Hamlet Act 4 Quotes & Sayings

Now I am alone.
Oh, what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That from her working all his visage wanned,
Tears in his eyes, distraction in his aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing
For Hecuba!
What's Hecuba to him or he to Hecuba
That he should weep for her? What would he do
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,
Make mad the guilty and appall the free ... Hamlet Act II, Scene II — William Shakespeare

One of the popular songs in Tyler's rebellion was the familiar couplet: "When Adam delved and Eve span, Who was then the gentleman?" Shakespeare refers to it in "Hamlet," where the grave-diggers speak as follows: "First Clown. Come, my spade. There is no ancient gentleman but gardners, ditchers and grave-makers; they hold up Adam's profession. Second Clown. Was he a gentleman? First Clown. He was the first that ever bore arms. Second Clown. Why, he had none. First Clown. What, art a heathen? How dost thou understand the Scripture? The Scripture says, Adam digged; could he dig without arms?" (Act 5, — William Shakespeare

Spoilers follow
I started reading the third act of Hamlet, and I got about two pages in when I realized there's no point.
I am never going back to school.
I am never going to the university.
I am never going to watch wolves stalk through the northern forests or elephants graze on the savanna. I am never going to have sex or get married or raise a family. I'm never going to have a first apartment, a first house, a first car. I'm never — Megan Crewe

And these few precepts in thy memory
Look thou character. Give thy thoughts no tongue,
Nor any unproportioned thought his act.
Be thou familiar but by no means vulgar.
Those friends thou hast, and their adoption tried,
Grapple them unto thy soul with hoops of steel,
But do not dull thy palm with entertainment
Of each new-hatched, unfledged comrade. — William Shakespeare

It's a pity that the rich have more freedom to hang or drown themselves than the rest of us Christians. — William Shakespeare

The Play's the Thing, wherein I'll catch the conscience of the King. — William Shakespeare

In the corrupted currents of this world
Offence's gilded hand may shove by justice,
And oft 'tis seen the wicked prize itself
Buys out the law. . .
(Claudius, from Hamlet, Act 3, scene 3) — William Shakespeare

Ghost: Murder most foul, as in the best it is. But this most foul, strange and unnatural. — William Shakespeare

He [Hamlet] sees ghosts and listens to dreams. And when his ghost father tells him that he (Hamlet Senior) was killed by his brother and asks Hamlet Junior to avenge his death, in the right, honorable way, Hamlet says yes, yes, yes, he'll do it.
But somehow he never gets round to it. Not like the other two young men in the play. The Norwegian Prince Fortinbras(...) has made his life [!!] pursuing the honor that his father lost when Hamlet Senior beat him in single combat. (...). When the lord chamberlain,Polonius, is killed, his son, Laertes, returns to the court immediately, demanding restitution, (...).
So there is no shortage of examples of how young men are expected to and do act in this world where honor demands an eye for an eye, a tooth for a tooth, a life for a life. But Hamlet doesn't do it. Instead, he beats up on his girlfriend and he's cruel to his mother. — Tina Packer

Imagine the same scene in HAMLET if Pullman had written it. Hamlet, using a mystic pearl, places the poison in the cup to kill Claudius. We are all told Claudius will die by drinking the cup. Then Claudius dies choking on a chicken bone at lunch. Then the Queen dies when Horatio shows her the magical Mirror of Death. This mirror appears in no previous scene, nor is it explained why it exists. Then Ophelia summons up the Ghost from Act One and kills it, while she makes a speech denouncing the evils of religion. Ophelia and Hamlet are parted, as it is revealed in the last act that a curse will befall them if they do not part ways. — John C. Wright

Good Gad! It looks like the last act of Hamlet in here.
Turnip banged his head against his clenched fists, making inarticulate moaning noises.
Pinchingdale gave him an odd look. 'I had no idea you felt so strongly about the play, Fitzhugh. — Lauren Willig

In his twenties, John Bridgens most identified with Hamlet. The strangely aging Prince of Denmark - Bridgens was quite sure that the boy Hamlet had magically aged over a few theatrical weeks to a man who was, at the very least, in his thirties by Act V - had been suspended between thought and deed, between motive and action, frozen by a consciousness so astute and unrelenting that it made him think about everything, even thought itself. — Dan Simmons