Quotes & Sayings About Greek Plays

I fear that there will be no neat ending to this, in the manner of the old Greek plays. Where the Gods descend, and all is explained, and tidied away. — Paul McAuley

There were a great many other such tableaux. As Martial had predicted, bears featured prominently in most of them. A temple thief was made to reenact the role of the robber Laureolus, made famous by the ancient plays of Ennius and Naevius; he was nailed to a cross and then subjected to the attack of the bears. A freedman who had killed his former master was made to put on a Greek chlamys and go walking though a stage forest populated by cavorting satyrs and nymphs, like Orpheus lost in the woods; when one of the satyrs played a shrill tune on his pipes, the trees dispersed and the man was subject to an attack by bears. An arsonist was made to strap on wings in imitation of Daedalus, ascend a high platform, and then leap off; the wings actually carried him aloft for a short distance, a remarkable sight, until he plunged into an enclosure full of bears and was torn to pieces. — Steven Saylor

If one considers the characters in the plays of Shakespeare, in the poems of the Roman poet Ovid, in the Greek tragedies of Sophocles and Euripides, and even in the hieroglyphics of ancient Egypt, they can be recognized in our daily lives. Their actions were driven by the same motives as ours - ambition, love, pride, fear, anger, sympathy, and fun. — John H. Vanston

I often teach a graduate theater seminar on Greek tragedy in performance. I usually begin by saying that no matter what technological advances occur, the wisdom of these plays will never be obsolete. — Neil Patrick Harris

Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants. — William Butler Yeats

I did have the resource of having taught Greek mythology and the history of Western civilization, and you can go back into the plays of Aeschylus and follow what happens when people seek revenge, and there are people plucking their eyes out. And Greek mythology is filled with all kinds of monsters and whatnot. — Wes Craven

I don't know what of our culture is going to survive, or if we survive. If you look at the Greek plays, they're really good. And there's just a handful of them. Well, how good would they be if there were 2,500 of them? But that's the future looking back at us. Anything you can think of, there's going to be millions of them. Just the sheer number of things will devalue them. I don't care whether it's art, literature, poetry or drama, whatever. The sheer volume of it will wash it out. I mean, if you had thousands of Greek plays to read, would they be that good? I don't think so. — Cormac McCarthy

I've always been interested in the Greek tragedies. A few years back, I re-read a translation of the 'The Oresteia,' and that stayed with me, and slowly this idea of using some of those old legends and plays to tell a new story about modern urban life began to form. — Peter Milligan

It almost looks like a halo of spikes," he said. "The sun crown isn't just a Christian symbol," Emily said. "In many cultures as far back as ancient Egyptian, and including Roman and Christian, crown of thorns and halo both derive from the tradition that identifies every newly-crowned king with the sun. The halo nimbus represents the rays of the rising sun. It's a sign that its wearer plays the life-giving role of the sun in his subjects' existence. The Greek sun god Apollo was driving his chariot across the heavens wearing the sun crown when Rome was just a huddle of huts. — Kenneth Atchity

Greek tragedy operates through the ear. It is through the ear primarily that it enters the eyes, the senses, the mind, the heart. It must be spoken aloud. It is designed for that. And until that is done these plays have not been read, have not been used, have not been born. — Paul Roche

The Greeks think they justly honor players, because they worship the gods who demand plays; the Romans, on the other hand, do not suffer an actor to disgrace by his name his own plebeian tribe, far less the senatorial order. And the whole of this discussion may be summed up in the following syllogism. The Greeks give us the major premise: If such gods are to be worshiped, then certainly such men may be honored. The Romans add the minor: But such men must by no means be honoured. The Christians draw the conclusion: Therefore such gods must by no means be worshiped. — Augustine Of Hippo

The Greeks believed that it was a citizen's duty to watch a play. It was a kind of work in that it required attention, judgement, patience, all the social virtues."
"And the Greek were conquered by the more practical Romans, Arthur."
"Indeed, the Romans built their bridges, but they also spent many centuries wishing they were Greeks. And they, after all, were conquered by the barbarians, or by their own corrupt and small spirits. — Timberlake Wertenbaker