Quotes & Sayings About Good Readers

You don't want to lose the foreign feel of a book entirely, but for me the prime requisite is to get it sounding good in English. If it sounds clumsy, readers will pounce on it of course. — Anthea Bell

Readers really want to come back to an author; they do not want a one-book wonder. That is all very well, but to be career author, you have to be prepared to write one really good book and then write another really good book and keep feeding your readers. You build your audience over a long time. — Stephanie Laurens

Criticism is often not a science; it is a craft, requiring more good health than wit, more hard work than talent, more habit than native genius. In the hands of a man who has read widely but lacks judgment, applied to certain subjects it can corrupt both its readers and the writer himself. — Jean De La Bruyere

It has long been my belief that everyone's library contains an Odd Shelf. On this shelf rests a small, mysterious corpus of volumes whose subject matter is completely unrelated to the rest of the library, yet which, upon closer inspection, reveals a good deal about its owner. — Anne Fadiman

Another very good test some readers may want to look up, which we do not have space to describe here, is the Casimir effect, where forces between metal plates in empty space are modified by the presence of virtual particles.

Thus virtual particles are indeed real and have observable effects that physicists have devised ways of measuring. Their properties and consequences are well established and well understood consequences of quantum mechanics. — Gordon L. Kane

There is a whole industry in America of people who want to write, and those who teach it. Even if the students don't end up writing, what's good about them taking the courses is, they become great readers, learning to appreciate the writing. — Edmund White

This room had long served as a retreat from the disharmony and sadness of the first floor, and it was here I had fallen in love with these books and authors in a way that only lifelong readers know and understand. A good movie had never once affected me in the same life-changing way a good book could. Books had the power to alter my view of the world forever. A good movie could change my perceptions for a day. — Pat Conroy

Two avenues of approach to these rewards lie open to the ambitious fictioneer. On the one hand, he may throw all intelligible standards of merit to the winds, and devote himself to manufacturing new stories that are frankly bad, trusting to the fact that nine persons out of ten are utterly devoid of esthetic sense and hence unable to tell the bad from the good. And on the other hand, he may take stories, or parts of stories that have been told before, or that, in themselves, are scarcely worth the telling, and so encrust them with the ornaments of wit, of shrewd observation, of human sympathy and of style
in brief, so develop them
that readers of good taste will forget the unsoundness of the material in admiration of the ingenious and workmanlike way in which it is handled. — H.L. Mencken

If you give me a typewriter and I'm having a good day, I can write a scene that will astonish its readers. That will perhaps make them laugh, perhaps make them cry - that will have some emotional clout to it. It doesn't cost much to do that. — Alan Moore

It's fun for me to try to write concise, compact things. It's a very good exercise for me. And I think it's important to try to do different things - change what I write about, and also the way I write. Otherwise, I'd just be repeating myself, which wouldn't be good for me or fair to my readers. — William T. Vollmann

We can't deny that films have a bigger reach. After the popularity of the 'Slumdog Millionaire,' a lot of people started reading Vikas Swarup's 'Q & A'. From a business sense, films are a good tool to increase the number of readers. — Ashwin Sanghi

The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work. — Robert Frost

It's not that students don't "get" Kafka's humor but that we've taught them to see humor as something you get
the same way we've taught them that a self is something you just have. No wonder they cannot appreciate the really central Kafka joke
that the horrific struggle to establish a human self results in a self whose humanity is inseparable from that horrific struggle. That our endless and impossible journey toward home is in fact our home. It's hard to put into words up at the blackboard, believe me. You can tell them that maybe it's good they don't "get" Kafka. You can ask them to imagine his art as a kind of door. To envision us readers coming up and pounding on this door, pounding and pounding, not just wanting admission but needing it, we don't know what it is but we can feel it, this total desperation to enter, pounding and pushing and kicking, etc. That, finally, the door opens ... and it opens outward: we've been inside what we wanted all along. Das ist komisch. — David Foster Wallace

Children are notoriously literal readers, and I was no exception. Books, I believed, contained the entire truth about everything, and if you could just read every book or even a good chunk of the Truly Important Ones, you would know what you needed to know about real life. And you could be a part of it. Naturally, I got a lot of things wrong. — Pamela Paul

It's not at all uncommon for a writer to get a ton of publicity for one book and then not get as much for the next one. I don't worry about that because I try to worry about the one single part of the job I can control: the writing of the book. If I do that well, I feel, good tidings generally will follow and readers will stick with me. — Jeff Abbott

She was not a writer herself but she was a very good reader, passionate and eclectic in her tastes, and my father had great faith in her judgments. — David Benioff

A good reader should always have two books with him: one to read, the other one to lend. — Gabrielle Dubois

Readers want to visualize your story as they read it. The more exact words you give them, the more clearly they see it, smell it, hear it, taste it. Thus, a dog should be an 'Airedale,' not just a 'dog.' A taste should not be merely 'good' but 'creamy and sweet' or 'sharply salty' or 'buttery on the tongue.' — Nancy Kress

I do not know whether the casual readers of novels is acquainted with an anatomical curiosity known as the femoral artery; without too much medical meandering, although you might suppose that cutting a man's throat would be the fastest way to slaughter him, a good jab to the thigh will do. — Lyndsay Faye

Mature readers consider reading an integral part of life. It is not something they do only to relax or to escape or if there is nothing good on television. It is something they plan for in each day, and if the day develops so that they have no time for it, they may become restless, rather like joggers who miss their run. Some - busy parents, for example - stay up late at night to read their daily quota after the house is quiet, acknowledging that having balance in their lives is more dependent on reading time than on sleep. — Judith Wynn Halsted

Good writers are avid readers. They have absorbed a vast inventory of words, idioms, constructions, tropes, and rhetorical tricks, and with them a sensitivity to how they mesh and how they clash. This is the elusive "ear" of a skilled writer-the tacit sense of style which every honest stylebook, echoing Wilde, confesses cannot be explicitly taught. Biographers of great authors always try to track down the books their subjects read when they were young, because they know these sources hold the key to their development as writers. — Steven Pinker

If you read to your kids, you'll make readers out of them, partly because they'll associate reading with good parent-time. — Orson Scott Card

Most good evangelical Study Bibles have more in common than people sometimes realize. All of them are committed to explaining the Bible to lay readers. — D. A. Carson

I think, consciously or not, what we readers do each time we open a book is to set off a search for authenticity. We want to get closer to the heart of things, and sometimes even a few good sentences contained in an otherwise unexceptional book can crystallize vague feelings, fleeting physical sensations, or, sometimes, profound epiphanies. pg. xvi — Maureen Corrigan

A great book does not have to be a literary masterpiece with complicated sentences and words no one has heard of. It has to touch it's readers souls and make them feel. Simple words with a story and characters that drizzle over and through you like warm honey and keep you turning the pages can be just as good. — Amanda Mackey

I love getting fan mail. Often, as a writer, you never know what your readers think of a book ... you get critical reviews and sales figures, but none of that is the same as knowing you've made a person stay up all night reading, or helped them have a good cry, or really touched their life. — Jodi Picoult

This is a book about texts as well as their authors, it is not a textbook so much as a context book and a pretext book, concerned with settings and motives as well as the works themselves. Its success will be measured by the readers who pick up Plato's Republic, Hobbes's Leviathan, Hegel's Phenomenology of Spirit, and find themselves engrossed rather than baffled - and even when they are baffled, are happy to go on reading, interrogating, and arguing with their authors for themselves. — Alan Ryan

I like doing whatever interests me. It's a challenge for me to try to make good comics out of any genre I tackle. I trust my instincts in getting me through the more difficult genres for modern readers, like violent crime or horror stories. — Gilberto Hernandez Guerrero

Many references have been made in this book to 'the reader,' who has been much in the news. It is now necessary to warn you that your concern for the reader must be pure: you must sympathize with the reader's plight (most readers are in trouble about half the time) but never seek to know the reader's wants. Your whole duty as a writer is to please and satisfy yourself, and the true writer always plays to an audience of one. Start sniffing the air, or glancing at the Trend Machine, and you are as good as dead, although you may make a nice living. — E.B. White

What is good for you creatively is usually bad commercially. You thrive financially by sticking to a series and not fiddling about too much. You do yourself harm by moving away from the series and the genre. By trying things not based in that particular mode of writing, you will just lose readers. — John Connolly

We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write. — Neil Gaiman

Good readers make much out of little. — Irving Howe

I like to spoof the original Gothic classics, so there is also good dose of comedy in the 'Parasol Protectorate' - giggling readers are good. — Gail Carriger

A conventional good read is usually a bad read, a relaxing bath in what we know already. A true good read is surely an act of innovative creation in which we, the readers, become conspirators. — Augustine Birrell

Solid scriptural theology should be valued in the church. Books in which Scripture is reverently regarded as the only rule of faith and practice
books in which Christ and the Holy Ghost have their rightful office
books in which justification, and sanctification, and regeneration, and faith, and grace, and holiness are clearly, distinctly, and accurately delineated and exhibited, these are the only books which do real good. Few things need reviving more than a taste for such books as these among readers. — J.C. Ryle

I wanted to write about racism and xenophobia in 21st Century England and Ireland, but I wanted to do it in an exciting way so that I could reach more readers. Zombies seemed like a good way to do that. — Darren Shan

Many poets, as you know, are not good readers. — Robert Giroux

A good book is fruitful of other books; it perpetuates its fame from age to age, and makes eras in the lives of its readers. — Amos Bronson Alcott

believe that a good book leaves its readers better than they were before. And — A.G. Riddle

The great danger in the South comes precisely from the fact that the public is not informed. Newspapers shirk notoriously their editorial responsibilities and print what they think their readers want. They lean with the prevailing winds and employ every fallacy of logic in order to editorialize harmoniously with popular prejudices. They also keep a close eye on possible economic reprisals from the Councils and the Klans, plus other superpatriotic groups who bring pressure to bear on the newspapers' advertisers. In addition, most adhere to the long-standing conspiracy of silence about anything remotely favorable to the Negro. His achievements are carefully excluded or, when they demand attention, are handled with the greatest care to avoid the impression that anything good the individual Negro does is typical of his race. — John Howard Griffin

Most readers of historical fiction are content to just get caught up in a good story, and that is what I want to do as an author. I am not concerned with people knowing exactly what I made up and what is real. — Melanie Benjamin

The only pressure I feel is to write good books. And to not replicate the previous book. Whether you have a thousand readers or a million readers it doesn't change the pressure. I never feel tempted to give the reader what I think the reader wants. — Jo Nesbo

Please do not look only at the dark side
All the newspapers in the free world explain why you return their readers understand how you feel
You have the sympathy of millions
As a tribute to your sorrow we resolve to spend more money on nuclear weapons there is always a bright side
If this were only a movie a boat would be available have you ever seen our movies they end happily
You would lean at the rail with 'him' the sun would set on China kiss and fade
You would marry one of the kind authorities
In our movies there is no law higher than love in real life duty is higher
You would not want the authorities to neglect duty
How do you like the image of the free world sorry you cannot stay
This is the first and last time we will see you in our papers
When you are back home remember us we will be having a good time. — Thomas Merton

I write not for sensation, but for Truth. I leave judgement to the hearts of my good Readers everywhere. — David Ebershoff

I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted. — Denise Mina

Admiration from my readers inspire me, and the only 'formula' I believe in towards making a good writer is: 'to thine own self be true!' — Ashwin Sanghi

In 1941, Dorothy L. Sayers provided a detailed analysis of that creative process in The Mind of the Maker. She developed the relevance of the imago Dei for understanding artistic creation in explicitly trinitarian terms. In every act of creation there is a controlling idea (the Father), the energy which incarnates that idea through craftsmanship in some medium (the Son), and the power to create a response in the reader (the Spirit). These three, while separate in identity, are yet one act of creation. So the ancient credal statements about the Trinity are factual claims about the mind of the maker created in his image. Sayers delves into the numerous literary examples, in what is one of the most fascinating accounts ever written both of the nature of literature and of the imago Dei. While some readers may feel she has a tendency to take a good idea too far, The Mind of the Maker remains an indispensable classic of Christian poetics. — Leland Ryken

Writing about sex is a challenge for the same reason sex is a challenge. Because it's complicated. Because it doesn't always make sense and it isn't always perfect and it's sometimes awful and it's sometimes hilarious. But underneath all the clever wordplay, it's about hope. Hope that someone will see us, and accept us, and perhaps - after all that - choose us. It's the barest we will ever be. The barest a character will ever be. That's why it's difficult.
As for what makes a good sex scene, a romance novelist would have told you that when done well and with a skilled hand, the best sex scenes can at once arouse and empower. Sex on the page gives readers the freedom to explore their own sexuality, their own pleasures, their own identities. With hope. And without judgment. — Sarah MacLean

[I]ndividual readers may conceivably choose (or be led) to regard a given text as literary in cases where such a response is not shared by others, but until their individual responses lose their idiosyncratic nature by being adopted by a larger interpretive community, such responses will be regarded as being to a greater or lesser degree aberrant, and the offender will be regarded as lacking in good taste or good sense or both. — Patrick O'Neill

Every writer prefers good reviews over bad ones, and every writer wants to have lots of readers. But if it doesn't happen, that's fine too. Perhaps I won't throw a party then; I'll simply go home and keep writing. — J.K. Rowling

When we think of the masterpieces that nobody praised and nobody read, back there in the past, we feel an impatient superiority to the readers of the past. If we had been there, we can't help feeling, we'd have known that Moby-Dick was a good book - -why, how could anyone help knowing?
But suppose someone says to us, "Well, you're here now: what's our own Moby-Dick? What's the book that, a hundred years from now, everybody will look down on us for not having liked?" What do we say then? — Randall Jarrell

A cop told me, a long time ago, that there's no substitute for knowing what you're doing. Most of us scribblers do not. The ones that're any good are aware of this. The rest write silly stuff. The trouble is this: The readers know it. — George V. Higgins

That is as true for fiction or non-fiction. The writer has to really know their subject. It is really important to remember that the readers are a lot smarter than the writer. Also, good writing has to do with rewriting. You will never get it right the first time. So you rewrite and rewrite again until you get it right. Until you, and the reader, will be able to visualize what you're writing about. — Michael Scott

Even if I only wrote erotica, I wouldn't care what you have to say. I make people happy! Blake and I provide readers with fun and entertainment and an escape from their lives, which is a damn good thing because life is hard and really sucks sometimes. Life isn't a fairy-tale and not everyone in gets a happily-ever-after, but in our book world they do. — Karina Halle

That said, nothing builds reader involvement more surely than a character whose moral struggle pervades the tale. When readers hope, beg, and plead with you to let a character turn toward the light, you have readers where you want them. A character who is good is good; a character — Donald Maass

The main vehicle for nineteenth-century socialization was the leading textbook used in elementary school. They were so widely used that sections in them became part of the national language. Theodore Roosevelt, scion of an elite New York family, schooled by private tutors, had been raised on the same textbooks as the children of Ohio farmers, Chicago tradesman, and New England fishermen. If you want to know what constituted being a good American from the mid-nineteenth century to World War I, spend a few hours browsing through the sections in the McGuffey Readers. — Charles Murray

A good reader has the power to move the world. — Aman Jassal

Our children start out as good readers and will remain so if the adults around them nourish their enthusiasm instead of trying to prove themselves. If we stimulate their desire to learn before making them recite out loud; if we support them in their efforts instead of trying to catch them out; if we give up whole evenings instead of trying to save time; if we make the present come alive without threatening them with the future; if we refuse to turn pleasure into a chore but nurture it instead. If we do all this, we ourselves will rediscover the pleasure of giving freely
because all cultural apprenticeship is free. — Daniel Pennac

If you have a story to tell, put it out there. Get the thing done. No excuses. No procrastinating. No apologies. It will never be as good as you want it to be, so forget about perfection. Just be satisfied that you've done the best work you can do at this stage in your life as an author. Then roll the rocket onto the launch pad and fire it off. After that, write another story. Always keep going. Move fast. Stay one step ahead of the forces of distraction and self-doubt. Love your characters enough to give them a good home. Love your readers enough to give them a place of refuge from life's tragedies, big and small. And love the world you live in enough to make it the world of your dreams. — James Hampton

Our popular economics writers, however, are not in the business of giving their readers a ringside seat on the research action; with no exception I can think of, they use their books to do an end run around the normal structure of scholarship, to preach ideas that few serious economists share. Often, these ideas are not just at odds with the professional consensus; they are demonstrably wrong, and sometimes terminally silly. But they sound good to the unwary reader. — Paul Krugman

Digital-Original publishing embraces the non-conventional and genre-busting story. It allows me to share good stories with readers who will enjoy them, and at a reasonable price. — Michael A. Stackpole

What the readers want is a good story, and what the writers always want to luck into, it's a good story. — Stephen Graham Jones

This manga is held together by the quirks of messed-up characters and the good will of our wonderful readers. — Yutaka Tachibana

What we readers do each time we open a book is to set up on a search for authenticity. We want to get closer to the heart of things, and sometimes even a few good sentences contained in an otherwise unexceptional book can crystallize vague feelings, fleeting physical sensations, or, sometimes, profound epiphanies. — Maureen Corrigan

That's what a good book does-it puts readers on their knees. It makes you want to believe in a world you just read about-the one that will make you feel different about the world you thought you lived in, the world that will never be the same. — Pat Conroy

In most books, the I, or first person, is omitted; in this it will be retained; that, in respect to egotism, is the main difference. We commonly do not remember that it is, after all, always the first person that is speaking. I should not talk so much about myself if there were anybody else whom I knew as well. Unfortunately, I am confined to this theme by the narrowness of my experience. Moreover, I, on my side, require of every writer, first or last, a simple and sincere account of his own life, and not merely what he has heard of other men's lives; some such account as he would send to his kindred from a distant land; for if he has lived sincerely, it must have been in a distant land to me. Perhaps these pages are more particularly addressed to poor students. As for the rest of my readers, they will accept such portions as apply to them. I trust that none will stretch the seams in putting on the coat, for it may do good service to him whom it fits. — Henry David Thoreau

When you're writing a book, with people in it as opposed to animals, it is no good having people who are ordinary, because they are not going to interest your readers at all. Every writer in the world has to use the characters that have something interesting about them, and this is even more true in children's books. — Roald Dahl

I had so much fun writing this book and I want readers to have fun also. A Passion for Prying is a feel-good, fun read. It's like eating a delicious, sinful hot fudge sundae--pure fun and indulgence. — Nancy Mangano

All deeply good characters in imaginative literature, have to be, as it were, diluted with weakness or eccentricity; for only on such conditions are they comprehensible by readers and expressible by writers. Aldous Huxley — Nicholas Murray

I think that's a hallmark of a really good story that it has readers that it speaks to more than others. — Erin Morgenstern

Don't insult readers by questioning the extent of their imaginations. Most need only to be nudged to solve a good mystery. — Peggy Kopman-Owens

J. Budziszewski is perhaps the clearest and most eloquent natural lawyer writing today. When reading his works I often find myself amazed by his insights and wondering, 'Why didn't I think of that?' And then it dawns on me, 'That's what C. S. Lewis and G. K. Chesterton do to me as well.' The Line Through the Heart is another destination in J. Budziszewski's philosophical quest to lead his readers to the promised land of the good, the true, and the beautiful, to guide us to that place where we have always been but can't seem to find. — Francis J. Beckwith

I think serious readers of books are 5% of the population. If there are good TV shows or a World Cup or anything, that 5% will keep on reading books very seriously, enthusiastically. And if a society banned books, they would go into the forest and remember all the books. So I trust in their existence. I have confidence. — Haruki Murakami

Kids who are nine, 10 and 11 are pretty sophisticated readers; they know that there isn't always a good outcome every time and that problems don't always have solutions. — Morris Gleitzman

To be fair, my analysis failed to spell out Obama's first-term accomplishments, although I did acknowledge his 'enormous skills' and tried to focus readers on the distinction between good and great presidencies. — Ron Fournier

World War II is the greatest drama in human history, the biggest war ever and a true battle of good and evil. I imagine writers will continue to get stories from it, and readers will continue to love them, for many more years. — Ken Follett

The great writers have always been great readers, but that does not mean that they read all the books that, in their day, were listed as the indispensable ones. In many cases, they read fewer books than are now required in most of our colleges, but what they did read, they read well. Because they had mastered these books, they became peers with their authors. They were entitled to become authorities in their own right. In the natural course of events, a good student frequently becomes a teacher, and so, too, a good reader becomes an author. — Mortimer J. Adler

As readers, we are seldom interested in the fine sentiments of a lesson learnt; we seldom care about the good manners of morals. Repentance puts an end to conversation; forgiveness becomes the stuff of moralistic tracts. Revenge - bloodthirsty, justice-hungry revenge - is the very essence of romance, lying at the heart of much of the best fiction. — Alberto Manguel

I cook a little bit. I make a Hungarian dish called chicken paprikash that's out of this world. I'll give a heads-up to all of your readers that it doesn't have to be between Thai and Mexican every night. Toss some Hungarian in every once in a while. You will not be sorry. Good, solid peasant food. — Adam Carolla

I do not believe that all books will or should migrate onto screens: as Douglas Adams once pointed out to me, more than 20 years before the Kindle showed up, a physical book is like a shark. Sharks are old: there were sharks in the ocean before the dinosaurs. And the reason there are still sharks around is that sharks are better at being sharks than anything else is. Physical books are tough, hard to destroy, bath-resistant, solar-operated, feel good in your hand: they are good at being books, and there wil always be a place for them. — Neil Gaiman

A philosophical thought is not supposed to be impervious to all criticism; this is the error Whitehead describes of turning philosophy into geometry, and it is useful primarily as a way of gaining short-term triumphs in personal arguments that no one else cares (or even knows) about anyway. A good philosophical thought will always be subject to criticisms (as Heidegger's or Whitehead's best insights all are) but they are of such elegance and depth that they change the terms of debate, and function as a sort of "obligatory passage point" (Latour's term) in the discussions that follow.
Or in other words, the reason Being and Time is still such a classic, with hundreds of thousands or millions of readers almost a century later, is not because Heidegger made "fewer mistakes" than others of his generation. Mistakes need to be cleaned up, but that is not the primary engine of personal or collective intellectual progress. — Graham Harman

Some readers allow their prejudices to blind them. A good reader knows how to disregard inappropriate responses. — John Barton

People who were more concerned with themselves and looking good to their readers then they were with the characters sacrificed a series for the sake of a story. — Len Wein

I think in terms of educating a group of readers, MFA programs are very good. I just think the model of MFA programs in which a young poet goes through the program, publishes a series of books, gets teaching jobs, that's a bit at risk. — Edward Hirsch

Honestly, I don't think I'm a good promoter. I spend almost zero time or effort asking new readers to sample or purchase my work. That's not the job of the author. We should write our best material and leave it up to readers to spread the word. — Hugh Howey

One great difference between good writing, that readers overlook, and bad writing, that they fail to notice, has to do with the number of rewrites and revisions usually required by the former. It isn't at all easy to write clear, declarative prose - transparency evolves from ruthless cutting and trimming and is hard work - while lumpy, tangle-footed writing flows from the pen as if inspired by the Muse. — Ira Levin

The world is full of disappointment," I said.
"Yes," she said, "I heard him say that. And every creature is simply trying to get what it wants, and to make their way through a difficult world. Do you believe that?"
"No," I said. "There's more than that."
"Like what?"
"Like good books," I said, "and good people. And good librarians, who are almost both at once. — Lemony Snicket

When I joined Time Inc., one of the things that was important to me was ensuring that our content is where consumers want to read it. The Apple newsstand is an important place where a lot of consumers are. And Apple is really becoming a good partner to publishers. We are confident we can deliver a experience for our readers that 's really good. — Laura Lang

Real readers re-read good books. — Darrell Bain

Good writers know that crime is an entre into telling a greater story about character. Good crime writing holds up a mirror to the readers and reflects in a darker light the world in which they live. — Karin Slaughter

Readers are also not impressed by characters who have so many talents, skills, charm and good looks that they sound annoyingly too good to be true. — Charles Christian

I was first a reader and without readers what would be the point in writing. For those of you who love a good story, thank you for being willing to read what we writerly folk create. — Michelle Dennis Evans

Pearl rolled a tiny pink speck in her fingers, possibly part of Rose's new leg that I'd tried so hard to make a good match. Pearl laughed and flicked it away as if it was snot out of her nose. I suddenly couldn't stand it. I rushed at her.She saw I wasn't playing around. She ran for it but I caught up with her along the landing. I punched her hard in the chest and she staggered back wards - back and back, and then she wobbled and went right over, down the stairs. — Jacqueline Wilson

I rejected any approach which begins with the question 'What do modern children like?' I might be asked, 'Do you equally reject the approach which begins with the question "What do modern children need?"--in other words, with the moral or didactic approach?' I think the answer is Yes. Not because I don't like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question 'What do modern children need?' will not lead you to a good moral. If we ask that question we are assuming too superior an attitude It would be better to ask 'What moral do I need?' for I think we can be sure that what does not concern us deeply will not deeply interest our readers, whatever their age. But it is better not to ask the questions at all. Let the pictures tell you their own moral. — C.S. Lewis

I might be asked, 'Do you equally reject the approach which begins with the question "What do modern children need?" - in other words, with the moral or didactic approach?' I think the answer is Yes. Not because I don't like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question 'What do modern children need?' will not lead you to a good moral. If we ask that question we are assuming too superior an attitude. It would be better to ask 'What moral do I need?' for I think we can be sure that what does not concern us deeply will not deeply interest our readers, whatever their age. But it is better not to ask the question at all. Let the pictures tell you their own moral. For the moral inherent in them will rise from whatever spiritual roots you have succeeded in striking during the whole course of your life. But if they don't show you any moral, don't put one in. — C.S. Lewis

I just hope that readers and publishers continue to appreciate good writing and good storytelling in all their various forms. And I hope that people continue to read books, even though we have so many other options for entertainment. — Karen Thompson Walker

Why readers should support indie authors
9/9/2015

Guest post on Maggie James Blog by Samuel Marquis

Readers should support authors of any stripe for only one reason: great writing


"So why should readers support indie and traditional legacy authors? For only one reason: good solid writing. Craftsmanship. Actual hard work, sacrifice, and talent coming together into an amalgam of significance. — Samuel Marquis

Good characters in fiction are the very devil. Not only because most authors have too little material to make them of, but because we as readers have a strong subconscious wish to find them incredible. — C.S. Lewis

I am forever an advocate of books, both the reading of them and the writing. There is something sacred to me in that community. Because writing
and reading
is a solitary business. And it's good to know I'm not alone. — Shannon Celebi

Even in their reading, More charged, too many women were prone to superficiality. In search of a passing knowledge of books and authors, many read anthologies of excerpted works, that selected the brightest passages but left out deeper contexts - eighteenth-century Reader's Digest were quite popular. More cautioned against a habit she viewed as cultivating a taste only for "delicious morsels," one that spits out "every thing which is plain." Good books, in contrast, require good readers: "In all well-written books, there is much that is good which is not dazzling; and these shallow critics should be taught, that it is for the embellishment of the more tame and uninteresting parts of his work, that the judicious poet commonly reserves those flowers, whose beauty is defaced when they are plucked from the garland into which he had so skillfully woven them. — Karen Swallow Prior