd palmed her ass.
"Damn, Duane, you got big hands."Cletus sauntered up next to me, wiping his own hands on a rag.
My grin became a frown and I shot my brother a look. "Don't be looking at Jess's ass."
I'm not looking at her ass. I remind you sir, she is my calculus teacher." Cletus lifted his chin toward Jessica's departing form. "I'm looking at the palm print on her ass. — Penny Reid

All I could do was stare blankly at him.
"Look." He raised both hands, palms outward. "Daisy, I'm sorry. I had no idea."
"You had no idea you had a twin sister?"
"No idea she was coming." He sounded tired.
My tail began lashing back and forth in agitation. "Oh, and where exactly did Emmy pop in from, Sinny dear? Did she drive up from Kalamazoo? Because I don't recall you mentioning a sister. And it sounded a lot like jolly old England, which I don't recall you mentioning, either. Is that something else you put behind you? Or maybe putting on accents is a thing with the Palmer clan. Pip pip, cheerio- — Jacqueline Carey

I have often raised an eyebrow at hearing him sing, as I push a cart down some Safeway aisle, of the spiritual complexities induced by he admixture of Cuervo Gold, cocaine, and nineteen-year-old girls (in the hands of a man of, shall we say, a certain age). At which point I look around Frozen Foods and wonder: Is anyone else hearing this? — William Gibson

When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?' — Javier Bardem

I don't have to tell you what this land used to look like," he said. "And you don't have to tell me that I am the one who ruined it. Which I did, with my own hands, and ruined forever. You're old enough to remember when the grass between here and Canada was balls high to a Belgian, and yes it is possible that in a thousand years it will go back to what it once was, though it seems unlikely. But that is the story of the human race. Soil to sand, fertile to barren, fruit to thorns. It is all we know how to do. — Philipp Meyer

Well, it all began with Democracy. Before we had the vote all the power was in the hands of rich people. If you had money you could get health care, education, look after yourself when you were old, and what democracy did was to give the poor the vote and it moved power from the marketplace to the polling station, from the wallet ... to the ballot. — Tony Benn

These wrinkles are the hands of time,
The journeys I've been on
They've seen me through a thousand days,
And ev'ry victory won

These fragile hands, With exposed bones,
Are not a fearful sight
But rather, they, my faithful partners,
Rocked babies through the night

These eyes are weak, They see much less,
Than yours they've seen much more
They've guided me through birth, through death,
Through grief, through hurt, through war

These ears can hear so very little,
Yet they've learned to listen much
They perk up not for gossip now,
But for a heart to touch

Those younger often look my way,
With pity looks to give
Yet this old body doesn't mean I am dying,
But rather, that I have lived — Emily Nelson

To travel is to be born and to die at every instant; perhaps, in the vaguest region of his mind, he did make comparisons between the shifting horizon and our human existence: all the things of life are perpetually fleeing before us; the dark and bright intervals are intermingled; after a dazzling moment, an eclipse; we look, we hasten, we stretch out our hands to grasp what is passing; each event is a turn in the road, and, all at once, we are old; we feel a shock; all is black; we distinguish an obscure door; the gloomy horse of life, which has been drawing us halts, and we see a veiled and unknown person unharnessing amid the shadows. — Victor Hugo

Nothing is wrong with Tom Brady. When you look at the New England Patriots, they are going to have to readjust how they evaluate talent ... You have to bring in some heavy hitters to protect Tom Brady at 37 years old and help him get the ball out of his hands. — Sterling Sharpe

I know, it looks pure and beautiful to you now, at your great old age of twenty-two. But do you know what it means? Thirty years of a lost cause, that sounds beautiful, doesn't it? But do you know how many days there are in thirty years? Do you know what happens in those days? ... I want you to know what's in store for you. There will be days when you'll look at your hands and you'll want to take something and smash every bone in them, because they'll be taunting you with what they could do, if you found a chance for them to do it, and you can't find that chance, and you can't bear your living body because it has failed those hands somewhere. — Ayn Rand

She looked at a silver birch: it would have a soft, showery voice and would look like a slender girl, with hair blown all about her face and fond of dancing. She looked at the oak: he would be a wizened, but hearty, old man with a frizzled beard and warts on his fact and hands, with hair growing out of the warts. She looked at the beech under which she was standing. Ah!
she would be the best of all. She would be a gracious goddess, smooth and stately, the Lady of the Wood. — C.S. Lewis

After a week he was moved to a different wing and into a shared six-by-eight with a grizzled old con called Alf. He had faded tattoos that stained most of the visible skin on his hands, arms and neck a dull blue, sharp eyes and a thick beard that made his mouth look like an axe wound on a bear. — R.D. Ronald

You don't see no city when you look at me cause country's all I am. I love runnin' barefoot through the old cornfields and I love that country ham. Well you say I'm made just to fit your plans but there's a barnyard shovel pick your hands. If your eyes are on me you're lookin' at country. — Loretta Lynn

When I take up a book I have read before, I know what to expect; the satisfaction is not lessened by being anticipated. I shake hands with, and look our old tried and valued friend in the face,
compare notes and chat the hour away. — William Hazlitt

Too much - too tempting - to have my hands on it and not look at it. Quickly I slid it out, and almost immediately its glow enveloped me, something almost musical, an internal sweetness that was inexplicable beyond a deep, blood-rocking harmony of rightness, the way your heart beat slow and sure when you were with a person you felt safe with and loved. A power, a shine, came off it, a freshness like the morning light in my old bedroom in New York which was serene yet exhilarating, a light that rendered everything sharp-edged and yet more tender and lovely than it actually was, and lovelier still because it was part of the past, and irretrievable: wallpaper glowing, the old Rand McNally globe in half-shadow. — Donna Tartt

Life is like a game of cards. It deals you different hands at different times. You don't have that old hand anymore, ... Look at what you have now. — Barbara Delinsky

The builder has ginger curly hair on top of his head, and a thick moustache. He has the look of a McDonald's manager from 1970 who spends his evenings sitting in the smoky back row of theatres in Soho. He's tall and muscular with hands the size of shopping baskets and, on the one occasion I did briefly meet him, I stared into his eyes and was shocked by their darkness. His nose is broken in three places and is the size and shape of a chicken nugget. A deep scar runs the length of his cheek hinting at a violent past.
Old tattoos fade on his arms.
The builder may have killed another human being at some point in his life. — Craig Stone

I have heard what poets write about women. They rhyme and rhapsodize and lie. I have watched sailors on the shore stare mutely at the slow-rolling swell of the sea. I have watched old soldiers with hearts like leather grow teary-eyed at their king's colors stretched against the wind.
Listen to me: these men know nothing of love.
You will not find it in the words of poets or the longing eyes of sailors. If you want to know of love, look to a trouper's hands as he makes his music.
A trouper knows. — Patrick Rothfuss

One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones." — Daniel Clowes

I reach for the napkin, and as I do I catch sight of my hands. They are knobby and crooked, thin-skinned, and - like my ruined face - covered with liver spots.
My face. I push the porridge aside and open my vanity mirror. I should know better by now, but somehow I still expect to see myself. Instead, I find an Appalachian apple doll, withered and spotty, with dewlaps and bags and long floppy ears. A few strands of white hair spring absurdly from its spotted skull.
I try to brush the hairs flat with my hand and freeze at the sight of my old hand on my old head. I lean close and open my eyes very wide, trying to see beyond the sagging flesh.
It's no good. Even when I look straight into the milky blue eyes, I can't find myself anymore. When did I stop being me? — Sara Gruen

Gregory is waging war on England. He is our enemy." Morgan gets the faraway look that means he's about to quote scripture. "Blessed be the Lord, my rock, who trains my hands for war, and my fingers for battle." "This is the same Lord who says we shouldn't kill?" Tristan asks. "No, it's the Old Testament God," I say. "The grumpy one." "You have two Gods?" Zhuri asks. "Just one," Tristan says. "But he had a troubled childhood. — Roberto Calas

I feel old only when I look at my hands or at myself in the mirror. — John Updike

Many people under the influence of science, and particularly neuro-nonsense, will say the sacred is an old concept, it's just a hangover, but you can easily see that's not so, because everyone has a sense of desecration: there are things everybody values which, when they are spoiled are not just moved or destroyed, they are desecrated. Something that is vital not just to you but the world. People have this sense when they see their towns pulled apart and concrete blocks put in the middle of them. You only have to look at Aberdeen to see what happens to a beautiful place when the desecrators get their hands on it. — Roger Scruton

Look at what they do in a lifetime," she said. "These hands lit fires, cooked, wove a thousand blankets and carpets. They helped children into the world. When you are old," Hagar said, "look at your hands, Ish, and think of what they have done, good things and bad. Hands are like faces. Every scar a story — Jack Lasenby

Good-bye, Mrs Bartholemew," said tom, shaking hands with stiff politeness; "and thank you very much for having me."
"I shall look forward to our meeting again," said Mrs Bartholemew, equally primly.
Tom went slowly down the attic stairs. Then, at the bottom, he hesitated: he turned impulsively and ran up again - two at a time - to where Hatty Bartholemew still stood ...
Afterwards, Aunt Gwen tried to describe to her husband that second parting between them. "He ran up to her, and they hugged each other as if they had known each other for years and years, instead of only having met for the first time this morning. There was something else, too, Alan, although I know you'll say it sounds even more absurd ... Of course, Mrs Bartholemew's such a shrunken little old woman, she's hardly bigger than Tom; anyway: but, you know, he put his arms right round her and he hugged her good-bye as if she were a little girl. — Philippa Pearce

She stands on the cliffs, near the old crumbling stone house. There's nothing left in the house but an upturned table, a ladle, and a clay bowl. She stands for more than an hour, goose-bumped and shivering. At these times, she won't confide in me. She runs her hands over her body, as if checking that it's still there, her heart pulsing and beating. The limbs are smooth and strong, thin and sinewy, her hair long and black and messy and gleaming despite her age. You wouldn't know it to look at her, that she's lived long enough to look for what's across the water. Eighty years later, and she is still fifteen. — Jodi Lynn Anderson