Guarnaschelli Alex Quotes & Sayings

Praying for the end of time, so I can end my time with you. — Meat Loaf

He must be from a very friendly part of the Milky Way, — Jandy Nelson

By the light of the hominy fire Sixo straightens. He is through with his song. He laughs. A rippling sound like Sethe's sons
make when they tumble in hay or splash in rainwater. His feet are cooking; the cloth of his trousers smokes. He laughs.
Something is funny. Paul D guesses what it is when Sixo interrupts his laughter to call out, Seven-O! Seven-O! — Toni Morrison

Some of the ideas are kind of inspired by the songs, and I always want to use music to tell the story and give the movie a certain kind of mood. That's always essential to me. — Wes Anderson

But when reality was hopeless, fantasy became more and more necessary. — Michael Grant

My ambition really was, even as a child, to be a writer, a commentator, and a teacher, but a teacher of Talmud. — Elie Wiesel

If large numbers of people believe in freedom of speech, there will be freedom of speech, even if the law forbids it. But if public opinion is sluggish, inconvenient minorities will be persecuted, even if laws exist to protect them.
[Freedom of the Park, Tribune, 7 December 1945] — George Orwell

One of us," said Malcolm, "is worth five hundred of you. I can burn you to the ground in six seconds flat and use the ashes to stuff a teddy bear for my girlfriend. Not that I have a girlfriend at the moment," he added, "but one lives to hope. — Cassandra Clare

I didn't properly think about what was happening even as I kissed him back, my laughter spilling into his mouth and making stutters of my kisses. I was still bound up with him, our magic snarled up into great messy tangled knots. I didn't have anything to compare that intimacy to. I'd felt the hot embarrassment of it, but I'd thought of it vaguely like being naked in front of a stranger. I hadn't connected it to sex - sex was poetic references in songs, my mother's practical instructions, and those few awful hideous moments in the tower with Prince Marek, where I might as well have been a rag doll as far as he'd cared. But now I toppled the Dragon over, clutching at his shoulders. As we fell his thigh pressed between mine, through my skirts, and in one shuddering jolt I began to form a startled new understanding. — Naomi Novik

MAGGIE, in pain: That's what I mean; I'm a joke to most people.
QUENTIN: No, it's that you say what you mean, Maggie. You don't seem to be upholding anything, you're not - ashamed of what you are.
MAGGIE: W-what do you mean, of what I am?
... But you didn't, did you?
He turns to her in agony.
Laugh at me?
QUENTIN: No. He suddenly stands and cries out to Listener. Fraud! From the first five minutes! ... Because! I should have agreed she was a joke, a beautiful piece, trying to take herself seriously! Why did I lie to her, play this cheap benefactor, this - Listens, and now unwillingly he turns back to her.
MAGGIE: Like when you told me to fix where my dress was torn? You wanted me to be - proud of myself. Didn't you? — Arthur Miller