Hand Embroidery Quotes & Sayings

Four people wheel out a huge wedding cake from a side room. Most of the guests back up, making way for this rarity, this dazzling creation with blue-green, white-tipped icing waves swimming with fish and sailboats, seals and sea flowers. But I push my way through the crowd to confirm what I knew at first sight. As surely as the embroidery stitches in Annie's gown were done by Cinna's hand, the frosted flowers on the cake were done by Peeta's. — Suzanne Collins

Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand. By using the technique of embroidery, traditionally employed to represent femininity and applying it to the expression of it's opposite, I hope to challenge the pre-conceived notion that 'women's work' is light and easy. Aiming to represent the effects of hard work arising from employment in low paid ancillary jobs such as cleaning, caring, and catering, all traditionally considered to be 'women's work' — Eliza Bennett

One can't help thinking, Daddy, what a colourless life a man is forced to lead, when one reflects that chiffon and Venetian point and hand embroidery and Irish crochet are to him mere empty words. Whereas a woman- whether she is interested in babies or microbes or husbands or poetry or servants or parallelograms or gardens or Plato or bridge- is fundamentally and always interested in clothes. — Jean Webster

How can I?" Kennedy asked. "How can I trust someone again?"
Sabrina adjusted her veil and squeezed her fist around the white-with-blue-embroidery handkerchief in her hand. "You just do. I don't know how to explain it. You just reach a point where you realize this man is the one, and you are going to put all of your trust in him because you are so in love you don't really have a choice. — Tami Lund

In London, she'd overheard more than one matron decrying what they considered Esme Byron's inappropriate eccentricities, aghast that she was allowed so much personal freedom and the ability to voice opinions they considered unsuitable for an unmarried young woman barely out of the schoolroom. But her family always stood by her, proud of her artistic talent and uniformly deaf to the complaints of any critics who might say she needed a firmer hand.
'What must Ned and Mama be thinking now?' Were they regretting that they had not listened to those critics? Wishing they'd kept a tighter rein on her activities rather than letting her venture out as she chose?
But she would have gone mad being constrained and confined the way she knew most girls her age were. She could never have been borne the suffocating restrictions, the smothering tedium of being expected to go everywhere with a chaperone in tow, or worse, being cooped up inside doing embroidery or playing the pianoforte. — Tracy Anne Warren

From here to Jerusalem no woman has a more beautiful neck;
it was smooth and soft to the touch.
She had a bosom as white has the snow upon a branch,
when it has just fallen.
Her body as well made and svelte;
you would not have had to seek anywhere on earth to find a woman with a more beautiful body.
She had a pretty chaplet of gold embroidery. There was never a girl more elegant or better arrayed;
nor would I have described her right. Above the chaplet of gold embroidery was one of fresh roses, and in her hand she held a mirror,
and she had arranged her hair with a rich head-band. — Guillaume De Lorris