Hand On Hip Quotes & Sayings

Opened the door. He was leaning with his arm up on the frame, and his other hand on his hip. The way he was standing caught me off-guard. I'd noticed the red T-shirt and the blue jeans he wore, but with his arm up like that, the muscles in his arm and shoulders were much more noticeable. My heart tripped in my chest at how handsome he was. His blue eyes swept over me. His face brightened. Yeah. I like those. — C.L.Stone

Tom lifted his other hand and rested it lightly on Reese's slim hip, barely holding on. "I want to kiss you. — Amy Jo Cousins

It was a father, one hand resting teapot-style on his hip, and the other - what would be the spout - formed into a fist. — David Sedaris

Niko caught my hand and slapped it lightly down on the bar. "Pistol whipping elderly women isn't precisely our mission statement, Cal."
I hadn't been going to pistol-whip her. Yell at her a little more, then pick her up and toss her out into the street. Some risk of a broken hip there, but that wasn't pistol-whipping ... unless she tried to come back in. — Rob Thurman

That hand slipped under my dress, running along the side of my leg and up to my hip. I burned where he touched me, and everything within me became focused on that hand. It was moving far too slowly, and I grabbed it, ready to urge it on. Adrian chuckled and caught hold of my wrist, pulling my hand away and pinning it down against the covers. "Never thought I'd be the one slowing you down." I opened my eyes and met his. "I'm a quick study. — Richelle Mead

His hand rested above my hip, having a totally different impact on me. My skin tingled underneath the chiffon. Daemon cleared his throat as he glanced away. 'You ... you look beautiful, by the way. Really too good to be with that idiot. — Jennifer L. Armentrout

Laurel, David? Would you like to share the joke with the rest of the class?" he asked, one hand on his skinny hip.
"No, sir," David said. "But thank you for asking." The students around them laughed, but Mr. james didn't look pleased. Laurel leaned back and grinned. David, one. Teacher who wishes he was as smart as David? Zero — Aprilynne Pike

It's the forties look," she says to George, hand on her hip, doing a pirouette. "Rosie the Riveter. From the war. Remember her?"
George, whose name is not really George, does not remember. He spent the forties rooting through garbage bag heaps and begging, and doing other things unsuitable for a child. He has a dim memory of some film star posed on a calendar tattering on a latrine wall. Maybe this is the one Prue means. He remembers for an instant his intense resentment of the bright, ignorant smile, the well-fed body. A couple of buddies had helped him take her apart with the rusty blade from a kitchen knife they'd found somewhere in the rubble. He does not consider telling any of this to Prue. — Margaret Atwood

When the Warrior pulled her half onto his lap and she felt the hard bulge of his erection thrusting up from his groin pressing into her hip, Katya grew nervous. She pulled away, gasping, and pressed him back with her hand on his chest. "Wait! Wait." She licked her tingling lips and touched them with her fingertips, wondering what she'd been thinking to awaken this sleeping giant. What had happened to her vow to fight him off with all her strength?
Turan's dark eyes glowed like two banked coals ready to ignite into flame. "Please. More," he begged hoarsely. "Please."
She suddenly realized that, despite the fact he could snap her in two if he wished, she was the one with the power. He didn't intend to hurt or force her. — Bonnie Dee

[Gethin] was used to New York and schlepping down to Buddakan or a trendy bistro in Manhattan's meatpacking district or some other hip and happening joint, she thought, running out of 'Sex and the City' hotspots. Welsh cuisine probably wasn't sexy enough for him now, but once you got over the sight of laver bread and cockles, all that iodine was supposed to do wonders for your love life. On the other hand, Gethin Lewis didn't look like a man who needed any chemical crutch to boost his libido. — Christine Stovell

I think I can see people wanting to hear more music-music now as opposed to all hip-hop. You know, which I have nothing against hip-hop. I think some of it is really good. But on the other hand, some of the real great artists are just being lost because they're not getting the airplay or anything to make them inspired to record again. — Nickolas Ashford

The whole set of stylizations that are known as "camp" (a word that I was hearing then for the first time) was, in 1926, self-explanatory. Women moved and gesticulated in this way. Homosexuals wished for obvious reasons to copy them. The strange thing about "camp" is that it has been fossilized. The mannerisms have never changed. If I were now to see a woman sitting with her knees clamped together, one hand on her hip and the other lightly touching her back hair, I should think, "Either she scored her last social triumph in 1926 or it is a man in drag. — Quentin Crisp

A strong but gentle grip on her nape had pulled her back to make the acquaintance of a warm slab of granite. Callused fingers held her neck while a blunt hand fanned her hip, locking her into position against something hard and hot.
It could have been anyone, but after just one afternoon of Flynn-spun intimacy, her body knew its owner. — Kate Meader

God took Day's hand from his hip and the other that was digging into his side; grasping them both he pulled them high over his head and pressed them into the pillows, securing them there with one hand. God was shocked by his own self-control, but he refused to hurt his lover. Half of his cock that was inside Day and God slowly rocked back and forth trying to open him up a little more. "Come on, sweetheart. You can do it. Open up, take all of me," God whispered. He concentrated on breathing and not shooting his load before he got all the way in. Day's erection was gone, his cock lying against his left thigh. Fuck. He had to make this good for him. "Breathe, Leo, and push out against me," he instructed. Beads — A.E. Via

Miss Annie, is it wrong for me to believe it was Jesus who asked my forgiveness?" I asked her.
She frowned and shook her head, "Lord, what do they teach you at that school?" she said. Then she faced me head-on. "Did God humble himself by becoming a man?" she asked, every word spoken more loudly than the one before.
"Yes, ma'am," I said. I'd never used the word ma'am before, but it seemed an excellent time to start.
"Did he humble himself by dying on the cross to show us how much he loved us? she asked, waving her spatula at me.
My eyes widened and I nodded, yes.
Miss Annie's body relaxed, and she put her hand on her hip. "So why wouldn't Jesus humble himself and tell a boy he was sorry for letting him down if he knew it would heal his heart?" she asked.
"But if Jesus is perfect
"
Miss Annie ambled the five or six feet that separated us and took my hand. "Son," she said, rubbing my knuckles with her thumb, "love always stoops. — Ian Morgan Cron

He and Anna lay facing each other, Staines lying on his left hip, and Anna, on her right, both of them with their knees drawn up to their chests, Staines with one hand tucked beneath his bandaged shoulder, Anna with one hand tucked beneath her cheek. She must have turned toward him, some time in the night: her left arm was flung outward, her fingers reaching, her palm turned down ...
Devlin came closer ... He looked down at Anna and Emery, their mirrored bodies, facing in. They were breathing in tandem.
So they are lovers, he thought, looking down at them. So they are lovers, after all. He knew it from the way that they were sleeping. — Eleanor Catton

She stared heavenward and shook her head after finding out she'd sent me on a long-distance trip with the son of Lust.
But the detail that sent her over the edge was the fact that my father had me haunted by those demons. No matter how much I tried to explain that it was necessary for me to be able to see the spirits, she was livid. When three o'clock approached and her mood hadn't lightened, I started to worry.
When my dad arrived, Patti stood by the counter with her arms crossed. He appeared as large and frightening as ever. The kind of man nobody would dare to mess with.
Patti walked right up and smacked him across the face.
I jolted. He blinked. She stayed right in front of him and stabbed a finger at his chest, her other hand on her hip.
How dare you do that to her? I don't care what your reasons were. Did you hear her screaming? She was terrified! Don't you ever sic those monsters on her again. Ever! — Wendy Higgins

She rose and walked to the small fireplace, where a kettle had been set long before supper. It was gently steaming now. She caught up a rag and reached for the handle, but another, much bigger, hand got there first. Lily gave a tiny jump, watching wide-eyed as Caliban picked up the hot kettle as easily as lifting a twig. At least he'd had enough sense to shield his palm from the heat with a rag. He stood blank-faced until she pulled herself together. "In here." She stepped gingerly around his bulk and led him into the little bedroom. A tin hip bath was waiting, laid beside the bed on some old cloths. It was already half full of cold water. "You can pour it in there." He lifted the hem of his shirt to hold the bottom of the kettle and she caught an unsettling flash of his stomach. Hastily she looked away, her cheeks heating. — Elizabeth Hoyt

People are dying out there, and I'm not faring much better."

"Worrying about the demise of anonymous people won't bring them back."

Pursing my lips, I planted a hand on a hip. "How very demon of you."

"Thank you."

"That wasn't a compliment."

~ Muse & Akil — Pippa DaCosta

He didn't speak for a bit, but his weight drew me closer, like a moon pulled near to its planet. I lay quiet, my hand on him, my hip against his - flesh of his flesh. — Diana Gabaldon

This is what we, in the con business, call making a spectacle of ourselves. Let's try to avoid that from now on."
"Except [ ... ] Mr. No-Sex-in-the-Bathrooms is going to describe two probably drunk people who staggered in. Plus, he thinks I'm a prostitute. We can double down on that by ... " She stopped him, glancing back into the store throught the big plate-glass windows. Ian looked, too, and sure enough, the clerk was still watching them warily.
"Perfect, she said, and the made what was, absolutely, the international two-handed gesture for sexual intercourse. She then added a couple of exaggerated hip thrusts, saying, "I want to make this absolutely clear, because this guy's kind of an idiot." She then rubbed her fingers together, after which she held out her hand, palm up, as if to say Pay me.
Ian cracked up. "That's actually kind of scary. Sex with a mime. Do I have to pay extra to make sure you don't do the trapped-in-a-box thing while we're doing it? — Suzanne Brockmann

Meeting you was a disaster."
She raised a brow. "Thank you."
Djel, he was terrible at this. He stumbled on, trying to make her understand. "But I am grateful for that disaster. I needed a catastrophe to shake me from the life I knew. You were an earthquake, a landslide."
"I," she said, planting a hand on her hip, "am a delicate flower."
"You aren't a flower, you're every blossom in the wood blooming at once. You are a tidal wave. You're a stampede. You are overwhelming. — Leigh Bardugo

He'd also gotten close to Prophet, moving next to him to get the right angle on the cast, his hip brushing Prophet's cock. And now his own had a more pressing need than covering up phone numbers. The light dappled across Prophet's face. He looked more relaxed, less on guard than he'd ever been. But somehow still lethal. Always lethal. Prophet turned onto his back, arms over his head again, casts sprawled on the pillow. Tom's erection nudged Prophet's thigh as he thought about Prophet tied up, and Prophet shook his head. "Did you take Viagra instead of migraine meds?" "Maybe," Tom murmured, wrapped a hand around Prophet's cock, which was hard again too. — S.E. Jakes

A picture in a book,
a lynching.
The bland faces of men who watch
a Christ go up in flames, smiling,
as if he were a hooked
fish, a felled antelope, some
wild thing tied to boards and burned.
His charred body
gives off light
a halo
burns out of him.
His face is scorched featureless;
the hair matted to the scalp like feathers.
One man stands with his hand on his hip,
another with his arm
slung over the shoulder of a friend,
as if this moment were large enough
to hold affection. — Toi Derricotte

I should have left yesterday before I found out how hot you run. But I didn't. And now I'm fucked." One hand dropped from the wall to grip the side of her hip, squeezing and releasing. "That exquisite body of yours needs a lot of care and attention. I didn't even get a chance to use my tongue on you. I hate not knowing how you taste."

Her head dropped back against the door. When his hand slipped under her dress to run up the outside of her thigh, a moan escaped her lips. Unconsciously, she thrust her breasts upward, in the direction of his mouth.

"Yes, I see them, baby. I'd taste you there, too." Slowly, his hand slid around toward the juncture between her thighs. "You came so quickly for me yesterday, like something out of a fantasy. Were you neglected here?" He ran a knuckle along the seam of her panties. "I know how to make it better. — Tessa Bailey

I realized both the upper and lower body must be held securely in place with one strap across the chest and one across the hips. The belt also needed an immovable anchorage point for the buckle as far down beside the occupant's hip, so it could hold the body properly during a collision. It was just a matter of finding a solution that was simple, effective and could be put on conveniently with one hand. — Nils Bohlin

Damn it all to hell and back again, you know very well that was a setup. You bloody well know I couldn't put my hands on her."
"Yeah, yeah, sure, sure." Eve shrugged off her coat, tossed it aside. "I know a setup when I see it, and I know your face, ace. I didn't see desire on it, I saw annoyance."
"Is that so? Is that bloody well so? Well, if you knew it was just what it was, why did you sucker punch me?"
"Mostly?" She turned, cocked a hip. "Because you're a man."
Eyes narrowed on her face, he tried to stanch the blood with the back of his hand. "And do you have any sort of idea just how often I might expect your fist in my goddamn face because of my bleeding DNA? — J.D. Robb

Her head swam, muddled with heat and a lifetime of desire. Jacin's other hand abandoned her hip. She heard a ring of steel as the knife was pulled from its scabbard. Winter shuddered and kissed him harder, filling it with every fantasy she'd ever had.
Jacin's hand slipped out of her hair. His arm encircled her. He held her against him like they couldn't get close enough. Like he meant to absorb her body to his.
Releasing his shirt, Winter found his neck, his jaw. She felt the tips of his hair on her thumbs. He made a noise and she couldn't tell if it was desire or pain or regret or a mix of everything. — Marissa Meyer

Furi had a death grip on Syn's hip as he eased into his channel. He was so tight and hot around him that Furi had to clench his jaw to keep from crying out. "Baby. Baby you feel so good. Oh my god." Furi didn't stop until he was balls deep inside his boyfriend. Furi took one hand off Syn's hip, brought it up under his arm, and wrapped it around his chest, keeping their bodies sealed together. Furi used shallow pumps of his hips, not wanting to separate from Syn. "You — A.E. Via

My commitment falters. "It comes out. Twenty-one washes." That's not what I intended to say. The plan was to put my hand on my hip and say, "It's my hair. I can do what I want with it." That's what brave, angsty teenagers say after they do something rebellious. But I'm pretty sure those teenagers didn't ever have to answer to someone like my mother. I'm also sure I'm neither brave nor angsty. — Kasie West

Then I wake up. And, it's not the purple- hued light of the house at three in the morning that has woken me, or the sound of Payton stumbling into the bathroom. It's a hand.
A single hand.
So innocuous.
I feel it before my eyes blink open. A slight weight on my hip. A current of electricity running through me, reshaping the air that I breathe. It takes only a second for me to process what it is, to rearrange the spaces in my head around the feel of his fingers on my body. — Autumn Doughton

Aren't you going to get up?"

He put a hand on the curve of her hip, a possessive gesture that had already become
familiar.

"No. Let's have more sex. — Nalini Singh

Scratch marks on the back, sore muscles and bruised hip bones won't get you into a woman's heart or mind ... Gentle whispers and holding her hand will. — Alice Walsh

Instead of answering, Will took a step toward her, and all at once, everything happened too quickly to even make sense of it. One second he was standing three feet away from her, and in the next he had a hand on her hip and was pulling her close. Leaning in, he kissed her. His lips were soft soft, and he was suprisingly gentle. Maybe it was simply that he'd caught her by surprise, but even so, she found herself kissing him back. The kiss didn't last long, and it wasn't the kind of earthshaking, soul-destroying kiss common in movies these days; but even so, she was glad it happened, and for whatever reason, she realized it was exactly what she'd wanted him to do. — Nicholas Sparks

[ ... ] And before she knew it the word was on her lips, lips being bitten and nibbled by his. "Pill," she burst out on a breath. "I'm on the - "
He was inside her before she could finish the sentence. Inside her, stretching her. Pumping into her, one hand yanking her leg up around his hip, squeezing her arse, the other cupping and kneading her breast, pinching her nipple. — Lexxie Couper

She put her hand on her hip. "Where are you going?"
"To the boat. You called me Lord Bill again. That means we're cool."
Cerise slapped her forehead with the heel of her hand and followed him. — Ilona Andrews

Ellen?" Val knelt to peer up at her where she sat. "Shall I leave?" He put a hand on her knee then slid it up to her hip, holding her gaze as he did. She laid her fingers over the back of his debilitated left hand. They'd been heading for this moment for weeks, but now that it was upon her, she looked not just surprised but stunned. "I'll leave," Val said, settling back onto his heels and resting his cheek against her thigh. "If you ask it of me, I'll get up and see about your locks, share a cup of cider and an apple tart, ask you your plans for the week, and understand." "Understand?" He brought his other hand around her waist and held on, knee-walking in close to hug her middle on a sigh. "Now — Grace Burrowes

Where ya goin'?" Coleen asked. "I'm taking Lena to dinner, then we're going dancing." Coleen threw a hand on her hip. "You don't smell the gumbo that's been cooking all day? It's your favorite. I stuffed every aquatic creature I could find into that pot. Claws and legs are hanging out all over the place." "I'll have some tomorrow," Jorie said as she caught one of the screws that dropped from the blade. "I made pie, damn it. Pecan, just because I know you love it. Bring that woman here for dinner and save yourself a buck or two." "Oh, no," Jorie said with a laugh. "I really like her. It's too soon to expose her to an Andolini dinner. — Robin Alexander

She pauses, hand on her hip. "Yes, — Christina Baker Kline

He stops to wait for her, but she has a sudden burst of energy, passing him. On and on she sprints, unobstructed, kicking up her heels at the water's edge. Dark hair to her chin, rearranged by the wind, obscuring her face. Just when he thinks she will have the energy to run forever, to escape his sight, she pauses. Turning back, breathing hard, her hand on her hip, making sure he is there. — Jhumpa Lahiri

It's getting closer," Tristan said.
Ayden nodded.
"So let's track it."
"No," Ayden snapped. "She's our priority."
"I know, but it's following her, so," Tristan held one hand up, "find the demon," he held up the other, "find Aurora. It could work."
The itching intensified. Invisible claws grazed up the back of my neck, wrenching every nerve to painful attention. Another hungry screech sent spikes piercing my brain. Lights shattered my vision. I couldn't breathe. I burst out of the suffocating space just as the engine roared to life and gunned the car forward.
With a violent curse, Ayden slammed on the brakes but not before the Maserati rammed my hip. I hurtled into the air and rolled a fast spin onto the hood.
"Or you could just hit her with the car," Tristan said.
"Real smooth. — A&E Kirk

She put a hand on his hip and turned him to her. "But things could go wrong, so i want to tell you something while it's just the two of us, Eddie. I want to tell you how much I love you." She spoke simply, with no drama.
I know you do," he said, "but I'll be damned if I know why."
Because you made me feel whole," she said. "When I was younger, I used to vacillate between thinking love was this great and glorious mystery and thinking it was just something a bunch of Hollywood move producers made up to sell more tickets in the Depression, when Dish Night kind of played out."
Eddie laughed.
Now I think that all of us are born with a hole in our hearts, and we go around looking for the person who can fill it. You ... Eddie, you fill me up. — Stephen King

My stylist coached me on how to stand for photos. Always put one leg forward and a hand on your hip. — Rebecca Gayheart

Jax shifted slightly, causing his leg to move between mine. His breathing hadn't changed, it was still deep and steady, but the hand curved along my hip started to slide. A shiver chased after his hand and my chest rise sharply against the side of his body. His hand slipped lower.
Jax cupped my butt cheek.
Totally hands-on, cupped my butt cheek. — J. Lynn

kissed Ruxs on his neck, ignoring his last comment. Making Ruxs feel like his head was going to explode from pleasure was something that had to be shown not spoken. He started up a slow rhythm, holding on to Ruxs' hip with one hand, and propping himself up with the other. The deeper he went, the more Ruxs moaned his name. He'd been so patient and waited so long for this day. Way longer than Ruxs had been waiting and wanting him. Now he had him. He was buried balls deep in him, almost ready to deposit his love inside him. He — A.E. Via

She say, All my life I had to fight. I had to fight my daddy, I had to fight my brothers. I had to fight my cousins and my uncles. A girl child ain't safe in a family of men. But I never thought I'd have to fight in my own house. She let out her breath. I loves Harpo, she say. God knows I do. But I'll kill him dead before I let him beat me. Now if you want a dead son-in-law you just keep on advising him like you doing. She put her hand on her hip. I used to hunt game with a bow and arrow, she say. — Alice Walker

Sawed off shotgun, hand on the pump
Left hand on a forty, puffin' on a blunt
Pumped my shotgun, niggas didn't jump ...
Lala la la lala la laaaa — B-Real

You want your art to be hip and seem cool to people, but a great deal of what passes for hip or cool is now highly commercially driven. And some if it is important art. I think 'The Simpsons' is important art. On the other hand, it's also, in my opinion, relentlessly corrosive to the soul and everything is parodied and everything is ridiculous. Maybe I'm old but for my part I can be steeped in about an hour of it and then I have to walk away and look at a flower.
If there's something to be talked about, that thing is this weird conflict between what my girlfriend calls the 'inner sap,' the part of us that can really wholeheartedly weep at stuff and the part of us that has to live in a world of smart, jaded, sophisticated people and wants very much to be taken seriously by those people. — David Foster Wallace

She rose to her feet, lining her body up with his and closing the gap between them. "What if I need help in a different way?"
"Darlin', I'm a full-service kind of helper." His hand dropped to her left hips, sending a jolt of awareness straight to her clit. "You tell me what ache is building and I'll relieve it." His other hand fell to her right hip and he pulled her close. "Tell me where it itches and I'll scratch it." His cock, hard and thick, pressed against her, letting lose a wave of desire that threatened to overwhelm her. "Show me where it hurts and I'll kiss it better."
"You make a lot of promises," she managed to get out...
"And I'll deliver on every single one." He dipped his head lower, letting his lips brush across hers. "You can count on it. — Avery Flynn

They got me glasses that were hip and cute, the kind adults like, but glasses are glasses. No kid has ever said: "Look at the hot new girl with the glasses. Maybe she'll have braces and a clubfoot too!" I think it made me cautious about other kids, because I was always one screwup from becoming "Four Eyes" on the playground. Those were the facts, like a card hand you couldn't fold. But beauty wasn't everything. I could still be the kind of girl who beat a table full of movie stars at poker. If I couldn't be datable, I could at least be respected. I was like the lady Godfather of plain-girl self-awareness. — Alison Umminger

This writing thing, it ain't like that hip hop shit, City. For li'l niggas like you," he told me, "this writing thing is like a gotdamn porta potty. It's one li'l nigga at a time, shitting in the toilet, funking up the little space he get. And you shit a regular shit or a classic shit. Either way," he said. "City, you gotta shit classic, then get your black ass on off the pot." He actually grabbed my hand. "You probably think I'm hyping you just for the money. It ain't just about the money. It's really not. It's about doing whatever it takes for you to have your voice heard. So I don't know what you're writing in that book you always carrying around, but it better be classic because you ain't gonna get no two times to get it right, you hear me? — Kiese Laymon

Why are you looking at me like that?' he asked, his hand tensing for a second on my hip.
"No reason.' I moved my hand up his chest and on the way his abs contracted.
He pushed me away abruptly, forcing me to sit up with him. With the scruff hiding parts of his cheeks I wasn't sure, but he seemed to be blushing. "You shouldn't touch a man like that in the morning,' he rasped, his hand hiding his crotch. — Stephanie Witter

But this story ends when you open the door. It doesn't matter if you managed to guess which room is mine, which door I closed behind me. You put your hand on the door handle, you knock, it's all over. End of story. By choosing one, you chose the other, too. Do you understand why? Those two consequences are joined at the hip, they're Siamese twins. Even if you picked the door with the lady behind it - all questions answered, all explanations given, your life solved for you - it's still true that you gave the tiger permission to jump. You gave your assent to catastrophe, you invited tragedy and horror to walk right in. You got lucky, that's all. Mallon — Peter Straub

I told her, "I got the chips if you got the dip."
She said when I dip, that I better be equipped
and keep my hand on her hips ... — Ludacris

Perry's hand settled on her hip, his
grip firm. She felt his kiss settle into
something deeper as his mouth moved with
more urgency over hers. Suddenly there was
more heat between them ... — Veronica Rossi

How had he lost the upper hand so quickly? His dick jerked and wept like it had found the happiest place on earth. He was gonna come, but he'd be damned if he did it before Michaels. He dropped his arm from around Michaels' chest and gripped him on his hip, using it to slam that sexy ass back into him while he jerked him fast with the other. He felt Michaels' dick jump in his fist and knew it was time. Good because he was past time. "Fuckin' come," he hissed, snapping his hips forward at the same time he squeezed the head of Michaels' dick. He went down on that length one more time, squeezed hard, twisted his palm and shot his fist back up, wrenching the first spurt of hot come from it. Yesssss. Michaels grunted with the next spurt and worked his ass hard against Judge's aching dick. The sounds he made were delicious and wicked. Sounds he'd never heard a man make. Masculine but erotic as hell. Not ashamed to show Judge how much he'd pleased him. It — A.E. Via

The Jeep was parked at the beginning of the causeway when Denny got off the bus. She ignored it and started toward the island.
"Denise . . ."
Denny ignored Mr. Jones's call and kept on walking.
She heard the engine start, and soon the Jeep was rolling along beside her.
"Picked up your mail," said Mr. Jones. He handed some envelopes out the window. Denny grabbed them without a word.
"There's a letter there from some old coot named Jones," Mr. Jones said. "Looks like an apology."
Denny looked down and ruffled through the envelopes. "There is not," she said.
"No?" said Mr. Jones sheepishly. "Well, there should be. Guess he didn't get around to writing it. He feels real bad though. I know that for a fact."
Denny stopped and put her hand on her hip and stared at Mr. Jones. — Jackie French Koller

And more than that, Bodee left me with hope. For love. For wanting someone to touch me again and to lie with me without fear as my first response. Because Bodee slept in his sneakers, because Bodee asked for a kiss instead of just taking it, and because he kept space between us. He danced with two fingers until I asked for three or four ... and his hand on my hip.
I know we're both still broken. Both of us. But Bodee's got the glue to make us whole.
He is love. — Courtney C. Stevens

The Beatrice that obsessed Dante was a Florentine named Bice di Folco Portinari. Envision this moment (and, in all fairness, I am envisioning it the way Henry Holiday did in his exquisite nineteenth-century painting): Bice is walking beside the Arno River, dressed in white, the fabric clinging to her legs and outlining her slender thighs, and there is Dante. He meets her at the corner of one of the bridges that span
the river. His left hand, at first glimpse, is moving casually toward his hip; it is only on a more careful study that one realizes his hand is actually going up to his heart. Meanwhile, his right hand is resting on the bridge's waist-high stone balustrade, as if Bico's beauty is such that he needs to steady himself when he beholds her. — Chris Bohjalian

And she'd apologize for being so sensitive and moody lately. His warm hand on her hip brought her into the curve of his body. With his breath on her neck, she fell into a deep sleep, convinced that she was safe. — Lisa Genova

As she wanders along the river like this, one hand on her hip and the other clutching a mark to defray her expenses, she is in well-known country. — Hermann Broch

Now look here, Bailey," she said, "see here, read this," and she stood with one hand on her thin hip and the other rattling the newspaper at his bald head. "Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida and you read here what it says he did to these people. Just you read it. I wouldn't take my children in any direction with a criminal like that aloose in it. I couldn't answer to my conscience if I did. — Flannery O'Connor

I pause, examining her eyes, and then move forward with caution. "So if I kissed you right now, I wouldn't be taking advantage of you?"
"No, but I might be taking advantage of you. Your breath smells about as bad as the bottle." She fans her nose with a smile.
"Trust me. You can take advantage of me and I won't mind, even when I sober up." I press my lips to hers, feeling my heart thump in my chest as her breath catches.
It grows silent as we lie with our foreheads touching and our breaths mingling. I place my hand on her hip, shutting my eyes, feeling the intensity of the moment like an open wound. — Jessica Sorensen

Mom, this isn't what it looks like."
Mom put her hand on her hip. "It looks like a group of boys wrestling on the floor of your bedroom while you watch. Wearing a towel."
"Okay," I admitted, "it is what it looks like, but it's not - "
"Sexual?" She raised her eyebrows.
"Mom!"
Luna stuck her head under Mom's arm and sucked in a breath. "She's gone from a love triangle to a kinky sex pentagon. — A&E Kirk

He settled one hand on a hip so he could feel Ty's intoxicating movements. The other hand he dragged up and down Ty's back as his cock plunged deep, massaged by Ty's tight muscles, surrounded by slick heat. Ty would tighten those muscles and Zane would cry out and drag his fingernails down Ty's side as he tried to buck his hips. It — Abigail Roux

I want you alone," he whispered, gliding a hand around her hip, "on a slow boat to China. Days together, nights ... rocking on the waves. — Ophelia London

Isaiah opens my car door and his warm silver eyes smile at me. "Hey."
I sweep my bangs from my eyes. "Hi."
He offers his hand and I accept. His fingers wrap around mine and heat surges up my arm, flushes my neck and settles into a blush on my face. He tugs gently and I slip out. I'm not sure if my body vibrates from the rumbling of the garage door closing or from the blood pounding in my veins.
Our fingers lace together, and his other hand smoothly cups my hip. I suck in a breath, surprised that someone touches me so easily and with such care.
"You look nice," he says.
"I'm in my school uniform." White button-down blouse, maroon-and-black plaid skirt, and a pair of white Keds. Nothing spectacular.
"I know." The seductive slide in his voice causes the back of my neck to tickle. — Katie McGarry

Well, at home, I'm in sweatpants, I'm not wearing any makeup, and I'm not standing with my hand on my hip while smiling. [Laughs] I try to be honest in interviews, but obviously you have to be careful about everything you say and do when you're being recorded. I'm much more comfortable and quieter at home. — Zoe Kravitz

He places a hand on the curve of my hip. His touch is tender yet possessive. "That's good enough for now. And just so you know, I'm not letting you walk away from me this time. No dogs, no assholes, no appointments. Today you're mine." I — Mia Asher

You and me on a deserted tropical island where you'd be perpetually naked and I could slide into you at any moment.
I set one hand on my hip and shot him a look. Sunburned and bowlegged. Sexy. — Sylvia Day

He put one hand lightly on the back of her neck and simultaneously she placed one hand lightly on his hip, and they kissed in the street as all around them people hurried home in the summer light, and it was the sweetest kiss that either of them would ever know. This is where it all begins. Everything starts here, today. And then it was over. — David Nicholls

He ran his hand over his chest and stopped above his heart where a black tattoo of an ornate skeleton key was inked on his skin.She had its other half-a lock in the shape of a heart with a keyhole in the center-tattooed on her lower stomach beside her right hip bone. Laying on top of her, he'd slide down to kiss her breasts and their two tattoos would come together. Lock and key. — Kelli Maine

That's not what justice is," the colonel jeered, and began pounding the table again with his big fat hand. "That's what Karl Marx is. I'll tell you what justice is. Justice is a knee in the gut from the floor on the chin at night sneaky with a knife brought up down on the magazine of a battleship sandbagged underhanded in the dark without a word of warning. Garroting. That's what justice is when we've all got to be tough enough and rough enough to fight Billy Petrolle. From the hip. Get it? — Joseph Heller

But baby, you started this." The hand on her hip tugged her closer, her inner thighs brushing against the smooth fabric pulled taut over his long legs.
She tugged at the fingers on her hip, wriggling at the same time, desperate to escape. "And now I'm ending it."
"I'll decide where it ends," he said. — Tracey Alvarez

They went Indian file. First came the scouts, clever, graceful, quiet. They had rifles. Next came the antitank gunner, clumsy and dense, warning Germans away with a Colt .45 automatic in one hand and a trench knife in the other.
Last came Billy Pilgrim, empty-handed, bleakly ready for death. Billy was preposterous - six feet and three inches tall, with a chest and shoulders like a box of kitchen matches. He had no helmet, no overcoat, no weapon, and no boots. On his feet were cheap, low-cut civilian shoes which he had bought for his father's funeral. Billy had lost a heel, which made him bob up-and-down, up-and-down. The involuntary dancing, up-and-down, up-and-down, made his hip joints sore. — Kurt Vonnegut Jr.

I sit down next to him, and he pulls me to his side. Then he lies down so that I'm draped across him. My hip is tucked between him and the back of the couch. "I don't want to go home yet," he says quietly. He pulls my head down to his chest, and I press my face against it. His hand settles on the back of my head, and he starts to stroke down the length of my hair. "Then don't go," I say quietly. He doesn't. He just threads his fingers into my hair and drags them down my back, over and over, until my eyelids grow heavy and I fall asleep on his chest. I wake up the next morning tucked into my own bed, the covers pulled up to my chin. I sit up and look around. Beside me on the pillow is a note. I open it up and read. Are you in love with me yet? — Tammy Falkner

Charles had tried to open the pond and called up for wolf to defeat the black magic and hadn't been able to. Brother Wolf had panicked because Charles had somehow mess up their bond - and then Anna threatened to leave them and Charles had panicked, too. If she hadn't allowed them to make love to her, to reestablish they're claim, things might have gotten ... interesting, in the same way that a grizzly attack is interesting. Because neither he nor Brother Wolf was capable of letting her go.
It had been a revelation.
The bottom line was that he was selfish creature, Charles decided more cheerfully than he'd been about anything in a long time. He guided Anna around a hole in the ground with a subtle push of his hand on her hip. She probably had seen the hole, but it please him to take care of her in such a small way. He was willing to pay any price to keep safe ... any price except for losing her. — Patricia Briggs

To be honest, I don't know what qualities you ever saw in him. I can tell why he chose you, but-"
"Oh yeah?" Cara's spirits lifted as she sensed a compliment coming on. "Why do you think he chose me?"
"It's obvious." He swept a hand to indicate her loose curls. "Your long, shiny hair, healthy skin, and bright eyes show that you're well-nourished."
"Uh, thank you?"
"I'm not finished."
"Go on then."
"You're clearly intelligent." Then he felt the need to add, "For a human."
"Gee. That's so sweet."
"But Eric was probably most attracted to your wait-to-hip ratio." For a split second, Aelyx resembled a human boy as he leaned back and peered at her caboose. "Hips of that width are likely to pass life offspring without complication."
Cara nearly swallowed her own tongue. She didn't have big hips did she? — Melissa Landers